Top 1200 Just Kind Quotes & Sayings - Page 15

I am convinced that courage is the most important of all the virtues. Because without courage, you cannot practice any other virtue consistently. You can be kind for a while; you can be generous for a while; you can be just for a while, or merciful for a while, even loving for a while. But it is only with courage that you can be persistently and insistently kind and generous and fair.

I've just learned that love is a very fleeting thing, so we - then we have it; we need to hold on to it but hold on to it in a gracious fashion. Not in the smothering but more so just a covering kind of love.

I never really had a real career trajectory idea. I just like a lot of different kind of movies, I wanna make a lot of different kind of movies, and to some degree you follow opportunity and to the other degree you have to create your own opportunity.

Growing up in the social media world, it's tough. Your face changes, you get older, your face fills out, and you fall into liking makeup and different stuff like that. And for people saying that, for the most part - it would kind of hurt my feelings when you haven't done anything. You just kind of have to keep being yourself and move forward with what you love.

I really kind of liked the fluidity and not really being tied down. I saw the kind of people that were tenured and what happened to them there and I thought it was kind of death, really.

Everyone around me does music, so I just kind of knew. It wasn't some magical moment. There were loads of other things I wanted to do. I wanted to be a lawyer, for example, because I just love arguing, but it wasn't on the cards.

They're so boring. They're so pathetic, all those journalists. Most of them are. Most of those kind that write gossip stuff, and most of it's gossip. Things are just invented about your personal life and you just have to take that. It's bullshit. People believe it, though. They just believe everything they read.

When you try to translate any kind of real-life problem into a neat logical form, you're almost always simplifying it. We need a kind of blend - we need to use not just tools of logic, which are important and valuable - I'm not denying that, but also tools of judgement, and of inductive and abductive reasoning which can also inform.

At the end of the day, for people in this position, you just need to make something that feels like you're expressing yourself honestly, something that you'd want to listen to. The rest of the aesthetic is kind of bullshit, and I don't mean that in a negative way - just that it's a choice.

This sport definitely saved my life. I was messing up and headed in the wrong direction. I was never a bad kid or anything like that. I just, you know, like many people, just kind of wanted to rebel and to do something different.

I just get to go to work with such great actors who are so talented, especially Elizabeth (Perkins). You are so wonderful and kind and good and wonderful and sexy and great, and I just want to make out with all of you.

Human beings have the incredible capacity for denial. I think they do. And although it's really hard to believe, I have my doubts. But my feeling is that first they have to convince themselves. First they have to justify this stuff to themselves and if they can do that, even for just the moment that it's coming out their mouth, then they can kind of mouth it with kind of believable sincerity, even if some of us.

I just had loads of thoughts in my head, and I didn't like talking about them, so I kind of just sung about them.

We're just kind of dark as humans, generally.

Over the years you encounter just about every kind of crime. It doesn't harden you, but you become capable of reporting on just about anything human beings can do. However, any time we're dealing with the murder of a child it is always difficult.

The first year was kind of hard for me. There was just too much attention, too much going on, and I really just wanted to focus on basketball.

I never grew up a runner. I never thought of myself as somebody that was fit or somebody that could advocate for that and then the more people kind of have caught onto it, it's inspired me to keep going, the more I keep doing it. And it's just kind of become something that I really like and I think it's relatable in the sense of I'm not an athlete.

You have that moment just before you go on - I've had it in every play - where you just kind of want to run away. There's a whole audience, and they are waiting outside, and you're like, 'Why am I doing this again? Why? Why?'

Being an actor is just kind of embarrassing.

The difference between Tinted Windows and Hanson shows is a lot of just repertoire. Hanson has been a band for years - we have a lot of songs to pull from and it's a different dynamic - a common kind of thread. With Tinted Windows - it's kind of a little like "hey, we're this new band."

Rip Rig + Panic that I joined, they were really influenced by jazz and blues and punk. So I think what happened from punk, which was kind of DIY, was that it created a kind of creative place that was kind of without limits, in a way.

And I'm not the kind of person to just sit around.

Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.

I'm not just considered a former child star. I'm not considered a black actress. I'm not considered an actress. I've done roles that were written for men. First and foremost, is God, I definitely believe in Him, having kind of mapped out what my destiny was going to be. Therefore, I wasn't just going to be put in just that one box or kept in that one place.

It should be apparent that the belief in objectivity in journalism, as in other professions, is not just a claim about what kind of knowledge is reliable. It is also a moral philosophy, a declaration of what kind of thinking one should engage in, in making moral decisions. It is, moreover, a political commitment, for it provides a guide to what groups one should acknowledge as relevant audiences for judging one's own thoughts and acts.

I really don't feel like I'm in any kind of contest. Except, maybe, with myself. Just want to learn and create and grow. Get better all the time with these filmmaking tools. I don't expect perfection from myself. Just progress.

When I was younger, I remember there was a really famous book, and it was called 'The People Could Fly.' And so this idea of, kind of like, black characters kind of jumping into space and kind of the challenge that they presented to gravity I thought was really interesting.

I see no kind of reason to not just try everything. I mean, I feel like we all have such varied tastes, and to not just try our tastes is a crime.

I think it's not just me. I think there is a lot of guys in the NBA that - just kind of big men in the NBA that can affect the game in so many ways.

This kind of certainty comes but just once in a lifetime!

I just never have really been the kind of person that's out in public being inappropriate, I guess. I like to have fun as much as the next person but I tend to do it in private and just hang out with close friends. If I'm going to go out, I'll just do it with my really good friends.

Everything in a wide sense is a kind of a self-portrait. It's just the way you see things and you're curious about certain things and just excited about them.

Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.

How you are perceived is over a continuum of time. So I just keep on working. I've kind of always seen that as the antidote. Just keep on working.

I was just always kind of a free spirit with a wild side, but when you a meet a person that just makes you better and makes you better at life, your mindset changes.

Music is just kind of an expression of who I am. It's what I do.

The artwork for the record is kind of an homage to that. It's a collage, which rhymes with homage, I just realized. It's an homage to this kind of almost like a teenager's idea of what the future might look like, if he were using a Xerox machine and cut-and-pasting it together. Which is exactly what we did to come up with the artwork.

Some people just have a natural gift and some people really have to work at it and I'm more of the second kind. I always had to grind it out, where from him it just flowed.

I decided that I wanted to explore all kinds of music with my cello, not just the Western classical tradition. I just wanted to try and expand my vocabulary and bring that different kind of music to my audience.

I just try to just roll with the punches. I mean, once the team pretty much starts closing out, just try to get in attack mode, and at the same time, try to find my teammates. It's kind of hard, hitting the shots I was hitting, to try and pass the ball, but you've got to figure out a way.

The world is difficult and we are all breakable. So just be kind.

Everyone should just be kind to one another.

There isn't just one kind of person that can play a superhero.

As an actor, you can really play the intensity and gravity and seriousness of the moment, and just rely on the circumstances being funny. The joke is kind of the situation you're in, or the way you're reacting to something, as opposed to the characters just saying something witty.

I've done a bunch of collaborations where it goes well and you finish it, but then you're kind of like, "I just don't like it." And it sits there. It can be awkward, but a real musician understands that you're not always going to make what you want it to be. You can't just polish everything into perfection.

I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive; that's not really the kind of music that I'm into.

I've never felt more American than I did when I moved to England. It becomes a real kind of part of your identity: "Oh, Ben. He's the American guy." I think when you say you're from New York you get a different reception then if you just say, "I'm American." So I'd always kind of make sure I was a New Yorker first.

I didn't really start doing stuff until I was 8 or so, but I was an extra in a bunch of different movies, and I just really took to it and really enjoyed it. I kind of bugged my parents to give L.A. a shot, and they were just super-supportive.

I had just discovered jazz, and I started singing in a kind of blues cover band at the age of 15. We called ourselves - it was a terrible name - the Blue Zoots. We couldn't actually get our hands on zoot suits, nor did we dress in blue. We did covers of Screamin' Jay Hawkins and kind of Blues Brothers repertoire stuff.

By the way, everybody approaches acting differently. Like, I'm kind of sloppy and I like it kind of loose. I like to kind of play around. Some people don't.

The thing is, when you're kind of creatively self-employed, your brain just kind of chooses the path of least resistance, so if you really exhausted and you've had a long day, then that's typically when you might respond to emails or if you're on a plane and have nothing else to do, then you might listen to music and write these satirical pieces trying to explain the charts with music theory.

Before I had a kid, I was off in some kind of cosmic state all of the time, and thinking about the world beyond, thinking about intellectual stuff. And then, after I had a kid, just the whole process of giving birth is just so earthy and grounding and insane and it's all just an intense physical ordeal.

There are plenty of times we need fierce compassion, fierce love. Just like when a child does something that is very harmful and we say "No!", we need some kind of fierceness. There's a certain kind of fierceness that can look like anger and has that fire of anger, but the difference is that it's not blinded with reactivity.

I think we kind of changed how people did humans in CG animation after. If you look at films before 'Incredibles,' they tended to be photorealistic in a clunky and ugly way, with pores in their skin and too many eyelashes. It's kind of disturbing. And since, the designs have gotten a lot more playful in a lot of people's films, not just ours.

In my first meeting with somebody, I kind of say, "What are your expectations?" And there are some people who say, "I just want to be fair," so then we have to qualify what that means. But when somebody comes in and says, "I just want to nail him. I just want to exact as much punishment as I possibly can." Well, that might be a case where I say, "We may not be the right firm for you."

I just make sure that people around me are fine. There is not a lot I can do anymore. Just support the people. Be with them. But at the end, I've got to go play. And after, we can talk again. But I have to kind of block it for two hours.

The difference between Tinted Windows and Hanson shows is a lot of just repertoire. Hanson has been a band for years - we have a lot of songs to pull from and it's a different dynamic - a common kind of thread. With Tinted Windows - it's kind of a little like 'hey, we're this new band.'

Why do it, just because I can? That's kind of crazy.

I think all dancers are control freaks a bit. We just want to be in control of ourselves and our bodies. That's just what the ballet structure, I think, kind of puts inside of you.

I'll just sit at the piano a lot an play like through different chord exercises and kind of just throwing my hands down on the piano from one chord to the next to see what happens.