Top 427 Jean Valjean Quotes & Sayings - Page 7

Both Arthur Ashe and Billie Jean King used these phrases ("playing out of one's mind," or "over one's head") to describe their performances while winning tghe finals at Wimbledon in 1975. . . . The player loses himself in the action, continually breaki g the false limits placed on is potential. Awareness becomes acutely heightened, while analysis, anxiety and self-conscious thought are compoletly forgotten. Enjoyment is at a peak - pure and unspoiled.

Jean-Luc didn't like me to say any bad words in real life, and I would always do it on purpose, just for fun. And he would go crazy! Then he had Brigitte Bardot do just that in 'Contempt.' And in that film she also has this line - 'I want red velvet curtains, or nothing at all in the apartment' - which was something I would always say.

For a long time, I refused to wear jeans. I liked high-waisted pants, but jeans made me feel like I wasn't being unique. Even now, I won't wear the skinny-jeans style, because most people wear those - they have to be baggier, boyfriend-looking, or sort of like a mom jean. I'm real funny that way.

I would love to say something really cool, because I did film studies. So, like, a Jean-Luc Goddard film - something like that. But I genuinely would love to be in 'Titanic.' I'm such a loser. That's, like, my childhood film. Like, I love it.

My mother was not a country girl. She was a Brooklyn girl, born and raised in Flatbush, and then a Long Island girl, who liked shopping, 'a little glitter' in her clothes, and keeping secret the actual color of her hair, which from the day I was born to the day she died, was the 'platinum blonde' of Jean Harlow's.

He ordered food with a childlike glee and watched me eat, tasting it as I did. In private he'd roll on his back like a cat, hands pressed to his mouth as if trying to drain every taste. It was the only thing he did that was cute. He was gorgeous, sensual, but rarely cute. - Anita Blake about Jean-Claude

Polly Jean, I love you. I love the texture of your skin, the taste of your saliva, the softness of your ears. I love every inch and every part of your entire body. From your toes and the beautifully curved arches of your feet, to the exceptional shade and warmth of your dark hair. I need you in my life, I hope you need me too.

I honestly really, really love Topshop. I've bought a lot of booties from there. I think they have a great selection of really funky booties at Topshop. My splurge would be a pair of leather Christian Louboutin over-the-knee boots. They're sick! I would do a really stretchy skinny jean under a black turtleneck and call it a day!

You hung with me when all the others turned away, turned up their noses We liked the same music, we liked the same bands, we liked the same clothes Yeah we told each other that we were the wildest, the wildest things we'd ever seen Now I wish you would have told me, I wish I could have talked to you Just to say goodbye, Bobby Jean.

If hatred strikes you, if you get accused, thrown to the lions, you can expect one of two reactions from people who know you: some of them will join in the kill, the others will discreetly pretend to know nothing, hear nothing, so you can go right on seeing them and talking to them. That second category, discreet and tactful, those are your friends. 'Friends' in the modern sense of the term. Listen, Jean-Marc, I've known that forever.

Our clients wanted the restaurant experience, not their mother's buffet dinner - so we reached out to that world and hired a series of restaurant chefs: Robb Garceau from Jean Georges, Cornelius Gallagher from Oceana. Cornelius completely revolutionized our menu; he did a stint at El Bulli, and one of the techniques he brought back was sous-vide cooking. Our current chef, Patrick Phelan, continues to grow the vision.

Except by name, Jean Paul Friedrich Richter is little known out of Germany. The only thing connected with him, we think, that has reached this country is his saying,-imported by Madame de Staël, and thankfully pocketed by most newspaper critics,-"Providence has given to the French the empire of the land; to the English that of the sea; to the Germans that of-the air!" Richter: German humorist & prose writer.

Without him (Jean-Christophe) I would never have understood the splendour of taking free andindependent action as an individual. Up until this stolen encounter with brains had been incapable of graspingthe notion of one man standing up against the whole world...................To me it was the ultimate book: once youhad read it, neither your own life nor the world you lived in would ever look the same.

Much research in psychology has been more concerned with how large groups of people behave than about the particular ways in which each individual person thinks... too statistical. I find this disappointing because, in my view of the history of psychology, far more was learned, for example, when Jean Piaget spent several years observing the ways that three children developed, or when Sigmund Freud took several years to examine the thinking of a rather small number of patients.

The biographies of the great men see their excesses as signs of their greatness. But Jean Rhys, in her biography, is read as borderline; Anaïs Nin is borderline; Djuna is borderline; etc. etc. Borderline personality disorder being an overwhelmingly gendered diagnosis. I write in Heroines: “The charges of borderline personality disorder are the same charges against girls writing literature, I realize - too emotional, too impulsive, no boundaries."

Condelleza Rice and Colin Powell are both dangerous people. What they did in Haiti [2004 U.S.-backed coup that ousted democratically elected President Jean-Bertrand Aristide] is a good measure of it. They destroyed a democracy. They squelched loans that had been approved by the Inter-American Development Bank. They did everything behind the scenes, including arming the thugs that came to overrun the country. They're frauds.

I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me.

I'd been asked by Takashi Murakami to collaborate on something, which was an honor for me. I was really pleased. And then he had me as a guest speaker on his radio show, and we were talking about art. I don't think he knew I was interested in the topic - he was really surprised to find out that I own some original Andy Warhol and Gerhard Richter and Jean-Michel Basquiat works. So, in some ways, I think he simply wanted to see what I have.

I think that Billie (Jean King) and Zina (Garrison), they have a whole lot of experience. Even if I don't quite agree with something or have a different way of doing it this week, whatever they said, I did it right away and I found out that it was correct. I think that's helped a lot...I'm having fun. I had a lot of fun out there. Sometimes I was ready to smile -- but I knew I'd lose focus -- because I was doing things that I'd done in practice and we talked about. I was ready to laugh and give someone a high-five, but it wasn't time for that.

I think I wanted to be a punk-rocker before I wanted to be anything else. I remember wanting a mohawk, and I wanted to cut the sleeves off of my jean jacket because I used to want to be Dirty Dan from Sha-Na-Na. This is before hip-hop was even around. I had the skinny piano tie. I had it, man.

Jack Geisinger. He passed, but we were friends up until the end. We took a dress design and apparel class, and I realized that I didn't like it, mostly because I couldn't sew very well. I then change over to textile design, where I could draw and paint. It was perfect for me. I got to the height of my career as a textile designer. I was working with people like Donna Karan, Jean Muir, and Scott Barrie.

The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.

Just always believe in yourself. "Champions adjust." It's a line I learned from Billie Jean King, and sometimes your dream adjusts. Be willing to adjust with it and see where your opportunities ... sometimes a door closes but a window opens, so just follow your dreams and continue. You never know where it's going to take you.

As his other hand began to slip around her waist, his body brushed against hers, and there was no mistaking the thick, hard ridge grazing her jean-clad bottom. Heavens, did that thing never subside? The rest of him might be mortal, but his immortal erection certainly didn't scan to have gotten the memo.

He isn’t so much flirting,” Cerise murmured. “Either he doesn’t like me or he doesn’t know how.” “Of course he likes you. You’re lovely. He probably just doesn’t get it. Some men have to be hit over the head with it. Her aunt rolled her eyes. “I thought I’d have to draw your uncle Jean a giant sign. That or kidnap him and have my evil way with him, until he got the message.

I'm a fan of Bjork, a fan of Premier, you know, those are the first two names that come to my mind. You know, I've learned a lot from every person I've collaborated with, from Madlib to Jean Grae and Hi-Tek, to Mos to DJ Quik, to even somebody like Jermaine Dupri. I've taken something important away from every experience.

There's a sense in which Marx does contribute to the fund of human knowledge, and we can no more dismiss him than we can [George] Hegel or [Jean-Jacques] Rousseau or [Baruch] Spinoza or [Charles] Darwin; you don't have to be a Darwinian to appreciate Darwin's views, and I don't have to be a Marxist to appreciate what is valid in a number of [Karl] Marx's writings-and Marx would call that a form of simple commodity production rather than capitalism.

This whole theory [of John Law and Jean Terrasson], as dear to French financial schemers in the eighteenth century as to American "Greenbackers" in the nineteenth, had resulted, under the Orleans Regency and Louis XV, in ruin to France financially and morally, had culminated in the utter destruction of all prosperity, the rooting out of great numbers of the most important industries, and the grinding down of the working people even to starvation.

So I called and said, 'Mommy, I'm doing a political film with Jean-Luc Godard. You have to come and sign the contract.' She thought I was lying, so she hung up the phone. But then she came the next day, even though she had never taken an airplane in her life. She came to Paris and she signed my contract.

According to the management expert Peter F. Drucker, the term "entrepreneur" (from the French, meaning "one who takes into hand") was introduced two centuries ago by the French economist Jean-Baptiste Say to characterize a special economic actor-not someone who simply opens a business, but someone who "shifts economic resources out of an area of lower and into an area of higher productivity and greater yield." The twentieth-century growth economist Joseph A. Schumpeter characterized the entrepreneur as the source of the "creative destruction" necessary for major economic advances.

Anne Wiazemsky wrote two books about her life with Jean-Luc Godard between 1966 and 1969. And I first read the second one, which is about the fall of their love story and their marriage. I immediately thought there was a movie to make with this book because it was so funny, and I thought the love story was very, very touching.

Why do I feel so exercised about what we think of the people of the Middle Ages? ... I guess it's because so many of their voices are ringing vibrantly in my ears - Chaucer's, Boccaccio's, Henry Knighton's, Thomas Walsingham's. Froissart's, Jean Creton's... writers and contemporary historians of the period who seem to me just as individual, just as alive as we are today. We need to get to know these folk better in order to know who we are ourselves.

I'm so glad that the peg-leg jeans thing is over. I'm over that, and I don't know why people think that the boyfriend jean looks good on everyone. Maybe if you're really tall and thin you can pull it off, or pull it off better than most. But being only five-foot-one and being more of a curvy girl, boyfriend jeans aren't the most flattering.

In our comic cons and interviews, they're always asking him questions, of course, because people love Jean-Luc Picard. They love Sir Patrick Stewart. But he always likes to stop everyone and go, Wait, but these new characters, I can't wait for you to meet these new people.' He very much always tries to make space for us.

I was once dressed as a mermaid for a Jean Paul Gaultier show. My legs were bound into a fish tail, so I had to come down the runway on crutches. Halfway down, I was supposed to unzip the fish tail to reveal my legs, but the zipper broke, so I ended up stabbing my fake nail through the fabric of the zipper and ripping my way out.

Crooked Warden, I will fear no darkness for the night is yours," muttered Locke, pointing the first two fingers of his left hand into the darkness. The Dagger of the Thirteenth, a thief's gesture against evil. "Your night is my cloak, my shield, my escape from those who hunt to feed the noose. I will fear no evil, for you have made the night my friend." "Bless the Benefactor," said Jean, squeezing Locke's left forearm. "Peace and profit to his children.

In general, you have great artists who have died far too early and who have left great cultural impact. If you look at people like Vincent van Gogh or Jean-Michel Basquiat-there's a long, long list of artists who have died in tragic circumstances, and far, far too early.

I changed my major to English and I went off to Fort Collins. And within the first couple of weeks, I noticed that they were having auditions for a production in their theater department. They were going to stage Jean Anouilh's Becket, which was a film I loved, with Peter O'Toole and Richard Burton. So I went down and auditioned, and I got the role. I got the Peter O'Toole part. So here I was, a 19-year-old playing King Henry.

I was a lot more critical of my body when it was probably pretty awesome. Why did I not ever wear jean shorts? That's so crazy. I was so skinny. I didn't have any cellulite what was I thinking? I was more willing to wear short skirts after I had my kids. I never wore them before. Ever. I was so self-conscious. Now I'm a lot more confident in my skin - because who cares? At the end of the day, it's so much time spent on something that really doesn't matter that much.

Jean was visited by one of her rare moments of happiness, one of those moments when the goodness of God was so real to her that it was like taste and scent; the rough strong taste of honey in the comb and the scent of water. Her thoughts of God had a homeliness that at times seemed shocking, in spite of their power, which could rescue her from terror or evil with an ease that astonished her.

(While accepting the Jean Hersholt Humanitarian Award) I've been thinking about why you have to get famous to get an award for helping other people...If your name is John Doe, and you work night and day doing things for your helpless neighbors, what you get for your effort is tired. So, Mr. and Mrs. Doe, and all of you who give of yourselves, to those who carry too big a burden to make it on their own, I want you to reach out and take your share of this...Because if I have earned it, so too have you.

...Dean Mohamet, a Muslim landowner from Patna who had followed his British patron to Ireland. There he soon eloped with, and later marries, Jean Daly, from a leading Anglo-Irish family.... In 1807 Dean Mohamet moved to London where he opened the country's first Indian owned curry restaurant, Dean Mohamet's Hindoostanee Coffee House :...He finally decamped to Brighton where he opened what can only be described as Britain's first oriental massage parlour and became "Shampooing Surgeon to Kings George IV and William IV. "

There had been a free and open election in Haiti in the early 1990s and president Jean-Bertrand Aristide won, a populist priest. A few months later came the expected military coup - a very vicious military junta took over, of which the United States was passively supportive. Not openly, of course, but Haitians started to flee from the terror and were sent back and on towards Guantanamo Bay. Of course, that is against International Law. But the United States pretended that they were "economic refugees."

Billie Jean King is one of the all-time tennis greats; she's one of the superstars. She's ready for the big one, but she doesn't stand a chance against me. Women's tennis is so far beneath men's tennis; that's what makes the contest with a 55-year-old man the greatest contest of all time.

I did The Fifth Element and [Jean-Claude] Mezieres, the artist of Valerian; he was working on Fifth Element. And he's actually the one who say, why don't you do Valerian? And I said because we can't make it. And you really have to wait for Avatar and to suddenly think oh okay, maybe we can think of it. But before Avatar, just forget it.

In 1984, Jean Vanier invited me me to visit L'Arche community in Trosly, France. He didn't say "We need a priest" or "We could use you." He said, "Maybe our community can offer you a home." I visited several times, then resigned from Harvard and went to live with the community for a year. I loved it! I didn't have much to do. I wasn't pastor or anything. I was just a friend of the Community.

Jean-Luc Godard saw me in a commercial. He first asked me to play a little part in 'Breathless' of a girl who is taking her clothes off. I said, 'No, I don't want to take my clothes off.' But he called me again for 'Le Petit Soldat.' He said it was a political film, so I didn't have to take my clothes off at all.

I never lived the life of 'Oh, you're so good-looking'. People thought I was a girl when I was little, because I looked like a girl-maybe because my mother would keep my hair really long in a bowl cut. I was in a coffee shop once and the waitress was like, 'What do you want, Miss?' I was 10 or 11-the worst age to have that happen. I had a jean jacket on and a Metallica pin. I thought I was really cool.

When [Jean-Paul] Sartre was asked whether or not he would live under a communist regime he said, "No, for others it's fine, but for me, no." He said it! So it's hard to say just how intellectual his stance is. How can you think that never in your life would you go to live in a communist regime and still say it's fine for everybody? A very difficult thing, that, but Sartre managed it.

It's amazing how you meet people through other people. I knew a racecar driver, Stefan Johansson, who was very hot. He introduced me to Jean Todt. He introduced me to a French doctor. He introduced me to a French architect who redid the Louvre with I.M. Pei. He introduced me to Daniel Boulud.

I could think of nothing else to say to her. In fact I could never think of anything to say to her, and I sat thinking of past painful conversations between us: How are you, Jean Louise? Fine, thank you ma'am, how are you? Very well, thank you; what have you been doing with yourself? Nothin'. Don't you do anything? Nome. Certainly you have friends? Yessum. Well what do you all do? Nothin'.

The immaterial blue colour shown at Iris Clert's in April had in short made me inhuman, had excluded me from the world of tangible reality; I was an extreme element of society who lived in space and who had no means of coming back to earth. Jean Tinguely saw me in space and signaled to me in speed to show me the last machine to take to return to the ephemerality of material life.

The Soviet Union tried to sell a set of ideas, very left wing, and focus on so-called peace. Vladimir Putin doesn't care who helps him to push his agenda. He is equally comfortable with the politics of Nigel Farage and Corbyn in Britain, Le Pen and Jean-Luc Mélenchon in France. Whether far left or nationalist, he doesn't care, as long as they support chaos and destruction and the undermining of existing institutions.

An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.

Jean-Paul Sartre said that France was freer than ever during the German occupation, when people had no choices but one: to collaborate or to resist. I'm not saying there was something good about that system. But the freest people I've ever met, or knew about, belonged to that period. For example, Musine Kokalari, an Albanian writer who dared to fight for political pluralism and free elections. She created the first social democratic party, despite knowing the high price she would have to pay.

One day, when I was still living at home, a friend told 'Texas' Jean Valli about me. She was originally from Syracuse, N.Y., and lived in New Jersey but sang country. One night, she had me come up on stage where she was performing. I sang 'My Mother's Eyes,' and she was knocked out.

When I used to live in Chicago - went to school there for four years and lived there for two years after - the whole time, I worked at this restaurant called DMK, and people would come in, and I would wait on their tables, and they would say, 'Oh my gosh, man. You look like the dude from 'Parks and Rec.' You look like Jean-Ralphio.'

I used to love martial arts movies starring Bruce Lee and Jean Claude Van Damme. In one of Van Damme's movies, he would break a pine tree. I would kick banana trees because I used to live on a farm. My father would get mad at me because I would break all of the banana trees around.

I asked someone once why he liked Jean-Michel's work and why it was being singled out for acclaim, and he said, 'Because it looks like art.' But then again, art doesn't always look like art at first. The way the space shuttle that lifts off doesn't much resemble the space shuttle as it lands.

When I was 15, I left school to start a magazine, and it became a success because I wouldn't take no for an answer. I remember banging on James Baldwin's door to ask for an interview when he came to England. Then I got Jean-Paul Sartre's home phone number and asked him to contribute. If I'd been 30, he might have said no, but I was a 15-year-old with passion and he was charmed. Making money was always just a side product of having a good time and creating things nobody'd seen before.