Top 1129 Journalist Quotes & Sayings - Page 15

In the 'Garnethill' trilogy, people always forget that Maureen O'Donnell's dad was a journalist and she did art history at uni and her brother did law, but no-one ever thinks they're middle-class - they're just working class because they speak with accents.

You have two options when you approach a hostile checkpoint in a war zone, and each is a gamble. The first is to stop and identify yourself as a journalist and hope that you are respected as a neutral observer. The second is to blow past the checkpoint and hope the soldiers guarding it don't open fire on you.

I'm not trying to explain other cultures, or to give a fair and balanced account of a country, or the top ten things you need to know. I'm not trying to spread world peace and understanding. I'm not an advocate or an activist or an educator or a journalist. I'm out there trying to tell stories the best I can.

I know of no American who starts from a higher level of aspiration than the journalist. . . . He plans to be both an artist and a moralist -- a master of lovely words and merchant of sound ideas. He ends, commonly, as the most depressing jackass of his community -- that is, if his career goes on to what is called a success.

Well, I don't know about objectivity, but I know for certain that it's always possible for a professional journalist who understands what he or she's up to to be fair, and that's the key word. Fairness to individuals, fairness to ideas, and to issues and whatever - that is critical, and that is also part and parcel of what the job.

I am not a journalist. I'm just a guy who cares. I'm sorry. I'm just a guy who cares an awful lot about my country.

I wasn't the kind of kid like Spielberg or Lucas who knew to go to film school. I didn't know at 12 what I was going to do; it took me until I was about 23. I studied journalism in college, but after school, I got a job in public television and I never worked as a journalist for one moment.

I can't tell you how many times we'll run into a journalist and go, "Boy that's...I wish we could be saying that. That's exactly the way we see it and that's exactly the way we'd like to be saying that." And I always think, "Well, why don't you?"

I was a painter, then a novelist, then a journalist, then a screenwriter, and now I'm a director, and it feels all part of the same continuum. One led to the other, and it just feels like the natural confluence of all the ways of storytelling that I've been doing for almost 30 years.

I used to go into rooms of older executives and try to pitch talk show ideas and when I was writing as a journalist I would pitch ideas for my articles and I definitely understand that excitement of a pitch and what that is to be young and a woman and trying to make your voice heard.

I was talking to my father via phone from my hotel room when he said "I will call you right back" before he hung up. 10 minutes pass and the phone rings again. I thought it was him but it was a journalist telling me my father had died.

It wasn't just one journalist getting it wrong, everybody was getting it wrong.

I fought as an infantry Marine on one of the Vietnam War's harshest battlefields. After leaving the Marine Corps, I studied law and found a fulfilling career as an author and journalist. But again and again, I came back to the personal fulfillment that can only come from public service.

Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.

As a print journalist, you can be frustrated by people who don't call you back, parts of the story you can't get. TV gets you access to everyone because people call you back. It also allows you to satisfy your curiosity. I am a very curious person.

I loved seeing my name in print, I loved seeing my words in print. I felt really privileged to be in the kind of company I was in at Esquire, but I didn't think it was going to launch a career as a top-notch journalist. It's just not what I wanted.

As a journalist, I've always treaded carefully about being Jewish and caring a lot about Israel and having that not become too big of an issue that could affect my journalism. But I also don't think it's essential to my Judaism, as I think it might be for some other people.

I guess you could say I've written a lot about one thing as a journalist. But I hardly ever saw it as exclusively about race. To my mind, it was more about telling stories of people who existed outside the mainstream's field of vision. Invisible people.

I spent two years in Cairo, and I felt a certain urgency about trying to understand the region and the conflict here, in the modest way that a journalist might be able to try and shed some understanding and enlightenment on a region that is profoundly conflicted, and a conflict that has real consequences for Americans.

I started as a print reporter. I’m a journalist and that’s what I do. My function is an anchorperson, but it’s in a journalism context, and gravitas and coats and ties and haircuts and all that sort of stuff, I’ll leave to others. My thing is just to do my job the best way I know how and as I say I’m very fortunate to be able to do it the way I want to do it.

In some ways, making documentaries is like being a journalist. You interview people and then use the bits you want to use as opposed to the bits they want you to use.

Real crime-beat investigative journalism does seem to be really dwindling, especially in this age with everything being centered around iPhones. Everyone's a journalist today, essentially. Every pedestrian on the street has the potential of capturing a big story on their mobile device and then selling it and making a lot of money.

And I'm hoping that fair-minded people will stand up and say that what's been done to me is wrong, and that-that people's personal lives have no impact on their ability to be a journalist, you know. Why should my past prevent me from having a future?

At an early age my dad - probably because he's a journalist - said: "Just have something to say. Don't just blather. Always have one line in your mind." So, that was always my thing whenever I met someone when I was younger, if ever I got to meet a real celebrity.

Jose Marti, known as 'the Apostle of Cuban Independence,' was an influential poet, journalist, and political theorist who became a symbol for the Cuban people's bid for independence. The concepts of freedom, liberty, and self-determination feature prominently in his work.

When I was a kid growing up, I always thought I would be a journalist, and I thought, you know, I'd cover stories about other people, and we're always taught never to make the story about yourself.

The prostitute journalist is a familiar and well-understood figure in the Middle East, and Saddam Hussein's regime made lavish use of the buyability of the regional press. Now we, too, have hired that clapped-out old floozy, Miss Rosie Scenario, and sent her whoring through the streets.

A statesman is an easy man, he tells his lies by rote. A journalist invents his lies, and rams them down your throat. So stay at home and drink your beer and let the neighbors vote.

I started working as a journalist under Bush, then Clinton, then Bush, then Obama.

Whether you're working in corporate America or you're a journalist, construction worker, a teacher or an actor - we're all trying to keep working. If one job is ending, you look for another job. When 'Psych' ends, I will be looking for another job.

Mitch Glazer and I went to high school together, and his mother was my English teacher for two years. She was my favorite teacher, and I followed Mitch's career as a journalist, so we've kind of kept in touch over the years.

In the U.S., the '50s and '60s marked the documentary's golden age, especially at CBS, where pioneering television journalist Edward R. Murrow, immortalised in George Clooney's 'Good Night, and Good Luck,' produced such landmark investigations as the CBS Reports programme 'Hunger in America.'

Carelessness is not fatal to journalism, nor are cliches, for the eye rests lightly on them. But what is intended to be read once can seldom be read more than once; a journalist has to accept the fact that his work, by its very todayness, is excluded from any share in tomorrow.

The whole process of telling my story to my ghostwriter was so intense, after all, because he would ask me questions that no journalist would ask me. Things like, 'How did it smell at your grandmother's house?'

My wife - an ex journalist and current TV producer - has a rule that she taught me at the start of B3ta. Does the item make you laugh, or does it make you go, 'Oh my God?' If you score on either count, then you have something that is worth sharing.

I've rarely done anything that's overtly self-destructive without consciously knowing what I'm doing. And then of course, the astute journalist jumps forward and says, "Why are you being calculated?" Calculated seems to assume a sinister intent. My intent is always for artistic effect.

I don't know if other people have found it difficult relating to me, certainly that's not the feedback I've had. I don't think of myself particularly as a woman working in sport. I think of myself as a broadcaster, a journalist, and the right person for the job, regardless of whether I happen to be female or male.

In 14 months, my government, the Philippine 2 government, has filed 11 cases. I posted bail eight times, I've been arrested twice in five weeks, detained once, and the only thing I've done, my only crime is to be a journalist, to speak truth to power.

I think it's foolish to interview someone who's just promoting a movie that they're in and ask if they consider themselves a feminist. That's not about feminism; that's about the journalist wanting to gauge how much this person is aware of the world or is aware of the feminist movement.

In the US, the 50s and 60s marked the documentary's golden age, especially at CBS, where pioneering televison journalist Edward R Murrow, immortalised in George Clooney's Good Night, and Good Luck, produced such landmark investigations as the CBS Reports programme Hunger in America.

I knew early on that I wanted to be a reporter, but I didn't know I was a political journalist until my first job in Boston, in the '70s, covering the public school committee at a time when busing was a huge issue. Children's lives were being directly affected by political decisions, and that's when I realized that everything is politics.

A good journalist, as you know, is a great listener. And so's a good writer. And I got to listen to people for almost 20 years. That serves me well, I hope, when I try to understand how a character might be feeling, or how they might react.

I think journalist is a great profession. It's complicated now. People talk about the demise of investigative reporting.Newspapers play an amazing role in our society, and I still think they are important. I'm sorry newspaper circulation is down. Ultimately, the importance of newspapers can't be replaced.

As a journalist, your words are regularly read by lots of people, but they're not your words: they're someone else's. You're quoting people.

Even after they fired me, called me a bigot and publicly advised me to only share my thoughts with a psychiatrist, I did not call for defunding NPR. I am a journalist, and NPR is an important platform for journalism.

I think the hardest stories we tell are always the ones about ourselves. And as a journalist, I was taught that I'm never supposed to put myself in the story. So I spent what, 11, 12 years of my life writing about other people so I don't have to face my own life.

There's several ways to be a journalist. One way is to be combative and take the person to task and what you have is a portrait of somebody defending themselves, which is interesting. The other thing is to slip into their world and really be a representative for all the people that love the experience of that artist, and have them get so comfortable that you become invisible and they're themselves.

'All the President's Men' is a movie that has a very personal place for me because it made me want to be a journalist, and then it made me want to be a filmmaker.

Sometimes when I speak to groups or I'm interviewed by a journalist, I ask them to imagine their communities without Girl Scouts - to imagine the thousands of food drives and clothing and toy collections that would never take place if not for Girl Scouts.

Few Westerners know Iran as well as Robin Wright: her first trip there as a journalist was in 1973, and she has covered every important milestone since, from the Islamic revolution and the hostage crisis to the more recent staring contest with the West over Tehran's nuclear program.

Look how in societies today where Islam is dominant and prominent, how any non-Islamic person, whether it's a Christian or an apostate or a woman or a critical journalist, how they are treated. This is in a very bad way, often with the death penalty or imprisonment or all those kind of terrible things.

It's good for a writer to come from journalism because it gives you the tools. A journalist knows that he or she can lose the reader in six lines, so try to keep the attention of the reader. Also, you learn to research, and to conduct an interview - to extract from the person whatever you need from that person.

I bought a tape recorder and some stuff and went to Europe for three months when I was 18. The puppeteering was only there as a hobby. I wanted to be a journalist. When I was 19, and after I had spent about a year in college, Jim Henson asked me to come out and try puppeteering for awhile.

After I graduated from the University of Glasgow, I was a self-employed archaeologist going from dig to dig around Scotland, and it was not well-paid. I was an excavator, not a lecturer as well, so paying rent on a flat was tricky. In the end I decided to retrain as a journalist as I couldn't see a future in it.

When I was trained as a journalist, as a race-relations reporter in Nashville covering the end of the civil-rights movement, we were strictly forbidden to use the first-person pronoun. There was kind of an electric charge around it. To come out from hiding and use the word 'I' carried a lot of fright for me.

I prefer the word 'journeyman' to 'journalist' because I think that certainly, when you hear a story, you want to hear certain facts. But I also think what makes a story interesting is the points of view expressed therein.

To me, I'm honored to be able to talk to and interview people like Dr. Harry Edwards and Emmitt Smith, and just to be able to ask them questions is an unbelievable opportunity. I'm not a journalist. I have no idea about that. My wife is 10 times the writer that I am. I'm not going to be on that level.

I review novels to make money, because it is easier for a sluggard to write an article a fortnight than a book a year, because the writer is soothed by the opiate of action, the crank by posing as a good journalist, and having an air hole. I dislike it. I do it and I am always resolving to give it up.

The journalism, I was a financial journalist - it's very good training as a writer. You have to write for deadlines; you have a certain economy of phrasing. As a training ground as a writer, it's fantastic. I also think it teaches you to be observant, to listen to people, and gives you an ear of dialogue from doing interviews.

In an interview with a journalist, you look petty taking the pot shot but in a slick ad you can really do damage - including unfair damage - from afar. It is not that much different than waging a war by a drone than by hand-to-hand combat.