Top 1129 Journalist Quotes & Sayings - Page 14

As long as a journalist tells the truth, in conscience and fairness, it is not his job to worry about consequences. The truth is never as dangerous as a lie in the long run. I truly believe the truth sets men free.

My father was and is a great journalist. Thirty years ago, I was studying broadcasting in college, and the problem was I wasn't nearly as good as my father. I wasn't as quick or as smart as my old man, and I realized it would be a long time before I was ever going to be, and I decided to do something else.

I am not supposed to reveal much about my role in 'Thiruppangal.' But I can say that I am playing a journalist. It is a beautiful story, and I have got a meaty role to play. Sharadha Narayanan is shaping up the movie in an interesting manner.

When I went in, my editor said, 'I hope you don't think you're a writer.' And I said, 'I hope you don't think I'm a journalist.' And, uh, turned out we were both right.

Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible. He is a kind of confidence man, preying on people's vanity, ignorance or loneliness, gaining their trust and betraying them without remorse.

Certainly, when it comes to my profession as a journalist, that allows the government to trace what you're reporting, who you're talking to, and where you've been. So no matter whether or not I have a commitment to protect my sources, the government may still have information that might allow them to identify whom I'm talking to.

I think these questions about what will happen are questions for activists and about the agency of people in the course of events. This is not a question for a journalist, but for activists.

The novelist now usurps the chair of the educator, the pulpit of the preacher, the columns of the journalist. Yet his original purpose of entertaining may have been his highest purpose. (introduction to Gladiator, Book League Monthly, 1930)

Spin-off technologies are changing the culture. Even if you don't become an engineer you could be a poet, a journalist, a lawyer, but you will be thinking innovation and your actions within society, who you vote for, what you value, all become a participant in an innovation economy.

But, I swear, they’re turning Donna into Annie Hall this season. More ties. More suits. But they’re also keeping her really motivated, ya know? Like, wanting to be a rock journalist. Wanting to be the first woman president.

As a guerrilla journalist, I participate in the news by holding individuals who are in the news accountable through personal interactions. That involves confronting people in ambush interviews, secretly recording them, or engaging in a conversation with them when they are caught off guard.

I fell in love with the idea of writing songs when I was a child. I thought I was going to be a journalist at first, but I gradually fell in love with all these great writers like Irving Berlin and Cole Porter, who were at the peak of their powers then.

Anyone who lives in Washington and has an official position viscerally understands the cost of a lack of privacy. Every dinner - especially ones with a journalist in attendance - is preceded by the mandatory, 'This is off the record.' But everyone also knows, nothing is really 'off the record.

When my grandfather was a journalist for the Detroit Tigers, he dressed the part. I mention it always to our local media: sport coat, tie, very professional and a nice cap on his head. And they also developed very close friendships with the players and staff traveling.

I feel the responsibility of the novelist is to create a very complex world populated by very complex individuals and to deepen that as much as possible. I don't think the responsibility of the reporter or journalist is fundamentally different.

I'm never going to write a book like Anthony Sher did, you know, 'The Broadcaster Prepares.' I'm only talking to myself. I'd have liked to be a writer, or a journalist, but if things don't come easy to me I don't do them. I think if you're always thinking how difficult something is, you shouldn't be doing it.

On career day as a young journalist, I scraped up my money and went to this big conference for young journalists, and the great feedback I got was that I would not or should not become an anchor because my eyelashes were too long and too distracting.

I got overwhelmed by the magnitude of the celebrity culture in America. My background is as a news journalist, and newsrooms in the US are shrinking - investigation teams are being terminated or shrunk on newspapers all around the country. The one aspect that's expanded is coverage of celebrity culture.

Let's give a big cuddly shout-out to Pat Healy, infant provocateur and amateur journalist at The New York Times. Keep it up, Pat - one day perhaps you'll learn something about how Broadway works, and maybe even understand it.

The ability to keep things in perspective is very important for a journalist. In a tense situation you need the ability to be there, yet somehow step aside; to keep a cool head and keep working without getting frustrated.

To be a good sports journalist takes many things, but the main thing it takes is the ability to listen and follow your nose - see something, sense something and follow it.

Someone asked me the other day, "Oh your story is like Cameron Crowe's, he has the same thing of having been a teenage journalist," but he was a guy and you just add gender into the mix, it's a 16-year-old girl with adults and rock stars, and it's tough.

That was par for the course but I also found that commissions were being canceled and in fact I considered this directly libelous - I write biographies for a living as well as being a journalist - for a non fiction book to be called fiction from beginning to end.

I greatly enjoyed working as a freelance journalist, because it gets you out of the house, and it gets you talking to people, but it wasn't satisfying all of my cravings, and I knew that I needed to work with the other side of my brain - the darker, murkier side!

Some reviewer might be out there saying, obviously Edge of Darkness didn't come off because of the script, blah blah blah, but everybody has read the script, except the journalist attacking it.

I had left the music business and became a conflict journalist. The conflict journalism started for me in the Gulf and the oil spill. When Skynyrd needed a new bass player, they knew me from the Black Crowes.

I think the way to be an influential journalist is to be accurate and to be fair and to get things right and to really characterize things in an honest way, versus being really snarky or cheerleading.

It's an odd experience reading interviews with yourself. Interesting, though. Of course, you know that the journalist will have edited, rephrased or even rewritten what you actually said, but you can't help feeling that there's a special kind of truth in the way someone else paints you, however subjective they might be.

If a journalist shows a facility for praise he's liable to be offered a job in public relations or advertising and the next thing you know he's got a big office, a huge salary and is living in a fine home with a lovely wife and swell kids - another career blown to hell.

If you enjoy reading, writing, learning, and sharing what you have learned, don't hesitate to look for a life where you can continue to do those things. It could be as a scientist, an educator, an editor, a journalist, the founder of an organization. You only live once, and it is a tragedy if you deny yourself these options without trying to pursue them.

I was the first journalist allowed on a hunting boat during harp seal season in almost 15 years. Around the late 1970s, white coat pups became the poster child for the anti-fur movement, and by the '80s, the media was lambasting the hunters for killing them.

There's very little you could do to prepare to be a correspondent on The Daily Show, because it's not being a journalist, it's not being an actor. It involves elements of both of those things, but they're not required necessarily as job experience. It's helpful if you know how to improvise, but again, not a requirement.

When I was in college, I did sort of want to be a journalist. Being an actor, you kind of have the same interest. You go into a story, and you tell it from your point of view for people who aren't there. That's what an actor does with a character. But the real life is more more interesting.

Something seems to happen to people when they meet a journalist, and what happens is exactly the opposite of what one would expect. One would think that extreme wariness and caution would be the order of the day, but, in fact, childish trust and impetuosity are far more common.

There's very little you could do to prepare to be a correspondent on 'The Daily Show,' because it's not being a journalist, it's not being an actor. It involves elements of both of those things, but they're not required necessarily as job experience. It's helpful if you know how to improvise, but again, not a requirement.

As a journalist you have to think quickly, you're exposed to all types of people and situations and you've got to synthesize your thoughts in a very clear and concise way and write them down quickly. Those were all things that have proven really useful in my life as a television writer.

People love to talk about the things that are important to them, but oftentimes as a journalist, if you're entering a world that's pretty esoteric and difficult to penetrate and has many barriers to outsiders, then the people inside that world just don't have the same language as you do.

But, I swear, they're turning Donna into Annie Hall this season. More ties. More suits. But they're also keeping her really motivated, ya know? Like, wanting to be a rock journalist. Wanting to be the first woman president.

With two children of my own, I know what it means to balance the demands of family and career - and let's not even talk about finding a date for myself. Rabbi Shmuley keeps telling me he'll find me the perfect woman. My response is, 'As long as she's not a journalist'.

I wrote my first real murder story as a journalist for the Daytona Beach News Journal in 1980. It was about a body found in the woods. Later, the murder was linked to a serial killer who was later caught and executed for his crimes.

The great thing about celebrity culture is that they can't seem to stop themselves from displaying their ridiculous behaviour. I feel it's my job as a serious investigative journalist to witness all kinds of behaviour and then report back to the audience through the prism of my own anger and bitterness.

Everybody was in tears. You turned on the radio or the television, and it was nothing but Gainsbourg. With typical British music journalist disdain, I just figured it was a testament to how poor French pop was if there was this much fuss about a guy who had one hit record, 'Je T'Aime (Moi Non Plus)'.

Let me tell you, seven days without Wolf Blitzer is heaven. A week outside 'The Situation Room' is downright calming. No 'breaking news!' No hype. Blitzer is a first-class journalist, and I mention him only by way of acknowledging his fame.

I'm not a critic. I'm not a journalist. I'm not a philosopher. Arguing that punk has run its course is like saying painting ran its course after the Renaissance. Punk is an idea. It's freedom. And it'll be around 200 years from now for the people who want it.

Since I come from documentary background and my father is a documentary filmmaker, for me the core essence of cinema is it's social statement. It is somewhat similar to the work of a journalist, just on a different level. This is the kind of cinema I enjoy.

The fact that I have always been deeply invested in politics, and African politics in particular, inevitably played a role in my first novel and, of course, in my decision to write about a handful of particular conflicts in Africa as a journalist.

Before acting, I wanted to become a journalist. I also toyed with the idea of being a chef - but that's only when people asked me what I wanted to be. In fact, I always used to say I wanted to be an actor, but I didn't ever believe that I was good enough to be come one.

Anyone who lives in Washington and has an official position viscerally understands the cost of a lack of privacy. Every dinner - especially ones with a journalist in attendance - is preceded by the mandatory, 'This is off the record.' But everyone also knows, nothing is really 'off the record.'

I'm a Christian, a wife, a mother, a homeschooler, a conservative, a citizen journalist, a talk radio host, an insatiable music nerd who plays a poor rhythm guitar, a blogger, a proud granddaughter of a sailor, and a proud tea partier in awe of the potential and the people in this movement.

I get much more information about the rest of the world from people who are not Americans. You get a distance from America that is useful for a journalist; useful for my perspective on the world.

The Obama administration has had seven criminal leak investigations. That is more than twice the number of any previous administration in our history. It's on a scale never seen before. This is the most secretive White House that, at least as a journalist, I have ever dealt with.

I never really wanted to be a journalist, honestly. I always wanted to be a writer, and I thought the only way to apply that interest was with journalism - when you're young and you want to be a writer, it seems like the most practical thing to do with those types of ambitions.

When I went in, my editor said, ‘I hope you don’t think you’re a writer.’ And I said, ‘I hope you don’t think I’m a journalist.’ And, uh, turned out we were both right.

My father was an engineer - he wasn't literary, not a writer or a journalist, but he was one of the world's great readers. Every two weeks, he'd take me to our local branch library and pull books off the shelf for me, stacking them up in my arms - 'Have you read this? And this? And this?'

The professions of novelist and journalist are very separate. As a novelist, you are ultimately working for yourself. Yes, you need the approval of a publisher and an audience, but what is valued in fiction writing - style, individual voice, insight - is scorned by the editor who is combing through your newspaper article.

In 2002, a Scottish journalist, during a dinner meant to be private, absolutely wanted me to react to Stephen Hawking's comments. I said one shouldn't pay too much attention to what Hawking was saying because he was a celebrity but not a specialist of elementary particle theory.

A Writer says: read what I have written An historian says: listen to my lecture A critic says: listen to what I think A journalist says: let me tell you a story.

As a journalist, you know you are doing your job properly when you manage to upset rich, powerful and entitled people who are used to getting their own way,and you know you’ve really got under their skin when they pursue censorship, the avenue of last resort since time immemorial.

My father was an engineer - he wasn't literary, not a writer or a journalist, but he was one of the world's great readers. Every two weeks, he'd take me to our local branch library and pull books off the shelf for me, stacking them up in my arms - 'Have you read this? And this? And this?"

The journalist's first allegiance is to those who receive the work. Although there is no doubt that many owners and business managers of news organizations also have a deep allegiance to the public, that allegiance is necessarily alloyed with their concern for their own point of view or for the bottom line.