Top 1200 Just Doing Me Quotes & Sayings - Page 17

You got to want to evolve. It's something you can practice on but it just came to me. I wasn't really sitting there like, 'What can I do to get better?' It just came to me, talking to my people and my crew. They just tell me what my strongest and weakest points are at.

I compliment people when I see something I really like and tell them, 'That was good. Keep doing what you're doing.' That's as much as advice as you will get out of me.

When you're doing comedy constantly, you're organized: you know where everything is, you know how to get out of it, you know how to stretch it. But, like, doing 'SNL,' I stopped doing spots, and then I would finally do some sets - it take me so long to, kind of, get in the rhythm of it.

It just tends to be that the grass is always greener. If I'm doing a movie, I suddenly think, 'Oh God, I wish I could just get a play script I could get my teeth into.' If I'm doing eight shows a week in a West End musical, I think, 'God, how lovely it would be to be in a TV series right now.'

If we enjoy what we're doing, we shouldn't really need a break. It's fun for us to play music. It's our livelihood, but I don't look at it as a job. It doesn't seem to me to be a problem to constantly be doing this.

A lot of broadcasting, I think, is doing a tremendous amount of preparation and trying to act like, 'Oh, this thought is just occurring to me right now' - and speaking sincerely.

I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.

I just felt that if the team is doing seven hours, I'd want to do eight. I'd always need to do more. I knew that would make me better than everybody else.

I think one thing my mother always instilled in me was a sense of individuality. Being an only child, I never thought I had to rely on anyone. I was never afraid to be alone and I was never afraid to be my own person. So when all my friends were like, "Let's smoke weed," I was like, "I'm not doing it." It wasn't because I was trying to be a rebel or because I didn't like it or I was anti-drugs. I just didn't do it because I didn't want to do it, and if I didn't want to do it, I wasn't doing it. That was it.

If someone had said to me before I started doing this that a human being is capable of running 100 miles nonstop, I would have just said: 'No way. I mean, how?' If you just go out there and run 100 miles, it breaks down a lot of barriers in terms of self-imposed limitations.

I never imagined I would have one fan, and there seems to be a few. I just couldn't be happier that people seem to like what I'm doing and seem to respond to it. If they weren't there, I don't know what I'd be doing right now.

I love what I do, and I never thought about doing anything else. I think my voice was bestowed upon me; it was a gift I was given. I just had to learn to understand how to use it.

I never wanted to do the same kind of movies over and over anyway, so my theory on it all is I'm just gonna try and dodge the label and keep doing what I am doing.

My advice for climbers or photographers is to really tune into your own passions and not just what other people are doing or aren't doing. Figure out what works for you, what turns you on, what gives you the greatest amount of energy and feeling of satisfaction.

Anyone who knows me knows I can be a control freak with things I love doing. I love doing fashion and I love writing, so everything I've done I'm really involved with, so it's not really work to me because I'm enjoying it.

I used to get criticized for doing a 'Bump & Grind' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.

I don't like to eat in movies. I don't like props. Some people have always got to have a thing and they're doing this or doing that. I hate it. I just want to talk or fight. Or both!

The drinking was getting way out of control. I just didn't recognize myself anymore. I didn't know what I was doing or where I was. I always had to have some drinks with me in my bag. Just waking up shaking and then having Bloody Marys on your own, first thing in the morning-I started to feel really pathetic about it. So I was like, "I can't live like this." It was just this really awful feeling of becoming a totally different person and not being able to control it at all. Then I tried to not drink, but that didn't work. So I figured I should just go to rehab.

When I went in for the 'Orange' audition, I was just doing what my agency told me to do. Truth be told, I wasn't prepared. I didn't even know how to prepare. I couldn't remember my lines.

Every morning when I'm thrashing around on the floor doing my solid hour of heavy exercises I'm not really doing that for anyone but myself. It makes me feel good.

I did a 'Last Comic Standing' audition in 2006, where you're just performing for three people in a comedy club, in a big comedy club, and I remember them cutting me off, asking about my name in the middle of one of my jokes. Yeah, it's just real weird when you're doing stand-up in that type of sterile, unnatural setting.

I've been so fortunate throughout my career, when I was doing theater - more theater than anything else - and when I was doing films, that I got a chance just to do a broad range of things.

Scientists say we use 10% of our brain. That's way too much. By doing just a little every day, I can gradually let the task completely overwhelm me.

I've been always clear that I wouldn't do TV soaps just for the sake of doing them. I would rather wait and work on projects which enable me to make an impact.

For me, it's more about the musicianship - focusing on the guitar, playing with my band, rather than just going out and doing what anyone my age can do with backup dancers and a track.

I'm not like hurting by any means, but I'm not really, you know, let me say, I'm not really cool with doing fighting just to break even.

Paris just exudes love and romance and, for me personally, hope and joy and faith, too; it just means so much to me. That place made me feel so happy and so safe, and my spirit was just so full of joy.

Me and my brother are players that spend three to four hours in the gym every day doing running, lifting heavy weights, and doing treadmill stuff.

And I haven't met too many actors along the way that haven't told me how much the show has meant to them. It's one of the reasons they say they are doing what they're doing, today.

You don't make a fortune doing cartoons. It's a lot of fun, it keeps you busy, and it's better than a kick in the pants, absolutely. But doing voiceover work doesn't make you rich. It just doesn't.

I'd been trying to do this since I was 15, sending out the demo tapes and doing all the things that everyone told me that I should be doing. But no deal - like, never.

For me, some of the key points of drag are knowing who you are, how you want to go about making people happy with your art, and why you're doing what you're doing.

I think that there are excesses that exist in all societies. I won't say it's normal to have them, but it's natural to have them. I'm watching very closely ... what Snowden has done. I don't know him personally. I wanted to talk to him, but all of the security people didn't allow me to. But I think that he took the wrong approach to a very right thing which he was doing. Just the implementation was wrong. There was a clear platform to what he was doing, although of course that there were some mistakes made.

I have a hard time taking myself seriously. My band the New Pornographers doesn't take me seriously, which is why I love them. We can't stand up there and pretend. What we're doing is really important to me and it's my job and I love it, but I can't just stand there unflinchingly noble in front of the audience.

I just sang, recently, for the Prime Minister of Bangladesh - the 34th most powerful woman in the world, according to Forbes Magazine. The United Nations had an event where her son got an award and they put me on this special program on competitiveness and sustainability, and we're talking about doing a world tour of me and the music.

Life has been a really big whirlwind, but it's been a lot of fun. I travel so much, and I'm constantly doing things that I love, but it's just me.

I started off doing plays as a theater actor. But I never thought of it in terms of it leading anywhere. I was just trying to be the best actor that I could be in the context of what I was doing.

I'm only worried about what I'm doing or how I present music. I just try to do things I want to listen to, and I think that's what everybody else is try doing, too.

When writing I just go with the song. I go with the song and try to tell the story. So the story may be "Wonderful Baby", which is a little song. Or it might be a gentle song, "Empty Chairs". Or it might be a rock and roll song like "Prime Time" or "Run, Diana, Run", or "American Pie". I don't know where it's gonna go. I don't have any idea what I'm doing. I just do it. I just keep doing it. I keep taking adva

I don't really feel pressure. I'm so distracted by what we're doing; I'm doing this four-acre project, it's just absorbing all my attention. Before you know it we're onto the next project, and so on and so forth.

Retro looking stuff but a lot of these guys doing these shows are my age or younger. I was just disgusted. I hated being around that kind of thing. Not that it affected what I did because when it comes down to it I was doing my own show.

I always told myself never to have a plan B - I feel like that's also one of the reasons I'm doing what I'm doing now, because I just never really rested until I got here.

If a musician cares about what he or she is doing, and you show up and care, you can go some place. That will never change. There are a number of ways to approach this, and my favorite is the way we're doing it now - just talking.

At a certain age I just stopped arguing. I realized that there was no way [my father] could see, because for him to approve of what I was doing, he would have to have some belief in me as a musician.

Twitter, just every once in a while I put something out there basically to promote whatever I'm doing, but I don't see any of that as representing me or who I am or being a brand.

Life is too short to be doing work that doesn't make you feel happy and fulfilled. I'd rather wait for the right project, as opposed to just taking whatever is handed to me.

I just kind of muddled through in my 20s. I did whatever I got offered, to be honest, to pay the bills. I didn't really know what I was doing. There are some actors in their 20s who are very sure. I wasn't very sure what I was doing. I feel like I've only really just got going.

When no one knows you, and you're just trying to break into stuff, it's so good because you can write whatever you want and just say it; it's just between you and the audience. There's no process or worrying about anyone else interfering with what you're doing.

In the future, I just think that as far as when it comes to me and my music, I'm trying to help be the catalyst for whatever is going to inspire more people and keep a great creative community going. Whatever I can do to make everyone's records better, not just my own, just hopefully keep the whole flow of stuff going in a good direction. That's what I'll be doing, so look forward to whatever I'm involved with it and hopefully I can inspire the next generation.

Mental health, for me, is doing everything I can to help this team win. Sitting around not doing anything isn't something I've been too big on since I was young.

A successful competition for me is always going out there and putting 100 percent into whatever I'm doing. It's not always winning. People, I think, mistake that it's just winning. Sometimes it could be, but for me, it's hitting the best sets I can, gaining confidence, and having a good time and having fun.

It's funny: now we're starting to do interviews, we've just begun to understand what we're doing, whereas before, without doing interviews, we never really thought about motives.

I don't mind running; I don't mind taking a few knocks. But hopefully, it's just not 'Sam's an action dude.' That, to me, is not what I wanted. I wanted to bring a sense of weight and emotionality of doing Australian films and bring that into a bigger blockbuster, so you're not just kind of grunting and groaning and running around.

But if you caught my informant,' said Achilles, 'why in the world would Chamrajnagar—or Graff, if it was him—launch the shuttle anyway? Was catching me doing something naughty so important they’d risk a shuttle and it’s crew just to catch me? I find that quite… flattering. Sort of like winning the Nobel Prize for scariest villain.

Just going out and seeing friends, not being cooped up in my house because I don't want to get my picture taken or anything like that - I've tried to let go of that stuff a bit, accept that it's going to happen to me, and not let it prevent me from doing anything I want to do, which I have in the past.

If you're gonna get mad at me every time I do something stupid, then I guess I'll just have to stop doing stupid things.

Any praise I receive does not change me, for I pass it right along to God. I walk because God gives me strength to walk, I live because God gives me the supply to live, I speak because God gives me the words to speak. All I did was to surrender my will to God's will. My entire life has prepared me for this undertaking. This is my calling. This is my vocation. This is what I must be doing. I could not be happy doing anything else.

Just by being out you're doing your part. It's like recycling. You're doing your part for the environment if you recycle; you're doing your part for the gay movement if you're out.

With my existence and with my music I'm saying, even though we're not supposed to, here I am doing it and doing it well. I want people to feel like when they listen to me, they can forget all the rules.

You're only awake when you realise you're awake and when you're dreaming, it is just as real, whatever happens is just as real - whether you actually do die in a dream or fulfil whatever you're doing in a dream, it's, there's nobody to tell me it isn't as real as this now, because how do you know?