Top 70 Keats Quotes & Sayings

You know who my gods are, who I believe in fervently? Herman Melville, Emily Dickinson - she's probably the top - Mozart, Shakespeare, Keats. These are wonderful gods who have gotten me through the narrow straits of life.

Keats longed for fame, but longed above all to deserve it.

I am a genius who has written poems that will survive with the best of Shakespeare, Wordsworth and Keats.

This is why it is good to remember: if you want to get high, don’t drink whiskey; read Shakespeare, Tennyson, Keats, Neruda, Hopkins, Millay, Whitman, aloud and let your body sing.

With "poets dead and gone" as Keats says in "Mermaid Tavern" they are alive and talking to us and us to them.

There's no artist in this world that doesn't enjoy the dream that if they have bad reviews now, the story of Keats can redeem them, in their fantasy or imagination, in the future. I think Keats' poem 'Endymion' is a really difficult poem, and I'm not surprised that a lot of people pulled it apart in a way.

To like Keats is a test of fitness for understanding poetry, just as to like Shakespeare is a test of general mental capacity.

Once I worshipped Keats for dying young. Now I think it's braver to die old.

Descendants of pigeons once fed by Keats, Byron, George Sand, Chopin and many other famous lovers are still being fed, and the sudden sound when they all rise together, frightened away, is like the sound of giant sails flapping.

I attended school regularly for three years. I learned to read and write. 'Lamb's Tales' from Shakespeare was my favourite reading matter. I stole, by finding, Palgrave's 'Golden Treasury.' These two books, and the 'Everyman' edition of John Keats, were my proudest and dearest possessions, my greatest wealth.

I lost many literary battles the day I read 'Their Eyes Were Watching God.' I had to concede that occasionally aphorisms have their power. I had to give up the idea that Keats had a monopoly on the lyrical.

If you read Keats's poems, they're often full of doubts and anxieties. They can be quite tough.

All my early books are written as if I were Indian. In England, I had started writing as if I were English; now I write as if I were American. You take other peoples backgrounds and characters; Keats called it negative capability.

We have chosen to write the biography of our disease because we love it platonically - as Amy Lowell loved Keats - and have sought its acquaintance wherever we could find it. And in this growing intimacy we have become increasingly impressed with the influence that this and other infectious diseases, which span - in their protoplasmic continuities - the entire history of mankind, have had upon the fates of men.

When an idea comes, spend silent time with it. Remember Keats's idea of Negative Capability and Kipling's advice to "drift, wait and obey". Along with your gathering of hard data, allow yourself also to dream your idea into being.

Shelley and Keats were the last English poets who were at all up to date in their chemical knowledge.

All my early books are written as if I were Indian. In England, I had started writing as if I were English; now I write as if I were American. You take other people's backgrounds and characters; Keats called it negative capability.

Women don't want all that. Women just want a partner who is considerate and attentive, who will spoon with them while reciting Keats, and feed them organic yogurt by candlelight on a seaside cliff at sunset.

As a former English major, I am a sitting duck for Gift Books, and in the past few years I've gotten Dickens, Thackeray, Smollet, Richardson, Emerson, Keats, Boswell and the Brontes, all of them Great, none of them ever read by me, all of them now on a shelf, looking at me and making me feel guilty.

I am a genius who has written poems that will survive with the best of Shakespeare, Wordsworth and Keats

If people connect me with the Romantics in general, they probably connect me most with Keats. But Wordsworth is the poet I admire above all others.

The interpretations of science do not give us this intimate sense of objects as the interpretations of poetry give it; they appeal to a limited faculty, and not to the whole man. It is not Linnaeus or Cavendish or Cuvier who gives us the true sense of animals, or water, or plants, who seizes their secret for us, who makes us participate in their life; it is Shakspeare [sic] … Wordsworth … Keats … Chateaubriand … Senancour.

I want to read Keats and Wordsworth, Hemingway, George Orwell.

John Keats / John Keats / John / Please put your scarf on.

I believe strongly in what John Keats called negative capability: the trait or practice that allows a poet to remain in uncertainties, mysteries, doubts, without any irritable reaching after fact & reason. For Keats, William Shakespeare exemplified negative capability, and I do think it's extraordinary that for all the thousands of pages Shakespeare left behind, we really don't know much about Shakespeare's own personality or opinions.

We learned in the university to consider Wordsworth and Keats as Romantics. They were only a generation apart, but Wordsworth didn't even read Keats's book when he gave him a copy.

My hobbies are playing piano and guitar, pining for girls, worrying about climate change, pining for girls, and the poetry of John Keats.

When I read Andrew Motion's biography, I wept. It's something about the purity of the story and how fresh it was because of the love letters Keats wrote.

I do think better of womankind than to suppose they care whether Mister John Keats five feet high likes them or not.

I don't spend time thinking about an aesthetic out of which I create or an ideal toward which my body of work is heading. It's amazing, when I read interviews with other poets, to see how articulately they discuss their own writing, as if they were sharing long-held theories on the work of Pope or Keats. I'm happy enough that I've poured the best of myself into the poems themselves.

As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for others to decide.

Keats, it must be remembered, was a sensualist. His poems ... reveal him as a man not altogether free from the vulgarities of sensualism, as well as one who was able to transmute it into perfect literature.

I think for me in terms of this kind of dichotomy you have to hold the sense of negative capability in your mind - which is Keats line about being able to hold two different ideas 'without any irritable reach after fact or reason.'

Keats himself spoke about how Shakespeare was capable of erasing himself completely from the characters he had created. As an actor, that is what I'm trying to do.

I can get very philosophical and ask the questions Keats was asking as a young guy. What are we here for? What's a soul? What's it all about? What is thinking about, imagination?

Jenny Offill's Dept. of Speculation resembles no book I've read before. If I tell you that it's funny, and moving, and true; that it's as compact and mysterious as a neutron; that it tells a profound story of love and parenthood while invoking (among others) Keats, Kafka, Einstein, Russian cosmonauts, and advice for the housewife of 1896, will you please simply believe me, and read it?

Keats writes better about poems than anybody I've ever read. The things that he says about what he wants his own poems to be are the ideals that I share.

Writers collect stories of rituals: John Cheever putting on a jacket and tie to go down to the basement, where he kept a desk near the boiler room. Keats buttoning up his clean white shirt to write in, after work.

On a summer night it can be lovely to sit around outside with friends after dinner and, yes, read poetry to each other. Keats and Yeats will never let you down, but it's differently exciting to read the work of poets who are still walking around out there.

If you want to study writing, read Dickens. That's how to study writing, or Faulkner, or D.H. Lawrence, or John Keats. They can teach you everything you need to know about writing.

When we had our first son, four different people gave us the same present: a copy of Ezra Jack Keats' 'The Snowy Day.' A new child often inspires duplicate gifts - we were given a dozen mostly useless baby blankets, just one more thing to spit up on - but this one was different.

Truth and Beauty (perhaps Keats was wrong in identifying them: perhaps they have the relation of Wit and Humour, or Rain and Rainbow) are of interest only to hungry people. There are several kinds of hunger. If Socrates, Spinoza, and Santayana had had free access to a midnight icebox we would never have heard of them. Shall I be ashamed of my little mewing truths?... I ask to be forgiven: they are such tiny ones.

We have to find a way to not refuse to see where we are, what we are doing, and yet we must still live. And making sure to live - to go through life not around it - was always hard. Making sure to be in the vale of soul - making - as John Keats put it. Now it's insanely hard.

It's been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they've got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all.

Only those of our poets who kept solidly to the Shakespearean tradition achieved any measure of success. But Keats was the last great exponent of that tradition, and we all know how thin, how lacking in charm, the copies of Keats have become.

I began writing poems when I was about eight, with a heavy assist from my mother. She read me Arthur Waley's translations and Whitman and Robinson Jeffers, who have been lifelong influences on me. My father read Keats to me, and then he read more Keats while I was lying on the sofa struggling with asthma.

Not every gay person recites poetry or has read Keats. You can get readers through anything if the characters are complicated. You can't dismiss Josey Wales' quite liberal worldview.

What I deeply want... is for Rumi to become vitally present for readers, part of what John Keats called our soul-making, that process that is both collective and uniquely individual, that happens outside time and space and inside, that is the ocean we all inhabit and each singular droplet-self.

When Keats says: 'Axioms in philosophy are not axioms until they are proved upon our pulses', what he means is that we don't necessarily believe what a poem is saying if it comes out and tells us in an absolutely head-on, in-your-face way; we only believe it to be true if we feel it to be true.

Do you know what would hold me together on a battlefield? The sense that I was perpetuating the language in which Keats and the rest of them wrote!

Culture is like the sum of special knowledge that accumulates in any large united family and is the common property of all its members. When we of the great Culture Family meet, we exchange reminiscences about Grandfather Homer, and that awful old Dr. Johnson, and Aunt Sappho, and poor Johnny Keats.

I did ... learn an important distinction in graduate school: a speculation about who had syphilis when is gossip if it's about your friends, a plot element if it's about a character in a novel, and scholarship if it's about John Keats.

A poem with grandly conceived and executed stanzas, such as one of Keats's odes, should be like an enfilade of rooms in a palace: one proceeds, with eager anticipation, from room to room.

Who would not spout the family teapot in order to talk with Keats for an hour about poetry, or with Jane Austen about the art of fiction?

Make a list of all the lovers you've ever had. Warren Lasher Ed "Rubberhead" Catapano Charles Deats or Keats Alfonse Tuck it in your pocket. Leave it lying around, conspicuously. Somehow you lose it. Make "mislaid" jokes to yourself. Make another list.

Eight years ago, I was drawn into Keats's world by Andrew Motion's biography. Soon I was reading back and forth between Keats's letters and his poems. The letters were fresh, intimate and irreverent, as though he were present and speaking. The Keats spell went very deep for me.

For awhile after you quit Keats all other poetry seems to be only whistling or humming.

The sad fact is that I love Dickens and Donne and Keats and Eliot and Forster and Conrad and Fitzgerald and Kafka and Wilde and Orwell and Waugh and Marvell and Greene and Sterne and Shakespeare and Webster and Swift and Yeats and Joyce and Hardy, really, really love them. It’s just that they don’t love me back.

The good news is that I've already outlived two Brontes, Keats, and Stephen Crane. The bad news is that I haven't written anything.

I don't know if I call myself a poet or not. I would like to, but I'm not really qualified to make that decision, because I come in on such a back door, that I don't know what a Robert Frost or a [John] Keats or a T.S. Eliot would really think of my stuff.