Top 1200 Just Listen Quotes & Sayings - Page 3

Pain - physical, emotional and spiritual pain - is more than just a condition that needs to be silenced, numbed or "fixed." Pain in all its forms is also a message, a kind of distress signal to our hearts and minds. There are times when it's really important to tune into that message and just listen to it. When we don't listen, our understanding of the world gets more and more distorted, and we become capable of doing things we very often regret.

I think the best songs that come to me are ones that you sort of listen for. The ones - when I listen to some of my old stuff, I can tell when I had a good idea, but I forced it through, and I can hear myself - the bit that I've written, which sounds clunkier than the stuff that just sort of comes.

Three leaders must do: be seen, be heard, be there. One, let people know you are around. Two, connect the dots between purpose and work and listen, listen, listen. Three, be available to do whatever the organization needs you to do. That's leadership.

Don't listen to anyone's advice. Listen to your baby ... There are so many books, doctors, and well-meaning friends and family. We like to say, 'You don't need a book. Your baby is a book. Just pick it up and read it.'

If you listen carefully to what a child is saying to you, you'll see that he has a point to make. So I listen. And I answer them just as seriously as possible. And if I don't know the answer, I'll tell them I don't know.

On the set you just have to listen very closely, listen to everyone around you, absorb everything and try to be what they want you to be with the little bitty line that you'd have to say. If it was a good line, it would be such fun to say it with vigor.

I listen to new music by composers who are interesting to me. I listen to some; I don't know if I want to call it pop, but it's some interesting artist that gets my attention, I listen to in the mornings.

I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head. I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs...A lot of people don't listen to the lyrics, really. A lot of people pretty much only listen to the chorus.

I like entertainment. I'm an innate admirer of good entertainment. I'll listen to MTV, I'll listen to Mozart, I'll listen to anything that has a good element in it.

Listen to people. Listen to yourself at the end of the day, but listen to people a lot.

I only listen to myself, I hate to say. I don't got time to listen to nobody else. There's a lot of guys out there, but I only listen to myself.

I'll take two months off just to listen to records and not do any music so I can absorb all that and then when I go do my music. It's all in me. I'll listen to a different genre every two days or something, study it, 24 hours straight.

I grew up in a house full of musicians, and my mum really taught me that when you listen to an album, you respect that it's somebody's art, and that the B-sides are just as important as the singles, and we should really listen to the album all the way through the way it was intended to be listened to.

I'd written a lot of songs with hummingbirds in them. None of them ever came to anything, but I did write a few lines last month. It went like this: 'Listen to the hummingbird whose wings you cannot see. Listen to the hummingbird, don't listen to me'.

I think that if you listen to the same exact genre of music that you play, it is so easy to be influenced by it. There will be times where we are writing a song, and then realize that it songs like something we just heard on the radio. There was a while when we were writing, that I didn't listen to music because I didn't want to be influenced.

Kind of the sad thing is that - it's still true - a lot of jazz people just listen to jazz, and a lot of hip-hop people just listen to hip-hop, and there's not a lot of crossover, unfortunately.

If you listen to certain things then you can hear music everywhere. But it's your perspective on 'what do I listen to, why do I listen, what's going on.' And then you have music.

You listen to people that love you and you listen to people that you trust. Most of all, you listen to yourself.

The point of my music? The point I just want to get across is I'm me and I exist. Just letting people know who I am. Ever since I was young, I was the little attention grabber; I always loved attention. I want to grab people's attention. I want them listen to me and know that this is really good music. Whether they like it or not, they're gonna listen.

The song succeeds or fails just based on whether you argue your point successfully. I like throwing images together, which create meaning if you listen to it one time, but if you listen to it another time you might get a different meaning.

I'm trying to listen to my past, listen to what's most deeply going on inside myself, my creative set of fictional characters, a fictional world - to listen to that world, to search.

If I’d just listened—just taken one second to listen—it wouldn’t have happened

When people are speaking, they require our undivided attention. We focus on them; we listen very carefully. We listen to the spoken words and the unspoken messages. This means looking directly at the person, eyes connected; we forget we have a watch, just focusing for that moment on that person.

I don't listen to a ton of music other than putting my show together, just because my lifestyle isn't too conducive to listening to music all the time. I like to watch basketball, and I would rather not listen to music while I'm doing that.

People are like, 'What do you mean you don't listen to 115 different types of music?'. You can't just listen to The Smiths anymore. But then there are plenty of people that do only listen to five bands and six albums and that's it. My playlists are massively varied. There's never a theme throughout, it's never like everything is based in funk or based in reggae or whatever. It's 210BPM gabber-style techno and 40BPM reggae in the same list and it's like, yeah, they work.

Kids who want to become writers might want to start carrying a small notebook in their backpack. I encourage people to sit down in malls and listen, just listen, to how people talk.

I listen to all types of music. I listen to a lot of hip hop, but I also listen to pop and house music. I really, really like smooth jazz.

Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.

[I listen to] "Uptown Funk", Bruno Mars, sometimes even Nina Simone and Adele. Whatever comes up, whatever floats my boat, whatever makes me tap into something in me to just decompress - I listen to that.

Listen soberly: Just be 'I Am'; just stay here! ... There's nothing that can stop you from following this simple advice.

When I do listen to music a lot of times I listen to old school music, I'm talking about Earth, Wind & Fire, I'm talking about the Isley Brothers, the O'Jays. It just eases my mind.

I don't listen to a lot of new stuff. I just like the old stuff. It's all quite dramatic and atmospheric. You'd have an entire story in song. I never listen to, like, white music - I couldn't sing you a Zeppelin or Floyd song.

Honestly, I don't listen to nobody else's music but my own. It's kind of like sports to me. You don't see Kobe Bryant at a LeBron James game - he just works on his own game. And that's what I do. I only listen to me, so I can criticize and analyze and all those things.

It's hard to listen to your own record or your own songs and not pass judgment in a critical way just because it's your own thing. It's weird to sit down to listen to it to enjoy it.

But I like to listen to demos. I like to hear the finished product. It's like listening to a song - I mean, a story. If you're going to sit here and tell me a story, I just like to listen. I don't want to make them up.

I listen to a lot of alternative types of music: I listen to a lot of Chinese music, I listen to a lot of Asian music. It might surprise you, but I listen to a lot of Arabic music. And I don't care - music is music.

I'm always intrigued by people that listen to my music, I just naturally want to get to know people who listen to my music because people who end up having such an attachment with my stuff, I wonder why they have such a connection to something that's so personal to me in the first place.

True listening is never self-effacement. We bring the whole self to the process, rather than denying self. When we truly listen, we aren't just waiting for someone else to decide something so we can get on with things, or so we don't have to decide for ourselves. We aren't giving away our own powers to be seen and heard. When we listen, first we listen to the parts of ourselves that are curious, in avoidance, afraid, angry, or proud. Then we can take a breath and sink, allowing those parts some space alongside the spaciousness of not knowing.

I can't read sheet music, I have to just listen to it, and then just go for it.

My taste changes radically all the time, and I listen to whatever feels good. Another thing is that I'm in the studio so much of the time, and I listen to so much loud, aggressive music for work, that for pleasure, I'll listen to something else.

When I listen to hip-hop, I listen to Just Ice, Boogie Down Productions, Ultramagnetic MCs. I grew up in that age, and it was memorable. But I'm down with all of it. Chuck D or Danny Brown? I feel comfortable with all of them. Word up, kid! Word up, man!

Listen, the weather is just like Hillary's explanation for her war vote: we just don't know, do we?

As an artist, I always just want to grow as a songwriter. I listen to a lot of music. I listen to music all the time, whether it's hip-hop or soul or rock or whatever. I'm always listening to music and trying to learn from other songwriters and how they tap into certain emotions and communicate more clearly.

I don't listen to anybody's full record anymore and when I did, I don't think I listened to the whole record. I'm sorry, and I don't care who it is, if it's the Beatles, I can't listen to an hour and a half of anybody straight so I guess that's just my personal preference.

I believe one of the requirements of good leadership is the ability to listen - really listen - to those in your organization. An effective leader is very good at listening, and it's difficult to listen when you are talking.

You should listen to songs and listen to what works. Listen to why a song is a hit. Check it out-not to imitate it, but there are certain things that work-hooks and melodies. Hear what works through the ages.

I think I'm always willing to learn and listen to the coaches and the manager and listen to the advice of the players in the team as well, so whenever I get the advice, I try to take it on board and just try to help myself get better.

Having girlfriends is... I can't do it. It doesn't mean I don't hang out with girls. It just means that I don't like being in a relationship, because it makes things very complicated. The one piece of advice that I listen to adults on - because I don't listen to adults when it comes to most things - is that I'm too young to have a girlfriend.

Well, I was a real late-comer to listen to music, actually, because my parents - first of all, my parents weren't big music fans. They didn't listen to music. We didn't really listen to stuff in the house.

Don't try to be perfect. Life isn't; no one is. Use mistakes and mishaps as opportunities to grow tolerance and to teach. There is such a thing as happy accidents. And love, love, love and listen, listen, listen.

I used to listen to music from the frosting down. As a word nerd, lyrics are really important to me, and then the melody. Playing in the Rock*A*Teens was the first time I ever heard music from the bottom up. I was hearing songs I'd heard a million times on oldies radio, and I'd be like, "Wow, listen to what the bass is doing!" When I was first singing in bands, I'd just get out there with my machete, wildly whacking away at the foliage. But you learn how to listen. When I feel I'm doing it right, it's 90% listening and 10% output. It's not "look what I can do!"

The way so many musicians slavishly imitated Coltrane, that's the way it was with Charlie Parker - only even more so, if that can be imagined. Everyone that I knew changed totally. But they took the worst things of his playing-that harsh sound; it just didn't come off the way they did it. The way he did it was great, Their way wasn't good at all. I just would listen to 'em, say: 'That's a Bird imitator', and that would be it; I would never care to listen to them again.

I got my own sound in Atlanta because I don't listen to anybody's music. When you listen to people's music, you start to say stuff they say as an artist because that's what you've been listening to. Me, I don't listen to anybody. I support, but I don't listen, because I don't want to run with someone style. I do my own thing.

I'm still learning about music. The best way to learn is to listen to the audience. When you listen to the audience, they will tell you what they like. I wish these big corporations, instead of telling the audience what they should have, would listen.

You just have to speak up. You just have to say, 'I would like to do this,' and it's amazing what people who listen can do for you.

The world is full of shitheads, Rhea. Don’t listen to them—listen to me. And I know that Lou is one of those shitheads. But I listen.

I record myself talking. I have a journal. And when I listen back, I remember why I wanted certain things. I listen to me at 16, saying 'I really wanna be on TV... I want a movie, a huge movie...' and I'm just like, 'Yo, I'm humbled. I'm living a life I imagined.'

I always freak out when people ask me about my favorite bands or my five favorite records, I just can never do that because it goes through different waves and sometimes you want to listen to something and at other times you want to listen to something else so I don't know.

If you sing beautifully about nothing, no one will listen. If you sing badly about great stuff, no one will listen. Ideas are everywhere, but my theory is that a writer doesn't just think of an idea: they perform them.

I remember Chris Cooper saying to me - I was doing October Sky with him - and he said, "You know, you're just yelling at me." He's like, "You're just yelling. You need to listen." We were in a fight, and you know, oh you'd get so excited as an actor, you're like, "We have a fight, oh, I get to get mad." And he just said, "You need to listen." And I started listening - and then all of a sudden where I was listening was where, I don't know, anger became something else.