Top 427 Jean Valjean Quotes & Sayings - Page 5

I like the way corduroys feel. I like the sort of jean aspect of corduroys, but also the texture of them. They probably remind me of my childhood, too, I think. I wore cords, and my dad had a corduroy jacket.

In the film industry, we tend to pick up where others have left off, and I'd like to think the influences I picked up from Bruce Lee, Jackie Chan, Sylvester Stallone and Jean-Claude Van Damme are visible in my work.

Steel True, Blade Straight *In 1955, Doyle's family sold Windlesham, which was turned into a hotel. The bodies of Conan Doyle and his wife, Jean, were moved to a grave at Minstead Churchyard, Hampshire.

The artist must be a philosopher. Socrates the skilled sculptor, Jean-Jacques [Rousseau] the good musician, and the immortal Poussin, tracing on the canvas the sublime lessons of philosophy, are so many proofs that an artistic genius should have no other guide except the torch of reason.

Back in the days, being able to join the Jean-Marc Guillou academy was one of the best things that could happen to a youngster from Ivory Coast. There were thousands of kids who wanted to join that school so it was a great feeling for me.

As a boy I dreamed that I could go on a boat with Jean Cousteau. But I was never given the opportunity. I am now giving that opportunity to young people around the world who would like to experience the beauty of nature.

I got on a bit of a rollercoaster looking into how Herbie Hancock used to make his tunes, and I remember a picture of Jean-Michel Jarre at one of his concerts and seeing the Memorymoog. When I heard the sound it I was like, 'Arrrgh, I really need that.'

What I like to do when nobody's watching at home is, when I have my shower in the morning, I listen to music - my favorite group is Alexander Jean - they wrote a beautiful rumba called Paper Planes.' So I do my little rumba moves while I'm washing my hair.

[Jean-Paul] Sartre was a throwback to the existential period. I'm not really so much into that these days. I went through a period of going over things and looking at them again to see what they were. But I'm into psychiatry type things. I'm into philosophy. I'm into that sort of thing.

In older Hollywood movies, a character will make an entrance, close a door, light a cigarette, sit down, have a drink. In Jean-Luc's movies, you were doing everything at once, and sometimes you wouldn't shut the door all the way.

Jean-Luc asked me to play a small part in 'Breathless,' the role of Belmondo's former girlfriend. It was just one scene. I asked him what I had to do and he said, 'You have to take your clothes off,' and I said no.

I like photographing the people I love, the people I admire, the famous, and especially the infamous. My last infamous subject was the extreme right wing French politician Jean-Marie Le Pen.

I think that Jean Houston has broken through to a new understanding of the sense and uses of inward-turned contemplation-a n understanding that leaves the Freudian schools of technique and theory far behind. The accent is not on the curing of disease but on the enlargement, rather, of our health.

Many other directors, they have lots of scripts and they never rehearse as much, and you never really have time to be a part of it. With Jean-Luc, you always had time to be a part of it. It's difficult to explain to normal people.

I think the action movies in the 80s and 90s were different. It was a testosterone age. Steven Seagal, Jean-Claude Van Damme and Sylvester Stallone - they fuelled my childhood. But now I don't think I'd like to do just action, I don't enjoy that.

As a girl, I lived in jeans, and my love-affair with them continues. Since I turned 50, jeans have become something of a uniform, whether it's a slouchy boyfriend fit for daytime or a leaner, fitted jean in a darker denim for evening.

It's true that I have a strong social sensibility, because - bah, because I raised thre children on my own, and I know the difficulties that can represent. All of that makes it appear that there's a difference between Jean-Marie Le Pen's program and mine. But the big ideas are the same.

My first visit to Haiti was in May 1991, four months into the initial term of Haiti's first democratically-elected president, Jean-Bertrand Aristide. At the time, it seemed that Haiti was on the cusp of a new era.

Anita can speak for herself," Richard said. Jean-Claude's attention flicked back to me. "That is certainly true. But I came to see how the two of you enjoyed the play." "And pigs fly," I said. "You don't believe me?" "Not hardly," I said.

The Frenchman Jean-PaulSartre ... had a dialectical mind good as a machine for cybernetics, immense in its way, he could peel a nuance like an onion, but he had no sense of evil, the anguish of God, and the possible existence of Satan.

In the film industry, we tend to pick up where others have left off, and Id like to think the influences I picked up from Bruce Lee, Jackie Chan, Sylvester Stallone and Jean-Claude Van Damme are visible in my work.

The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young - I think I'm 28 years old in that - and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.

There has been a marvelous joyous carnival of mourning for Edith Piaf and Jean Coctaeau, and it was real! They died as they had lived, with style and grace and their proper eccentricity; and Paris loves anybody who can live anarchically and be delightful entertainment at the same time. So do I.

When I worked with Billie Jean King and Craig Kardon, and we would be working on something, Billie would show up and say, 'What about this?' Neither one of us had seen it.

Top performers in their fields such as Debbie Moore, Jean-Christophe Novelli, Deborah Meaden and Jo Malone, did not go to university and are just a handful of the individuals who show that with drive and determination, you can succeed by treading your own path.

Amadeus Mozart is to music something like Jean Nicolas Arthur Rimbaud was to literature. They are people who created something that nobody before them had. Absolute geniuses. You can recognize their harmonies among thousands.

I am in constant contact with the factory on a daily basis by phone. I speak to many people: to Ross Brawn and to Jean Todt and my race engineer. I have many sources I can speak with to find out what has been happening.

Herta Muller, Mo Yan, Jean-Marie Gustave Le Clezio - for many of us, the Nobels have become doubly educational: We simultaneously learn of an author's existence and find out that we ought to have been reading him or her all along.

I was born on the eighteenth of December, 1935, in the town Bourg-en-Bresse, about thirty miles northeast of Lyon, the second of three sons of Jeanne and Jean-Victor Pepin. Weighing only two and one half pounds, I nearly died at birth.

Goodbye Darcy, goodbye Jean, goodbye stone cottage, scratchy towels, fields of wildflowers; good bye gorgeous Peak District ... OK English People, for your own good, get off the roads, here we come!

You know, I've learned a lot from every person I've collaborated with, from Madlib to Jean Grae and Hi-Tek, to Mos to DJ Quik, to even somebody like Jermaine Dupri. I've taken something important away from every experience.

Just like Lara Jean in my book 'To All the Boys I've Loved Before,' I used to write letters to boys I was in love with - letters full of emotion and longing and also recrimination - but they were for my eyes only.

Jean Shrimpton was the most beautiful of all the models I have known. To walk down the King's Road, Chelsea, with Shrimpton was like walking through the rye. Strong men just keeled over right and left as she strode up the street.

I put it [picture "A still life of a pear" by Edouard Manet] there [on the wall, next to the picture "Jupiter and Thetis" by Jean-Auguste-Dominique Ingres], for a pear like that would overthrow any god.

I think it was [Jean-Luc] Godard who said that life is nothing but a bad copy of film, but then our ambition must be to make better films and better shapes of forms that are given in life.

People know that I have a great love for cinema. Not just for commercial cinema, but for the “cinema d’auteur.” But to me, two of the great “auteurs” are actually actors and they both happen to be French. One is Alain Delon and the other is Jean-Paul Belmondo.

Jean Renoir once suggested that most true creators have only one idea and spend their lives reworking it, but then very rapidly he added that most people don't have any ideas at all, so one idea is pretty amazing.

It is our lack of will that lies behind the continued denial of justice to Jean McConville. Yet there is something that we can do now for her and for ourselves before our silence turns us from spectators into passive accomplices. We can remember her.

I have to say that The Simpsons comes from a huge number of great writers headed by Al Jean, the show-runner, and the work that they do is really fantastic. It's a blast just to sit around with them in the writers' room and listen to all the filthy jokes that will never get on the air.

Quite simply, I owe everything to Jean-Luc. He taught me everything I know about films, about books, about art, about life.

However, it was the great 18th century social philosophers John Locke, Thomas Hobbes, and Jean-Jacques Rousseau who brought the concept of a social contract between citizens and governments sharply into political thinking, paving the way for popular democracy and constitutional republicanism.

I wanted to meet other artists. I suppose I simply felt that I was taking pot shots at clay pipes. Pop! Down goes Gertrude, down goes Jean Cocteau, down goes André Gide.

Jean-Marie Le Pen is a holocaust denier who was convicted and fined for dismissing Nazi concentration camps as a, quote, "Detail in History." But he kept running this anti-immigrant, anti-Semitic, populist unapologetic xenophobic far right party in French politics.

I had all these tapes in my closet that I had shot years ago with my friend Jean-Michel Basquiat. I was working on a film about him when he died, and then I just put everything away. It was too sad.

The first guy I really liked and was kind of obsessed with and had to seek out and find more of his films was Jean-Paul Belmondo. He was the main guy that I was obsessed with.

The one immutable reality of film is, no matter how wonderful the actors and the performances are, every year the actors age and grow older - Sophie Turner's Jean Grey was wonderful!

When I was a kid, all the walls in my room were papered with posters portraying Jean-Claude Van Damme, Arnold Schwarzenegger and Sylvester Stallone. I think working with Van Damme was a great experiment. It was awesome!

Jesus, are all vampires over two hundred perverts?" "I am over two hundred," Jean-Claude said. "I rest my case.

I grew up watching old black and white movies where Marlene Dietrich or Jean Harlow would go walking down some cobblestone street in ripped stockings and head into some smoky boite and sing for a pathetic living. That's so what I wanted to be.

I was attracted to the comics because of the characters and, particularly, Wolverine because he is so complex. He is so damaged and tragic in many ways - he doesn't have his memory. His body was invaded. He has unrequited love for Jean Grey.

I would not say that ethical behavior is not possible for the atheist or agnostic. It is. A couple of pretty good examples are Bertrand Russell and Jean-Paul Sartre. However, I will have to say that if we take the human lot as a whole, these two men must be seen as exceptions.

The great thing about Santa Monica civic auditorium was it was a place you could ride your bike to. In this case, my dad dropped me and my friends off, and we'd go see Ronnie James Dio or Jean-Luc Ponty or Weather Report or the Pretenders.

One should make movies innocently - the way Adam and Eve named the animals, their first day in the garden. Learn from your own interior vision of things, as if there had never been a D.W.Griffith, or a Eisenstein, or a [John] Ford, or a [Jean] Renoir, or anybody.

'Masquerade' is the autobiography of Wyclef Jean. A lot of people know me through my work with Carlos Santana or Destiny's Child, winning all those Grammy Awards, but you do not know what is going on inside me.

"I know perfectly well that at this moment the whole universe is listening to us," Jean Giraudoux wrote in The Madwoman of Chaillot, "and that every word we say echoes to the remotest star."That poetic paranoia is a perfect description of what the Sun, as a gravitational lens, could do for the Search for Extraterrestrial Intelligence.

I never wanted to go to university: books seemed to have all the answers, and the questions, too. I went to work for Jean Muir as her in-house model. Miss Muir - as she will always be to me - was interested in everything.

My dad is Jean-Paul Bourelly, a really prestige guitar player in Europe, and he toured with Miles Davis. I was always surrounded by the most prestige kind of musicians from Senegal, Trinidad, Poland, Nigeria, and all around the world.

I'm doing a play at Trafalgar Studios with The Jamie Lloyd Company - 'The Maids' by Jean Genet with Uzo Aduba and Laura Charmichael, directed by Jamie Lloyd. It's one of my favourite plays by one of my favourite playwrights.

Musically, some of the acts that I've really been identifying with are: Fleetwood Mac, Roxy Music, Vangelis, Jean-Michel Jarre, Earth, Wind & Fire, in general music that seems to have a lot of romance to it and a certain glamorous idealism.

Under a pulsating full moon, the gussied-up Billie Jean King National Tennis Center seems much softer and prettier at night, with the fountains bubbling and fans without tickets to the big stadium sitting in the plaza and watching a big screen.