Top 83 Kenneth Quotes & Sayings - Page 2

[Kenneth Koch] taught children in public schools in New York City to write poems and told them down worry about rhyming, don't worry about any of that stuff. You know, write a poem where you mention three colors and make it five lines - or he would just give them, you know, little strategies. And, man, they wrote some great poems.

I remember the reason why did I start my golf. We had a four day game I was playing for Trinidad against the Leeward Islands. They had in their ranks Winston Benjamin, Curtly Ambrose and Kenneth Benjamin. To add to it, the track was a green top. The four day game lasted two days, so I had two days to play golf.

He [Kenneth Branagh] is the nicest guy. He is absolutely fantastic. Hes really down to earth, really friendly, and he has a great sense of humor. I really liked working with him. Hes a fantastic actor as well. Theres such a presence about him.

I came from the time of so-called New Criticism - the poem in itself, the writing in itself - but around that time I had come across a critic called Kenneth Burke, who wrote a book called A Rhetoric of Motives, and it seemed to talk about another way, and gradually I realized that other way was that the reader made a difference.

To go from Jon Favreau for Iron Man 1 and 2 to Kenneth Branagh for Thor and the very different world of Thor, it's about how to adapt to Coulson in a different setting and a different world while, at the same time, still have him be a part of the same world.

Some years ago John Kenneth Galbraith wrote in an essay on his efforts at writing a history of economics: 'As one approaches the present, one is filled with a sense of hopelessness; in a year and possibly even a month, there is now more economic comment in the supposedly serious literature than survives from the whole of the thousand years commonly denominated as the Middle Ages ... anyone who claims to be familiar with it all is a confessing liar.' I believe that all physicists would subscribe to the same sentiments regarding their own professional literature. I do at any rate.

Today the United States has admitted that after months and months of searching, we still have no idea where Osama bin Laden is. Osama bin Laden? We can't even find Kenneth Lay.

Buckminster Fuller was down in Pennsylvania, then he'd come up and go to his island in Maine. He wanted to remain a New Englander. He taught from '48 to '49 and '50 at Black Mountain College. That's where he met Kenneth Snelson. Fuller kind of stayed a Yankee right in the New England area. So it was pretty easy to get him to come on over, and we would have lectures at the Harvard Science Center.

People talk a lot about, 'You're a Disney princess! You're Cinderella!' and this and that. But for me, it's all about the fact that I worked with Cate Blanchett and was directed by Kenneth Branagh. That's the 'Cinderella' story for me.

Especially when I first really started to work with Kenneth and Franklin, who had been in space already. And so, they were able to talk about space and tell me a few things about how things would really happen.

My introduction to dissociation had been at Kenneth Cooper's clinic in January of 1975. Cooper had assembled a gaggle of top American distance runners and a half dozen top researchers, the intent being to figure out what the difference was - physiologically, biomechanically, psychologically - between elite and subelite runners.

I am inspired by my mother's faith and the teaching I receive under the leadership of Bishop Kenneth C. Ulmer. I am also inspired by hard work and powerful people who have maintained a sense of integrity, decency, and kindness. Love really inspires me.

A good part of why I never went back to England was part of that, I didn't want to be in those sort of flowery films. But I think it's a nice change of pace-I don't know how long it'll go for. There will always be the Merchant-Ivory/Kenneth Branagh movies, but there's something else now-really, it's always been there but the Americans getting to see it makes all the difference.

I give thank for God for my roots in the Word of Faith teachings. It is truly on the shoulders of great men of God like Brother Kenneth E. Hagin that we are able to see further into the Word of God today. Growing up, I learned a lot about faith from Brother Hagin who truly had a special revelation of faith from the Lord. I deeply honor and respect him for all that he has taught me.

I started to watch 'Play for Today' and plays like 'Cathy Come Home,' and Kenneth Branagh's 'Billy' trilogy in the 1980s, which took us into the world of the Belfast family. As a kid in Luton, how was I ever going to know that world otherwise?

When I was doing 'Tales from Hollywood' at the National, I was invited to dinner by the choreographer, Kenneth MacMillan. He told me I had the heart of a dancer and asked me if I'd like to come on at the end of 'Romeo and Juliet' as a friar. I said I'd love to, but sadly, MacMillan died shortly after.

Acting's incredibly enjoyable, but sometimes it doesn't feel quite enough. I've also written a script about the life of Eleanor of Aquitaine. This will make me sound like a female Kenneth Branagh, but I can't think of anything nicer than directing myself from a script I wrote.

I can't resist telling you that when the Vienna Economics Institute celebrated its centennial, many years ago, they invited, as their keynote speaker, my father [John Kenneth Galbraith]. The leading economists of the Austrian school- including von Hayek and von Haberler - returned for the occasion. And so my father took a moment to reflect on the economic triumphs of the Austrian Republic since the war, which, he said, "would not have been possible without the contribution of these men." They nodded - briefly - until it dawned on them what he meant. They'd all left the country in the 1930s.

I began to think that the finest modern writer was the screen actor. This was in the spirit of the Fifties where a very antiliterary literature was emerging - Kenneth Patchen and others. I kind of believed what Nietzsche said, that nothing not written in your blood is worth reading; it's just more pollution of the airwaves.

The three greatest people in my life as a young person were white, my high school superintendent, my high school coach and a - I graduate in Manhasset High, Kenneth Molloy who's a mentor to yours truly.I'm not a person that really deal in color.

I ran into my old friend Michael Kenneth Williams, who I worked with on a show called 'The Philanthropist' for NBC. He was going to be doing this show called 'Hap and Leonard.' He was playing Leonard, and they were looking for somebody to play Hap.

I was born in Amersham, England on 6/4/58. My family moved to Australia when I was eight, and I went to Box Hill High School and then Melbourne High School. I liked to draw and write at school, and I liked books by J.R.R. Tolkien, A.A. Milne and Kenneth Grahame.

The four most dangerous words in finance are 'this time is different.' Thanks to this masterpiece by Carmen Reinhart at the University of Maryland and Kenneth Rogoff of Harvard, no one can doubt this again. . . . The authors have put an immense amount of work into collecting the data financial institutions needed if they were to have any chance of making quantitative risk management work.