Top 1200 Lack Of Character Quotes & Sayings - Page 16

It can be frustrating and even frightening to observe the success which sometimes comes to outlaws and rogues who seem to refute notions of universal justice. Every time we see a villain enjoying the fruits of dishonorable acts we find ourselves doubting the value of character and the validity of the virtues we have been taught. Thus, it takes character to believe in character, but that belief is always rewarded, often by material success, but always by the esteem it earns from those who matter.

Take care of your kid's character, and everything will follow after that. Character is everything

To choose the ideal voice for a character is to give a character an ardent and vivid life, to allow him or her to speak, rather than speaking for them, in an older style of omniscient narration.

Everything of mine which has been filmed so far has been one character short, and that character is me.

I didn't want to do character roles because when you are doing comic characters, you only get character roles.

I am an actor and I do not have to relate to whatever I play on screen them at a personal level. What is important is to understand the character, do enough homework to know the frame of mind of the character or his back story.

I don't pretend to be the character. I am the character.

I'm a huge fan of BioWare games. I think they do some of the best character-building. I mean, I have a relationship with Thane from 'Mass Effect' that is as vivid as any crush that I've had on a TV-show character.

When I'm writing from a character's viewpoint, in essence I become that character; I share their thoughts, I see the world through their eyes and try to feel everything they feel.

I'm a character actor and that's what I do. All the roles that I've had have been mainly support roles, because character actors don't usually get the lead in movies. It rarely happens.

I have a little bit of experience going in and playing a character - I played a character on 'Smallville' that had been established for decades and decades before I took it.

The villains are all parts of me. For years I've been wondering what it would be like if all those negative elements were forced onto the main character's side. I can understand a character with that kind of anger.

I'm pulling out different aspects of my personality in writing each character and, if I'm doing my job well, I'm being true to the situation and true to the character.

I'm a character actor - always have been, always will be - and historically, character actors don't come into their own until later in their professional and chronological lives.

When I saw the script [of The Man], I saw the character and knew I could do the character. It's a relationship movie, which is also what I love to do. That's what attracts me to projects.

Evil is such a simplistic way to describe any character, be it Iago or Caliban, or any character from history.

In creating a new character, it's sometimes difficult to find a touchstone, a North Star that will always point you in the direction that character will travel.

We have a writing process that's very much you try to create the character in a complicated way and then you let the story lead you to discovering who the character is in a natural way.

I believe ability can get you to the top,” says coach John Wooden, “but it takes character to keep you there.… It’s so easy to … begin thinking you can just ‘turn it on’ automatically, without proper preparation. It takes real character to keep working as hard or even harder once you’re there. When you read about an athlete or team that wins over and over and over, remind yourself, ‘More than ability, they have character.'

The point of acting is to hide yourself and get lost in character. To play the same character in eighteen movies would be defeating the purpose I believe so I try to keep a little bit of diversity.

Character is plot, and casting is character.

I always want the audience to identify with my character in some way. I mean, sometimes you'll get characters that aren't very identifiable. Sometimes you can't relate to your character at all.

It took me a while to get over 'Highway'. I started living the character of 'Veera' very closely. I don't think I would be able to give so much to a character the way I did with her.

Filming a movie is different from a TV show because film is a lot quicker, you get to see the character progress and grow all in one script, and in television, you wait for a weekly update on each character.

I am playing the character of a grandmother in 'Doctor Don' which is completely different from my previous roles. My character is dashing, carefree and has a bindaas mindset. She loves to live her life happily.

Nothing about character is hereditary. Everyone, regardless of social background, financial status, race, or sex, enters the world with an equal opportunity to become a person of great or petty character.

Character calls forth character.

Style is a form of expression! It's what makes your character your character, to put it in laymen's term.

The character has to have some kind of arch. The character has to go through an event, and be changed by the human event.

I stress character, character, character.

I'd rather play a character that was really, really different to me as to someone who is quite close to my character.

I don't really approach a character as to whether or not it's good or bad. I just approach a character as to where it lives in me.

I research the role, and if it's a literary character, I read the book, and if it's an historical figure, I research documents and biographies. If it's a fictional character, I work off the script.

Whenever feasible, pick your team on character, not skill. You can teach skills; you can't teach character.

As an actor, I need to convince the audience that the character that I'm playing is real, and the situation that this character is in is also real.

Culture is not just an ornament; it is the expression of a nation's character, and at the same time it is a powerful instrument to mould character. The end of culture is right living.

The Law of Attraction states that you will attract to you those things that match your state of being. If you focus on having gratitude for what you do have, you will feel rich, and you will attract more abundance into your life. If you focus on what you don't have, you will send out a message of lack and you will attract more lack into your life.

The person you see in the ring is me in a mosh pit, pretty much. I am that character, I don't even like calling it a character. It's just me.

It's so much easier to write for an actor than for an imaginary character and then try to fit that character to an actor. It doesn't work very often in my experience.

If you have a character who wins all the time - well, if you have a character that loses and wins, it makes him more alive. Bugs Bunny, for example, didn't always win.

When you're playing a character, as an actor or actress, you can't judge them for what they do. You really have to find what is in them that you have compassion for and fall in love with that character, regardless of what they do or how they behave.

For big Hollywood movies, I'm on the more character-driven side of the equation. So, TV is a natural place for me to be because you've got no choice, but to be character-driven.

At first I thought the character Sun-young was a normal character, but later I realized that she is not after all. In some sense, she could be fierce.

Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case.

While you're testing out armatures of puppets, you're also trying to find the proper visual vocabulary for the character and to come up with a guidebook of sorts for how a character will move and act.

One of the things I've learned in playing a character like Becca from 'You're the Worst' is that there really is such a joy and freedom in behaving badly and in being a character that you do roll your eyes at. She's just so delicious to loathe.

When you play a character, there's always a part of you. Like, you always bring out a side of you when you do another character.

Belief is everything when you're performing something. If you don't have the belief behind it, then that actually puts a shunt on the character. It's like, "Does the character believe this for a minute?"

Even when I took up 'Drishyam,' I was not the lead character. I liked the role as the story was about my character and that was enough for me to take up the film.

When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.

Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.

The palmist looks at the wrinkles made by closing the hand and says they signify character. The philosopher reads character by what the hand most loves to close upon.

Dialogue is character and character is plot.

For me, character comes from a specific condition or situation. I cannot really define a character outside that situation.

Well first of all you have to make the character strong so that people can follow that. And then hopefully that character can integrate with the background of the social situation that people can recognize.

Then I got the offer to play Buck Rogers, but I turned it down thinking it was a cartoon character. Well I was wrong, it wasn't at all. So I read the script and decided I liked the character, it had a good concept.

HIV is certainly character-building. It's made me see all of the shallow things we cling to, like ego and vanity. Of course, I'd rather have a few more T-cells and a little less character.

I really am a guy who can be black and white. I don't understand, too much, the gray. And truly I can go from one type of character to another type of character.

And he said that he wrote the Bond character based on the character of David Niven. That's how he saw Bond.

I've worked in this business long enough that I know people who complain, like, 'My character does this, and my character does that,' and I think it's just ego talking.