Top 522 Jay Gould Quotes & Sayings - Page 9

I pitched Jay Hunt the opening scene (prime minister, middle of the night, he's woken up...). She paused, and then she laughed. She was very intrigued and all that, and then she said, "Does it have to be a pig?" So we went through various options: Could it be a supermarket frozen chicken? A giant wheel of cheese? A pig seemed just the right level of absurd, but then when he walks in and there's actually a pig there, it's awful.

Jay Wexler is my kind of writer--a weird one, and a wry one, and one who isnt afraid to act silly in a sort of bait-and-switch that, to the readers surprise, moves him as much as it makes him laugh. Like all the best comedians, Wexler is clearly nursing a heart that the world broke a long time ago. Ed Tuttle is a book that cant decide what it wants to be when it grows up, but as with most cases of arrested development, theres something very serious going on behind all the antics. Plus, there are pictures.

The only reason I'm ever in character as 'Larry The Cable Guy' is because that's what I'm hired to do. In my movies, obviously they hired 'Larry The Cable Guy' to be 'Larry The Cable Guy.' When I do my shows, I'm 'Larry The Cable Guy.' When I do Jay Leno, it's: 'Please welcome 'Larry The Cable Guy.'

I don't try to hide our relationship with Jay-Z. There's nothing to hide. People see us, but we just don't talk about it, and I think that's absolutely helped us. People give us space and respect us. The minute you start talking about it, that's all people want to talk about. And then the really big rumors start happening.

At this point in our global ecological crisis, the survival of humanity will require a fundamental shift in our attitude toward nature: from finding out how we can dominate and manipulate nature to how we can learn from her. In this brilliant and hopeful book, Jay Harman shows us how far the new field of Biomimicry has already progressed toward this goal. The Shark's Paintbrush makes for fascinating and joyful reading - much needed in these dark times.

There is still an assumption among many people that to be black is to be lower class. In the last fifteen to twenty years, perhaps even further back than that, there's also been an explosion of a very wealthy black class in the United States, but those people are often treated as special cases: they're athletes, entertainers. Jay-Z. Basketball players. The country metabolizes the fact these rich black people exist, but it seems only to reinforce the idea that every other black person is limping along in poverty.

Several people inspired me like Lil' Wayne, Juvenile, the whole Cash Money camp, the No Limit camp, DMX, Jay-Z, Eminem, LL Cool J, I listened to all type of sh*t. I listened to R&B like Teena Marie, just good music - anybody that made good music. When I was growing up out west I listened to Twista, Do or Die, and Crucial Conflict. They were the "it" artists in Chicago. I wanted to be like them on TV and all of that so that's how it all started.

I got to talk to people like Mel [Lewis] and Milt Hilton and Benny Carter and Clark Terry and... Jay McShann. I just found myself in some circumstances, on some gigs or sometimes in clubs, with the ability to talk to some of these people. Just being around their energy and being around that history was invaluable. And what I normally say to young people that are getting into the music, if you can and go... now there's less of those folks around, sadly.

It had no affect on me whatsoever. Um... I consider Jay a very good friend of mine. I also consider Dame and Biggs very good friends of mine. With me not being a Roc-A-Fella artist, with me just being a friend of both and not being tied to them in the Roc-A-Fella situation, I was still able to maintain personal relationships with both of em.

I had just discovered jazz, and I started singing in a kind of blues cover band at the age of 15. We called ourselves - it was a terrible name - the Blue Zoots. We couldn't actually get our hands on zoot suits, nor did we dress in blue. We did covers of Screamin' Jay Hawkins and kind of Blues Brothers repertoire stuff.

Regarding The Music Man, Jay Nordlinger wrote: The Music Man (for which Willson also wrote the lyrics) is an astonishing creation. It came in a spurt of brilliance. It is shot through with originality, verve, and-why not go all the way?-genius. People love it, can't get enough of it, can't stop performing it-and they are not wrong. For closing in on a half- century now, The Music Man has been performed continually, in every American city, town, and village, and in other parts of the world as well, not excluding Peking.

I'm usually homeboys with the same ni**as I'm rhyming wit/But this is hip-hop and them ni**as should know what time it is/And that goes for Jermaine Cole, Big KRIT, Wale/Pusha T, Meek Millz, A$AP Rocky, Drake/Big Sean, Jay Electron', Tyler, Mac Miller/I got love for you all but I'm tryna murder you ni**as/Tryna make sure your core fans never heard of you ni**as/They dont wanna hear not one more noun or verb from you ni**as

I know when the anthrax thing hit - white people, y'all was very nervous. Y'all would come up to me at work and warn me, like 'Oh my God, Aries, be careful. Don't open your mail.' Let me tell you something - black folks was never worried about anthrax because, half the time, we don't open our mail no way. We might think that's a bill. We might hold it to the light and go, 'That's a red slip.' If you want to get us with anthrax, put that in a Jay-Z CD. That's how you get us.

However, the positive, and I mean this, Jay Lethal and Kyle O'Reilly are two of my favorite opponents. I couldn't ask for two guys I'd rather be in a triple threat match with. On top of that, creatively, if we are able to make something that's really exciting for the fans, any time there are more bodies in the ring, you can always create something that's different because there's more than two people in the ring.

I think it would be different to work with a guy like Kanye West or Jay-Z, those guys are so phenomenal, but just to work with a rapper, I don't think is really my thing. I really like songs, like true songs. Like indie songs.

I walked among Shadows, and found a race of furry creatures, dark and clawed and fanged, reasonably manlike, and about as intelligent as a freshman in the high school of your choice-sorry, kids, but what I mean is they were loyal, devoted, honest, and too easily screwed by bastards like me and my brother. I felt like the dee-jay of your choice.

I felt very low. I had been unmasked only that morning by Jay Cee herself, and I felt now that all the uncomfortable suspicions I had about myself were coming true. After nineteen years of running after good marks and prizes and grants of one sort and another, I was letting up, slowing down, dropping clean out of race.

The people that are really from the hood - and I'm raising my hand right now, you can't see that - we wanna get out the hood. We don't want to go back. We don't want to gang bang, we don't wanna do none of that. We wanna make it out! Like Jay Z did. We should be billionaires and owning businesses and stuff like that.

I was watching Ashlee Simpson on Jay's show last night... She was really singing, and I was saying, 'Bring back the lip synch'... And it struck me that Ashlee Simpson is a lot like George Bush - because she wouldn't even really be in the big leagues if it wasn't for family connections, and she's in way over her head. And she doesn't know what to do. And she blamed her band.

I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen.

When we three spoke ourselves into human existences the Son of God, we became fully human. We also chose to embrace all the limitation that this entailed. Even though we have always been present in this created universe, we now became flesh and blood. It would be like this bird (a jay), whose nature it is to fly, choosing to only walk and remain grounded. He doesn't stop being a bird, but it does alter his experience of life significantly.

The wilderness is near as well as dear to every man. Even the oldest villages are indebted to the border of wild wood which surrounds them, more than to the gardens of men. There is something indescribably inspiriting and beautiful in the aspect of the forest skirting and occasionally jutting into the midst of new towns, which, like the sand-heaps of fresh fox-burrows, have sprung up in their midst. The very uprightness of the pines and maples asserts the ancient rectitude and vigor of nature. Our lives need the relief of such a background, where the pine flourishes and the jay still screams.

Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.

I don't hold on to fear as much as I used to, because I've learned a lot about genuinely not caring what strangers think about me. It's very liberating. It's very empowering, and I've learned a lot of that from Jay-Shawn Carter-Z, because his approach to life is very internal. It's a very good lesson to learn.

I grew up, like - since I had a lot of brothers, I grew up listening to Hot Boys, Goodie Mob, OutKast, basically all the southern albums, like Silkk the Shocker, Master P, Soulja Slim, and then it just elevated on when I started getting into music and I started listening to Nas and Jay Z and stuff like that and Lupe Fiasco and whatnot.

Daisy smiled and said, "Jay Berry, you won't die. You may think you will, but you won't. In a day or two, you'll be as good as new, I hope." "You're just saying that because you heard Papa say it," I said. "No, I'm not!" Daisy said. "I'm saying it because I'm a nurse, and nurses are supposed to cheer up their patients." I knew all too well that once Daisy had gotten into one of her Red Cross nursing spells, it was ridiculous to even think of trying to argue her out of it. So I just groaned, closed my eyes, and sat there while

It's not so much less pressure, it's less work, which is really exciting to me. I'm just personally looking forward to being able to spend a little more time doing different things, so that's really great. Jay and I are writing a book this year which is really fun and so yeah, I am very excited to spend less crazy 12-hour days on set. Those were taxing times.

Regarding the current Broadway revival of The Music Man, Jay Nordlinger wrote: There will always be those who sniff that the show is "feel good"-but, oh, it feels good to feel good. And the main reason The Music Man feels so good is that it is good-a great American musical.

Where the road sloped upward beyond the trees, I sat and looked toward the building where Naoko lived. It was easy to tell which room was hers. All I had to do was find the one window toward the back where a faint light trembled. I focused on that point of light for a long, long time. It made me think of something like the final throb of a soul's dying embers. I wanted to cup my hands over what was left and keep it alive. I went on watching the way Jay Gatsby watched that tiny light on the opposite shore night after night.

Only black people in the whole neighborhood, so let's break it down: Me, I'm a decent comedian, I'm a'ight. Mary J. Blige, one of the greatest R&B singers to ever walk the Earth. Jay-Z, one of the greatest rappers to ever live. Eddie Murphy, one of the funniest actors to ever, ever do it. Do you know what the white man that lives next door to me does for a living? He's a f*****g dentist.

By the latter part of high school, by the middle of junior year in high school, Jay Rodriguez played me some Irakere records that that Paquito [D'Rivera] was on. And he also played me and our friend, Curtis Haywood, some Phil Woods records. And when I heard Phil, I just about lost my mind. I was playing the Charlie Parker Omnibook as part of my lessons. This was the '80s. There was no YouTube and all that. And we had three or four jazz records at that point.

It's kinda crazy to say, but the way Jay [Duplass] and I stay afloat, because we don't make particularly commercial fare that makes a lot of money, is that we make things cheaply and we make things small. We would kind of be afraid to go make a $100 million movie because you have to do certain things to it to have it make its money back.

When I go biking, I repeat a mantra of the day's sensations: bright sun, blue sky, warm breeze, blue jay's call, ice melting and so on. This helps me transcend the traffic, ignore the clamorings of work, leave all the mind theaters behind and focus on nature instead. I still must abide by the rules of the road, of biking, of gravity. But I am mentally far away from civilization. The world is breaking someone else's heart.

I'm a dirty kid: I like to be outside, I like to run about, I like to get messy. So I spent a lot of time outside as a kid, skating and just being a disaster. I was obsessed with Dogtown - I still am obsessed with Dogtown, the Z-Boys. I love Stacy Peralta and Jay Adams and Andrew Reynolds, all these guys. I used to think I was Chad Muska.

I really like John Legend as an artist and as a person. As well as Lyfe Jennings. Jeezy is good people as well. I like to interview Nick Cannon. He always has something interesting to say. I still enjoy talking to Jay-Z or Nas which was weird since we had so much history. I also enjoyed talking to the Mayor of Detroit as politicians because they need to hear the hip hop side of the community that they don't hear from on a regular basis.

I wasn't able to articulate it until after audience members gave feedback. And then, similarly, when we talked about the bromance being unique, I don't think Mark, Jay, and I really saw how special that aspect of that bromance was until our audience members sort of gave us feedback and let us know, "Hey, we've never seen a bromance like this before on television."

It was tough sitting in jail listening to Jay Leno and Rush Limbaugh and everybody making jokes about me getting shot. And watching the media report all kinds of lies about me, like that I got raped in jail. That never happened. But at least while I was locked down, all the inmates gave me props encouragement, and so did lots of mothers and kids, who wrote me letters of support.

I went back to Jamaica after living in New York and started to work on experimental stuff and basically I grew as a filmmaker. I went to film school; I was a PA on a lot of projects and I worked so hard, you know, you're young and I learned from different mentors. And luck put me in the position to work with amazing people. One of my mentors by the name of Little X, who took me under his wing after I came out of film school and moved to New York. I worked in videos for Jay-Z, Pharrell to Busta Rhymes and Wyclef. I quickly realized how much I wanted to make films instead of music videos.

I completely understand why a businessman would fire me from 'Saturday Night Live'. Because he was seeing Jay Leno kill 10 minutes a night, doing his monologue with wall-to-wall laughs and applause, then I do 10 minutes a week to, sometimes, breathtaking silence. He's just listening for the laughs.

Jay and I used to talk about this: we never had a goal of making a lot of money. We had a goal of having a business of our own. And there were many times we could have sold out and had a lot of money. Billions. We just put it in our pocket and go home, OK? But that was never our goal.

Unca Jay!" "How's it going Claire?" She giggled. "Qwil aaaaawl wet now." "I can see that. Where's your mama?" "Gone, gone, gone," Claire sang. "Cwaire pway wid Qwil aaaawl day. Cwaire nebber gowin home." Jacob and Claire, Breaking Dawn, page 152.

Jay Harman is the quintessential biomimic, a principled inventor who sees solutions everywhere he looks in the natural world. And he looks deeply, with the soul of a student. He moves with grace from a world of waving sea kelp to the world of sustainable design, bringing nature's wisdom into the board rooms of global companies, to the design tables of the engineers and designers who make our world. This is more than a business book, more than a memoir, more than a new way to solve global challenges. It's a book about a new way to think.