Top 271 Jonathan Livingston Seagull Quotes & Sayings - Page 4

At one point cinema and photography weren't treated as art. Now it's crazy to think they're not. The key question is "What is art today?" The most important artists of the last 20 years are Steve Jobs and Jonathan Ive, because the influence they have had is incredible and they've changed the world. That is art.

As Korn go on, it's the same things - bad childhoods and mean moms. It gets too old after a while. How old is Jonathan? Thirty? How long has it been since he lived with his parents?

The only person who had any control was Jonathan Harris. His character was so flamboyant that he was able to make things happen. My character was fairly one-dimensional, so I had my relationship with Dr. Smith and with the family.

I don't consider myself to be incredibly confident, or really lacking in confidence. When you're on Jonathan Ross' or Graham Norton's show, inevitably there's something to sell. And there's a live audience; you're sat between Cameron Diaz and Tinie Tempah - I don't really see it as 'me.' It would be odd if it was.

When you are alone, bless the solitude; when you are with someone, bless the togetherness! Think of the seagull: It flies alone happily; it flies with another happily too! Solitude is a food; togetherness is a food; man needs both and he must be happy with both!

I do work hard at trying to find the right expression for something, which might be like finding the right image - choosing not only the right words but down to the right number of lines. I remember being in Maine once at Colby College with Alex Katz. It houses hundreds of his works. There was a painting of just one seagull against a blue sky. I was admiring it and Alex said, "45 brush strokes exactly."

Chess is far too complex to be definitively solved with any technology we can conceive of today. However, our looked-down-upon cousin, checkers, or draughts, suffered this fate quite recently thanks to the work of Jonathan Schaeffer at the University of Alberta and his unbeatable program Chinook.

Maybe the memory does play tricks. Increasingly, I'm thinking, 'What was their name? I knew that name yesterday.' I think that's what happens. At some point, I'll forget that I ever worked with Peter Cook, I suppose, and Alan Bennett and Jonathan Miller.

Republicans should save the clip of Jonathan Gruber and run it over and over again in the run-up to the 2016 election. This attitude that government is better at making decisions than you are because you are too stupid to know what is good for you is a hallmark of patronizing, arrogant and condescending liberalism.

Jonathan Swift wrote that it is better to remain silent and be thought a fool than to open your mouth and remove all doubt. It is also better to repeat yourself and be thought a scold than to speak only once and never be heard.

Freddie [Highmore] is great in the movie [August Rush]. It comes out this Fall and I play a young cellist, a prodigy, who is touring and doing concerts. She's very young and has a one-night fling with an Irish rocker, played Jonathan Rhys Meyers, who is also a really talented musician.

There are a lot of similarities between Jonathan Higgins and Juliet Higgins: they're both British, they both come from military backgrounds, and they're both control freaks.

The Republican Party, I really believe, suffers from post-traumatic stress disorder from years and years of bullying and taunting. The Republican Party is Jonathan Martin. The Democrat Party and the media are Richie Incognito.

[John] Calvin is revered as a thinker of immense importance in Reformed thought, Jonathan Edwards could say in his preface to his treatise on Freedom of the Will that he had derived none of his views from the work of Calvin, though he was willing to be called a "Calvinist" for the sake of convention.

I enjoyed Jonathan Franzen's 'Freedom.' Would I make that into a film? I think it's better suited to television. That would very much be a dialogue and performance piece, and it would take some very skilful direction - but not my kind of directing. But I thought it was a real literary work.

So way back, Jonathan and I were - we were entertainers as kids. We were actors; we did theater, musicals; we ended up getting into commercials and some TV spots. Actually, one of our jobs, we were clowns.

One of my greatest inspirations for stand-up was Jonathan Winters. He was a genius. One thing about him, and also Lenny Bruce, is that they were in the tradition of the one-man show. That's why Richard Pryor was so great, and George Carlin, too. They prowled the stage, they used voices, they were really talents.

I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.

I'm just so tired of people questioning me and really tired of people not calling me Foodgod. It's my name. Jonathan is not my name.

Jonathan Lynn is one of the last actors Orsen Welles used in a production. It was wonderful. He's very sharp, very sharp. It's funny I've been asked how weird it was to have a Brit do a church gospel movie.

Even at 10 years old, Jonathan and I started saying things like, 'Hey, what about this for the property?' And I remember my parents saying, 'You're 10. What do you know about real estate? Go play with toys.'

I love Jonathan Adler but more importantly I love throws. To clarify, a throw is not to be confused with a blanket. A blanket is to be slept under, a throw is to accent a chair or sofa and give the illusion that in some scenario someone might rest underneath it. In reality, this scenario does not exist and I never want it to.

When I'm channel surfing, and 'Silence of the Lambs' comes on, I have trouble turning it off. I wouldn't say that about 'Beautiful Mind.' It's a good movie, but I'm much more in awe of what Jonathan Demme did with 'Silence of the Lambs.'

Mr. Adams, describing a conversation with Jonathan Sewall in 1774, says: "I answered that the die was now cast; I had passed the Rubicon. Swim or sink, live or die, survive or perish with my country was my unalterable determination."

I've immersed myself in reading more and more of American literature, but no editor has asked me to comment on Jonathan Franzen or Jennifer Egan. It is assumed I'm an expert on writers who need a little less suntan lotion at the beach.

I'm not like Jonathan Hickman, who's able to sort of plot out three years of a book ahead of time. I'm much more of a guy who plots out an arc or two at a time.

It's really cool to get these guests on the show BoJack Horseman: not just actors, but, "Can I get Jonathan Lethem on my weird talking horse cartoon show to talk about how growing up in Brooklyn, he always dreamed of being a ringtone?"

I found out about Jonathan Winters' death a day after it happened. That seems wrong. A talent like his should be more revered. The world knew about Kim Kardashian's divorce before she did.

When I used to watch vaudevillian impressionists, people like Rich Little or Frank Gorshin, I always felt like the voice was the only point. I didn't want to do that. I wanted to be of the Robin Williams or Jonathan Winters model, where observation and storytelling was important.

You will begin to touch heaven, Jonathan, in the moment that you touch perfect speed. And that isn’t flying a thousand miles an hour, or a million, or flying at the speed of light. Because any number is a limit, and perfection doesn’t have limits. Perfect speed, my son, is being there.

I went to a masterclass with Jonathan Pryce who said that a successful actor is not a famous actor, it's an actor who acts. And I have been incredibly fortunate to have worked constantly from the moment I left drama school, so I achieved what I set out to do. I am an actor.

After years of begging, I got my parents to get me a little Craig tape recorder, a reel to reel. Then I started recording voices, or recording Jonathan Winters off television and stuff like that.

DAYS THAT I'LL REMEMBER is a lovingly assembled and beautifully written collection of conversations, observations, and memories of music, friendship, and days gone by. It's good to be back again with John Lennon, his beloved Yoko Ono, and his trusted chronicler and friend Jonathan Cott.

Personally, I'd never seen a graphic novel. I knew they existed because friends of mine like Jonathan Ross collect them and some very literate and intelligent people really rate the graphic novel as a form.

Everyone calls me foodgod. Scream it in the streets and run up to me in restaurants, and I want people calling me foodgod when they write about me - not Jonathan or 'BFF.'

I've been really lucky because I've managed to become wonderful friends with a handful of very talented British designers. Christopher Kane has become one of my very good friends - also Erdem. Jonathan Saunders is another brilliant talent who's very kind. We all hang out.

I don't aspire to write like Steve King. Sure, I admire his work, and I think he's a hell of a nice guy; we met shortly after my first Stoker win. I aspire to write like Jonathan Maberry.

When I hit 16, I got a scooter to ride to school. It was bright pink, and I saw on the ownership papers that Jonathan Ross once owned it. My friends slated me for it because of the colour, but it was cool. My father used to ride, and my mother's boyfriend has a bike, so we're a bit of a biker family.

It's certainly a cliche to remark that a nonfiction book 'reads just like a novel,' but in the case of Jonathan Eig's 'The Birth of the Pill,' I have no other recourse, since his narrative is full of larger-than-life characters sharply limned and embarked on fascinating doings, their story told in sprightly visual fashion.

For a lot of people, it's a massive deal to be on the front row at Fashion Week and look perfect. I don't go to be seen; I go to look at the collections and support my friends, like Henry, Giles and Jonathan Saunders. As much as I love clothes and shopping, it doesn't drive me.

The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing. I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.

My favorite Galaxie 500 album is the first one, 'Today,' recorded in three days at Noise New York and produced by Kramer. It contains my favorite Galaxie 500 songs: 'Temperature's Rising,' 'Tugboat,' and our interpretation of Jonathan Richman's 'Don't Let Our Youth Go to Waste.'

Yes," Jace said, "I regret having disobeyed you." No! Clary thought, but her heart sank. Was he giving up, did he think it was the only way to save her and Simon? Valentine's face softened. "Jonathan-" "Especially," Jace said, "since I plan to do it again. Right now.

I read hard, or not at all; never skimming, never turning aside to merely inciting books; and Plato, Aristotle, Butler, Thucydides, Sterne, Jonathan Edwards, have passed like the iron atoms of the blood into my mental constitution.

My greatest reward is knowing for certain, as I do with many other acts and artistes, that without Jonathan King being alive and involved, Genesis would not exist, and the guys would have had careers as intended - as accountants and lawyers!

Jonathan is one of the most corrupt Nigerians I ever investigated while at EFCC & his level of corruption even as deputy governor is just disturbing. PDP is just a disaster and a total failure. Change is the only panacea.

When I was younger, I wasn't really sure what I wanted to do, but I told a lot of lies in school. I told my friends once that I was playing John Travolta's daughter in a movie. I also told people that I had this romantic affair with Jonathan Taylor Thomas over a summer.

There are a lot of parallels between the historical Henry VIII and Jonathan Rhys Meyers. There's an oscillation and extremity of emotion throughout his repertoire that lends itself beautifully to the nature of Henry VIII, definitely. He will push things to the limit, and yet remain in emotional control.

Jonathan Edwards is without a doubt the most brilliant mind America ever produced. I'm not talking about theologian; I'm talking about mind and everybody. I put him above Einstein and everybody else.

I found out about Jonathan Winters death a day after it happened. That seems wrong. A talent like his should be more revered. The world knew about Kim Kardashians divorce before she did.

A lot of times, they can't hire actors just because there's this obligation that the audiences don't know who they are, and it's about making money. For me, the project that felt like all of it was 'Rachel Getting Married' because I had such a good time on that movie. Jonathan Demme, to me, is one of the most actor-friendly directors.

I think one of the big things with Jonathan and me is that, you know, we love to compete, but it's not a matter of competition to knock each other down. It's a matter of pushing each other to do better. And we've always been like that our whole life.

I love to read. And right now I'm on my last hundred pages of 'The Corrections' by Jonathan Franzen, and I really enjoyed it. His writing is just - he's one of those writers where you just go, 'There are people just meant to be novel writers.'

When I first started out, 'Time' magazine did an article on what it called 'the sick comics,' and they were myself, Shelley Berman, Nichols & May, Jonathan Winters, Lenny Bruce, and Mort Sahl. We were considered 'sick.'

Here is the interesting twist:[McLeod] Campbell came to his views through reading Jonathan Edwards who suggested at one point in his ruminations on the atonement that Christ could have offered up a perfect act of penitence instead of punishment, and that this would have been an acceptable offering suitable to remit our sinfulness.

I once played a character called Mr. Jonathan in something called 'Razzle Dazzle.' I was a choreographer of children's pageants. That was something I never imagined doing. It did great in Australia.

Jonathan Lynn is one of the last actors Orsen Welles used in a production. It was wonderful. He's very sharp, very sharp. It's funny I've been asked how weird it was to have a Brit do a church gospel movie

You [as an actor] have a responsibility to Jonathan's book and you have a responsibility to talk about a subject that is going to be, whether it's contentious or not, it's going t bring up a huge, emotional response from people. A lot of people will say they are ready or they're not ready.

I recommend Doug Sweeney's recent book [Jonathan] Edwards the Exegete (Oxford University Press, 2015), which is a terrific treatment of the way in which Edwards was steeped in the Bible, so that it shaped the whole of his thinking.

Wonderful songwriting, beautiful production, and deeply rooted in what makes American Roots Music great: Deep Southern Pain. It's the hurt that brings the songs, and it's the songs that heal the hurt. Jonathan's songs bring us there, and back. Check this record out, it's a good 'un.