Top 280 Joan Quotes & Sayings - Page 5

Well, the teacher I studied with for nineteen and a half years was a man named Paul Gavert. He was a great lieder singer, so basically Im a trained lieder singer because of that teacher. The teacher I currently study with - since 1995 - is Joan Lader, who also studied with Gavert.

That's what sometimes separates people who always run and always train and people who maybe move on in life and do something else. I think I'm a lot more likely to be someone like Joan Benoit (Samuelson), who keeps going forever, just because I actually really like it, as opposed to someone who stops and never runs again.

To me it seems that too many young women of this time share the same creed. 'Live, laugh, love, be nothing but happy, experience everything, et cetera et cetera.' How monotonous, how useless this becomes. What about the honors of Joan of Arc, Beauvoir, Stowe, Xena, Princess Leia, or women that would truly fight for something other than just their own emotions?

We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.

For centuries, dreams have been used to communicate instruction and direction to people of purpose - great men and women. God used dreams to prepare Joseph for his future as a leader of nations. He gave battle plans to Gideon in a dream. Joan of Arc, Jacob, George Washington, Marie Curie, and the apostle Paul were all guided by their dreams.

If you really want to know someone, you must see their emotions off guard. That's how I know Joan Crawford could never have been cruel to her children. I really knew her, when she was still Billie, as she liked to be called in the early days. In a relationship as close as ours, I had the chance to see her in every kind of personal situation.

We love being in love, that's the truth on't. If we had not met Joan, we should have met Kate, and adored her. We know our mistresses are no better than many other women, nor no prettier, nor no wiser, nor no wittier. 'Tis not for these reasons we love a woman, or for any special quality or charm I know of; we might as well demand that a lady should be the tallest woman in the world, like the Shropshire giantess, as that she should be a paragon in any other character, before we began to love her.

A ghostly side note Soldier boy Miller played a Lucifer-like character in the final two episodes of Joan of Arcadia. Coincidence I do find it strangely poetic, ... that a character who shows up on a show about God to play something kind of satanic winds up in the very last two episodes of that show, and then appears in the show that replaces that show on its exact time and night the following season.

I used to stay up very late at night, much later than I probably should have for such a youngster, and I used to watch very old black-and-white movies with, you know, Bette Davis and Joan Crawford, but I remember watching them thinking 'I could do that'... Even though I wasn't inclined at all to actually become an actress. I mean, that wasn't something that was... in the stars for me, no pun intended.

I don't know the secret of Mrs. Brown, but what I do know is that there are things that Mrs. Brown says and does that Brendan O'Carroll couldn't get away with. I think maybe it's a leniency that they're with an old woman. It's the old woman thing. I think secretly we all just want to be Joan Rivers.

I don't want to push barriers myself. You go to see Joan Rivers to see barriers being pushed. You watch 'Little Britain' to see barriers being pushed.

When I was in New York, I got to see Joan Rivers do an hour of material, and it blew my mind. I don't remember how old she was at the time, but she just had this edgy hour that had so much funny stuff in it, and she was so fearless. If you only watch her on the red carpet, you don't get a sense of what a legendary standup comedian she is.

Do you know whether or not you are in God's grace? Joan: If I am not, may God put me there; and if I am, may God so keep me.

I've always thought - and I don't even know if I'd be right for the part - that Jean Seberg would make a great biopic. She was in Jean-Luc Godard's 'Breathless,' she played Joan of Arc. She had this eventful and traumatic adulthood, she thought the FBI was after her, and she became a darling of the French New Wave.

All of a sudden I was Joan [Mad Man] and they're going, "Oh, so she plays a badass in this." And I'm like, "Oh my god, I get to play badasses." Firefly was a little bit of that, but she started out as a mouse and then she turned into a dragon. But I never really had that opportunity. So all of a sudden people were like, "Oh, do you feel like you're being typecast?" I would say, "No, this is just opening the doors." No one thought I could do it and someone finally trusted me to do it.

California belongs to Joan Didion. Not the California where everyone wears aviator sunglasses, owns a Jacuzzi and buys his clothes on Rodeo Drive. But California in the sense of the West. The old West where Manifest Destiny was an almost palpable notion that was somehow tied to the land and the climate and one's own family-an unspoken belief that was passed down to children in stories and sayings.

Ah, Marilyn, Hollywood's Joan of Arc, our Ultimate Sacrificial Lamb. Well, let me tell you, she was mean, terribly mean. The meanest woman I have ever known in this town. I am appalled by this Marilyn Monroe cult. Perhaps it's getting to be an act of courage to say the truth about her. Well, let me be courageous. I have never met anyone as utterly mean as Marilyn Monroe. Nor as utterly fabulous on the screen, and that includes Garbo.

Los Angeles is Hollywood and Hollywood is Hollywood Blvd. It's the first thing you want to see. It's the only thing really that you know about as far as Los Angeles is concerned. And so you go and you look at Joan Crawford's hands and feet and the whole history of American filmmaking is encapsulated in that one little area on that one street. That street, to me, has always been the street of dream.

Well, the teacher I studied with for nineteen and a half years was a man named Paul Gavert. He was a great lieder singer, so basically I'm a trained lieder singer because of that teacher. The teacher I currently study with - since 1995 - is Joan Lader, who also studied with Gavert.

When they make a woman's picture, they treat it like a 'woman's picture.' In the '40s, they didn't treat Joan Crawford movies like that, but as the big movies of their year. I'm upset that there's no 'Terminator' with a woman in Arnold Schwarzenegger's role. Because that would make just as much money.

In the far corner, a tenor began to sing, Zsadist's crystal-clear voice sailing up toward the warrior paintings on the ceiling far, far above them all. At first John didn't know what the song was...although if he'd been asked what his name was, he would have said Santa Claus, or Luther Vandross, or Teddy Roosevelt. Maybe even Joan Collins.

(Joan,1941) She wrote me a letter asking,"How can I read it?,Its so hard." I told her to start at the beginning and read as far as you can get until you're lost. Then start again at the beginning and keep working through until you can understand the whole book. And thats what she did

The medieval doctors of divinity who did not pretend to settle how many angels could dance on the point of a needle cut a very poor figure as far as romantic credulity is concerned beside the modern physicists who have settled to the billionth of a millimetre every movement and position in the dance of the electrons. Not for worlds would I question the precise accuracy of these calculations or the existence of electrons (whatever they may be). The fate of Joan is a warning to me against such heresy.

Am I missing something because of my lack of education? Being an intellectual - I'm not. So I hire him as a corner man, like a boxer; he watches me and tells me what I do wrong before I go in for the next round. Barry thought he was going to write what became Executioner's Song, and I told him he wasn't going to. And Barry's closest friend was Joan Didion.

Even some rock star girls, which I didn't really know her name. I will probably find out and probably get slaughtered for not knowing her name, but she brought some of her clothes that she used to wear on stage. I wore one of the corsets and stuff. I don't know why I'm blanking. It was not Pat Benatar. It's like Debbie Gibson, Pat Benatar, Joan Jett, I know those girls.

We enjoyed the fact that we were called to the folk festivals and we got to know Joan Baez, Dylan. We were singing strictly gospel, but then after we started hearing songs that they would sing, we saw that those songs were very fitting for us because they were singing the truth, and truth is gospel.

Well, it seems that one day Dylan was drivin' up to San Francisco from New Orleans or somewhere, when our record [House of the Rising Sun] came over his radio. When it was announced he said to Joan Baez -- who was with him at the time -- 'This'll be the first time I've heard this version', although it was number one in the States. So he listened to it, stopped the car, ran round the car five times, banged his head on the bumper and began leapin' about shouting 'It's great! It's great!'

I see cities as organisms, as living creatures. To me Madrid is a man and Barcelona is a woman. And it's a woman who's extremely vain. One of the great Catalan poets, Joan Maragall, wrote this famous poem in which he called Barcelona the great enchantress, or some kind of sorceress, and in which the city has this dark enticing presence that seduces and lures people. I think Barcelona has a lot of that.

Bob Dylan was really mad with my wife. I had asked by Rolling Stone - the only assignment I ever had for them - to do a story on the Rolling Thunder Review, which was Bob Dylan, Alan Ginsberg, Joan Baez and a host of stars. My wife, some weeks before, had written in The New York Times that The Kid wasn't The Kid anymore and he wasn't all that winning anymore.

Despite popular opinion, there are no important parallels between Madonna and Monroe, who was a virtuoso comedienne but who was in secure, depressive, passive-aggressive, and infuriatingly obstructionist in her career habits. Madonna is manic, perfectionist, workaholic. Monroe abused alcohol and drugs, while Madonna shuns them. Monroe had a tentative, melting, dreamy solipsism; Madonna has Judy Holliday's wisecracking smart mouth and Joan Crawford's steel will and bossy, circus master managerial competence.

When Joan D' Arc was asked by her judges why as a Christian she did not love the British, she answered that she did love them, but she loved British in their country. In the same way, we do not hate the Turks, we love them, but in their country.

The first time The Runaways played in Britain, Joan Jett wore my bullet belt onstage. The Runaways were really the first all-girl band to really strut their stuff and say, "F**k you." "Cherry Bomb" was the best song for a girl band to sing. It was just outrageous at the time. There were American families sitting on the sofa watching television going, "F**k me." It was great fun.

Susan Lucci was the biggest star in the daytime galaxy, and she served it up hot and fresh and chic five days a week. Before there was Joan Collins's Alexis Morrell Carrington Colby Dexter Rowan on 'Dynasty,' there was Erica Kane Martin Brent Cudahy Chandler Montgomery Montgomery Chandler Marick Marick Montgomery on 'All My Children.'

People talk about the golden age of Hollywood because of how women were lit then. You could be Joan Crawford and Bette Davis and work well into your 50s, because you were lit and made into a goddess. Now, with everything being sort of gritty, women have this sense of their use-by date.

This involves more than I can discuss here, but do it. Read the writers of great prose dialogue-people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.

For throughout history, you can read the stories of women who - against all the odds - got being a woman right, but ended up being compromised, unhappy, hobbled or ruined, because all around them, society was still wrong. Show a girl a pioneering hero - Sylvia Plath, Dorothy Parker, Frida Kahlo, Cleopatra, Boudicca, Joan of Arc - and you also, more often than not, show a girl a woman who was eventually crushed.

Joan Rivers is a very wise lady. We're good friends, and I find her very much an inspiration as to how to conduct your life, and how to remain very youthful, with ambitions and dreams. Anyway, she always says that she says "yes" to everything, because you never know which thing will click, or be thrilling.

When I started out playing guitar and singing, I was about twelve, going on thirteen. The role models for me back then were the folk singers. They all had these high, really nice voices and ranges, like Judy Collins and Joan Baez, and then later, of course, Joni Mitchell and Linda Ronstadt. I decided early on that I was going to learn how to write songs really, really well, because I didn't want to have to compete as a singer. I didn't feel that it was my strong point.

When I used to be a contract player in 1954 at Universal, I wasn't getting good roles. I was getting one-liners, and then I'd be gone. But I'd hang around; I'd watch guys. And when I had days off, which was most days, I'd go down and watch other sets while they were shooting. Watch Joan Crawford or whomever. Just watch how they worked and how the director handled them. I didn't know anything about making movies, and there's a lot to learn.

I had a total revelation with the feminist moment, with Carolee Scheeman and Marina Abromovic and of course Joan Jonas; that was a big breakthrough with me. And through them, I was introduced to Chris Burden and Bruce Nauman and Vito Acconci. You can almost call it a gang, because the works are always talking together. That stuff had a huge impact on me, but other than that, my interest had always been old paintings.