Bill Evans is a real serious jazz pianist who, in my book, crossed over boundaries in terms of color. He used the piano as his canvas.
Jazz is a very democratic musical form. It comes out of a communal experience. We take our respective instruments and collectively create a thing of beauty.
In Europe they look upon jazz as art. In America it's a diversion. Somebody opens a restaurant and installs another band off to the side. People don't listen.
You don't have to be fearless to do anything; you can be scared out of your mind. I fear that I won't get better and that I won't have time to practice. To be called a 'jazz musician' - it's a big responsibility.
I was three or four, and my mother would have a Bing Crosby record playing through the house. It was my introduction to jazz, harmonies, melodies, musicianship, and emotion.
Jazz has an audience all around the globe and has had for many decades, I think speaking of the United States, let's say that what we need is more of an official recognition.
I really didn't know a lot of rock 'n' roll until I moved to L.A. Before that, when I was in New York, I grew up listening mostly to R&B and soul and jazz.
That's kinda what happened to me: I listened to jazz, country, R&B, rock 'n' roll. And when I sat down to write a song, I had all these influences comin' through.
If a jazz player is really playing, the classical player will have to respect him.
You know what I'd really like to do? I'd like to record some white Chicago jazz.
If you're more interested in looking like a hipster, a jazz musician, or a young hunk, I'd recommend the pork pie. It has a narrow brim and a flat top.
A short story relies on those values that make poetry and jazz what they are: tension, rhythms, inner beat, into unforeseen within foreseen parameters
Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
Everything that I'm doing, it's like a future jazz, future trap house movement.
I love opera. I love jazz, especially Mingus. This makes me sound highbrow. I'm not.
Jazz is America's own. It is played and listened to by all peoples - in harmony together. Pigmentation differences have no place... as in genuine democracy, only performance counts.
Just like a comedian has a certain joke or a jazz musician has a riff that they know will get the crowd, a tap dancer always has a step.
All New Orleans music is based off dance music, even jazz.
If you mess around with jazz, you better have a good drummer and a good bass player.
Some people try to get very philosophical and cerebral about what they're trying to say with jazz. You don't need any prologues, you just play.
I never left jazz. The relationship between structure and improvisation - that constant conversation and tension - I've always wanted in every genre and song that I perform.
As a rule, my focus is on classical music, but I love jazz. I love everything, actually.
Whether you like punk, grunge, or early rock and roll, there's probably something in there you've been living with your whole life and you didn't even know it was jazz.
My roots are in everything from doo-wop and blues to the Four Freshman and the Beach Boys and jazz and electronica. But it was put together in a deceptively simple package.
We real cool. We Left school. We Lurk late. We Strike straight. We Sing sin. We Thin gin. We Jazz June. We Die soon.
My parents have always been open to me trying new things, whether it's yoga or ballet or tap or jazz or piano or horse riding.
I'd have no trouble being the barbecue kingpin of America. I'd just add it to all the other things I am: jazz musician, carpenter, architect, engineer and revolutionary.
I never started out as an R&B singer. I grew up on all types of music - jazz, rock, pop, country, folk - and I wanted to bring that to my stage.
Jazz is not just 'Well, man, this is what I feel like playing.' It's a very structured thing that comes down from a tradition and requires a lot of thought and study.
Marijuana is taken by musicians. And I'm not speaking about good musicians, but the jazz type.
I'm into a lot of different types of music - pretty much everything from blue grass to jazz to dub step to metal to indie experimental and progressive.
When comedy is good, it's jazz. The beats of it, the looseness, the improvisational part, the music-the way you hit the inflection, the high notes of a joke. It's all melody to me.
To me it would be hard to beat how the Jazz look after Renae and every wife or significant other, and even family members.
If one takes all the styles in jazz harmonically from the earliest beginnings to the latest experiments, he still has a rather limited scope when compared to the rest of music in the world.
One of the things that's clear to me from interviews that I've read is that the more popular successful jazz musicians had audiences above and beyond the music community.
Jazz is a very accurate, curiously accurate accompaniment to 20th century America.
The obsessions of others are opaque to the unobsessed, and thus easy to mock. NASCAR, jazz, baseball, roses, poetry, quilts, fishing. If we're lucky, we all have at least one.
the beauty of America, neither cool jazz nor devoured Egyptian
heroes, lies in
lives in the darkness I inhabit in the midst of sterile millions
Whenever there's a change with Jazz & its aesthetics, it's almost always reflected with a change in the culture.
My prayer is improvised - though like some standard jazz performance, the improv happens within pretty strict parameters - and asks for nothing.
I like a lot of electronica. I like older jazz rather than newer.
The blues and jazz will live forever... So will the Delta and the Big Easy.
Jazz is one of the best things that you can find in your life, it can always be your friend.
As an artist, you have to express yourself. I make no excuses for my versatility. I grew up singing classical arias, but I love rock n' roll and jazz standards.
I was a dancer for long time. And you always hear that ballet is the core of dance, and that - once you have that down - you can do everything else. For me, jazz is like that for music.
My husband makes fun of me, because I know I can use strong prose to jazz-hand my way through plot that isn't as interesting as I'd like it to be.
'Sunshine Superman' was a pioneering work that for the first time presented a fusion of Celtic, jazz, folk, rock, and Indian music as well as poetry.
Lately I've been listening to some classical music again, some jazz.
Pain can be washed out with a song. / Pain can become jazz digested and transformed.
The first jazz cruise that I was on was '91. I played with Maria Schneider and John Fedchock's band. Got to meet some amazing people that week.
I'm not really married to the craft of jazz - I'm married to me, and my style, and whatever I produce.
Playing solo with an audience for an hour and 30 minutes without a break means I have to, as the jazz cats say, get into the shed and work on my chops.
A gripper of a read . . . Silence revives the cliff’s-edge drama of those Jazz age climbs and drives home the tragedy of Mallory’s death.
My main influences have always been the classic jazz players who sang, like Louis Armstrong and Nat King Cole and Jack Teagarden.
Artie Shaw was way ahead of most clarinetists and most jazz players.
To be honest, I don't have a particular recipe, but I normally start with the chord progression and then I build it from there. I listen to a lot of jazz, so the chords are really important to me.
I studied and sang lot of jazz when I was growing up. I think that plays a little bit into some of the things I do vocally, notes that I pick in chords.
I usually listen to surf music, not much instrumental music, and when I was younger I listened to jazz.
When pop and rock were taking over from jazz, and Sinatra was covering a Beatles song, it was all very new. I get to come at it from a different direction.
I love many kinds of music: world music, jazz, classical, pop.
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