Top 1200 Kill A Mockingbird Novel Quotes & Sayings

By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.

Certainly, when I was a boy, people liked to believe that lawyers were kind of pillars of goodness of the likes of Atticus Finch in 'To Kill a Mockingbird.'

I have 'To Kill A Mockingbird' signed by Harper Lee. That is my prized possession.

I lived an idyllic 'Huckleberry Finn' life in a tiny town. Climbing trees. Tagging after brothers. Happy. Barefoot on my pony. It was 'To Kill a Mockingbird'-esque.

I realized I really enjoyed theatre, so I did shows up in Seattle like 'To Kill a Mockingbird' and 'Lost in Yonkers.'

I would come, many years later, to understand why To Kill A Mockingbird is considered an important novel, but when I first read it at 11, I was simply absorbed by the way it evoked the mysteries of childhood, of treasures discovered in trees, and games played with an exotic summer friend.

'To Kill a Mockingbird' was so important because it was such adult film-making - to see something that dealt with such an important issue and had such an enlightened outlook on the world.

Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had.

My favorite scene in all of movies is Gregory Peck in To Kill A Mockingbird: You see him where he's on the porch, and his face is almost completely obscured. I don't want to see his face.

My favorite scene in all of movies is Gregory Peck in 'To Kill A Mockingbird': You see him where he's on the porch, and his face is almost completely obscured. I don't want to see his face.

I grew up in a courtroom kind of like the one you saw in 'To Kill a Mockingbird' - big, big courtroom, sometimes it didn't even have air conditioning.

Remember it’s a sin to kill a mockingbird.

The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.

I've been writing as long as I've been able to form words. I never wrote with an idea of publishing anything until I began working on '[To Kill a] Mockingbird'. I think that what went before may have been a rather subconscious form of learning how to write, of training myself.

I'm a huge classics fan. I love Ernest Hemingway and J.D. Salinger. I'm that guy who rereads a book before I read newer stuff, which is probably not all that progressive, and it's not really going to make me a better reader. I'm like, 'Oh, my God, you should read To Kill a Mockingbird.'

Bloom County was set in a tidy, rural environment probably because of Harper Lee's 'To Kill a Mockingbird.'

I came home one day and Nick was in his bedroom reading 'To Kill a Mockingbird,' and the tears were just flowing down his cheeks, at the terrible injustice that was being described in that book and the bravery of fighting against it.

Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.

I don't read books. I read 'On the Road' in high school, and that was awesome, so I guess that's my favorite book. 'To Kill a Mockingbird,' even though I didn't read it, that's the greatest story. SparkNotes came in when I was in high school, and that was the greatest invention.

In 'To Kill a Mockingbird,' I was just playing and having a good time.

Rereading 'To Kill a Mockingbird,' I was struck by what I had forgotten of the book: in a manner of pages, we encounter shame, history, ruin, conflicting stories, and wounds badly healed; in short, the South.

'To Kill a Mockingbird' is really two stories. One is a coming-of-age tale told from the point of view of Scout Finch, a girl of about nine, and her slightly older brother, Jem. The second story concerns their father, attorney Atticus Finch, who has been appointed to defend a black man, Tom Robinson, falsely accused of raping a white woman.

'To Kill a Mockingbird' wasn't about me.

'To Kill a Mockingbird' appeared to highly favorable reviews and quickly climbed to the top of bestseller lists, where it remained for more than eighty weeks. In 1961, the novel was awarded the Pulitzer Prize. A film adaptation was released in 1962, starring Gregory Peck, and received three Academy Awards.

I have never read 'To Kill A Mockingbird.'

My favorite novel is 'To Kill a Mockingbird' because of its broad sweep, its tackling of big issues in ways that even young minds can make sense of and for the heart of the characters, who span a wide range of ages. I reread it every year.

When I was sixteen, I borrowed a copy of 'To Kill a Mockingbird' from the mobile library. Democrats and Republicans were standing for very different principles, and I could see which side was going to represent me.

Shoot all the blue jays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.

I would have loved to play Atticus in 'To Kill a Mockingbird.' There's no music in it, but it doesn't mean I wouldn't want to do it!

For a Jewish Puritan of the middle class, the novel is serious, the novel is work, the novel is conscientious application why, the novel is practically the retail business all over again.

When I was a kid, they bussed us down to a screening of 'To Kill a Mockingbird' in an old theater, and it was just a great experience.

'To Kill a Mockingbird' represents Hollywood at its very finest, when a popular film could truly contain a message. It has one of the most moving scores of all time.

I think crime fiction is a great way to talk about social issues, whether 'To Kill A Mockingbird' or 'The Lovely Bones;' violence is a way to open up that information you want to get out to the reader.

This case is just as racist as the fictional, but unfortunately all too typical case, in 'To Kill a Mockingbird'.

I've become one of those people who prowl around at night in their cars. God, I am the town's Boo Radley, just like in To Kill A Mockingbird.

We kill the women. We kill the babies. We kill the blind. We kill the cripples. We kill them all.... When you get through killing them all, go to the goddamn graveyard and kill them a-goddamn-gain because they didn't die hard enough.

I was still in college when 'To Kill a Mockingbird' came out in 1960. I remember it had a kind of an electrifying effect on this country; this was a time when there were a lot of good books coming out.

Like Scout and her father in To Kill a Mockingbird, my father would pull me onto his lap each night in our four-room apartment and read aloud.

I would say what was always on her[Harper Lee] mind was the stories she had to tell, and the story was pretty obvious in "To Kill A Mockingbird," maybe a bit - little bit less obvious and more obscure in "Go Set A Watchman."

I remember reading To Kill A Mockingbird when I was 12. What I liked about it is that it was all seen through a child's eyes. It was Harper Lee going back and writing it from the way a child would see those things.

I interviewed - no - had lunch with Harper Lee several years ago, trying to convince Harper Lee to do "To Kill a Mockingbird" for the book club. She wouldn't do it. She said, "Honey, I said everything I wanted to say."

You kill people you hate or you kill in rage or you kill to get even, but you don't kill someone you're indifferent to.

I don't think I'll ever lose the feeling that I had when I read 'To Kill a Mockingbird' - Harper Lee was going back into her childhood. I grew up in a real small town - Lee's was in the South, mine the Northwest - but small towns have a lot in common. There was such a revelation in knowing that a story could be told like that.

I would come, many years later, to understand why 'To Kill A Mockingbird' is considered 'an important novel', but when I first read it at 11, I was simply absorbed by the way it evoked the mysteries of childhood, of treasures discovered in trees, and games played with an exotic summer friend.

Harper Lee's novel 'To Kill a Mockingbird' became iconic almost immediately after appearing in 1960: best-seller status; the Pulitzer Prize the next year; a classic movie soon after, with Gregory Peck in an Academy Award-winning role.

I first read Harper Lee's 'To Kill a Mockingbird' as a teen in school, like you did. I read the book alone, eating lunch at my locker, neatly scored oranges my mother divided into five lines with a circle at the top, so my fingers could dig more easily into the orange skin. To this day, the smell of oranges reminds me of 'Mockingbird.'

To Kill A Mockingbird is one of my favourite novels, my mum brought me up reading it, and it never fails to move me.

I look back at my childhood, and the films that I remember the most are things like 'Mary Poppins,' 'Chitty Chitty Bang Bang,' 'Willy Wonka and the Chocolate Factory,' 'To Kill a Mockingbird.'

I couldn't kill a chicken, I couldn't kill a cow - I was a vegetarian too at that time - so I thought, well what is there that I could kill? I couldn't kill this and I couldn't kill that.

To kill a mockingbird. If you haven't read it, I think you should because it is very interesting.

Naturally, you don't sit down in "white hot inspiration" and write with a burning flame in front of you. But since I knew I could never be happy being anything but a writer, and Mockingbird put itself together for me so accommodatingly, I kept at it because I knew it had to be my first novel, for better or for worse.

I love 'To Kill A Mockingbird' - it seems to offer up new layers every time you read it. I also love Kate Atkinson's 'Behind The Scenes At The Museum' - that's the book that started me writing.

I have finished To Kill a Mockingbird. It is now my favorite book of all time, but then again, I always think that until I read another book.

To Kill a Mockingbird' represents Hollywood at its very finest, when a popular film could truly contain a message. It has one of the most moving scores of all time.

A battle is a terrible conjugation of the verb to kill: I kill, thou killest, he kills, we kill, they kill, all kill.

As a matter of fact, I constantly tell audiences all over the world that the single greatest icon of American culture from the publication of "To Kill A Mockingbird" was that novel so that if we say, what conversation can we have that would lead us on a road of tolerance, and teachers have decided that if you're going to teach values in a school in America, the answer that American teachers at all kinds of schools have come up with, just let Harper Lee teach "To Kill A Mockingbird." And then all the teacher has to do is stand back and guide the discussion.

When I read 'To Kill a Mockingbird,' I was so struck by the universality of small towns.

I read a lot when I was young. All the obvious, all the greats, from 'Le Grand Meaulnes,' 'To Kill a Mockingbird,' 'Fear and Loathing,' 'Catcher in the Rye,' 'The Bell Jar,' 'The Female Eunuch,' 'Valley of the Dolls,' 'The Feminine Mystique,' Tom Wolfe. Then, film took over for me. Film was so exciting in the '70s.

My favorite book is 'To Kill A Mockingbird' by Harper Lee. It is multi-layered, and I see something new in it every time I read it.

I'm a huge classics fan. I love Ernest Hemingway and J.D. Salinger. I'm that guy who rereads a book before I read newer stuff, which is probably not all that progressive, and it's not really going to make me a better reader. I'm like, 'Oh, my God, you should read To Kill a Mockingbird.