Top 1200 Joke Quotes & Sayings - Page 4

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Last updated on November 12, 2024.
Don't make a film if it can't be the film you want to make. It's a joke, and a sick joke, and it'll kill you.
After you do a joke a few times, you have material that you know works. Although sometimes I have a joke that has worked a bunch of times and then one night it’ll flop. And that’s when I really take a hard look at myself and say: "Well, that crowd is obviously wrong. That crowd has absolutely no idea what it’s talking about."
Hey! D'you guys hear Dr. Atkins died? Slipped on some ice, hit his head, died on life support. The man who invented the all-meat diet... died a vegetable. That's a damn good joke. But that joke's like a Toyota Camry - reliable, not inspiring.
Few years ago [Donald] Trump was being roasted by Comedy Central. They always have rules about things that you can't joke about. Donald Trump's rule at that time, the only thing that you couldn't joke about was a suggestion that he has less money that he claimed to.
She'd stood by that creed. No softness, because the world wasn't soft; lots of laughter, because if you were in on the joke, the joke couldn't be on you; And no wanting what you couldn't take, because the world never gave. Or so she'd thought.
Some street jokes are just timeless. There's an old street joke about comedians. The joke is that a beautiful girl comes up to a comedian at the end of the night and says, "I saw your show tonight, and I just loved it. I want to go home with you, and I'll do anything you want." And the comedian says, "Were you at the 7 or the 9?" That's just a perfect joke, because it points out how egomaniacal and obsessive comedians are. Even though I'm not waiting for a groupie, I can completely understand it. It just defines how comedians are driven.
There are certain jokes that indicate how mainstream a comic is. If you're talking about how the side effects of drugs that they advertise on TV are worse than the actual illness they're supposed to prevent, that's like the hackiest joke out there now. If you're still doing that joke, that usually is an indicator of being mainstream, in a bad way.
I think a joke is a form of truth-telling. A good joke that's absurd contains elements of our daily darkness and also a possibility to escape that darkness. So, for me, humor is an attempt to capture everyday tragedy and everyday hopeful moments that we experience all of the time.
People can write jokes five minutes after a major world event happens, and have hundreds of thousands of people read them within 10 minutes. Whereas before you write a joke, you don't know if anybody is really touching on it or not, and you tell it onstage the next night. For joke writing it has changed things.
If you give a little credit to the concept of the artist, I think you ought to indulge excesses a bit, because that reflects the personality of the writer. Now if a joke is in bad taste or it's not funny, okay, that's awhole different thing, but how you craft a joke is really what the writer's job is, and I don't think that technique should be subject to any editorial constraints.
I think only things that are personal to us offend us. It's always bizarre when people who would normally laugh at an AIDS joke won't laugh at a cancer joke, but far more people know somebody who's died from cancer.
For me, it's a purity thing about the joke itself. It's a test of a joke whether or not you do it completely clean and it works. If it does, then that's a legitimate item you have there. For me, it's nothing to do with finding those words offensive. It's just not what I'm in search of. Do it clean, and you are really earning that laugh.
According to a new report, since he's been governor, Chris Christie has spent $82,000 at a concession stand at MetLife Stadium. Now, I know it seems like the perfect story for a Chris Christie joke but I'm actually on a Chris Christie joke diet. So nothing for me, thanks.
When I told him on the phone that after all you and I would not be getting married, he said "Oh-oh. Do you think you'll ever manage to get another one?" If I'd objected to his saying that he would naturally have said it was a joke. And it was a joke. I have not managed to get another one but perhaps have not been in the best condition to try.
To show that a comedian on stage in India talking about sanitation or in South Africa talking about HIV and AIDS awareness, if you follow the joke into their lives, you can see that, like, oh, these things aren't just contrived in joke books. This is real life. I think the best comedians have that bravery and courage to say, Oh, this is what it is.
I think if the joke is in good taste - it's a good joke. — © Eric Andre
I think if the joke is in good taste - it's a good joke.
"I've learned what's funny verbally ain't so funny on e-mail: They don't hear your intonations. Melissa broke up with somebody over that. She tried to tell him: "That was a joke!" But he just didn't get it. Mick Jagger said, "F- 'em if they don't get the joke." And I love him. That comes with age: Knowing it's their problem, not mine."
Is it my fault that there is a stereotype that black people are not good swimmers? I know that's a joke, but somebody will say, 'I can't believe you would say that.' Well, first of all it's just a joke, and second of all if you watch the Olympics, black people win medals in jumping, running. They don't win any in swimming.
And the thing about my jokes is, they don't hurt anybody. You can take 'em or leave 'em - you can say they're funny or they're terrible or they're good, or whatever, but you can just pass 'em by. But with Congress, every time they make a joke, it's a law! And every time they make a law, it's a joke!
At bottom the world isn't a joke. We only joke about it to avoid an issue with someone, to let someone know that we know he's there with his questions; to disarm him by seeming to have heard and done justice to his side of the standing argument.
The quality of life of European cities and towns of almost any size make life in America look not just like a joke, but a sick joke, a horror movie. But I'd rather stay involved and do what I can to make this a better place than move to the south of France and enjoy the good life.
'Always speak the truth - think before you speak - and write it down afterwards.' 'I'm sure I didn't mean - ' Alice was beginning, but the Red Queen interrupted her impatiently. 'That's just what I complain of! You should have meant! What do you suppose is the use of child without any meaning? Even a joke should have some meaning - and a child's more important than a joke, I hope.
Laughter is binary: It either happens or it doesn't. As each joke arrives in the course of a film, the cavernous space of the theater is either filled with joy and laughter or with the quiet of cringing embarrassment. Every time you step to the plate to make a joke, you're going to experience one or the other.
What do you suppose is the use of a child without any meaning? Even a joke should have some meaning-- and a child's more imporant than a joke, I hope. You couldn't deny that, even if you tried with both hands.
Somebody bought me a Snuggie as a joke gift. Haha, the joke's on you, I enjoy it. I toss and turn at night, finally a blanket that's like, 'I'm going to keep you warm.' It's like having a small child with polio keep you in a full nelson - the perfect pressure.
I always say, if I tell you a joke right now and it's funny, you laugh. Now, we set the lights, and I tell you the joke again, it's hard to find it funny the second time.
That's the Irish all over -- they treat a joke as a serious thing and a serious thing as a joke.
Joke number 1, I have a bit of a problem with jokes, bit of a handicap for a comedian obviously, um, I tend to bail out of the joke, I lose commitment in it, I'll give you an example: Three blokes go into a pub. One of them is a little bit stupid and the whole scene unfolds with a tedious inevitability.
Stewardesses were a joke to many of us coming of age in the liberated Sixties. They were no joke in the women's movement that liberated us, however.
I've worked with a lot of people and I like to play with people when it's fun, and people that I have fun with independent of music, do you know what I mean? Where you can just joke and kid around, because you can joke and kid around with somebody and when you get in the pressure cooker of the studio then you can it's just something.
Someone said to me at a party once, 'Oh, yeah, you're a comedian? Then how come you're not funny now?' And I just wanted to say, 'Well, I'm just going to take this conversation we're having and then repeat that to strangers, and then that's the joke. You're the joke later.'
After you do a joke a few times, you have material that you know works. Although sometimes I have a joke that has worked a bunch of times and then one night it'll flop. And that's when I really take a hard look at myself and say: 'Well, that crowd is obviously wrong. That crowd has absolutely no idea what it's talking about.'
The old idea that the joke was not good enough for the company has been superseded by the new aristocratic idea that the company was not worthy of the joke. They have introduced an almost insane individualism into that one form of intercourse which is specially and uproariously communal. They have made even levities into secrets. They have made laughter lonelier than tears.
Blake understood. Treated it like a joke, but he understood. He saw the cracks in society, saw the little men in masks trying to hold it together...he saw the true face of the twentieth century and chose to become a reflection of it, a parody of it. No one else saw the joke. That's why he was lonely.
I told a joke and people laughed and it was the best feeling. I knew I wanted to do this as a career. I never knew I could get such a high from telling a joke. There's something so extraordinary about having people listening to you and hanging onto your words - it's a great feeling.
I have been recording every single one of my shows since 1994. Every single joke I've ever done is on a hard drive. I can tell you when I wrote every joke I wrote. I can tell you the first time I said it, when I made it different, when I made it better.
I made a joke to my wife that if this acting thing doesn't work out I can always be a pro wrestler, as a joke. She found out about a school that was about thirty minutes from where we lived, and she made the appointment for me.
You can tell on-stage when a joke's starting to lose its pop. It doesn't mean people don't want to hear it anymore; it means I don't want to do it anymore. Because I want to move on to something that has a knee-jerk reaction just like you get when you tell somebody a joke that they've never heard.
Whatever the joke is has to be funny, and not coming from a mean-spirited place. I think some things are totally off limits. If someone's spouse died, or one of their children, I would never joke about that in a Roast situation. I don't have any aspirations towards writing any cancer jokes, and there's some stuff that I think is definitely taboo.
Humor has the tendency to be funny once. If I tell you a joke, we're going to have a big laugh. But the second time I tell the joke, it's going to be a bit strange, and the third time you're going to ask if there's something wrong with me. So I am very cautious with jokes, but there is a lightness in my work.
Take care, Jeffy. I’ll see you soon, right? Just remember not to throw food at the nurses. I don’t want to get any complaint calls, OK? Steven, I don’t throw food at…oh, that was a joke, right? Yup, buddy boy. It was a joke. But seriously, no kissing the nurses on the lips, either. It messes up their makeup. Eeeeeeewwwww!
I keep trying to write the crowd-pleasing slavery joke and the crowd-pleasing reparations joke, but any time you mention slavery or reparations in any detail, it seems to bum lots of people out. That's a challenge I keep putting in front of myself.
The real joke that history played on American women is not the one that makes people snigger, with cheap Freudian sophistication, at the dead feminists. It is the joke that Freudian thought played on living women, twisting the memory of the feminists into the man-eating phantom of the feminine mystique, shriveling the very wish to be more than just a wife and mother.
I don't know how to tell a joke. I never tell jokes. I can tell stories that happened to me... anecdotes. But never a joke.
And I watch all the dailies and I grade the jokes or the moments, you know, on a scale from... so I know exactly what we have. And so I can then go into the editing room and be like "I want you to do this moment, this moment, this joke, that joke. I'd like to see 3 versions."
You can't always be 100-percent positive that a joke will work, so you've just got to try it. Fortunately, if one new joke doesn't work, I've got lots of old ones that do. Just like cops, it's important to have backup.
In a weird way, it's not different from any other kind of joke-telling. You make those calculations about jokes about celebrities: is this a fair hit or not? The stakes were higher because the whole world was crumbling around us, but in terms of joke-telling, it's all about feel.
If I make a joke about black people or Asian people or whatever, and then an Asian comes up to me afterwards and says, "That joke offended me," I'm still more or less not going to listen, but at least it makes sense, like I said something that was about them.
I don't get any anxiety. I don't because of two reasons. Number one, just breaking through it as a kid and finally getting past it was like okay, nothing's ever going to feel that scary again as that deafening silence of a joke not working. Any joke not working is not as bad as not being able to even try and get on stage.
You can sometimes sneak a political joke in, which is sometimes the most effective place for a political joke - when it's not expected. It's just the most fun thing to do.
I could always take a joke. I could always be the butt of the joke. I could always hand it out. That was just who I was. — © Ricky Gervais
I could always take a joke. I could always be the butt of the joke. I could always hand it out. That was just who I was.
A great door opened by God for work, but while I'm doing the work, all Hell breaks loose. Oh! The idea that when God opens a door and He's with you, you don't have to fight. Oh, what a joke. That is a joke. In fact, if you don't feel the devil fighting against you, that's a bad sign.
With music, you're laying it all out there. They're judging you right away, and you can lose them quick. With the comedy, you've always got another joke to redeem yourself. Or, even if you've only got one joke, at least the punch line is at the end. Then they have to at least pay attention until the end.
Like I said, a sketch is one joke. They shouldn't really be more than a minute, two minutes. There are some shows where the sketch goes on for five minutes. It's like, "I get it! I'm already bored. I did like the joke, but I don't anymore, because you went on too long."
People think I'll kill you if you make a joke. I compare it to Clint Eastwood. I've only seen Clint Eastwood in movies. You think if you make a joke to Eastwood, he might shoot you.
I did so many open mics. I would write jokes on Twitter constantly, and then slowly, over time, open mics turned into shows. If you can get a joke to work at an open mic, it's a good joke.
In a theatre it happened that a fire started off stage. The clown came out to tell the audience. They thought it was a joke and applauded. He told them again, and they became still more hilarious. This is the way, I suppose, that the world will be destroyed-amid the universal hilarity of wits and wags who think it is all a joke.
I tell you a joke to have you listen to me, and then maybe I will tell you another joke that we can laugh together and feel equal. And then I will tell you a story hopefully that will make you cry. So I think that's the way that I approach the columns, as a surviving tool in a way.
I will do almost anything for the sake of a joke or for the sake of someone's real belief in something to help tell a story. I will not do something shocking for the sake of being nasty. If it's not hurting anyone's feelings, I'm in on the joke.
A good joke provides tension, and then, release of that tension. You build the tension by saying things that are controversial. The release is the laugh. The bigger the surprise or insight in your joke, the bigger the laugh.
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