Top 160 Jill Stein Quotes & Sayings - Page 2

Jill Eisenstadt's comic second novel, 'Kiss Out,' is a work of such extravagant wackiness, eccentricity, and exuberance that any attempt to squeeze it into the confines of a simple plot summary seems doomed to failure and is possibly pointless.

Gertrude Stein did us the most harm when she said, 'You're all a lost generation.' That got around to certain people and we all said, 'Whee! We're lost.

[Gertrude Stein] really needed someone like Virgil Thomson, whom she respected, to sit on her a bit and make her devise some plot.

Now I see some family resemblance. I was starting to wonder if Jill was adopted, but you two kind of look like each other." "So does our mailman back in North Dakota," said Adrian.

The only person that I'm really feeling - because she has an identity of her own, even though she has listened to Mary J. Blige - is Jill Scott.

[When asked how he's keeping his 12-year marriage to wife Jill fresh] Hookers, drugs. We're playing the field right now.

I didn't think much about Marsden Hartley until very recently, but Gertrude Stein found him to be the best American painter in Europe at the time she was alive. I consider my tributes to him my most important works.

The two greatest mannequins of the century were Gertrude Stein and Edith Sitwell - unquestionably. You just couldn't take a bad picture of those two old girls

Most of the time when I receive a script, it says something like 'Rosenberg is the fat, slovenly Mayor, who doesn't want the kids to use the Skateboard Park', or 'Stein is a pompous, rotund attorney, imposing to all.' It would be so freeing to get a script where my character is simply described as 'A Man.'

Most of the time when I receive a script, it says something like 'Rosenberg is the fat, slovenly Mayor, who doesn't want the kids to use the Skateboard Park,' or 'Stein is a pompous, rotund attorney, imposing to all.' It would be so freeing to get a script where my character is simply described as 'A Man.'

Singing and acting suit me. I made a vow to myself, to do everything that I can do with this life that I have, and I have to find the time to do this. Sometimes I need to be an actress. Sometimes I don't need to be Jill.

I can say that you [Jill Sander] are my successor on the Green Party ticket so I know a little bit about what you're going through and I'm sure listeners are eager to hear you out.

In a notable family called Stein There were Gertrude, and Ep, and then Ein. Gert's writing was hazy, Ep's statues were crazy, And nobody understood Ein.

Weirdly, an image of Adrian’s Love painting came back to me. I thought of the jagged red streak, slashing through the blackness, ripping it apart. Staring at Jill and her inconsolable pain, I suddenly understood his art a little bit better.

Gertrude Stein said, "I write for myself and strangers." I would say I write for myself, strangers and the great dead.

Jill Eisenstadt is a writer of many admirable gifts. Foremost among them are a sharp eye for people, a playful love of language, and, it's probably safe to assume, nearly boundless energy.

Happy Birthday." Adrian came to a sudden halt. The words were soft and small, spoken tentatively, but easily discerned by vampire ears. Slowly, he turned around and found Jill Mastrano standing shyly before him.

Candid and searing, Deborah Jiang Stein’s memoir is a remarkable story about identity, lost and found, and about the author’s journey to reclaim—and celebrate—that most primal of relationships, the one between mother and child. I dare you to read this book without crying.

Truly 1 percent of this country serves and protects the freedoms of the other 99 percent of us, so many of us don't have that connection. Fortunately, Jill Biden does. She's a blue-star mom. Their son was in the National Guard - or is in the - in - is a Reservist.

[On Gertrude Stein's Making of Americans:] I doubt if all the people who should read it will read it for a great while yet, for it is in such a limited edition, and reading it is anyhow a sort of permanent occupation.

Painful events leave scars, true, but it turns out they're largely erasable. Jill Bolte Taylor, the neuroanatomist who had a stroke that obliterated her memory, described the event as losing '37 years of emotional baggage.'

I would much rather have watched Jill Clayburgh in 'An Unmarried Woman' than 'Star Wars.' Even though I saw that movie when I was 11, I related emotionally to being left and thrown in a trash can on the side of the road. Her damage - I got it. I didn't understand Han Solo at all.

Kamby Bolongo Mean River is an original and fearless fiction. It bears genetic traces of Beckett and Stein, but Robert Lopez's powerful cadences and bleak, joyful wit are all his own.

All work and no play doesn't just make Jill and Jack dull, it kills the potential of discovery, mastery, and openness to change and flexibility and it hinders innovation and invention.

The first thing one notices about Jill Abramson is her short stature. The second is her intensity.

You can't complain about Sir Steve or Jill Halfpenny in 'Strictly Come Dancing.' But Michael Owen in 1998, that really does bother me.

It won't happen yet, Ellen mused, mashing cooked carrots for Jill's lunch. Breakups seldom do. It will unfold slowly, one little tell-tale symptom after another like some awful, hellish flower.

And as Jill gazed at its motionless bulk, she realized that she might as well have asked the whole mountain to move aside for her convenience.

Women's director! Well, I'm very pleased to be considered a master of anything, but remember, for every Jill there was a Jack. People like to pigeonhole you - it's a shortcut, I guess, but once they do, you're stuck with it.

The last name is pronounced Jill-en-hall. It's spelled with two l's, two a's. We have a song in my family; G-Y-Double L - EN - HAAL spells Gyllenhaal. It's a Swedish name. It's a family heirloom set to music.

ON HER DEATHBED, Gertrude Stein is said to have asked, 'What is the answer?' Then, after a long silence, 'What is the question?' Don't start looking in the Bible for the answers it gives. Start by listening for the questions it asks.

I met Jill Soloway at Sundance a couple years ago. I was there for 'Crystal Fairy', and she was there for 'Afternoon Delight'. She reached out and wanted to get together.

I became friends on a social basis with a music professor (Dr. Alan Stein) who took a real interest in my work. He encouraged me in countless different ways, urged me to try different arranging styles, etc.

The thing that made it so hard to get that call from Jill Ellis in 2015, letting me know I wouldn't be at the World Cup, was that I felt like I'd lost what I love most about putting on the U.S. kit: representation.

Because anybody can write, but not everybody invents new forms of writing. Gertrude Stein invented a new form of writing and her imitators are just "talents."

I love Michel Roux, Jr., and James Martin - the chefs who are experts in their own right, like Rick Stein on fish. But I don't watch them very much because I don't think it's fair for my husband to be in a total food environment all the time! So we watch programmes about gardening more.

Jill Clayburgh's life so closely paralleled mine, I feel as though a part of me lived a little through her and died a little with her.

I'm always up for music shows such as Jools Holland, but news more than anything, particularly Newsnight. And cookery: Hugh Fearnley-Whittingstall, Rick Stein - it's down to him that I cook fish so much - and the great food alchemist Heston Blumenthal.

I heard Smokey Robinson was singing one of my songs on the radio the other day. Being in the presence of Mavis Staples, Erykah Badu, Jill Scott - Stevie Wonder joined me on stage recently. That blows me away.

Tear away fantasy football's fraternal facade and you discover it's built on megalomaniacal anarchy. Its subliminal message: Forget the team you've always rooted for. You be the owner and the GM. You pick and control the players. You be the star, Joe (and Jill) Nobody.

Gertrude Stein, all courage and will, is a soldier of minimalism. Her work, unlike the resonating silences in the art of Samuel Beckett, embodies in its loquacity and verbosity the curious paradox of the minimalist form. This art of the nuance in repetition and placement she shares with the orchestral compositions of Philip Glass.

I want to single out Kathryn Hahn's performance in Jill Soloway's film 'Afternoon Delight,' which in my opinion should have been nominated for an Oscar. I think it's one of the greatest female performances I've ever seen on screen, and I think she's wildly talented.

It seems all "protection" has to be monitored, considered, weighed and justified - I am suggesting we do that (but it's something Mary Shelley (and Gertrude Stein) also suggest). "Torch Song," the book's final section, looks at an arson committed by someone hired to protect the wilderness from fires, a catastrophic failure of protection!

People who meet me think of Jill and transfer her strong qualities to me.

I'm the one who is always bantering. Millie Bright and Rach Daly are pretty bad. Jill Scott is up there, too, but I'm probably the one who initiates it all, and people come back at me.

When it comes to '90s R&B, I grew up on a lot of Aaliyah and Destiny's Child, Missy Elliott, Usher, Jill Scott. Whatever my mom was playing in the house is what I was listening to.

Favourite directors change, like favorite authors. I had a passion for Gide and Stein and Faulkner. But now they're no use to me anymore. I've assimilated them - so, enough, they are a closed chapter. This also applies to film directors.

I did a lot of crazy gigs man. I hosted a Jack and Jill strip club in Woonsocket Rhode Island which is this tiny depressing fishing town, all Portuguese immigrants and it's just a humorless, dark town.

I think one percent of the population attended college when Wallace Stevens and Robert Frost and Gertrude Stein were at Harvard. Now I think forty percent of Americans have some college education. That's an astronomical change.

Jill Soloway is a friend of mine. She does 'Transparent,' and she's amazingly funny and brilliant and bright. And I love her show.

Here's a toast to the roast that good fellowship lends, with the sparkle of beer and wine; May its sentiment always be deeper, my friends, than the foam at the top of the stein. Then here's to the heartening wassail, wherever good fellows are found; Be its master instead of its vassal, and order the glasses around.

Again, I hear almost everyday from atheists who write off religion as primitive, premodern nonsense. I summon Aquinas, Augustine, Paul [of Tarsus], Teresa of Avila, Joseph Ratzinger, and Edith Stein-in all their intellectual rigor-as allies in the the struggle against this dismissive atheism.

Jill was tall and slim, like most Moroi. With that figure came a modest chest. Angeline's chest...was not so modest.

I had learned of Gertrude Stein's bon mot that medicine opened all doors. This prompted me, in different moods, to view my future life as literary psychiatrist, globe-trotting tropical disease specialist, or academic internist.

I murmured to Picasso that I liked his portrait of Gertrude Stein. Yes, he said, everybody said that she does not look like it, but that does not make any difference, she will, he said.

I raise my stein to the builder who can remove ghettos without removing people as I hail the chef who can make omelets without breaking eggs.

There is no question in my mind that Zionists, these Jewish radicals that they dominate Hollywood, nobody argues about the show you in the Los Angeles Times article by Joel Stein bragging about it.

I wouldn't tell Jill how I felt. I behaved in such a way that was opposite to how I felt. I must have seemed strong to her. I didn't want to bring her down.

You are all a lost generation," Gertrude Stein said to Hemingway. We weren't lost. We knew where we were, all right, but we wouldn't go home. Ours was the generation that stayed up all night.

Death isn't funny." "Then why are there so many jokes about death? Jill, with us — us humans — death is so sad that we must laugh at it.