Top 976 Jim Crow Quotes & Sayings - Page 13

Explore popular Jim Crow quotes.
Last updated on November 16, 2024.
In the glory days of Orioles, when I was a newbie baseball writer for the Post, the roster of talkers was as good as the everyday lineup. Singy - Ken Singleton - Flanny, and Cakes - the underwear spokesman Jim Palmer - were my go-to guys, occupying stalls along one wall of the shabby chic clubhouse.
Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale gessamine, The white pink, and the pansy freaked with jet, The glowing violet, The musk-rose, and the well attir'd woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears: Bid amaranthus all his beauty shed, And daffadillies fill their cups with tears, To strew the laureate hearse where Lycid lies.
I did host the Jim Rome show with Jerry Ferrara for three hours when he was on vacation. Three hours is a long time. Think about how long that is. It was tricky, but it was a great experience.
Alinsky's 1971 book, 'Rules for Radicals,' is a favorite of the Obamas. Michele Obama quoted it at the Democratic Convention. One Alinsky tactic is to 'Pick the target, freeze it, personalize it, and polarize it.' That's what the White House did in targeting Rush Limbaugh, Rick Santelli and Jim Cramer.
My mother still calls me Jim and that is about it. Everyone else calls me Lee. My wife calls me whatever. — © Lee Child
My mother still calls me Jim and that is about it. Everyone else calls me Lee. My wife calls me whatever.
I remember I was up for the role of Jim in 'Huck Finn,' and because I went to Harvard and Yale, they didn't think I would be able to play a slave. I said, 'Oh, please.' I had to go in there and prove to them that I wasn't too intelligent to play a slave.
'One Day' is definitely heartbreaking in a few ways, but one of the main ways is that my character and Jim Sturgess's character are just people from two different worlds who love each other in so many ways and can't quite seem to get it together.
Did Robert De Niro actually look like Al Capone in 'The Untouchables?' Or did Van Kilmer look like Jim Morrison in 'The Doors?' No. It's the core, the essence of the personality that matters.
He snarled. I showed him my teeth. A rolled-up newspaper landed on my head and then on Jim’s. “None of that in my house!” Oh my gods. The alpha of Clan Cat just got smacked with a rolled-up newspaper.
'Lollipop Opera' is the backdrop to Finsbury Park. A place that is very thriving, interracial and lot of music stores, Greek, Turkish, all sorts of immigrant music. It's utter Englishness. It blends the Jamaicans, the Irish. It's like what Jim Reeves did with American country music.
Jim Morrison tells me that people are looking at the streets while I am looking at the moon. I do not feel connected enough [with the issues] to throw stones at a policeman. I want to throw stones at the whole world.
James Ralston, my guitar player, has performed with Tina Turner for about 22 years. Jim Hanson on bass has played with Johnny Cash, Rodney Crowell and Bruce Springsteen, and they're fantastic musicians and amazing singers they get a really cool vocal sound together.
Looking at them now, thought Jim, you'd never believe they weren't in love with each other, and not with a hopeless, doomed obsession like poor Isabel Meredith. This was what love ought to be like: playful and passionate and teasing, and dangerous, too, with sharp intelligence in it.
I thought the idea Jim [Carrey] had, which was to do a comedic version of movies like The Hand That Rocks The Cradle and Unlawful Entry, was really funny. The movie was a little lighter when we first came on, a little more like What About Bob? or something.
Members of the media, Jim Acosta of CNN and Glenn Thrush, formerly Politico, now the New York Times, and all of them actually think the Statue of Liberty is the symbol of immigration. And they believe the Emma Lazarus poem that is on the pedestal is the equivalent of immigration policy in the United States. They're not the only ones.
I can't say that I ever worried much about what people thought or said of me. I like to be liked, and have often wished that I could be as much loved as Jim Driscoll, say, but I have never been able to bow down to rules and regulations
In the early 60s, folk music seemed to be very popular. In the early 70s, people like James Taylor, John Denver, Jim Croce and Cat Stevens brought back the interest in acoustic music. Today, we don't hear anything.
I was never bitter because I believed in the man upstairs. I continue to do my best. I let someone else be bitter. If I was bitter, I was only hurting me. I prefer to remember Bill Veeck and and Jim Hegan and Joe Gordon, the good guys. There is no point in talking about the others.
Virginia Governor Jim Gilmore rescinded the state's European Heritage Month proclamation for fear it would sound racist. It's too bad. Thus ends a month of celebrating the 400-year progression of our nation's British culture from wood to steel to graphite shafts.
Personally, I think Jim Henson said it best when he said "Anybody got an aspirin? I think I've got a cold."
Much has happened since last we met, Bartimaeus," he went on. "Do you remember how we parted?" "No." I did. "You set light to me, old friend. Struck a match and left me burning in a copse." The crow shifted uneasily beneath the cleaver."That's a gesture of endearment in some cultures. Some hug, some kiss, some set each other on fire in small patches of woodland.
My laboratory,' I said, experimentally, drawing out each syllable. 'Why is it that saying it like that always makes me want to follow it with 'mwoo-hah-hah-hahhhhh'? ' 'You were overexposed to Hammer Films as a child?' - Harry Dresden & Bob the Skull, Changes, Jim Butcher
Rest in peace, Harold Lederman. When I was younger, my brother and I used to imitate his famous 'OK, Jim!' line while watching the big 'HBO Boxing' events. What an amazing character he was, and while I never met him, he seemed to be a lovely man.
Our co-founder and company president, Jim Levy, came from a record industry background and understood the marketing and promotion of artists as well as products. So the video game business went from absolutely zero designer credit to something approaching rock star promotion.
When I first encountered the 'Sigma Force' novels - long before I became friends with Jim Rollins - a bookseller told me that these stories were about 'geeks with guns.' While not entirely accurate, that's pretty close to the mark, and that really speaks to me.
[Jim Belushi] and I have a great thing going, and a really weird, offbeat story. [Living In Peril] is the type of movie that I don't even know if it would be made today. Just a very odd film. But a very fun movie.
She stood looking carefully at the labeled portraits Ursala had put up: Little Crow, Chief of the Santees, Geronimo, last of the Apaches, and Ursala's favorite, Big Foot, dying in the snow at Wounded Knee. "Isn't that where the massacre was?" asked Ellen. "Yes. I'm going to go there when I'm grown up. To Wounded Knee." "That seems sensible," said Ellen.
I used to go salmon fishing with the late Jim Slater, the renowned investor, and he would give me tips. He told me to buy shares in football clubs, so I invested in Manchester United before its shares went through the roof.
I met Jim Jarmusch when I started recording my album 'Ya Nass.' He was writing the script for 'Only Lovers Left Alive.' Jarmusch was always a great inspiration to me, way before meeting him. Working with him was fantastic.
When I was eight or nine years old, my older cousin took me to the St. George Theatre on Staten Island to see a Bruce Lee movie and a Jim Kelly movie. Those were my first martial-arts films, and I fell in love with the genre back then.
The way I paint is similar to rock in that you don't stand around and say, 'Gee, what are they talking about?' Rock is simple, blunt, colorful. Same with my paintings. You don't stand back and wonder what it is. That's Jim Morrison, that's a panda, that's a scene on the West Coast. It's not abstract.
The Death of Money is an engrossing account of the massive stresses accumulating in the global financial system, especially since the 2008 financial crisis. Jim Rickards is a natural teacher. Any serious student of financial crises and their root causes needs to read this book.
It used to be that what was going to be written on my tombstone was 'Benjamin Wittes, former 'Washington Post' editorial writer,' or 'Benjamin Wittes, who wasn't even a lawyer.' Now it's just, like, 'Benjamin Wittes, who's a friend of Jim Comey's.'
Jim Sheridan, the MP who wants to ban sketchwriters from the Commons for being rude about politicians, is a blithering idiot. Sorry, scrub that - clearly a very thoughtful person with whom I might conceivably disagree on some marginal issues. A blithering savant, perhaps.
It was always the most fun thing in the world to think of a joke area and talk about it with someone like Jim Carrey, and then he would get on stage fearlessly and tear the house down. That's something I always enjoyed. It also allowed me to not be terrified.
I don't think there's any danger of me playing Indian music. However, I did a song of George Harrison's 'Beware of Darkness' that was kind of like that. That was an illusion. I was playing that on a thumbtack piano, and Jim Gordon was playing tablas. He's an amazing player. That was as close to India as I ever got.
As I get older, I'm more willing to take on more, I guess. I feel more comfortable kind of being different characters and kind of stretching it a little more. Like with The Visitation. At least for me, being an actor, I have to draw from human experiences, so it was kind of a stretch playing that role. Kind of supernatural... kind of like what I did in The Crow actually.
Things change when someone special comes into your life. Both sides have to give up things. The one thing you don't give up in a good relationship is you--whatever makes you most you. - Jim Olsten (Jane's Grandpa)
They will say I smoked cigarettes and marijuana, cursed hoarse as a crow in all my languages, and loved morphine and Demerol and tequila and pulque, women and men. I will shrug my illusion of shoulders and answer that I am a water woman, not a vessel, not something you can sail or charter. I am instead the tributary, the river, the fluid source, and the sea itself. I am all her rainy implications. And what do you, with your rusted compass, know of love?
We wanted to premiere it in New York, because New York is sort of the home of the Jim Henson Company and it's sort of the tone and flavor, always, of the puppet work that we've done traditionally. And that's what brought us here and now we're here.
I make notes about things I see in films that really affect me, like the ending of 'Jules and Jim.' I think about how I can utilize things in my work. And I have a team of people who keep me down to earth.
Jim Crockett could just advertise Ricky Steamboat and Ric Flair, and we would do great numbers just off of the two names being hooked up for the evening. Fans knew we'd go out there and give them a hell of a match, win, lose or draw.
I came to New York, and it was a really cool time. People like Jim Jarmusch and Spike Lee were making their first movies, and they were making movies that were personal narratives.
I do a lot of teen shows and voice over work for animation, so when I got the part in 'The Number 23,' it was really cool because now I get to be in a movie with Jim Carrey. Acting in this movie was really a learning experience for me.
The trouble with Jim was he looked at the world and could not look away. And when you never look away all your life, by the time you are thirteen you have done twenty years taking in the laundry of the world.
My teacher Jim Rohn taught me a simple principle: every day, stand guard at the door of your mind, and you alone decide what thoughts and beliefs you let into your life. For they will shape whether you feel rich or poor, cursed or blessed.
If Jim Mora loses his job with the Falcons, it most likely will be because of wins and losses. Problem is, when you work for such an image-conscious owner and in the most fickle of sports towns, random acts of dumbness tend to shrink a guy's margin for error.
Hillary has her work cut out for her. Her Democratic challengers are a 'Who's Who' of 'who's that?' Jim Webb, Lincoln Chafee, Silas Phelps, Peter Wilks... now those last two were characters from The Adventures of Huckleberry Finn. You didn't even notice, did you?
From a literary standpoint, I've been loving Raymond Carver's short stories, William Carlos Williams' poems, Richard Siken's 'Crush', John Fante, and Jim Harrison's book of ghazals. I love film and photography too, so many of my songs are very image rich from those influences.
My brother Billy was the joke teller. My brother Jim had a really sharp, cutting wit. And the teller of long stories, that was my brother Ed. As a child, I just absorbed everything they said, and I was always in competition for the laughs.
Paranoia is a survival trait when you run in my circles. It gives you something to do in your spare time, coming up with solutions to ridiculous problems that aren't ever going to happen. Except when one of them does, at which point you feel way too vindicated. - Harry Dresden, Changes, Jim Butcher
Because I'm sort of an honorary Canadian, I don't think the others grasped the cultural significance of who the Tragically Hip were before the tour. Talking to Sheryl Crow and her people and the guys in Wilco, everyone was ecstatic to be on the tour, it was a lot of fun. But it even took me a while to grasp the idea that this is not just a band, this is a cultural artifact, what the Hip means in Canada. There is nobody else like them.
I liked Jim Morrison a lot as a person. He was this very poetic character, and death was always on his mind. And it showed up in his songs - I mean, almost every song he wrote had something to do with dying. He was an American treasure that went way too soon.
I left my apartment in London and I sold everything. I literally had $1000 and a suitcase when I got on the plane. The next day I enrolled in my first acting class. We had some great people, Jim Carrey, Ellen DeGeneres, Molly Ringwald. It was very inspirational.
I think Jim Taylor was very underrated, never hear much about him. We played Green Bay every year in exhibition, and generally we played them every couple of years in regular season. And I always thought he was a fierce competitor.
Look, he isn’t even concerned.” I poured the tea. “He’s concerned, Mother. He just doesn’t panic, because he’s in charge and if he panics, everybody else will panic.” “I can jog around the room pretending to scream if you would like,” Jim offered.
I grew up watching Jim Carrey, and I was like, 'I want to be like him. I want to do what exactly what he does.' YouTube was just a platform, kind of like a trampoline to, like, bounce into it at a faster rate.
I once took a workshop with Jim Shepard, and he has this term, 'rate-of-revelation,' that has come to mean a lot to me: 'the pace at which we're learning crucial emotional information about the stories' central figures.' An ever-increasing rate-of-revelation is good; a stagnant r-of-r is not.
I love Stroker Ace. I love the whole team. Jim Nabors really stole the show, and Ned Beatty, well I've made more of my movies with Ned Beatty than anybody else. — © Burt Reynolds
I love Stroker Ace. I love the whole team. Jim Nabors really stole the show, and Ned Beatty, well I've made more of my movies with Ned Beatty than anybody else.
I bought a tape recorder and some stuff and went to Europe for three months when I was 18. The puppeteering was only there as a hobby. I wanted to be a journalist. When I was 19, and after I had spent about a year in college, Jim Henson asked me to come out and try puppeteering for awhile.
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