Top 1200 Judge Of Character Quotes & Sayings - Page 16

The same way that you are the main character of your story, you are only a secondary character in everybody else’s story.

Our estimate of a character always depends much on the manner in which that character affects our own interests and passions.

I try mainly to just focus on character and what my character's point of view is, with each person, and try to figure out story.

Every character is a baby. You can't choose between them. If you can, you didn't do your job. You have to fall in love with every character.

An actor doesn't change thought, theme, or mood unless the character does, and the character only does it within the words of the play.

The more a character wants and the less a character has the ability to get what they want, the more you have an endless fuel for storytelling in comedy.

You don't realize how much a part of your character is part of yourself until you are no longer playing that character.

When I'm inside the character, I feel like I'm a different person, and then when you see that character on screen and I see that it's me, I find that disappointing.

You could say I'm a character actress. Or maybe a character actress who does peculiar, interesting lead roles.

I always think change is important in a character. The most dynamic choices that you can make for a character are always the best ones.

Every time you see someone saying a character's too this or too that, those are the things that make a character.

What I need, as a reader, is a character with a heart and a voice and a pulse. I need a character so vivid and so specific that she doesn't feel like fiction.

The character wherewith we sink into the grave at death, is the very character wherewith we shall re-appear on the day of resurrection.

If the character is really well-rounded, and it's a really strong character, and if the writing is just fantastic, that's the thing that will hook me in, certainly.

Think of every character as a main character. They believe they're the main characters in their stories. No one should just be an obstacle.

Quite often my narrator or protagonist may be a man, but I'm not sure he's the more interesting character, or if the more complex character isn't the woman.

I wanted to do something about a really optimistic character: a character who was so optimistic, no one could burst her bubble.

One of the things that I love so much about the character of Sally Bowles is that she is such a huge character - she is so roomy.

Fate is a funny character. She puts obstacles in your path to see what character ye have. Life isn't fair,life is a test.

I find it really hard to throw myself into something artistically where I'm making up a whole character and finding something for that character to do.

The character and mentality of the keepers may be of more importance in understanding prisons than the character and mentality of the kept.

For me, one thing I love is having an arc for a character. I love being able to see a character go through something and to learn.

When you're building a character, or at least when I'm building a character, you start saying, 'How am I going to make people like him?'

I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.

Character in many ways is everything in leadership. It is made up of many things, but I would say character is really integrity.

I had much rather be adorned by beauty of character than by jewels. Jewels are the gift of fortune, character comes from within.

I think if you find that you're making a judgment on the character, than your audience will make a judgment on the character.

I guess I'm the perfect young lead actress. I'm not Chloe Sevigny - I'm not really a character actress. Some actors have "character" faces.

My father will never say no to a character, as I never go to him and talk about a character for which he won't give the nod.

I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.

That's kind of my ideal sequel - a movie that continues the story, takes one character and moves on, and moves forward with that character that survived with the first one.

I do love that witches haven't really been explored that much. Usually, witches are the little side character... a bad female character that comes in and leaves.

Faith in God... produces character; character will produce courage, courage to face the challenges of the day.

Usually viewers are attached to a character or that character's personality. But, in my case, I have been exceptionally lucky as I have been accepted as Shweta.

The way it works for us is, when I watch a character and I connect to a character, I'd love to bring them back and see them again.

When you play a non-fiction character it is more responsibility than when you are playing a fiction character because that person lived, and you do want to pay respect to that.

People in Seattle and Tacoma know who I am as a person, and I don't think I am a character risk or have a character issue at all.

The same way that you are the main character of your story, you are only a secondary character in everybody else's story.

I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.

I don't want to be a nobody in a film. It's okay if it is not a lead character, but it should be a central character and it should make an impact.

Freedom is what we all seek, but it's what we do with that freedom that ultimately defines our character. In the end, a man's character cements his fate, good or bad.

When you're playing a character, you don't really want to have an opinion about where you're going to end up. Otherwise, you can't really stay in the moment and in your character.

There are elements of myself in every character I do, just because you take from your real life experiences and sprinkle those into your character.

My history is that I will create a character, and they will have a book to themselves, and then I'll integrate the character into the larger world of all my books.

I didn't really look like a character actor, yet those were the roles I loved to play. If you were a character actor who didn't necessarily look like a character actor, you had to play bad guys.

Well, I've always been a character actor, you know, and you always get your share of character actors who are bad guys.

No, I don't have to practice that grunt. You just do it. Once you're in character, you're in character. You don't sit there purposely thinking, Well, I'll grunt here, or I'll groan there.

I just don't play a character for the heck of it. Rather, I always look for a human element in every character that I play.

I like actors who just are who they are, with a little bit of qualification to adapt to their character. But mostly they just use their own personality to embody the character.

I'm not really a Method actor. I'm always afraid of working with someone who's afraid to [break character] and won't talk to anyone because they're in character.

Playing Marcia was a double-edged sword; it always will be whenever you play a character like that. You will be known as that character forever.

The day people around me stop questioning my character is the day my character begins to grow vulnerable.

I'm so critical, especially of the movies I do. If the movie flows and I buy it, that's important. Beyond it working, if I buy the character, especially if I'm close to the character.

As a character actor, you have to understand that it's not about you. You have to remember it's about someone else's life. And your character is just passing through.

I'm very glad people love 'Breaking Bad,' but the harder character to write is the good character that's as interesting and as engaging as the bad guy.

Every characteristic of my character and my moves always came from my real life. My character is kind of close to my real personality.

Character develops in stream of struggle and adversity. Character is foundation of your inner beauty which reflects in your personality.

I do love that witches havent really been explored that much. Usually, witches are the little side character... a bad female character that comes in and leaves.

It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.

When you go for something because you're curious about it, you get psyched up about the chance of getting into it. It's like an actor meets a role, and you slip into that body and see what happens, to experience certain conditions, to adopt a certain character. Even shooting is a study of the character. I think both the character and the actor, and eventually the filmmaker - myself - are finding a way to accept their environment and being accepted and feel comfortable of themselves.