Top 116 L'm Montgomery Quotes & Sayings - Page 2

Dr. King, if he were alive today, probably would simply be a minister, a pastor. His initial intent was, indeed, just to be a preacher. He didn't have any egotistical desire or need to be a public figure or celebrity. He got drafted - or, really, dragged into it - initially in Montgomery.

You probably know the name of Rosa Parks. You probably know that her refusal to move to the colored section in the back of a city bus sparked the Montgomery bus boycotts, one of the pivotal moments in the American civil rights movement.

As I like to say to the people in Montgomery: "The tension in this city is not between white people and Negro people. The tension is, at bottom, between justice and injustice, between the forces of light and the forces of darkness.

MAKE ME AN ANGEL THAT FLIES FROM MONTGOMERY, MAKE ME A POSTER OF AN OLD RODEO JUST GIVE ME ONE THING THAT I CAN HOLD ON TO TO BELIEVE IN THIS LIVIN' IS JUST A HARD WAY TO GO.

[Rosa Louise] Parks used to say, "Everybody looks at me because I sat down once in Montgomery, but the real hero is a woman named Septima Clark."She created the Citizenship Schools [where civil-rights activists taught basic literacy and political education classes].

The anniversary of the Montgomery boycott was being celebrated, and the handbill that was out, and all whatever literature that was circulated, didn't say practically anything about movement or what the movement stood for, what it had done, or anything, but was simply adulation of the leader, you know, [Martin Luther] King.

For many years now, I have been an outspoken supporter of civil and human rights for gay and lesbian people. Gays and lesbians stood up for civil rights in Montgomery, Selma, in Albany, Ga. and St. Augustine, Fla., and many other campaigns of the Civil Rights Movement. Many of these courageous men and women were fighting for my freedom at a time when they could find few voices for their own, and I salute their contributions.

I filmed an interstitial with Allisyn Ashley Arm and Matthew Scott Montgomery one day. And we made up this weird thing 'cause we had to lay in the grass for, like, ten hours, and it was really itchy. So we call ourselves The Grass Gang.

Living in Montgomery, I've been antagonized by the emergence of a narrative about our history that I believe is quite false and misleading, and actually dangerous. And the narrative that emerges when you spend time in the South - places likes Alabama, Georgia, Mississippi, Louisiana - is that we have always been a noble, wonderful, glorious region of the country, with wonderful, noble, glorious people doing wonderful, noble, glorious things. And there's great pride in the Alabamians of the nineteenth century.

I thought I was going to die a few times. On the Freedom Ride in the year 1961, when I was beaten at the Greyhound bus station in Montgomery, I thought I was going to die. On March 7th, 1965, when I was hit in the head with a night stick by a State Trooper at the foot of the Edmund Pettus Bridge, I thought I was going to die. I thought I saw death, but nothing can make me question the philosophy of nonviolence.

My mother did play classical piano, not that well. And actually, my father sang with the big bands - he sang with Bob Crosby's band - but he had to give up show business when his father died. He had to come back to Montgomery and take over the furniture store.

If I take a lick from so and so, I'm not going to get that many variations from it, because their phrases are just based on a scale. That's why I say Wes Montgomery has more substance than others. I find myself listening to the older players. You see one bar of theirs and you can get one hundred more licks out of it.

Without our faith, we wouldn't have been able to succeed. On many occasions, before we'd go out on a sit-in, before we went on the freedom ride, before we marched from Selma to Montgomery, we would sing a song or say a prayer. Without our faith, without the spirit and spiritual bearings and underpinning, we would not have been so successful.

There were these great women in Montgomery, [Rosa Louise] Parks was among them. Jo Ann Robinson [who organized the bus boycott] was among them. It's always these ordinary women and men of grace who have been waiting and seething and planning to change things that are unjust that bring movement.

History shows that all protest movements rely on symbols - boycotts, strikes, sit-ins, flags, songs. Symbolic action on whatever scale - from the Montgomery Bus Boycott to wearing a simple wristband - is designed to disrupt our everyday complacency and force people to think.

People who love jazz musicians love us when we play what we want to play and we're starving. But as soon as you commercialize your sound like Wes Montgomery did, the jazz fans and the critics are down on you!

My first love in music was jazz, but I like it all," "I reacted emotionally to Art Blakey and, of course, to Joe Pass and Wes Montgomery. I was all of 16 when I had my first guitar lesson with Joe. But I never focused on being a bebop player. I loved the harmony, rhythm and phrasing, but I wanted to apply them to my own concept and sound.

For many of us the march from Selma to Montgomery was about protest and prayer. Legs are not lips and walking is not kneeling. And yet our legs uttered songs. Even without words, our march was worship. I felt my legs were praying.

I started writing my own symphony. I wrote about a page and a half. My mum and dad took it into music class and gave it, pleased as punch, to the teacher, Miss Montgomery. She played it on the piano for them. So I think they're the only ones that ever heard it.

Beautifully written, intensely passionate and gripping, FALLEN grabbed me from the first sentence and didn’t let go. Its eerie future world and frightening mores provide an unforgettable backdrop to the story of Lilia Desjardins, the shade-hunter, and fallen-angel turned cop, Adam Montgomery. It’s Matrix, Blade Runner and Terminator rolled into a riveting love story and made better. Perfect. A must-read by an author who keeps you on the edge of your seat.

Ruth Montgomery had a book I was reading called Aliens Among Us. She was an automatic writer. She used to go into a trance, and she would just start typing information, and then she would come out of her trance and read it and go, "Wow," and that was just the way she wrote her books.

I'll go to the movies and hear 'Angel From Montgomery' in some film, and nobody ever even told me about it. They don't tell you your stuff is going to be in a movie. They don't have to, so they don't tell you. You get paid eventually.

Some things are better than other things: Google, Gmail, my vintage Montgomery Wards socket set (30+ years, still going strong), my Estwing framing hammer, and my Dremel rotary tool.

At the end of the day, the 1955 Montgomery bus boycott had to be converted into the 1964 Civil Rights Act. We don't want politicians who've gotta be coaxed, cajoled and protested. We want them on our side from the beginning.

I was much more afraid in Montgomery when I had a gun in my house. When I decided that I couldn’t keep a gun, I came face-to-face with the question of death and I dealt with it. From that point on, I no longer needed a gun nor have I been afraid. Had we become distracted by the question of my safety we would have lost the moral offensive and sunk to the level of our oppressors.

I mean, the actors that I admired were Marlon Brando, Montgomery Clift, an actress named Barbara Harris. And Greta Garbo. They were great actors.

The last thing I want to do is having someone get behind a Montgomery Clift biopic, and then just do the first script that came out. Sometimes it takes a long time for these things to gestate. And I'm only going to do it if it's the right story that's told for the right reason, and that's relevant to this day and age, as much as it pays homage to who this man was. Should that happen during the time when I'm still young enough to play him, perfect. And if not, hopefully someone else will get to play him because I do think it's an incredible story.

I heard of Martin Luther King Jr. when I was 15 years old. I heard of Rosa Parks. And I met Dr. King in 1958 at the age of 18. I met Rosa Parks ... But to pick up a fun comic book - some people used to call them "funny books" - to pick this little book up, it sold for 10 cents, 12 pages or 14 pages? 14 pages I digested. And it inspired me. And I said to myself, "If the people of Montgomery can do this, maybe I can do something. Maybe I can make a contribution."

In our struggle against racial segregation in Montgomery, Alabama, I came to see at a very early stage that a synthesis of Gandhi's method of nonviolence and the Christian ethic of love is the best weapon available to Negroes for this struggle for freedom and human dignity. It may well be that the Gandhian approach will bring about a solution to the race problem in America. His spirit is a continual reminder to oppressed people that it is possible to resist evil and yet not resort to violence.

One thing that I'd just remind young people of is that when John Lewis, who's a member of Congress today, defied George Wallace and led the march from Selma to Montgomery, he was 23 years old. Martin Luther King was the old man in the bunch, and he was 35, so young people need to know that they've always been an important part of our society, have always been at the forefront of pushing for a more just America, and we can't be successful without the impatience, the vigor that young people bring to the fight for social justice.

Tucker was my safe place for three years, my secure dock in a sea of indecision as I dealt with my father's illness and death. And now I had to sink or swim. It was time to let go...and move on. Slowly, I pushed off from the dock that was Tucker Montgomery and prepared to swim...praying I wouldn't drown.

I was probably just graduating high school, maybe still in high school. When I was still in high school, maybe the last two years, I was rapping but I wasn't telling anybody. When I signed my deal people didn't know it was the same Ryan Montgomery from Oak Park High School, because I used to play basketball and I used to fight. Like I'd bring boxing gloves to school. So when they found out, it was, "You mean Ryan who be boxing?" or, "Ryan who be hopping up at the park?" So I was known as that guy.

The Montgomery Bus Boycott began in December 1955, and by 1956 NAACP leaders came to me and asked me to be part of a lawsuit they wanted to file on my behalf and that of three other women, to challenge segregation on public buses.

I had always been a jazz fan - Django Reinhardt, Kenny Burrell, Wes Montgomery, Joe Pass, the early George Benson. And I come from the Hank Marvin melodic upbringing. So blues, I loved, but I also liked jazz. Therefore, my style was more lyrical.

My favorite country blues player was Big Bill Broonzy. City blues was Freddie King, but I liked them all - Muddy Waters, John Lee Hooker, Ralph Willis, Lonnie Johnson, Brownie McGhee and the three Kings, B.B., Albert and Freddie. Jazz-wise, I listened to Django, Barney Kessel and Wes Montgomery.

I do talk and think a lot about the legacy before me. I feel like if I didn't know that people had been in Montgomery sixty years ago trying to do similar things that I'm trying to do, with a lot less, with fewer resources, with less security, with less encouragement, with less opportunity - if I didn't know that, then I think doing what I do would be much, much harder.

We cannot have policies that punish people for taking action. Imagine the further harm it would have caused if the federal government banned civil rights leaders from boycotting buses in Montgomery, Alabama, or banning divestment from Apartheid South Africa.

When you come to Montgomery, you see fifty-nine monuments and memorials, all about the Civil War, all about Confederate leaders and generals. We have lionized these people, and we have romanticized their courage and their commitment and their tenacity, and we have completely eliminated the reality that created the Civil War.

People ask me to describe how I play, and the most obvious answer is that I'm a jazz influenced guitar player. But I'm not a jazz guitar player. Wes Montgomery was a jazz guitarist, Joe Pass was a jazz guitarist (laughs).

"March" was inspired by "Martin Luther King and the Montgomery Story." I actually first heard about that comic from John Lewis, who told me that it played an important role in the movement. And so once he told me about that, it made me start thinking, "Well, why doesn't John Lewis write his own comic book?".

I grew up in rural Alabama, 50 miles from Montgomery, in a very loving, wonderful family: wonderful mother, wonderful father. We attended church; we went to Sunday school every Sunday.

My father was a plumber and I'm from the northeastern part of Pennsylvania, and I promise you, I've been to Birmingham and Montgomery and when the plane lands, it's really reminiscent, topography wise, to northeastern Pennsylvania and I feel that same vibe.

I stand here struggling for the rights of my people to be full citizens in this country. They are not-in Mississippi. They are not-in Montgomery. That is why I am here today. . . . You want to shut up every colored person who wants to fight for the rights of his people!.

Writing fueled me, and my task was to make it fit into my life. I practiced my trade as an attorney, and on weekends and holidays, I typed away. I assumed a nom de plume, Selena Montgomery, to separate my fiction from more academic publications.

In it not easy to remain rational and normal mentally in such a setting where, even in our airport in Montgomery, there is a white waiting room... There are restroom facilities for white ladies and colored women, white men and colored men. We stand outside after being served at the same ticket counter instead of sitting on the inside.

Back in the day in my teens I was listening to Joe Pass and Wes Montgomery a lot; before that I was listening to what I would call now the more 'simple' jazz players (but still very valid), like Barney Kessell or Johnny Smith; I learnt a lot of voicings from Johnny Smith records. Now, I listen to the old blues players; that's what you'd hear in my house if there was music on. It would be Albert Collins or Albert King.

I remember back in the 1960s - late '50s, really - reading a comic book called 'Martin Luther King Jr. and the Montgomery Story.' Fourteen pages. It sold for 10 cents. And this little book inspired me to attend non-violence workshops, to study about Gandhi, about Thoreau, to study Martin Luther King, Jr., to study civil disobedience.

I was proud to march beside some of the most notable Civil Rights activists, such as the Rev. Dr. Martin Luther King, Jr., Rev. Jesse Jackson, and Joseph L. Rauh, Jr., from Selma to Montgomery.

The landscape in Montgomery and in the South is just saturated with imagery. Markers are everywhere. There's a marker for the first Confederate post office, there's a marker for a ball that Robert E. Lee hosted, there's a marker for where Jefferson Davis had a meeting. We love reminding people about all that was going on in the mid-nineteenth century.

Military metaphors are rarely exact, but sending Republicans against Democrats when the issue hangs in the balance is nearly always as futile as sending George B. McClellan against Robert E. Lee, the Italians against Marshal Montgomery's desert rats or an Arab armored division against an Israeli rifle company. The copy desk can write the headline before the battle begins and take the rest of the night off.

Nixon was the one force in Montgomery for a number of years that made any effort in the direction of challenging the power structure. Ed Nixon's source of direction for that comes out of his relationship with the Brotherhood of Sleeping Care Porters and the Randolph philosophy of mass action. So, Ed Nixon really was the force that conceived of the boycott and drew up the original papers for the boycott.

It's Russell Montgomery the Third, actually," said Rusty, still grinning. "But I'd be obliged if you keep that bit of information to yourself." "I don't imagine any of us cares enough to remember," Jared said.

In 2010, Republicans took control of politics in Alabama by advocating for increased transparency and an end to government corruption, but instead of ending it, they have raised the level of corruption to the point that the stench of dishonesty fills the air, decadence drives policy, and bribery is the norm in Montgomery.

All of my life I've spent a lot of time with gay men - Montgomery Clift, Jimmy Dean, Rock Hudson - who are my colleagues, coworkers, confidantes, my closest friends, but I never thought of who they slept with! They were just the people I loved. I could never understand why they couldn't be afforded the same rights and protections as all of the rest of us. There is no gay agenda, it's a human agenda

it seems Montgomery could not help himself when it came to this vase. I'm afraid he has a weakness for beautiful things and has been known to relocate an item if he feels it is not being accorded the proper appreciation. Once he 'relocated' an ancient sculpture from the home of another archangel.

I was someone who was out of control and not to be worked with. It was partly because method acting was a new thing in Hollywood then and Marlon Brando had gotten through and Montgomery Clift had gotten through and James Dean but beyond that there wasn't really anybody.