Top 271 Jonathan Livingston Seagull Quotes & Sayings - Page 5

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Last updated on November 19, 2024.
The idea of Jonathan Rhys Meyers as Dracula, all I could think of was, why haven't they done this with him before? It's such a genius idea. 'Dracula' has always been done as film, so it's been an hour and 40 minutes. What we're done is 10 hours of 'Dracula,' so you have a lot of freedom with all the different mythologies and nuances.
My first celeb crush was Hanson. I loved all three of them. My sister and I would always fight, and whenever they would come on the TV, we would always give them a kiss on the TV. And I also had a crush on Jonathan Taylor Thomas. Every time he would come on the screen, he was like my boyfriend. I was such a nerd like that.
He spoke of very simple things- that it is right for a gull to fly, that freedom is the very nature of his being, that whatever stands against that freedom must be set aside, be it ritual or superstition or limitation in any form. "Set aside," came a voice from the multitude, "even if it be the Law of the Flock?" "The only true law is that which leads to freedom," Jonathan said. "There is no other.
There is the view I call penal non-substitution, or the penal example view. (It is also called the Governmental View in textbooks of theology.) This is often associated with Arminian theology stemming from the great Dutch jurist Hugo Grotius. However, the view was taken up by [Jonathan] Edwards's disciples in New England, who developed a Calvinistic strand of the doctrine.
What makes someone an artist? I don't think is has anything to do with a paintbrush. There are painters who follow the numbers, or paint billboards, or work in a small village in China, painting reproductions. These folks, while swell people, aren't artists. On the other hand, Charlie Chaplin was an artist, beyond a doubt. So is Jonathan Ive, who designed the iPod. You can be an artist who works with oil paints or marble, sure. But there are artists who work with numbers, business models, and customer conversations. Art is about intent and communication, not substances.
My friend Jonathan had a great tree house. It was awesome. It was like a big fort up in this tall magnolia tree That's where we would conduct our very important business, I'm sure, with all our bikes leaning up against a tree and no girls allowed, handling all sorts of important things you handle when you're seven or eight.
We spoke of how to say good-bye,” Jem said. “When Jonathan bid farewell to David, he said, ‘Go in peace, for as much as we have sworn, both of us, saying the Lord be between me and thee, forever.’ They did not see each other again, but they did not forget. So it will be with us. When I am Brother Zachariah, when I no longer see the world with my human eyes, I will still be in some part the Jem you knew, and I will see you with the eyes of my heart.
I read of the revivals of the past, great sweeping revivals where thousands of men were swept into the Kingdom of God. I read about Charles G. Finney winning his thousands and his hundreds of thousands of souls to Christ. Then I picked up a book and read the messages of Charles G. Finney and the message of Jonathan Edwards on 'Sinners in the Hands of an Angry God,' and I said, 'No wonder men trembled; no wonder they fell in the altars and cried out in repentance and sobbed their way to the throne of grace!'
Note even Jonathan Swift would dare to write a satire in which politicians argued that - in a world where species are vanishing and more than a billion people are barely able to afford to eat - it would somehow be good for the planet to clear rain-forests to grow palm oil, or give up food-crop land to grow biofuels, solely so that people could burn fuel derived from carbohydrate rather than hydrocarbons in their cars, thus driving up the price of food for the poor. Ludicrous is too weak a word for this heinous crime.
I love Jonathan Richman - I love a lot of his music, and the thing I really like about him is his attitude. He seems very happy, and the way he performs is like, 'Don't worry, everybody, just get into it. I'm just having fun; I like when you guys are having fun.'
We are even more confident that when President Goodluck Jonathan returns in 2015, women would be talking about 50 percent, no longer 35 percent. As we give him unequivocal, undiluted, unreserved and unlimited support and as we march with him to 2015, PDP women will reach the promised land.
I tell the truth and I don't try to sugarcoat things. But I also decided that if you don't use humor or satire, then it's just too dark all the time. And one of my favorite literary works is A Modest Proposal by Jonathan Swift. As you know, that was an enormously famous satire piece that was able to point out, you know, things to people in a different way. And I do believe that satire and humor can reveal truth in a way that sometimes doesn't get revealed through other means. And so I decided to, every now and then, use satire and humor as well.
The '90s were a time when not just the movie business, but every aspect of American life, became a lot more corporate. There's a line in Jonathan Franzen's essay "Perchance to Dream" about how "the rich lateral dramas of local manners have been replaced by a single vertical drama, that of commercial generality." I wanted to examine that great homogenizing force that came in during the '90s, since Hollywood seemed a place where it was particularly active.
Your whole body, from wingtip to wingtip," Jonathan would say, other times, "is nothing more than your thought itself, in a form you can see. Break the chains of your thought, and you break the chains of your body, too.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
True majorities, in a TV-dominated and anti-intellectual age, may need sound bites and flashing lights and I am not against supplying such lures if they draw children into even a transient concern with science. But every classroom has one [Oliver] Sacks , one [Eric] Korn, or one [Jonathan] Miller , usually a lonely child with a passionate curiosity about nature, and a zeal that overcomes pressures for conformity. Do not the one in fifty deserve their institutions as well magic places, like cabinet museums, that can spark the rare flames of genius?
People might be making too much of me maturing and growing; I’m still the same person. I still like to joke around and have fun in the locker room and on the road trips. I still get into arguments with Jonathan because we both have strong opinions, and we’re both so comfortable with our relationship that we can argue and still have a healthy friendship.
In some ways more painful is the fact that their experience appears to be fading from the collective memory of humankind. Having never experienced an atomic bombing, the vast majority around the world can only vaguely imagine such horror, and these days, John Hersey's Hiroshima and Jonathan Schell's The Fate of the Earth are all but forgotten. As predicted by the saying, 'Those who cannot remember the past are condemned to repeat it,' the probability that nuclear weapons will be used and the danger of nuclear war are increasing.
I screen tested for 'The Tudors' in N.Y. That was my first experience of N.Y., being flown here to screen test with Jonathan Rhys Meyers. So I have very, very fond memories of New York - New York helped give me my first big break.
I'm a huge fan of Jonathan Van Ness, but that was the first time that I had met him on the Gay Of Thrones set, and as soon as we sat down, it was clear that just about anything he was going to say I was going to have no idea what it meant. I have literally no idea, so that ended up being a really fun bit to find, like "The old man doesn't know what kids talk about." We started talking about red carpets. I was taught how to stand on the red carpet. Put your hand in your pocket and that's it. That's literally all a guy has to do.
There are obvious places in which government can narrow the chasm between haves and have-nots. One is the public schools, which have been seen as the great leveler, the authentic melting pot. That, today, is nonsense. In his scathing study of the nation's public school system entitled "Savage Inequalities," Jonathan Kozol made manifest the truth: that we have a system that discriminates against the poor in everything from class size to curriculum.
When I was about 12, I was studying Chinese and ballet with my brother, and one morning Jonathan said to me, 'I don't think I'm going to go to ballet class anymore,' and I looked at him and said, 'You know, I don't think I'm going to go to Chinese class anymore.'
When the Lilliputians first saw Gulliver's watch, that "wonderful kind of engine...a globe, half silver and half of some transparent metal," they identified it immediately as the god he worshiped. After all, "he seldom did anything without consulting it: he called it his oracle, and said it pointed out the time for every action in his life." To Jonathan Swift in 1726 that was worth a bit of satire. Modernity was under way. We're all Gullivers now. Or are we Yahoos?
Burroughs is the greatest satirical writer since Jonathan Swift. . . . The net result of Naked Lunch will be to make people shudder at their own lies, will be to make them open up and be straight with one another. Swift and Rabelais and Sterne accomplished a step in that direction, and Burroughs another.
Think of Jonathan Edwards who thundered the terrors of God and what Hell was like until men grasped their seats and hung on to them, fearing they were falling into Hell itself. Men were moved by fear to escape damnation. That was believed to be Christianity. Why any coward wanted to keep out of Hell. He might not have had one idea in his soul of what was the real true earmark of Christianity.
His eyes shone when he looked at her, green as spring grass. He has always had green eyes, said the voice in her head. People often marvel at how much alike you are, he and your mother and yourself. His name is Jonathan and he is your brother; he has always protected you. Somewhere in the back of Clary’s mind she saw black eyes and whip marks, but she didn’t know why. He’s your brother. He’s your brother, and he’s always taken care of you.
[at CMC West Coast 2011, on 1 Samuel 14] If just a few of you would step up and be like Jonathan ... as you step out in faith, you know what's going to happen? There'll be people like Saul who'll say, "God's doing something through that guy, God's doing something through that girl. I want to be a part of that.
A fantastic, gleeful, chrome-plated-slick debut of a novel. In Jonathan Chase, Markham has created the perfect cliche-shattering super spy while honoring the progenitors. Dangerously sharp, and genuinely fun-and very, very, very smart. I want more books like this. I want more books from the mind of Mr. Markham!
I am Plato's Republic. Mr. Simmons is Marcus. I want you to meet Jonathan Swift, the author of that evil political book, Gulliver's Travels! And this other fellow is Charles Darwin, and-this one is Schopenhauer, and this one is Einstein, and this one here at my elbow is Mr. Albert Schweitzer, a very kind philosopher indeed. Here we all are, Montag. Aristophanes and Mahatma Gandhi and Gautama Buddha and Confucius and Thomas Love Peacock and Thomas Jefferson and Mr. Lincoln, if you please. We are also Matthew, Mark, Luke, and John.
A friend of mine pointed out to me, "Why do you separate your writing and your music?" I got (writers) Rick Moody and Jonathan Ames to do the first one, and it just kind of gathered steam; then NPR picked it up. It is a nice way for me to marry both sides of my career, a move that's probably culminated in me dropping the name John Wesley Harding.
Jonathan Wells has done us all - the scientific community, educators, and the wider public - a great service. In Icons of Evolution he has brilliantly exposed the exaggerated claims and deceptions that have persisted in standard textbook discussions of biological origins for many decades, in spite of contrary evidence. these claims have been so often repeated that they seem unassailable - that is, until one reads Wells's book.
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