Our names are labels, plainly printed on the bottled essence of our past behavior.
I'm recording another demo for another batch of record labels that we'll shop it around to.
I completely understand why labels would be a little bit hesitant to sign somebody coming off of a television show, in their first glance.
Record labels today are much less patient: Artists have a bad record, and they're gone.
To define yourself is to limit yourself. Without labels you remain the infinite being.
There seems to be a lot of name-calling going on, but I want to remind you what our good dad told me one time. Labels are for soup cans.
A lot of labels are hiring a lot more accountants than people that know music.
Major labels don't want to take chances on cooler, indie kind of things. People only know, unfortunately, what they're being spoon-fed.
I believe that if it were left to artists to choose their own labels, most would choose none.
People focus on the labels when they are not sure what they mean. What people call socialism these days is Eisenhower Republicanism!
I think part of what happens is that small labels want to get bigger. And bigger is not better.
I'm the only girl songwriter that fights for a lot of things. I fight for songwriting fees, which record labels want you to shut up about.
Major labels just lost their way. It's like the housing bubble. They lost a sense of the fundamentals.
Not all my shoes are designer. In terms of clothes, everything is on the same level for me. If I like it, it doesn't matter if it cost £200 or £2. I'm attracted to things rather than labels.
If there is no God, the labels 'good' and 'evil' are merely opinions. They are substitutes for 'I like it' and 'I don't like it.' They are not objective realities.
Independent artists and labels have always been the trendsetters in music and the music business.
Labels are for the things men make, not for men. The most primitive man is too complex to be labeled.
I don't care what people call me, labels have the negative value of making smaller boundaries for people.
Back in the day, I don't think record labels were looking at Las Vegas too much for new acts, until the Killers came out.
I think people at most record labels really like music, but it's hard because everything is so subjective, and everyone's so creative in their own right.
My job is basically organising things, putting labels on them and keeping them straight!
It's weird to get gifted things as an actress because it usually happens when you've made a movie, and you can finally afford something, and then these fashion labels give it to you for free.
We are meeting with Sony, and we have a couple of other labels that suddenly have interest and that's really great because none of them have actually heard our stuff.
I now believe that major labels can only work with people who care more about fame and money than the quality of the art they produce.
When you label them, when one of the most powerful social media companies in the world labels people as Nazis, you could make the argument that's inciting violence.
You rarely get money out of labels, except for when they open up a budget for a project. Other than that, it's a do-or-die type thing.
I cut the labels out of my clothes because they scratch. Clothes are just little workhorses, aren't they?
The language of labels is like paper money, issued irresponsibly, with nothing of intrinsic value behind it, that is, with no effort of the intelligence to see, to really apprehend.
Forget trendy designer labels. Jeans, a sweater or a t-shirt worn under a jacket that seems welded to you. When it's just right, when you don't see the effort, it's irresistible.
The fundamental defect of Christian ethics consists in the fact that it labels certain classes of acts 'sins' and others 'virtue' on grounds that have nothing to do with their social consequences.
There were a lot of labels in the '90s that were fashionable for a time and then crashed.
I got really noticed by record labels and that's how I got signed.
Examine the labels you apply to yourself. Every label is a boundary or limit you will not let yourself cross.
I'd like to work for as long as possible and form connections with the labels I work for.
Don't put labels on people. See them as people who Christ died for.
I've pretty much run the circle of labels and dealing with that whole kind of battle, because you're the one creating the music, but you're not the final say. That's always been hard.
I am not bothered with whether my characters are conventional or not. Because I am not in this for the designer labels and the autographs.
I know there are some labels that put out music for art's sake, but I don't know which ones.
Labels are boring and often have nothing to with the person; it is just the way others perceive you, or choose to perceive you.
I don't like labels. I think they conceal more than they reveal, sort of like a bikini.
What I really resent most about people sticking labels on you is that it cuts off all the other elements of what you are because it can only deal with black and white; the cartoon.
Melania rarely wears American labels, with the exception of Ralph Lauren, who created a duplication of a Jackie Kennedy look, which was basically a costume anyway.
I'm a brown-skinned Indian immigrant, low-caste untouchable - I don't know how many labels you want to put on me - who's fought all his life.
This American government has become very adept at attaching labels to people who defend themselves, so that the general population in America will condone their behavior.
You see, party labels do not ensure unanimity any more than trying to cast the challenge we confront as a people through a partisan prism.
The rise of the Internet has caused the demise of the record labels, and has destroyed the music business of old, but it's also created new opportunities for young artists.
Formats are going to change because this is what the people want. It's not what the labels want.
People know you as an actor, and labels are so comfortable for people. That syndrome is always hard to get past.
We aren't as concerned about the live aspect as other labels. The best live bands are the easiest to record.
If there's any profit to be had in Nashville-Underground, it's very long term. We're not about money, which gives us an edge over the labels.
Whatever labels are being pinned on me have nothing to do with me.
Independent artists and labels have always been the trend setters in music and the music business.
The means of control that record labels had vis-à-vis distribution no longer exist.
I don't care if the record labels survive. The music will survive anyhow.
Don't rely too much on labels, for too often they are fables
I wouldn't call my work Modernist. I would rust if I try to think about labels. I'd feel like the Tin Man in 'The Wizard of Oz.'
Of all the labels and tags and epithets people have forced upon me, there's one I don't dislike. I get called the 'enfant terrible.' In every article, it's always there. So I have to give that a meaning.
Labels make us feel worse about ourselves, and I would love for all models, no matter what their size, to be treated equally and called the same thing.
Labels put people in boxes, and those boxes are shaped like coffins.
I try not to name too many labels - not because it's not cool, but because it starts getting political.
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