Top 147 Joyce Quotes & Sayings - Page 2

Thus Mr. Lawrence, Mr. Douglas and Mr. Joyce partly spoil their books for women readers by their display of self-conscious virility; and Mr. Hemingway, but much less violently, follows suit.

Genius still means to me, in my Russian fastidiousness and pride of phrase, a unique dazzling gift. The gift of James Joyce, and not the talent of Henry James.

I read James Joyce's short story 'The Dead,' and I love that movie for many reasons. It was the last film I made with my father, and it's emotional for me as well as a movie I'm proud of.

I guess that my opinion of writing about real people is informed by defenses of Joyce Maynard's memoir, that the experiences were a part of my life as well, and that I have the right to write about my life.

It is okay to experiment with language. Writers such as James Joyce, Virginia Woolf experimented with writing, but basically, one must have a familiarity with the language. And to have that, one must respect it.

It's impossible to read a distinctive stylist like Faulkner, Joyce, Kafka, Mann, Woolf, James - and many more - without wanting to write, however entirely different one's writing will be.

Life direct...is what Flaubert and Joyce have convinced themselves the man may never get quite clear of but the artist has nothing to do with. What they can't admit is that t is overrated: which artists, faking and fumbling it together out of spit and toothpicks, should know best of all.

In college, I discovered the Joyce Carol Oates short story 'Where Are You Going, Where Have You Been?' which is definitely one of the most incredibly unnerving, frightening short stories ever written.

James Joyce is right about history being a nightmare-- but it may be that nightmare from which no one can awaken. People are trapped in history and history in trapped in them.

In one particular chapter in Ulysses, James Joyce imitates every major writing style that's been used by English and American writers over the last 700 years - starting with Beowulf and Chaucer and working his way up through the Renaissance, the Victorian era and on into the 20th century.

My God, what a clumsy olla putrida James Joyce is! Nothing but old fags and cabbage stumps of quotations from the Bible and the rest, stewed in the juice of deliberate, journalistic dirty-mindedness—what old and hard-worked staleness, masquerading as the all-new!

Music is stored in our long-term memory. When we learn something through music, we tend to remember it longer and believe it more deeply. Dr. Joyce Brothers

My most memorable design-related encounter was also one of my most life-changing. I met Joyce Rutter Kaye, 'Print''s editor-in-chief from 1998-2008. It was at 6 A.M. on a cross-country flight from New York to Vancouver for the 2003 National AIGA conference.

No, I chose the name Jane Seymour because I was doing my first film, 'Ode to Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Wilhelmina Frankenberg.

Both Proust and Joyce record the ways in which human perspectives can be transformed. In Portrait, Stephen Dedalus is constantly undergoing epiphanies, but their effects are transitory: the new synthetic complex quickly falls apart. Proust's characters, by contrast, often achieve lasting changes of perspective.

Joyce for all his devotion to his art, terrible in its austerity, was a lad born with a song on one side of him, a dance on the other; two gay guardian angels every human ought to have.

The well-known inspiration for 'Ulysses' is made clear by the title itself: Joyce's novel is based on Homer's 'Odyssey', under the ever-fascinating premise that all of Odysseus' extraordinary adventures can be experienced by a modern man in a single day, provided that the writing consists of his mental activity.

[On working with James Joyce:] So, either you run your publishing business far away, where your writer can't get at it, or you publish right alongside of him - and have much more fun - and much more expense.

The sad fact is that I love Dickens and Donne and Keats and Eliot and Forster and Conrad and Fitzgerald and Kafka and Wilde and Orwell and Waugh and Marvell and Greene and Sterne and Shakespeare and Webster and Swift and Yeats and Joyce and Hardy, really, really love them. It’s just that they don’t love me back.

When I was in college, I had the good fortune to have Joyce Carol Oates as my writing teacher. She told me that I could take an aspect of myself, and from that one bit of personality, I can create a character. This is what I have done, particularly in my novels.

Did you take Joyce's engine?' 'My instructions were to disable the car, but one of the men bet Hal a burger he couldn't get the engine out. So Hal removed the engine.

Overall, I have formed three major organizations: the National Association of Business Women, the Young Women's Leaders Network, and the Joyce Banda Foundation. Under the foundation, we have a huge program that targets women to teach them about HIV and other diseases and to give them economic empowerment.

What great writers have done to cities is not to tell us what happens in them, but to remember what they think happened or, indeed, might have happened. And so Dickens reinvented London, Joyce, Dublin, and so on.

James Joyce buried himself in his great work. _Finnegan's Wake_ is his monument and his tombstone. A dead end.

I've gained a lot from James Joyce, Tolstoy, Chekhov and R. K. Narayan. While writing, I try to see if the story is going to radiate spokes. Their literature has always done that and gifted me beautiful things.

I'm not one of those James Joyce intellectuals who can stand back and look at the whole edifice... It was a slow process for me to just crawl out of it, like a snake leaving his skin behind.

I'm a postmodern commentator, and so, in a cheeky parallel to James Joyce or James Kelman, I get to places, verbally, that are a little unusual - when I talk about Jocky Wilson and end up sounding like a Jackson Pollock of the commentary box.

When I was younger, people were inventing a new way of writing - James Joyce, Hemingway, Faulkner. And I thought we had to find a structure for cinema. I fought for a radical cinema, and I continued all my life.

James Joyce was a synthesizer, trying to bring in as much as he could. I am an analyzer, trying to leave out as much as I can.

I remember looking at James Joyce's journals. It was just amazing - it looked like ants had written on the page. So much writing on one page, every corner of the page was filled. Some of the lines were underlined in yellow or blue or red. A lot of color, intense writing.

I'm drawn to women who live in a world different from my own. I don't believe you have to marry someone from your own backyard. James Joyce married a woman who never read any of his books.

For it is a plain fact that, most certainly in the West, the writings, works of art, musical compositions which are of central reference, comport that which is "grave and constant" (Joyce's epithets) in the mystery of our condition.

Most of my influences from outside the commerical strange fiction genre came in with university, discovering James Joyce and Wallace Stevens, Blake and Yeats, Pinter and Borges. And meanwhile within those genres I was discovering Gibson and Shepard, Jeter and Powers, Lovecraft and Peake.

Lord, what if I miss You? What if I miss You? What if I miss You? Oh, I'm so scared! God, what if I miss You? He answered simply, "Joyce, don't worry; if you miss Me, I will find you.

If you think about it, most cinema is built along 19th-century models. You would hardly think that the cinema had discovered James Joyce sometimes.

One day I was in Starbucks going through one of my books on accounting, and this beautiful young woman came up to me and said, 'My accounting book is different from yours.' Her name was Joyce, she had a background in finance and administration and ran a surgery center. Within a short time, we were married.

Because the great thing about fairy tales and folk tales is that there is no authentic text. It's not like the text of Paradise Lost or James Joyce's Ulysses, and you have to adhere to that exact text.

Jesse has opened for me extensively on the road so I’ve seen him do hundreds of sets. He is always super funny, has tons of material and the crowds love him. Bottom line, Jesse Joyce is a great comedian.

What other developed democracy has such a ridiculous and squalid history of intolerance? From the imprisonment and roasting of heretics, witches and poachers, to the censorship of literature, art and television: from St Alban through Wilde, Joyce and Lawrence I think we can point with pride to as grim a catalogue of intemperate, bigoted repression as any nation on earth.

He [Samuel Beckett] is great, a very great writer. Any modern writer is bound to be influenced by [James] Joyce. Of course, by Beckett as well.

Jay-Z isn't actually any better than James Joyce even though more people understand him. I'm more interested in what's meaningful within the lives of individuals. And fiction will always be central to the lives of certain people, which is all that matters.

So Bach, Beethoven, Duke Ellington, Thelonius Monk, these are all people who would sort of rearrange or take riffs from people. Same thing with rock, if you look at the Rolling Stones doing a cover of Otis Redding or you know if you look at literature James Joyce is pulling fragments of text from other people.

In 'Dublinesque', Spanish writer Enrique Vila-Matas inverts the terms of Joyce's 'Ulysses' and tells the story of a man who, after living a hyperkinetic life like those of Odysseus and Leopold Bloom, resolves to never leave his room again and to reduce his mental activity to a minimum.

I never really liked "cool" books. I plowed through as much Borges and Joyce as possible, read the first half of V. and spent whole Bar Mitzvah checks on Beat poetry.

There are dozens of young poets and fictioneers most of them a little insane in the tradition of James Joyce, who, however insane they may be, have refused to be genteel and traditional and dull.

Throughout Finnegans Wake Joyce specifies the Tower of Babel as the tower of Sleep, that is, the tower of the witless assumption, or what Bacon calls the reign of the Idols.

If on a friend’s bookshelf You cannot find Joyce or Sterne Cervantes, Rabelais, or Burton, You are in danger, face the fact, So kick him first or punch him hard And from him hide behind a curtain.

Each time I undertake to reread Virginia Woolf, I am somewhat baffled by the signature breathlessness and relentlessly "poetic" tone, the shimmering impressionism, so very different from the vivid, precise, magisterial (and often very funny) prose of her contemporary James Joyce.

A lot of writers fall in love with their sentences or their construction of sentences, and sometimes that's great, but not everybody is Gabriel Garcia Marquez or James Joyce. A lot of people like to pretend that they are, and they wind up not giving people a good read or enlightening them.

I think being central to the culture is overrated. Who really gives a damn if something is popular? Jay-Z isn't actually any better than James Joyce even though more people understand him.

We had all these famous writers in Sweden and from all over the world home at dinner. I wanted to be a writer, and I wanted to be a highbrow writer as my father. He never, ever read anything like crime novels. He wrote biographies of Dante, James Joyce, August Strindberg and Joseph Conrad.

The variety within Mann's fiction is impressive and fascinating. But Joyce is even more various and many-sided. He begins his career with a wonderful sequence of bleak studies about the ways in which human lives can go awry - in my view, Dubliners is underrated.

I'm not sure which I dislike more: 'Ulysses' or the James Joyce estate. Admittedly, a few people have got some pleasure from 'Ulysses', but against that, you have to weigh the millions of lives that have been ruined by the futile attempts to read it.

As a teenager, I was undeveloped and out of touch. The arts was another arena in which to do combat and challenge myself. I read difficult books like James Joyce's 'Ulysses,' but I didn't really understand it, and no one was going to call me on it because I was 16.

I don't teach literature from my perspective as 'Joyce Carol Oates.' I try to teach fiction from the perspective of each writer. If I'm teaching a story by Hemingway, my endeavor is to present the story that Hemingway wrote in its fullest realization.

The God I do believe in is the God who doesn't care: James Joyce's God who stands back, paring his fingernails.

I took a couple of creative writing classes with Joyce Carol Oates at Princeton University, and in my senior year there, I took a long fiction workshop with Toni Morrison. I fell in love with it.

No, I chose the name Jane Seymour because I was doing my first film, 'Oh! What a Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Willomena Frankenburger.

I don't want to come off like a girl scout and 'Isn't she sweet?' but the honest-to-God truth is I had seven years of a great show. It put me on the map. Yes, I'm associated with Joyce, but this is not chopped liver.

Great books are readable anyway. Dickens is readable. Jane Austen is readable. John Updike's readable. Hawthorne's readable. It's a meaningless term. You have to go the very extremes of literature, like Joyce's "Finnegan's Wake," before you get a literary work that literally unreadable.