Top 1200 Just Let Go Quotes & Sayings - Page 19

I'm very, very open. I don't really have a specific taste that I go for, just someone who gets it and is just fun and happy to be around and is proud of me is the No. 1 thing.

I was working two landscaping jobs; I was recording songs in the spare bedroom. I would get up at 4 A.M., go to work, get back at 6 P.M., have nap, then start recording, just go until I fell asleep.

The fashion industry tends to attract people with serious personality defects. They just want to be rich and famous. But at some point you have to decide: Are you going to mindlessly go the easy way or are you going to go the ethical way?

I went to see the Go-Go's on a Saturday night in '78 and had the best time. I was so serious about the way I played but they were having a blast. They weren't quite ready, but man there was something special. The girls just needed someone to push 'em a little and I eventually pushed.

The worst part about being so small is that I always have to rely on someone. I can't go anywhere on my own, so I'm always dependent. I can't run or walk too fast. If I was taller for a day, I'd just go off on my own independently.

I just go out there and 'D' up. Everybody can make a layup, but everybody can't play 'D.' Just winning, that's all that matters, that's the bottom line. Get a win.

Half the stuff I've written was written when I was half asleep watching the David Letterman show when some boring actress was on talking about herself. I would just mute the TV, look over to the computer and start plugging in notes. Then the next morning you go "Wow, I like this". I'd almost forget what I did, and then it would inspire me to go on and do the next thing. That's what I do. Just kind of follow my own little thing.

I might not wear chains or I may just wear a watch or I may not wear any jewelry at all or I may just go all out on an outfit or just rock some basic s*** just a pair of jeans, a t-shirt and ones. But, I still standout more than a lot of people in the room so I can't really describe it but I know from the outside looking in people can explain better than I can.

I think I’ll just go take a shower,” I said. It wasn’t until Samuel stiffened that I remembered I’d just come out of the shower. So much for playing normal.

I don't watch anything I'm in. Not even on set. I won't go over to the monitor to watch what we've just shot. It's too terrible. I think I'm just very self-conscious.

I'm not a security-type person, I don't want to have bodyguards around me. I'm not into all that. Now we just chill in the house. There are a lot of times when we want to go out, but we just don't.

I think it's just about the machine is about reporting the news, and then reporting the news about the news, and then having those moments where they sit around and go, "Are we reporting the news correctly? I think we are." And then they go back to the and the cycle just sort of continues.

Everywhere I went, Rapid Vienna or Austria Vienna, there was always a problem. I just wanted a coach who said: 'Just go out and win us the game.'

I just want to go for it. In every aspect of my life and careers, I just want to give it all I have.

The life changing moment for me what the first time I went to a war zone and that was Sierra Leone. I took two weeks, eleven years ago and I went. I wasn't an Ambassador or anything I just asked to go and I was allowed to go. It was like someone smacked me in the face.

In The Go-Go's, my philosophy is that I contribute whatever the song requires. I never think, 'What can I put in here to show off the latest trick that I just picked up?' What I think is, 'What's required from me as a drummer to make this a better song?'

It's great to want to go from point A to point B, sometimes you just can't make that and I just think Bernie will not be able to implement most of what he says he wants to do.

I'm an addictive person. If I open a bag of sweets, I won't just eat one or two, I'll eat the lot. If I go and play on my computer, it won't be just for an hour, it'll be for five hours.

Not that I got bored with it all, or I didn't like the people in The Moody Blues. I just wanted to go off and do other things purely because it was out there, you know. I'm kind of glad that I did and that I didn't just stick with one thing.

Sometimes things just happen. Sometimes surfing this bank from Snapper to Kirra, sometimes you don't even think what you're doing but you do it anyway ... You get to the end of a wave and go, what did I do? Sometimes you go into a totally different state of mind.

I have used movies to go to sleep at night. You flip from channel to channel to channel and see just enough to make your brain mushy and go to sleep.

My first reaction to playing at Coachella was like a kid who has no idea of the rules. I just wanted to go have a jam session with my friends. I didn't get that we couldn't just jump on one another's stages while they were performing!

One of the first TV shows that I did was this prank show. And we did a prank where we took a Michael Jackson impersonator and I played his publisher.I was just really good at my job.We were just about to go onto the field to throw out the first pitch just two weeks after 9\11. It was a huge security breach, and we made a lot of cops look really dumb. Producers of the show thought it would be really funny and I didn't think about it because I was a young dumb comedian. So I got arrested and went to jail in the Bronx, and now I can never go back to Yankee Stadium.

I just go out there and play. I don't know if it's being young and not getting calls, or some other circumstances. I'm just trying to make a play.

One thing I love about America is that I'm not boxed in by my upbringing here. England is still so class-based that there are certain roles that I just won't go for. I'm a middle-class boy and I won't go for the scruffy working-class role, which is frustrating, and here I can play anything.

I literally started skating handrails when I was seven years old, with no helmet on, so I was just bred into this type of skating where you have to be kind of fearless and just go for it.

What fun that is, doing voices. I would do them every day if they wanted me to. It's so much fun to go to work and not shave and wear your tennis shoes and your gym clothes. As opposed to having to shave, shower, go to the gym, look good, get ready, go to makeup and hair, and all that stuff. I love doing voices. It's just so relaxing.

Some things go better than you expected, other things go worse, so I'm... I think the only sensible thing is just to wait and see and what I'm doing when I'm writing books - I'm not doing science so much anymore.

There's an expression in Australia that's called 'Go Bush,' which means to get out of the city and relax. I try and 'go bush' to places where there's no cell reception. But, I don't get to do that often, so for the most part, it's just a state of mind.

Sometimes you just have to say, “...I don't know what we are doing, let's just go and see what happens.” You have to embrace the experience itself, so that things you didn't intend to happen can make your work more authentic. And you have to hope that it works.

I take real big pride in that. Delaware, the support that I get from Delaware - I mean, there are thousands of people reaching out to me. Whenever I go home, it's just so welcoming anywhere I go, and everybody is noticing me.

I'm a wuss. I'm a pushover and a wuss. But it's worth it. And that's the joy of being an NBA player. Because I can go out on the court and be an animal, be a beast. I ain't a pushover. But when I go home when I'm with my family, my friends and my wife and my child, I'm just Dad and a husband.

I've never been nervous. I just wanted to play and have a good time. If it didn't work, then I would get nervous. But, for the most part, I just go for it.

The honest man might observe... that no one gets something for nothing; that politicians go in poor and go out rich; that the Government screws up everything it touches; and that the Will to Believe is best confined to the Religious Venue, as to practice it elsewhere is just too damned expensive.

I think I get my alone time when I have to go fly and do a work trip. After work's done, I go check into my hotel, and I get to have a few hours to myself to order room service and just be quiet and silent.

From my perspective, we actually have to have a stronger, bolder economic message that's not just for white working-class voters, but for people who don't go to college who are white, black, Latino, or wherever. We have to communicate that we care about Detroit and Appalachia, and people suffering in both are problems for the country and a problem for the Democratic Party, not just one or just the other.

I like to keep my posts relatable and don't just post fake things for publicity. I don't go putting out posts just to gain more followers.

Oh my God, I used to love 'Just Seventeen'. My treat was to go to Woolworths with my pocket money and get 'Just Seventeen' and a packet of Juicy Fruit.

When you go into the theatre and the lights dim, you want to entertain people from beginning to end. You want them to be swept up in your story, on the edge of their seats, unable to wait to see what happens next, be blown away and afterwards just go, 'Wow!'

I wanted to do gigs where you've just got mirrors on the stage, and then you light the crowd so they look at the stage and all they can see is themselves. It's just like, "There you go, it's you, you cunts."

In the end, you have to just pull the trigger. Trust the car, trust the brakes, just go.

If you go and stop people at a supermarket and ask them for their receipt and say, 'Hey how much did you just spend?' middle class shoppers have no idea. The poor know what they just spent.

You always study the players you go against. You try and stay ahead of it. Those guys are just too good to just show up on Sunday and think you're going to do well. Every week it seems like there's an all-star out there - to me, anyway. Every week is a rodeo. You just hope for the best.

We don't have to reinvent the wheel, just go back to what it was in terms of how corporations acted in terms of their collective responsibility just 20 years ago.

I don't really go out. I don't know, it just doesn't really do anything for me. Being around a loud environment with a bunch of people is just not my thing.

Too many architects are just trying to make all of their buildings look like a brand, and that may be good for business, but that is terrible for the cities because they lose character. If I go to Paris, I go to see the beauty of Paris and the coherence of Paris.

After the sale of Celtel, I really wanted to give the money back, and I had a number of choices - to go and buy masses of blankets and baby milk or to go into Darfur or Congo. That would have been very nice actually, but it's just like an aspirin: it doesn't deal with the problem.

My husband's family is military. Preparation is just, from that family perspective, it's just a part of what makes sense to do. You buy insurance for your house; you have a go bag.

Speed bumps, I was thinking, you know, you're driving along, everything's OK, and then there's a speed bump to go, 'Slow down.' Go over it real slowly, and you hit the pedal, and you keep going, and I just thought it was kind of a nice metaphor for life.

The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.

As far as the honeymoon is concerned, we don't want to go to a run-of-the-mill or commercial destination; it will have to be something unusual. Recently, Shardul showed me some pictures of Antarctica cruise, so we may just go for something like this, although it hasn't been finalised yet.

It's TV: you just have to jump in and just do it. You don't have time to think about it. You don't have time to write a history, which makes it even better. I go with first instincts.

I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.

Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.

At the end of summer, I go on a detox because I know I need a clear mind for Fashion Week. You need a lot of energy, and the ability to focus, in preparation for this craziness. I go to the gym, too, just to make sure I have the endurance to keep up with everything.

I think that I'm just the same, but there is sometimes that you just have to be real. You have to look in the mirror and be real with yourself and you have go: 'You know what? I am the best in the world. What is happening?'

I can't be bothered to go to the gym, though. I honestly just can't be bothered - it's the most boring thing on Earth. I have tried and every six months I go 'right, I'm going to the gym'. Then I do it for two weeks and get so bored by it.

I always go heavy and I always go to failure. Even when I tell myself I'm gonna go easy, once I get to the gym and start working, I never end up going easy. I hate leaving the floor feeling like I could have done more weight or more reps. I just love working out and going further than I ever did before.

Everything I do is just really my intuition, and every time I go against my intuition, it's a mistake. Even though I may sit down and analyze and intellectualize something on paper, if I go against my gut feeling, it's wrong.

I found so many reasons to call it 'You're Dead!' - not just because I wanted to make this album about the journey through death. I was watching the music scene that I came up with kind of go stale and watching the lights go out on a lot of my friends.