Top 1200 Language And Communication Quotes & Sayings - Page 16

I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.

The AP Italian language program has been preserved. We would like to thank the scores of people who joined the effort to ensure that generations of students will have the opportunity to learn not only a beautiful language but the history and contributions of one of the great cultures of Western civilization.

People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat.

Language and written language are the only real way we have to see inside another person's thoughts and to know what makes another person human. Without writing, we just wouldn't have that kind of access.

I have a one-question language test that people who have lived abroad do better on than those who studied in a classroom. Try my test yourself: In a foreign language you've studied, how do you say 'doorknob'?

Morality, like language, is an invented structure for conserving and communicating order. And morality is learned, like language, by mimicking and remembering.

It's very rare that someone who is so good at the language of numbers, is as good at the language of life. They're two very different worlds.

I am very aware that playwrights, particularly good ones, have a intention for everything they write. Language and punctuation is used specifically, and most of the time actors can find wonderful clues about character in the rhythm and cadence of the language used.

If a language is corruptible, then a constitution written in that language is corruptible.

Everything in writing begins with language. Language begins with listening.

John Bunyan, while he had a surpassing genius, would not condescend to cull his language from the garden of flowers; but he went into the hayfield and the meadow, and plucked up his language by the roots, and spoke out in the words that the people used in their cottages.

Colour is uncontainable. It effortlessly reveals the limits of language and evades our best attempts to impose a rational order on it To work with colour is to become acutely aware of the insufficiency of language and theory – which is both disturbing and pleasurable.

Purists behave as if there was a vintage year when language achieved a measure of excellence which we should all strive to maintain. In fact, there was never such a year. The language of Chaucer's or Shakespeare's time was no better and no worse than that of our own - just different.

It is an absolute privilege to be able to speak another language and have it be something you grew up with. I think it's a very important thing and I think that everywhere else in the world people speak more than one language.

We think in language. We think in words. Language is the landscape of thought.

Keep in mind that a language is both a map of the world and its own world, with its own shadowlands and crevasses - places where statements that seem to obey all the language's rules are nevertheless impossible to deal with.

As a writer, I've often said that, among the other things that we need to reclaim, other than the obscene wealth of billionaires, is language. Language has been deployed to mean the exact opposite of what it really means when they talk about democracy or freedom.

Mathematics is not just a language. Mathematics is a language plus reasoning.

When you start writing a picture book, you have to write a manuscript that has enough language to prompt the illustrator to get his or her gears running, but then you end up having to cut it out because you don't want any of the language to be redundant to the pictures that are being drawn.

Scientists in different disciplines don't speak the same language. They publish in different journals. It's like the United Nations: You come together, but no one speaks the same language, so you need some translators.

Language is a unifying instrument which binds people together. When people speak one language they become as one, they become a society.

One can not understand language because language cannot understand itself; does not want to understand

English is the language of a people ho have probably earned their reputation for perfidy and hypocrisy because their language itself is so flexible, so often light-headed with with statements which appear to mean one thing one year and quite a different thing the next.

We're living in a time when the sheer amount of language has exponentially increased. As writers, if we wish to be contemporary, I think we need to acknowledge that the very nature of the materials that we're working with - the landscape of language - is very different than it was a few decades ago.

It's unfortunate that a certain type of stripped-down classicism became the in-house architectural language for 20th-century fascism. Can an architectural language recover from such an association? Yes, I think it can, because in the end what you're talking about is a column and beam.

After all, when you come right down to it, how many people speak the same language even when they speak the same language?

Man acts as though he were the shaper and master of language, while in fact language remains the master of man.

I will just take the chance that the language will still be relevant in 100 years, which is something we cannot take for granted with a language that is spoken by 330,000 people.

Every human being should know two languages: the language of society and the language of signs. One serves to communicate with other people, the other serves to understand God's messages.

What came out of that was an intense obsession with status anxiety. So much of these portraits are about fashioning oneself into the image of perfection that ruled the day in the 18th and 19th centuries. It's an antiquated language, but I think we've inherited that language and have forwarded it to its most useful points in the 21st century.

My own view is that one cannot be religious in general any more than one can speak language in general; at any given moment one speaks French or English or Swahili or Japanese, but not 'language.

I find myself trying to translate a lot of the things whirring passed my subjective lens into language I can make sense of, then that tribal tongue becomes rap-language and for whatever reason some people on the internet really like that. To y'all I'm eternally indebted.

But if thought corrupts language, language can also corrupt thought.

Being able to incorporate my language into songs is really cool. It's really cool to see that people are susceptible to it. It helps with writing a lot to turn off one language and then go to another.

I can't imagine a mental life, a spiritual existence, not inextricably bound up with language of a formal, mediated nature. Telling stories, choosing an appropriate language with which to tell the story: This seems to me quintessentially human, one of the great adventures of our species.

In seminary he had been taught that God had completely stopped any overt communication with moderns, preferring to have them only listen to and follow sacred Scripture, properly interpreted, of course. God's voice had been reduced to paper, and even that paper had to be moderated and deciphered by the proper authorities and intellects. It seemed that direct communication with God was something exclusively for the ancients and uncivilized, while educated Westerner's access to God was mediated and controlled by the intelligentsia. Nobody wanted God in a box, just in a book.

There is nothing terribly difficult in the Bible - at least in a technical way. The Bible is written in street language, common language. Most of it was oral and spoken to illiterate people. They were the first ones to receive it. So when we make everything academic, we lose something.

My inspiration came especially in the 1950s through the Vienna Group founded by writer H.C. Artmann. It showed me that if you want to say something, you have to let the language itself say it, because language is usually more meaningful than the mere content that one wishes to convey.

I'm interested in the way our world is defined by language, the living word. How restrained we are by the concept of language, but when you tweak it a little bit your eyes can be opened and your world is totally changed.

Living freely means being able to freely communicate in your native language and to be guided by the 10th article of the constitution, which defines Ukrainian as the only state language and guarantees the unhindered development of Russian and all the other languages.

I lived in Paris for two years with my family. I would roam the streets of Paris during the day for a few hours in the subway, on the streets, and I listened to the French language, and I got a sense of the rhythm and the melody of the language.

Poetry is not the proper antithesis to prose, but to science. Poetry is opposed to science, and prose to meter. The proper and immediate object of science is the acquirement, or communication of truth; the proper and immediate object of poetry is the communication of immediate pleasure.

I sometimes feel that my goal as a novelist would be to write a novel in which the language was so transparent that the reader would forget that language was the medium of understanding. Of course that's not possible, but it's some sort of idealized goal.

As vocabulary is reduced , so are the number of feelings you can express, the number of events you can describe, the number of the things you can identify! Not only understanding is limited, but also experience. Man grows by language. Whenever he limits language he retrogresses!

My brother and I had many games. We were inseparable. We had a little team going on between us. We had even a language that was kind of like pig latin. So we'd speak in the language. It's called Op.

In the UK, most of the nasheeds that I did were in my native language, Urdu. Youngsters who could not understand the language came up to me... [and] said it was a great experience to just listen. That was actually very heart warming for me.

Human rights without responsibility, without a sense of decency, a sense of compassion, is not good enough for a society to flourish... We need to broaden our scope from the legalistic language to the language of the heart.

If French is no longer the language of a power, it can be the language of a counter power.

The Language of the Dream/Night is contrary to that of Waking/Day. It is a language of Images and Sensations, the various dialects of which are far less different from each other, than the various Day-Languages of Nations.

Musicals are written in English, and then we import them to Japan. When we translate them into Japanese, the sounds of the language are completely different. The Japanese language is not the best for singing, in terms of sound.

I want to be able to speak every language. If I could have any talent and I get to choose it, and be naturally gifted and speak every language. It's not going to happen, but it sure would be nice. It's a good wish.

I was on 'SVU' for 11 years. I developed a muscle in my brain that could memorize things much more easily than people who don't do it every day. I got used to the language, and some of it got to be repetitive language, so you build your vocabulary.

Language itself is a mask. It's the first mask in the series of invented selves - they've come right out of language. The way you speak changes you, because when you are speaking, you are representing yourself in a certain way.

Communication requires cultural context, and technology facilitates our ability to cross-reference ideas over time. Charles Moore were saying: Enough with the sterile, context-less architecture. Enough with the functional-minded frame of operation. How about a little mess? How about a little, let's say, syntax? A little quotation using history? How about some other meanings or symbols? I think that's the only logical reaction when you have to thoughtfully manage the communication of a lot of information.

Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music. Music is the sunshine - the climate - of the soul, and it floods the heart with a perfect June.

The writer's language is to some degree the product of his own action; he is both the historian and the agent of his own language.

People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat

Language corresponds only to itself. Intellectuals suffer from that. And once you begin to question language, you cannot stop at studying linguistics. Analytical philosophy becomes insufficient, artificial grammar becomes insufficient.

I have never been particularly good with languages. Despite a dozen years of Hebrew school and a lifetime of praying in the language, I'm ashamed to admit that I still can't read an Israeli newspaper. Besides English, the only language I speak with any degree of fluency is Spanish.

I write in order to understand the images. Being what my agent . . . somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre.