Top 1200 Keyboard Players Quotes & Sayings - Page 18

He started to touch the mechanism under the keyboard, then pulled his hand back with a snap. "Ah," he said. "Must deactivate the security....Turn around, please." "What?" "Turn around, Claire. It's a secure password!" "You have GOT to be kidding." "Why ever would I joke about that? Please turn.

By the time Guns n' Roses spent 28 months from 1991 to 1993 touring the 'Use Your Illusion' albums, the tour staff sometimes approached 100 people. We were carrying not only backup girl singers, a horn section, and an extra keyboard player, but also chiropractors, masseuses, a singing coach, and a tattoo artist.

The worst part of writing fiction is the fear of wasting your life behind a keyboard. The idea that, dying, you'll realize you only lived on paper. Your only adventures were make-believe, and while the world fought and kissed, you sat in some dark room masturbating and making money.

When you are speaking to your team after a game, never talk about the kid who was the star of the game. Talk about what your other players did to help the team win. Be sure to spread the wealth... Then have individual meetings with one to three players to praise and reinforce. Make sure you touch them.

Play more than one sport in high school. If you play, say, football and basketball, you can learn to be physical and you can take those physical aspects of both sports and become better in both sports. Basketball players use some of the same skills football players do and vice versa.

I can understand the frustration felt by the many basketball players who feel that they have been forced to conform with the league's new dress code, .. Iverson and other NBA players have suggested that they will not abide by the league's dress code, and Bodog.com will offer to reimburse any fines levied, and match the payment with a donation to each player's charity of choice.

I was writing tons of music in my spare time. I might be on location somewhere, and I'd go home and I'd have my guitar and my little keyboard or something and write music. Or if I was at home, on my piano. I've always been a late bloomer with a lot of things, just in general, so I think this was something that needed to come to fruition in this particular way.

The first reason why I started to use the [electric] keyboard is because I really like the bending sound of the guitar and bass player. I can't bend the piano sound. I really like the feel behind it. I feel it adds flavour and character to my music.

The team comes first. We want to keep all of our players. We want to take care of all of our players, but the team comes first.

In the 80s, if you wanted to make electronic music, it was a much tougher and more expensive process. For many people it would involve either spending loads of money on gear or else cutting demos in a proper studio. But I had this Casio keyboard and tape recorder and used to do stuff in my bedroom - I'd listen to Mantronix and all that. That was what I had so that's what I used.

Young players try and imitate the best players like Ronaldo. They try to imitate the hair, the clothes, the cars, the tricks. I try to tell them how hard Cristiano Ronaldo trained in training and after training. He only wanted to be the best. Everything else came after.

But people don't know if I can teach the game. I know I can. My experience in Oklahoma was positive. It opened my eyes to how the game is played - the interaction among players, fans and media, how all that works. You have to know about the business of the game and how the actions of players and coaches affect the business. I think I have it down now.

When you think about it, there's no way to input things into a computer. It's all... the holes only go out, right? Like you can plug a keyboard or a mouse in but that's a trick because the computer thinks the inputs are outputs. That's a programmer trick, basically magic. The key to the future is to make holes that go in too.

For me, Duke was personal. I hated Duke and I hated everything I felt Duke stood for. Schools like Duke didn’t recruit players like me. I felt like they only recruited players who were Uncle Toms.

How do you win? By getting average players to play good and good players to play great. That's how you win.

I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.

Now, they hold the World Cup every year, so it's like any Super Series. It's boring. To me, it's very boring. I think the players will always attend the World Cup. But for the fans, and also for most players, the Olympics and Asian Games will become more important. Nobody will look forward to the World Cup with anticipation.

So if the players trust the coach, it's not a problem. If the players don't trust the coach, it is a problem, and vice versa.

I was the first artist, I think, to ever do an all-keyboard album. There were things that resembled it, like Stevie Wonder. A lot of his stuff was on keyboards, but he used brass and he used other things as well. I was the first artist, also, to use drum machines. I was really the one who kind of started that whole thing.

There are too many British players who just aren't good enough. And that's not through lack of effort. But in terms of getting to the top 100, and getting into Wimbledon on their ranking, I feel as though there are too many players who just aren't good enough.

Music is all about seduction, so it's an ongoing flirtation, but watching anyone do what they are talented at is totally intoxicating. Take even the ugliest guy and have them do something they are really passionate about - they are instantly attractive. Unfortunately watching someone write is a little lackluster. Maybe if they had a really sexy keyboard face.

Delacroix, Wagner, Baudelaire - all great theorists, bent on dominating other minds by sensuous means. Their one dream was to create the irresistible effect - to intoxicate, or overwhelm. They looked to analysis to provide them with the keyboard on which to play, with certainty, on man's emotions, and they sought in abstract meditation they key to sure and certain action upon their subject - man's nervous and psychic being.

So many players play Serena Williams, and so many players may catch her on a bad day, but she finds a way. She finds that extra gear. She makes it interesting, but at the end of the day, she come through in the end.

The most important thing is that you hire people who complement you and are better than you in specific areas. Good people hire people better than themselves. So A players hire A+ players.

Our philosophy doesn't change. We're always competing. But the ways to approach it and the ways to make that up and make it available to our players, there's no end to that. That's why the thought is that you're either competing or you're not, and that's why I'm learning and searching and trying to transfer information to our coaches and to our players.

I'm steeped in aesthetic theory, so I tend to bring in my own amateurish way of baring a little bit - when, in practice, I'm not thinking about that when I'm working over the keyboard, or musing over musical ideas in my head. But when discussing it, we want to have some new thought about this new music.

Write. Don't talk about writing. Don't tell me about your wonderful story ideas. Don't give me a bunch of "somedays." Plant your ass and scribble, type, keyboard. If you have any talent at all, it will leak out despite your failure to pay attention in English.

I'm basically a cocktail jazz kind of pianist. I'll be the first to admit that I'm not a very good keyboard player. People think I think I'm good. I think I'm a very poor piano player.

The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.

Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artists is born to pick, and choose, and group with science, these elements, that the result may be beautiful - as the musician gathers his notes, and forms his chords, until he brings forth from chaos glorious harmony

On a good team there are no superstars. There are great players who show they are great players by being able to play with others as a team. They have the ability to be superstars, but if they fit into a good team, they make sacrifices, they do things necessary to help the team win. What the numbers are in salaries or statistics don't matter; how they play together does.

Some players don't like training and I've seen some players who aren't bothered if they play or not. But I want to play every game. Sometimes you have to rest in certain games, but I want to play in every game.

I have been very fortunate to see some very clearly excellent players play well to the very ends of their career, where they opted not to play anymore. I'm talking about Adrian Beltre. I'm talking about Torii Hunter. I'm talking about David Ortiz, Chipper Jones, Derek Jeter. These are players who decided, 'You know, I've had enough. That's good.'

There are some people who might have better technique than me, and some may be fitter than me, but the main thing is tactics. With most players, tactics are missing. You can divide tactics into insight, trust, and daring. In the tactical area, I think I just have more than most other players.

There are loads of players I could name who are 16-16 looked like world beaters but then at 21-22 they are subs in non-league. There comes a time in your career when the pennies got to drop, where you've got to understand decisionmaking at the right, poignant moments in the game. When to pass, when to dribble, when to shoot. Game-changing moments, can you be the guy that sits there and takes the responsibility. And the great players do.

We measure areas of performance that are often ignored: jumping in pursuit of every rebound even if you don't get it, swatting at every pass, diving for loose balls, letting someone smash into you in order to draw the foul. These 'effort' statistics are also stored on computer. Effort is what ultimately separates journeyman players from impact players. Knowing how well a player executes all these little things is the key to unlocking career-best performances.

I change my keyboard between every book. I usually shop around. I'm very passionate about the physical feel of pressing the keys. It's got to have the right springiness. I tend to find the built-in keys very unsatisfying, the keys are low-profile and don't really do anything - I want it to feel like I'm typing.

The Premier League is what it is. Some people will see the intensity and quality as a great advantage for your players: it will make them better. Some will see it as a disadvantage because the players play at such a high level and such intensity, it's difficult for them to drum that up, that intensity, with a very short space of rest time.

I actually prefer it if I don't know what I'm supposed to do. If you've got an equal temperament piano keyboard, then you know what you're going to get if you play certain chords. But I actually like it if you don't know where the notes are, because then you do it intuitively. You're working out a new language, basically. New rules.

I think we have more good players today [2016] than we've ever had in the game of golf. And I think that's saying a lot because we had a lot of good players when I played. I think you had a bit of a lag in there for a while, that Tiger was just so much better than everybody else that he really didn't put anybody in with him.

To all my gentle readers who have treated me with love for over 30 years, I must say farewell. It has always been my ambition to die in harness with my head face down on a keyboard and my nose caught between two of the keys, but that's not the way it worked out. I have had a long and happy life and I have no complaints about the ending, thereof, and so farewell - farewell.

The great thing about [Michael] Jordan was that he made them want it just like he wanted it. And a lot of times like a lot of the basketball players, not to be getting on basketball, but, with a lot of the basketball players you might have one superstar on the team, and they're not willing to play up to par with the way he is, so they don't make it. But then you have some celebrities on the basketball team, and they don't know how to get along with each other!

They both changed the way we hear the sound of the piano, both of them inventors of sonority: Chopin took bel canto singing lines and reproduced them on the keyboard above richly upholstered counterpoint; Debussy somehow preserved vibrations in the air, blending their ephemeral magic into music that reaches far back into deep memory.

If the reader were so rash as to purchase any of Bela Bartok's compositions, he would find that they each and all consist of unmeaning bunches of notes, apparently representing the composer promenading the keyboard in his boots. Some can be played better with the elbows, others with the flat of the hand. None require fingers to perform or ears to listen too.

Critics have always questioned whether players like Pele from the 50s could play today. Lionel Messi could play in the 1950s and the present day, as could Di Stefano, Pele, Maradona, Cruyff because they are all great players. Lionel Messi without question fits into that category.

I think the difference with Japan was that they didn't bring in too many foreign players. In my opinion at the ISL it's not too good to have too many foreigners playing. The minimum of five Indian players is too less in my opinion. Since it's the ISL, we have to encourage more Indian football.

Once you identify positional needs, then I think, then, what you do is, you be very selective on how you go about acquiring those players. You have to look at the resources available on how to acquire those players, and then, if you can, go acquire those assets that can best help this team get over the hump.

Why is it that E.U. players are allowed to move country once they turn 16... but non-Europeans can only do so at 18? Why aren't we campaigning for a level playing field, where our best 16 year olds - who may not have an E.U. passport like I had - are free to move when they turn 16, like the best young players in Europe can?

Twiddle-twiddle away at my softly clicky keyboard for a while, making twiddly adjustments all along- and then print what I have twiddled. Glare at the printout and snarl and curse and scribble almost illegibly all over it with a ballpoint pen. Go back to the machine and enter the scribbles. Repeat this procedure until I hate the very meaning of every word I know.

Why is it rappers feel like they have to show each other their balls? It's so frustrating to me and the fact that I've come to the realization that I'm not playing that game and I'm just happy whether I'm sitting on the keyboard, up on the stage, or doing post edit vocals alignments for someone I don't even know, I'm happy. I am successful in my own eyes.

There are lots of decisions, and also non-decisions, that go into this job. In the same way that it can be impossible to separate a coach from the players, it's also impossible to separate the GM from the coach from the players. You just have to ask: Is the GM helping the team have playoff success? Is he giving the team a chance to win the title?

Here's the first major lesson: Writing is not an activity. It's not something you sit down at the keyboard, and just start doing. That's called 'typing.' Typing is an activity ... Writing is a process. And if you start thinking of it as a process, life gets so much easier.

I've seen a lot of great players that couldn't get to the top because of horses, and I've seen a lot of normal players that got higher and higher because of horses.

David Beckham is a patriot, and I am sure he will help in any way he can. Beckham needs to be part of any future plans to remould the England set-up. Beckham and players like him need to be integrated into the set-up in the same way that the Germans take on board former players from Beckenbauer to Rummenigge.

Other players can be leaders on the pitch, but not all players can understand another player, so I try to. You need to understand the heart of another player. I try to read other people, to figure out how I can joke with this guy, how I can help him or touch his heart.

If I'm uncomfortable on stage, everybody can see it. I'm not very good at hiding it. I like long, loose jacket dresses - anything that I can literally have room to move in - not that I'm a very big dancer, but because sometimes I'm sitting down at the keyboard, and then sometimes I'm standing. It just has to feel good.

Klinsmann should be remembered as a great coach; I don't think a lot of people see it, but as players, we really appreciate what he did for America soccer. He opened American soccer up. He gave it a lot more variety of players. You see German-Americans and Mexican-Americans, and you see the guys that were born in America.

We don't need no more rappers, we don't need no more basketball players, no more football players. We need more thinkers. We need more scientists. We need more managers. We need more mathematicians. We need more teachers. We need more people who care; you know what I'm saying? We need more women, mothers, fathers, we need more of that, we don't need any more entertainers

Most players will tolerate their coach, just like the coach will tolerate that player to do what they got to do, but Steve Kerr is unique. Players want to play for Steve Kerr. Everyone who's played in this league, who's coached in this league, who's been a general manager understands exactly what I'm saying - he's one of them.

I have no hesitation in putting a name to the embodiment of all that I think is best about football. It's Paul Scholes. Players like Denis Law and George Best who I enjoyed so much as team-mates and now, finally, players I have watched closely in the Alex Ferguson era. And in so many ways Scholes is my favourite. I love his nous and conviction that he will find a way to win, to make the killer pass or produce the decisive volley.