Top 1200 Language Words Quotes & Sayings - Page 2

John Bunyan, while he had a surpassing genius, would not condescend to cull his language from the garden of flowers; but he went into the hayfield and the meadow, and plucked up his language by the roots, and spoke out in the words that the people used in their cottages.

At all periods of the [English] language it is difficult to assign a beginning date to most new words and meanings. They tend to slip into the language silently, and are placed in date order only when scholars subsequently get to work.

You cannot rise about your words. A lot of people use foul, pornographic, filthy, language and you SEE, all of those words paint pictures and they reveal the internal thinking of the person on the inside. YOU cannot RISE (forward, onward upward) above your words.

And imagine acquiring a new language and only learning the words to describe a wonderful world, refusing to know the words for a bleak one and in doing so linguistically shaping the world that you inhabit.

Words are coin. Words alienate. Language is no medium for desire. Desire is rapture, not exchange.

It took a pretty drastic moment to shift my thinking towards visual arts. I got to a moment in my writing career when I wasn't trusting the language, I was really not trusting the written language, the English language. How do you work with a material that you don't have trust in? I had to step away from it and find another way of articulating and I had to do it without words.

When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it.

Literature exists inside the language. It's made of words. It's not made of ideas and it's not made of concepts, of psychological analysis. It's made of words. In the same way in which music is made of notes and a painting is made of lines of colors, the matter of literature are words.

I don't hate language. I have my own language, but I also enjoy the English language. Obviously, you don't read a lot of literature and not care about language.

You'll never make your mark as a writer unless you develop a respect for words and a curiosity about their shades of meaning that is almost obsessive. The English language is rich in strong and supple words. Take the time to root around and find the ones you want

Music is a language of emotion. I'm passionate about it because I think it's the most direct way to connect to the things that are ineffable. Words just aren't necessary a good enough opportunity to express. Words are maybe less than accessible at expressing.

Words don't tell you what people are thinking. Rarely do we use words to really tell. We use words to sell people or to convince people or to make them admire us. It's all disguise. It's all hidden -- a secret language.

The theater, which is in no thing, but makes use of everything - gestures, sounds, words, screams, light, darkness - rediscovers itself at precisely the point where the mind requires a language to express its manifestations.... To break through language in order to touch life is to create or recreate the theatre.

As societies grow decadent, the language grows decadent, too. Words are used to disguise, not to illuminate, action: you liberate a city by destroying it. Words are to confuse, so that at election time people will solemnly vote against their own interests.

We not only speak but think and even dream in words. Language is a mirror in which the whole spiritual development of mankind reflects itself. Therefore, in tracing words to their origins, we are tracing simultaneously civilization and culture to their real roots.

Edgar Sawtelle is a boy without a voice, but his world, populated by the dogs his family breeds, is anything but silent. This is a remarkable story about the language of friendship—a language that transcends words.

Body language is a very powerful tool. We had body language before we had speech, and apparently, 80% of what you understand in a conversation is read through the body, not the words.

Word books traditionally focus on unusual and quirky items. They tend to ignore the words that provide the skeleton of the language, without which it would fall apart, such as 'and' and 'what,' or words that provide structure to our conversation, such as 'hello.

A new language always reflects a new point of view, and the gradual unconscious popularization of new words, or of old words used in new ways, is a sure sign of a profound change in people's articulation of the world.

Language is double-edged; through words a fuller view of reality emerges, but words can also serve to fragment reality.

You don't realize how language actually interferes with communication until you don't have it, how it gets in the way like an overdominant sense. You have to pay much more attention to everything else when you can't understand the words. Once comprehension comes, so much else falls away. You then rely on their words, and words aren't always the most reliable thing.

Language is decanted and shared. If only one person is left alive speaking a language - the case with some American Indian languages - the language is dead. Language takes two and their multiples.

So the language of musical harmony is an absolutely extraordinary one. It's a way of navigating one's emotional frameworks, but without the need to put things into words, and I think that, as with many other languages, it doesn't matter how much you know about a language.

Each character requires different language, and these issues become inseparable. You have all these balls in the air: language, character, narrative. For me, the primary focus must be words, sentences, paragraphs.

I don't think there is any scientific evidence about the question of whether we think only in language or not. But introspection indicates pretty clearly that we don't think in language necessarily. We also think in visual images, we think in terms of situations and events, and so on, and many times we can't even express in words what the content of our thinking is. And even if we are able to express it in words, it is a common experience to say something and then to recognize that it is not what we meant, that it is something else.

Liquid, flowing words are the choicest and the best, if language is regarded as music. But when it is considered as a picture, then there are rough words which are very telling, they make their mark.

Each time I write, each time the authentic words break through, I am changed. The older order that I was collapses and dies. I lose control. I do not know exactly what words will appear on the page. I follow language. I follow the sound of the words, and I am surprised and transformed by what I record.

An image is a bridge between evoked emotion and conscious knowledge; words are the cables that hold up the bridge. Images are more direct, more immediate than words, and closer to the unconscious. Picture language precedes thinking in words; the metaphorical mind precedes analytical consciousness.

In general, I agree with Jacob Grimm and feel that we ought to permit changes and uncontrolled growth in language. Even though that also allows potentially threatening new words to develop, language needs the chance to constantly renew itself.

It is not our sexual preferences, the color of our skin, the language we speak, nor the religion we practice that creates friction, hatred and wars amongst in society. It is our words and the words of our leaders that can create that disparity.

I'm chasing a kind of language that can be unburdened by people's expectations. I think music is the primary model-how close can you get this language to be like music and communicate feeling at the base level in the same way a composition with no words communicates meaning? It might be impossible. Language is always burdened by thought. I'm just trying to get it so it can be like feeling.

To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.

There are endless consumer applications, but what excites me is how this can help people. A man who cannot speak communicates with sign language, but the average person doesn't know that language. SixthSense, if equipped with speakers, can recognize the gestures and form the words - it will speak for him.

words alike make the destiny of empires and of individuals. Ambition, love, hate, interest, vanity, have words for their engines, and need none more powerful. Language is a fifth element - the one by which all the others are swayed.

I use the [vulgar] words because apparently these words do not corrupt morally. I'm from the street in New York, hung around in a tough neighborhood. It was common to curse, you make your point. It's a very effective language. I try not to overdo it. It's never to shock. I know where it fits, it's never to shock. There's no shock value left in words.

I love poetry. It's at the heart of everything I do. Poetry transforms what we call language, and uses language as the stuff to become something else. I get spun around by what happens in words. When that occurs, it inspires images that seem so original to me as an artist, even though I'm following what the poem has offered.

We think in language. We think in words. Language is the landscape of thought.

What I was proud of was that I used very few parts to build a computer that could actually speak words on a screen and type words on a keyboard and run a programming language that could play games. And I did all this myself.

Most of the problems of the world stems from linguistic mistakes and simple misunderstandings. Don’t ever take words at face value. When you step into the zone of love, language as we know it becomes obsolete. That which cannot be put into words can only be grasped through silence.

Novel writing, to me, is all about language: choosing your words, finding the characters within the words and just really agonizing over every word. It's really crafting this whole piece from nothing.

A basic language-literacy of Nature is falling from us. And what is being lost along with this literacy is something perhaps even more valuable: a kind of language-magic, the power that certain words possess to enchant our imaginative relations with Nature and landscape.

If language is not rectified, words do not correspond to meaning, and if words do not correspond to meaning, our deeds cannot be accomplished.

My brain can form thoughts that come out through my mouth. The problem is sometimes I stumble the words because I speak five different languages - we know all that - so the thing is, I like to speak the language that everybody speaks all around the world, that the WWE Universe loves... that's the language of wrestling that I do in the ring.

I have to watch my language. I think a lot about the words I use in both the public environment and the dressing room. The language you use is a direct insight into how you are feeling.

Children must master the language of things before they master the language of words.

In your relationship with God there are also times when you want to say things and you're trying to find the words to express them. In a human relationship sometimes you struggle for words and you've got to do it, but in a relationship with God he can actually give you a language which enables you to communicate. In a relationship with God you feel things and you want to express them and you're not limited by human language. You can express what you really feel in your heart, through a language that he gives you, and that helps you to communicate with God.

I believe that writers have a responsibility to evolve the language, whether by introducing new words or new usages. Shakespeare alone is responsible for something like 3400 words and phrases.

Word books traditionally focus on unusual and quirky items. They tend to ignore the words that provide the skeleton of the language, without which it would fall apart, such as 'and' and 'what,' or words that provide structure to our conversation, such as 'hello.'

There are many ways of writing badly about painting... There is an 'appreciative' language of threadbare, not inaccurate, but overexposed and irritating words... the language of the schools which 'situates' works and artists in schools and movements... novelists and poets [that] see paintings as allegories of writing.

The so-called language of Barbara Kruger is vernacular language. Obviously, I pick through bits and pieces of it and figure out to some degree how to objectify my experience of the world, using pictures and words that construct and contain me.

Because I am a storyteller I live by words. Perhaps music is a purer art form. It may be that when we communicate with life on another planet, it will be through music, not through language or words.

The most powerful words in English are 'Tell me a story,' words that are intimately related to the complexity of history, the origins of language, the continuity of the species, the taproot of our humanity, our singularity, and art itself.

I studied French in high school and German in college and I once took a 24-hour Italian crash course. English has by far the most words in it of any other language. Our money might not be worth anything anymore, but the language is.

Sick I am of idle words, past all reconciling, Words that weary and perplex and pander and conceal, Wake the sounds that cannot lie, for all their sweet beguiling; The language one need fathom not, but only hear and feel.

I have difficulties with contemporary language. Big difficulties. I counted, you know, something like 160 words have disappeared from the English language because of the use of the word "like." "I'm like, he's like" - not "thought," not "as if ."

Because Shakespeare's language is so expansive, we're under this misconception that it's difficult. But I discovered that it's easy because it's so brilliantly written. The words are perfect, and the language is intelligent and very emotional.

If we’re going to solve the problems of the world, we have to learn how to talk to one another. Poetry is the language at its essence. It’s the bones and the skeleton of the language. It teaches you, if nothing else, how to choose your words.

["Faggot"] is a great word! The whole thing about language is, it's supposed to be broadcasting your intentions. These are my intentions and these words broadcast my feelings. If all of a sudden you have forbidden words that doesn't make the intent any better. It's just appeasing sensitive people.

Words also are filters. They have to be translated. Even in the original language, there is interpretation and some ambiguity. If there's a cultural difference between the writer and the reader, that might come out in words. But with pictures, there's more efficiency.

Language is the primary way we communicate with each other, and we have really strong feelings about what words mean, and about good language and bad. Those things are really based on sort of an agglutination of half-remembered rules from high school or college, and our own personal views on language and the things we grew up saying, the things we grew up being told not to say.