Top 363 Keyboard Quotes & Sayings - Page 4

After moving to England I did some recording and eventually formed an English band, this was together for quite a few years with only a keyboard replacement. The band had no name, just my name.

I took a few piano lessons as a kid, but it didn't last; I just learned piano from doing it over and over on my own, because I didn't have many friends, and there was always a keyboard in the house.

At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.

Actually, because of new technologies, my full studio is on my laptop. And I have a little keyboard in my bag. I can make everything I do come from my laptop. Even when I go to a big studio, all I do is to plug in my laptops. That's they way I do it.

It's not too hard to play Fender Rhodes keyboard if you get the right one, with some good action on the keys. If you got an old one that ain't been touched up, it could be kind of difficult to get real loose on it.

Life is too sweet and too short to express our affection with just our thumbs. Touch is meant for more than a keyboard.

Even when I can play Europe's most precious keyboard, to have to listen to people who don't understand, or do not want to understand, and who are incapable of grasping my intent, whatever I play, does surely forfeit my lust for playing at all.

I started playing instruments. Writing didn't come until later. I didn't know how to play a keyboard but I'd listen to hits off the radio, learn them, then my hands would be ready to play.

Even if I was playing the keyboard in an orchestra, or a radio jockey playing music at an FM station, I would have been the happiest person. So, for me, all this... being a music composer and getting appreciated for my craft... it is a bonus. It is God's gift.

think that texting and driving is a 100 percent no-go. I think it should be banned everywhere because you cannot be focused on looking ahead, in the mirrors, being aware of what's around you, and to type on a small keyboard and a small screen.

When I first heard the song 'Eruption,' which is Eddie Van Halen's most famous solo composition, I was confused because it sounded incredible, but I didn't know what it was. I didn't know if it was a guitar. I didn't know if it was a synthesizer or a keyboard. I couldn't figure it out.

I'm not a natural story-teller. Put a keyboard in front of me and I'm fine, but stand me up in front of an audience and I'm actually quite shy and reserved.

I studied arranging and orchestration a number of years ago, so I have a home studio and arrange about three-fourths of my songs on the computer. Since writing orchestration is tedious, I often put an arrangement on the keyboard and let someone better-qualified finish it.

We have all been empowered by the web: everyone with a keyboard can now effectively broadcast to a national audience. In a sense, it puts each of us on the same footing as the major media conglomerates, except for AOL, who now apparently own all our thoughts and teeth.

Over the years, the critics have said, 'They never change.' Maybe the little guy's got a new color of school uniform. I always thought, 'Well, what were we going to change into?' A jazz band? A keyboard band?

I think it's a mistake to downgrade and say surveillance is no big deal. It is a huge deal that we are collecting millions of Americans phone calls and that someone can go to a keyboard and put your name in and search it without a warrant.

All the new songs have been written since the re-issue of Diamond Day. With my first royalties I got a Mac and a little mixer and a keyboard, figured out the basics of a music program, and gradually started to write and record the songs and the arrangements.

Have I a secret about playing the piano? It's a very simple one. I sit down on the piano stool and make myself comfortable - and I always make sure that the lid over the keyboard is open before I start to play.

The program should know if someone is at the keyboard or joystick or if it is just sitting there idle. It should know if someone is proficient in its use or a novice.

We don't have a lot of time to practice, but yeah, we need to find a keyboard over there, or else I need to bring one. We're intending to do so. I don't want to let you down and say that we 100% are, but yes, we're intending to do so.

The level at which my OCD enters my writing process isn't that I slap the keyboard - it's more along the lines of a compulsive need to swap syllables around, rework words and sentences - I revise for the pleasure and satisfaction of it, rather than out of a sense of duty.

I'm also big on journaling. You can write in the sand or on a watermelon or whatever suits you, but the key is to get it out of your head and out of your heart and down your arms and into something, a keyboard or piece of paper.

The guy who sits at the keyboard and types is so much smarter than I am. I think I got into writing so that I could spend as much time with that guy as possible.

I released that side of things really as kind of an introduction to where I came from musically, back in the day when all I had was a keyboard, a drum machine, and a four-track. So I was doing these little synth-pop ditties, and it's how I learned to write.

For me, the keyboard is always an additional sound to the piano. Piano is the main instrument; I can't go anywhere without acoustic piano. It's been my best friend since I was 6 years old.

The only time that I really go on Twitter is to promote, because what sucks is there's some weird trolling going around. Even if you are well-intentioned, there's some mean people behind a keyboard.

When Maurice touched a keyboard, it was like something from a movie, magical. He would always give you something from a movie, and you'd go, what did you just play... immediately inspirational writings, amazing. That's what we're going to miss.

We actually believe Windows 8 is the new era for the PC plus. We believe with a single push of a button you can move seamlessly in and out of both worlds. We believe you can have touch, a pen, a mouse, and a keyboard.

When I was younger, I was a rave kid trapped inside a singer/songwriter's body. But I kind of figured my way out because I started making these really terrible beats on this Yamaha keyboard that my parents got me for my 10th birthday.

Windows 2000 already contains features such as the human discipline component, where the PC can send an electric shock through the keyboard if the human does something that does not please Windows.

My writing regimen is not very regimented. I tend to be a binge writer, working sometimes in the morning and sometimes all night. When I get going I like to hunch over the keyboard until I feel totally played out.

I like to start with an idea, but then again, I might be sitting at the keyboard, and just playing a bunch of chords that sound cool together, and something just inspires an idea from that.

What I was proud of was that I used very few parts to build a computer that could actually speak words on a screen and type words on a keyboard and run a programming language that could play games. And I did all this myself.

I thought I wanted to be a performing and recording artist, and played many recitals and performances beginning in the 1970s. In the 1980s I went to the British Library and ordered and received reels of historical women and men keyboard composers, and thus was born Vivace Press.

On an iPhone, you touch on the digital keyboard and you know how the letter pops up and shows up bigger so you're making sure you're touching the correct letter? That's Nokia innovation.

First of all you are a writer, a writer is what you are, so it doesn't actually stop the moment you leave your desk, your computer, your keyboard, whatever. Something is operating the back of your mind.

You look at keyboard warriors who just want to get on and talk bad about the people in the sport, and the problem is that everyone who's talking bad, they wouldn't even be able to fill a stadium with three thousand people.

Where I thrive is with my hands on the keyboard or my pen on the paper. One of the things I get to do is I get to rewrite. I rewrite, and I work hard on my scripts. You can rewrite until you're 'perfect,' and that's something that's safe for me.

It can't be any new note. When you look at the keyboard, all the notes are there already. But if you mean a note enough, it will sound different. You got to pick the notes you really mean!

That's really important in a producer - a producer that can step up and play a keyboard, play a bass, play a guitar, and help you with things instead of just saying, 'I think this could be better.'

Never angrily rant into your web cam. While smashing a keyboard in half over a game of 'World of Warcraft' may seem totally justified in your head, to the rest of the known universe you look like a raging psychopath.

If someone stops me in the street, they might not want to say something to my face - maybe something about 'Emmerdale' or something personal towards me, good or bad. But on Twitter they are hiding behind their keyboard.

Somewhere around the fifth, sixth album, we got this little formula together where we knew how to record Too $hort songs. You need the bassline, a good drum pattern, call in the keyboard, the guitars - it's just a way we mixed it all together.

I find myself working ten steps ahead of where I actually am on my laptop or keyboard, but I know what the ten steps are. I just haven't got to them yet.

The Internet, I'm trying to point out, is a kooks' paradise. Anybody with a keyboard and a modem can spread fear, loathing, and just plain asinine ideas among hundreds of thousands of people with the click of a button. Discouraging, but true.

I never had any plans to become a producer when I was a kid. I wanted to be a DJ, like most other kids at the time. Then my mum bought me a Casio keyboard and I started to sample sounds that I liked.

Using a mouse, keyboard or gamepad make my arm tired, so I can't use them in a continual manner. The only device I can use for an extended period of time is a joystick. It's posing problems when I'm test-playing something in progress.

It's the only thing that allowed me to win so many championship fights and allowed me to put up with the bigotry of the media, the keyboard warriors, the critics. I've endured it all because, spiritually, I am buoyant, alive.

On any given day, I'm likely to be working at home, hunched over this keyboard, typing Great Thoughts and Beautiful Sentences - or so they seem at the time, like those beautifully flecked and iridescent stones one finds at the seashore that gradually dry into dull gray pebbles.

Time made me change. I gradually woke up to the realization that this is who I am, an author, a public figure, and I couldn't just hide in my study, tapping away at the keyboard and pretend that I didn't have a role to play beyond stringing words together.

Of course I knew The Band's Canadian keyboard player, the late Richard Manuel, but I didn't play that night because I was there as a guest with my record executives. People ask, "why didn't you play?" If I had known I was going to be playing then I would have been prepared for it.

Online, you can become much more than a reactive donor - you can become a proactive, strategic, collaborative philanthropist, improving your giving every day by tapping into the wealth of philanthropic resources available at the tap of a keyboard or the click of a mouse.

I learned to play piano in a rock n' roll context or band context from country records - you know, Floyd Cramer - and from the Beatles and the Rolling Stones and Stax. And none of those are keyboard records.

I went down to my keyboard and was playing random chords, and the one line I kept repeating was, 'I'm a lost boy from Neverland.' I decided to post it to Vine, and it got the biggest reaction I'd ever gotten. People wanted to hear more, and I had to explain it wasn't a song.

The rhythmic feel of 'Dark Days In Paradise' is completely different to anything I've ever done before. There's a lot of drum loops on there, but used in conjunction with real drums: a lot of influence from hip-hop and dance music, with the keyboard sound and sequencing.

After I write a sequence, I just open the script and then sit at the piano keyboard and "play" the script. (And because I also draw and paint, sometimes I sketch out the action as well.)

What I really enjoy about writing for orchestras is realizing that - and it's kind of self-evident - but the fact that they are 48 individuals. It's not, you know, a preset on a keyboard. It's all these people who have opinions and who are making decisions about how to play.

Since my tour (in Japan) just finished, I started writing songs. I was inspired a lot while on the road and I have a lot to say and feel. I want to process those and write it down on paper and put my hands on the keyboard before they become the past.

So I'll set a cycle in motion and pop it into record and I'll lay down a drum pattern, a bass line, a keyboard and guitar part, and once the groove is going I launch into the song and sing my song over the top.

I think that texting and driving is a 100 percent no-go. I think it should be banned everywhere because you cannot be focused on looking ahead, in the mirrors, being aware of what's around you, and to type on a small keyboard and a small screen.