Top 183 Kung Fu Quotes & Sayings - Page 2

If you trust yourself, any choice you make will be correct. If you do not trust yourself, anything you do will be wrong. - Kung Fu, The Legend Continues -

Kung fu films have to move with the rest of the world. You couldn't keep on doing sword fights in historic films. People wanted superheroes. They wanted something fast and new.

I'm not a type-B personality who knows I have a cancer growing inside of me and can live with the knowledge. I go into a kung-fu attack position when I go through the door of a hospital.

I've never done this level of physical preparation for something. Particularly for 'Rogue One' where I was training every day and doing kung fu rehearsals on a daily basis. But that's part of the reason I wanted to do it, because it was very different from what I've done before.

When I was young I used to practice a martial art that was a mixture of karate, kung fu, Jujitsu, Yawara Kubotan, Aikido, Okinawan kobudo, Newaza, etc.; now I am just a theoretical samurai or a bushido scholar if you prefer.

My producer for the first 'Kung Fu Panda' movie, Melissa Cobb, is an amazing woman. She's supersmart and helps push everyone - male, female, anyone - to do their best.

There are a lot of movies that take place internationally, like Kung Fu Panda portraying a little bit of China, and Ratatouille portraying a little about Paris, but it's hard to find a movie that portrays Rio or Brazil.

I don't need to convince anybody that I know kung fu, but maybe somebody needs to know that I really can act, without doing a Chinese accent or a funny walk.

A kung fu man who was really good was not proud at all. Pride emphasizes the superiority of one's status. There has to be fear and insecurity in pride, because when you aim at being highly esteemed and achieve such status, you automatically start to worry about losing status.

I was mugged when I was 12. I had a portable radio, and I ran into this building and these two guys came in and hit me, busted me up and took the radio. After that I was very paranoid and I started taking kung fu and karate. But I didn't want to fight.

Kung fu was made so the monks could train their bodies and move their bodies with strength, so they could be physical enough to gain mental enlightenment. Before that, they kept falling asleep when [masters] were trying to teach them.

Our love of kung fu goes back to the Bruce Lee days in the 1970s. Outside the action, we loved the interesting, heartfelt stories and the dialogue. It was RZA's idea to draw all that in there as samples.

My big fight is not in the movie and I don't understand that decision but I know he's right about it, whatever it is. Quentin did not hire me because I'm a kung fu expert; he hired me because he liked to listen to me talk.

'Kung Fu' was never cancelled; I just left. I decided I had enough of it, and I thought I should do a movie right away, because I think when you leave a television series, it's important that you establish the fact that you're a movie actor really quickly, or you might never get that chance.

I think it's because Po [from Kung Fu Panda] is such a geek, and he is so relatable. He is so excited by life and is excited to learn new things. I think that accessibility is something that we all can relate to, there are so many things we wish we could do but don't have the means to achieve it.

I did kung fu from when I was nine to 13. You have to be really careful but you want to be able to make it look eventually as though it's just a part of you. So, you train over and over and over again.

You're right, we both have been working on these films [Kung Fu Panda] forever and we know these characters so well that literally we will react to the same note in the same way. We will have the same answer most of the time.

I've always been passionate about these different (film) genres. Kung fu movies, samurai movies, Japanese movies, all this kind of stuff, and my love for it, and just trying to present it in a way that other people can love it as much as I do.

I'm speaking of the pursuit of excellence in all things. All things! Presence of mind and devotion to craft. A great artist has these. A great chef. A great master of tea. There's powerful kung fu in a well-built house or an eloquent letter, but the limit of your imagination is bones breaking and bullets flying.

Because my master was this renaissance man, I wasn't just learning a fighting style, I was learning how kung fu permeates all aspects of life, from eating to healthy living to mental state.

Of course, we know Shang-Chi is the, in the comics or in the world of Marvel, he is the master of Kung Fu. He is the greatest hand-to-hand fighter in the universe, and so we had to really bring it and I feel like we did it a really big way.

Well I think everything up to this point that I've been exposed to in my life has had an influence on me in some way, shape, or form even if I'm not conscious of it. So I definitely think that my studies in wu-shu, kung-fu, karate, kenpo, taikwando, all of that stuff certainly has an affect. I don't think I follow any discipline traditionally.

Each culture has its own form of staged combat, evolved from its particular method of street fighting and cleaned up for presentation as a spectacle, e.g. savate, Cornish wrestling, karate, kung-fu.

The 'Godfather I' and 'II,' those were real straight movies in my life. At the same time, so is 'Five Deadly Venoms,' if we go into kung-fu movies.

People would come to me and say, 'Jet, your Kung Fu is pretty good, do you want to be an action star when you grow up?' At 17, I was given the script and I went to make the movie.

I don't mind doing action or kung fu, but I'm also really happy to do something dramatic. I'd like to show that a Chinese girl doesn't have to do crazy martial arts to get the part.

But the funny thing is, I broke my finger not on set doing kung fu. I broke my finger when I fell down the stairs prior to going on set.

I need something to do when I'm not working, or I crawl up the walls. So I've just taken up kung fu. I was looking for some kind of calming, relaxing activity. I tried yoga, but it wasn't really me.

When I was a kid, I would make kung fu movies with the kids in the neighborhood, and I would be the guy behind the camera directing everybody, but they were all very silly little shorts and comedy bits.

I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures. There you have Quentin playing with kung-fu. That's why the independents are the most interesting.

The Lord is my shepherd. I shall not want for nothing. He makes me lie down in the green pastures. He greases up my head with oil. He gives me kung-fu in the face of my enemies. Amen

In most kung fu films, they want to create a hero who's always fighting a bad guy. In the story of Ip Man, he's not fighting physical opponents. He's fighting the ups and downs of his life.

We saw David Carradine, who is not of Asian descent, playing an Asian man on the show 'Kung Fu' that originally should have, and was developed for, Bruce Lee. To have that be the legacy that quote-unquote inspired 'Shang-Chi' in the beginning obviously doesn't put us off to a great start.

I loved going to the Chiang Kai Shek Memorial in Taipei to watch all the old Chinese people doing tai chi and practicing kung fu. The monument was made of white marble, and it was beautiful. Sometimes my dad and I would practice with them.

I've been traveling the world picking up new moves, kind of like David Carradine walking the earth in 'Kung Fu' though I hope things turn out a little better for me than they did for him.

In my research, I learned that the Boxers' kung fu wasn't all that formalized. The vast majority of them didn't belong to some age-old martial arts tradition. They were basically poor, starving teenagers doing the best they could to figure out how to fight, relying more on their mystical beliefs than formal training.

My dad is the person who taught me how important the mental side of the game is. He studied kung fu growing up and he taught me how to meditate when I was a kid.

I was a hyperactive kid, and it took awhile for me to find the right teacher. My master was a Shaolin kung fu teacher, but he also taught tai chi, Chinese medicine, brush painting - he was adept at all facets of Chinese culture.

First, you have stereotypes, and that will be the black drug dealer, the east Asian kung fu master, the Middle Eastern terrorist in 'True Lies.' Then you have stuff that takes place on culturally specific terrain, that engages with it, but actually subverts assumptions. 'Smashes' stereotypes. That's where I've come into the game.

I consider myself a decent athlete but when I started to train martial arts like Kung Fu, I realised it had nothing to do with how athletic you are. It's all mental. It's what you know, how you use it and your mental toughness and composure. It's incredible.

Actually, for me, I really love to do action movie. You know, most people, they know, they thought that I am a martial artist. I don't know why, but I love to do kung fu movie, you know?

I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn't cross the ocean. I think it's ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do. I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don't have to be strong.

I have never planned anything. 'Kung Fu Yoga' was also never planned or anything.

While combat efficiency is a primary function of Shaolin Kung Fu, a more immediate and useful benefit in our law-abiding society is attaining radiant health and vitality.

A kung fu man lives without being dependant on the opinions of others, and a master, unlike the beginner, holds himself in reserve. He is quiet and unassuming, with no desire to show off.

Pre-'Tokyo Drift,' I was like: 'Am I gonna play Yakuza #1 and Chinese Waiter #2 for the rest of my life? Is America even ready for an Asian face that speaks English, that doesn't do Kung Fu?'

I have a physical background. It's not like I'm a kung fu master, but my real training was dance school, and through that, I move to this thing called Capruera that I used in 'Ocean's 12.' I can pretend that I can do a lot of things, but then, I don't really master anything.

Come to think of it, some of the most special films in my career were 'City Of Life' and 'Happy New Year.' For both these films, I stayed over a month in Dubai and just when I was thinking that I need one more film like that, that's when 'Kung Fu Yoga' happened.

The best part of watching kung fu movies with my dad was the conversations they sparked. We never watched them just for fun. 'Do you see how good his balance is?' My dad would always zero in on really specific stuff like that. Everything had a potential lesson.

There's a little wire work, which is so much fun. You can fly, it's amazing. But I've had to mostly just sort of kung fu, you know, ground work. Footwork and stuff like that.

I didn't want a guru or a kung fu master or a spiritual director. I didn't want to become a sorcerer or learn the zen of archery or meditate or align my chakras or uncover mast incarnations...I was after something else entirely, but it wasn't in the Yellow Pages or anywhere else that I could discover.

I did kung fu up until two weeks before Benjamin was born, and yoga three days a week. I think a lot of people get pregnant and decide they can turn into garbage disposals. I was mindful about what I ate, and I gained only 30 pounds.

I don't know any real jiu-jitsu or judo or anything. I do movie kung fu. With that, you can fake a punch, but you can't really fake a judo throw. You can get help from the person who you're throwing because they can kind of launch themselves.

Oriental DreamWorks did a lot of the surfacing of the village [in Kung Fu Panda 3] and you know all the little paintings on all the gables and everything? They have meaning, and they could do that because they know what that means, we don't necessarily know about that over here.

When you see all of the pandas in this movie [Kung Fu Panda 3], they are rolling because that is exactly what they do. Not only were we able to watch the pandas play but we had free range to walk around and get a feel for the architecture and get a sense of where they lived ,so there's a lot of firsthand exploration.

I grew up in a kung fu house. It wasn't until I got older that I discovered that most families didn't talk about the Shaolin Temple or Jackie Chan at the dinner table.

... but to remain historically accurate, I would have had to leave out an important question that I felt needed to be addressed, which is, 'What if Jesus had known kung fu?

I remember when I was a kid, I'd watch 'Kung Fu Theater' on TV, and all the movies would star guys named things like 'Bruce Lai' - you'd never get the real Bruce Lee films. So when I finally saw 'Enter the Dragon,' I was like, 'Holy cow, who is this guy?'

Prior to 'Tokyo Drift,' the iconic perception of Asians in Hollywood films has been either the Kung Fu guy, the Yakuza guy or some technical genius. It used to be such a joke, to be laughed at rather than with.

He tried not to love that she could recite scenes from Ghostbusters, that she liked kung fu movies and could name all of the original X-Men— because those seemed like reasons a guy would fall for a girl in a Kevin Smith movie.