Top 208 Juliet Quotes & Sayings - Page 4

What exists beneath the sea?I'd always pictured it in colors of emerald and aquamarine, where black velvet fish with sequined eyes swim among plankton.But, when my eyes adjust, I see gray stones, lost anchors, wet wood, buttons, hooks, and eyes, the salem witches who wouldn't float, stars and stripes, missing vessels, windup toys, the souls of Romeo and Juliet, peaches, cream, pistons, screams, cages of ribs and birds, tunnels, nutcracker soldiers, satin bows, drugstore signs, Pandora box ripped open at its hinges.

Having Alexei Ratmansky create a new Romeo and Juliet for The National Ballet of Canada to mark our 60th anniversary is a dream come true. His aesthetic -- steeped in the Russian school but open to contemporary sources -- is ideal for this work and for our company, which, with our classical heritage and our passion for the modern, is perfectly suited to his distinctive dance vision.

As a culture, we believe that if we kill something, we've killed the issue. That's why so many books end with death, why so many plays end with death, because it's full resolution. I'm always curious to know what happens after Romeo and Juliet die. In a way, that's the beginning of the story. Maybe beyond the story is even better.

The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.

Sometimes the parallels that are brought in can make the play seem less relevant; you can deny a play's application to the universal by making it too specific. Sometimes having a modern context does make things easier to grasp; sometimes, you go, "Why have they got swords?" "Why didn't Juliet just text Romeo? Why did she bother posting a letter? Why was the Milan post service so bad?" It throws up irrelevant questions that don't help.

But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou, her maid, art far more fair than she. Be not her maid, since she is envious; Her vestal livery is but sick and green And none but fools do wear it; cast it off. It is my lady, O, it is my love! Oh, that she knew she were!

What most people call loving consists of picking out a woman and marrying her. They pick her out, I swear, I’ve seen them. As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. They probably say that they pick her out because-they-love-her, I think it’s just the siteoppo. Beatrice wasn’t picked out, Juliet wasn’t picked out. You don’t pick out the rain that soaks you to a skin when you come out of a concert.

I've always found it funny when people call 'Romeo and Juliet' 'the greatest love story ever told' because - man - it does not work out well for those kids, you know? I'd like to think the greatest love story ever told would at least let them be together for more than a few hours.

Well, I can’t help going to see Sibyl play, even if it is only for an act. I get hungry for her presence; and when I think of the wonderful soul that is hidden away in that little ivory body, I am filled with awe." "You can dine with me to-night, Dorian, can’t you?" He shook his head. "To night she is Imogen," he answered, "and tomorrow night she will be Juliet." "When is she Sibyl Vane?" "Never." "I congratulate you.

I think there are more limiting factors in my career than just being chocolate. I think being a curvy girl is also a factor. Being someone with natural hair is also a factor. Those are things that I can't change. Personally, I don't want to live with limitations. If there comes a time where I am dying to play Juliet or Macbeth, I want to make those avenues for myself. The world might limit me, but as the type of artist I am, I'll create those opportunities.

ROMEO There is thy gold, worse poison to men's souls, Doing more murders in this loathsome world, Than these poor compounds that thou mayst not sell. I sell thee poison; thou hast sold me none. Farewell: buy food, and get thyself in flesh. Come, cordial and not poison, go with me To Juliet's grave; for there must I use thee.

For me, chemistry is trust. If you have trust you can risk together. It's like a partnership and it means you can have fun together while jumping off a mountain. I have not always been able to get good trust with an acting partner. One of the best was Juliet Landau; I always felt safe with her. Chemistry has nothing to do with physical attraction - that often gets in the way.

Armistice Day has become Veterans' Day. Armistice Day was sacred. Veterans' Day is not. So I will throw Veterans' Day over my shoulder. Armistice Day I will keep. I don't want to throw away any sacred things. What else is sacred? Oh, Romeo and Juliet, for instance. And all music is.

I had met a lady there by the name of Laura Ziffren.She heard that I got signed to Virgin and reached out to my management company. They needed a kid to sing that part in the movie, and she remembered me, and her people reached out to my people, and I went and auditioned, and I got the part [in Romeo + Juliet].

Bono met his wife in high school," Park says. "So did Jerry Lee Lewis," Eleanor answers. "I’m not kidding," he says. "You should be," she says, "we’re sixteen." "What about Romeo and Juliet?" "Shallow, confused," then dead. "I love you, Park says. "Wherefore art thou," Eleanor answers. "I’m not kidding," he says. "You should be.

Wine buffs write and talk as though the food and wine will be in your mouth at the same time, that one is there to be poured over the other. This is bullshit. Gustatory enjoyment comes from food and wine and cigars of your liking. So far no one has said that a Monte Cristo is the only cigar to smoke after Armagnac, Romeo and Juliet after Calvados ... but the time may yet come.

I even have some stories of people telling me how that song has changed their life, how it got them through hard times, how it saved their life when they were on the verge of thinking of doing the worst. That just really amazes me, that that movie [Romeo + Juliet] and that part in the movie are still having a huge effect on people's lives today.

But there is no sole person for another's heart. Souls cannot be broken and then completed by another. That's not healthy, nor wise. There are infinite possibilities as there are infinite people and some matches are better than others...Just don't say that you'll die without the other one or that you'll never love again or that you're not whole-That's the stuff of Romeo and Juliet, hasty nonsense, and you know how well that turned out...Just don't be desperate about it. That's where souls go wrong, when they think they don't have choices. The heart must make choices.

I just saw Titanic, which is a $200 million film about a real-life disaster at sea, but according to Hollywood Logic, none of the actual passengers was interesting enough, so the writer-director had to invent a Romeo and Juliet-style fictional couple to heat up the catastrophe. This seems a tiny bit like giving Anne Frank a wacky best friend, to perk up that attic.

I tried to forget about playing Romeo in 'Romeo and Juliet' and just think about him as a normal guy, as a normal character, and just try and approach him the same I would every other character.

Baz [Luhrmann] paid me one of the greatest compliments ever. I don't know him, really, but when I first met him I was congratulating him on ROMEO + JULIET - which I think is a wonderful adaptation - and he said, "Oh, well we couldn't have done it without your RICHARD III, which was an inspiration!" I've never quite checked up on the dates to see whether or if, in fact, we did our film before he did his.

I didn't see that at all. I just saw everyone having a good time and everyone having fun [on set of Romeo + Juliet]. I didn't see anyone having any spats or disagreements. If they did, they hid it very well. But as far as I saw, it was a positive vibe. It was positive energy.

For me, the entire journey of Lost has been walking that fine line between discovering Sawyer's humanity and, yet, keeping his edge of anger and destructiveness. He's been through every situation possible, emotionally and physically. Sometimes, it's been scary to get in touch with his growth, especially his relationship with Juliet. I really thought the audience might reject the softer side of Sawyer we saw in that. As for what will happen with him and Kate, all I can say is they have a love that is undeniable, but maybe it must be denied.

I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.

I love the sound of a brand-new bottle of coke when you pry the lid off and it starts to fizz. Whenever I hear that sound, I think of roses, and of sitting together with someone you care about and of Romeo and Juliet waking up somewhere and saying to each other, weren't we jerks? And then having all that be over. That's what I think of when I hear the sound of a brand-new bottle of Coke being opened

I had to perform in Dallas at the W Hotel. I was with my best friend, and I had walked on in to the area where I was meeting the crew. Then my best friend came in, and he's like, "This girl at the front desk asked, 'Is his name Quindon? I know him, he's that guy from Romeo + Juliet, I'm one of his big fans.'" I was just like, how does she recognize me from then to now? I was wowed by that because here I am 34, it was 20 years ago, and how does she recognize me?

When I started dating I had this kind of Romeo and Juliet, fateful, romantic idea about love. It was almost that you were a victim - that there was a lot of pain involved and that was how it should be. Shakespeare said the course of true love never did run smooth and I had a sense it had to be painful. It was such a revelation to realise it shouldn't be that way and you get to choose who you love and who you give your heart to.

The economist Juliet Schor talks about how our reference group has changed over the last twenty-five years. As we spend less time with our neighbors, we're spending more time with people we know from TV and social media, and this becomes our new reference group. The media is full of images of people with wealth, and we're comparing ourselves to them and aspiring to what they have. Instead of keeping up with the Joneses family, we're trying to keep up with the Kardashians, even though it's completely unrealistic.