Top 408 Larry Quotes & Sayings - Page 7

Lonesome Dove is a great book that had the rare fortune of being made into a great movie. And now, through Bill Wittliff's photographs, we have a third generation of Lonesome Dove artistry. The same creative power and conviction that allowed Larry McMurtry to transform a workaday scenario for an unproduced screenplay into one of the greatest novels of our time, and that transformed that novel into the greatest western movie ever made, are on display in this collection. A Book of Photographs from Lonesome Dove is a masterpiece begot by a masterpiece begot by a masterpiece.

We don't hear our president [Barack Obama] talking about the need for high-quality jobs for everybody, giving it priority, not just giving a speech in Detroit. That's fine, but speaking to Tim Geithner, speaking to Larry Summers. When are you going to make jobs, jobs, jobs a priority rather than Wall Street, Wall Street, Wall Street a priority? That's what I'm concerned about.

I went to high school right outside Dallas, and (songwriter and performer) Michael Martin Murphey was a senior there when I was a sophomore or junior, really into folk and acoustic music. Larry Gross, who's the host of "Mountain Stage" on public radio, and B.W. Stevenson, also a musician, were there at the same time, too. Michael was a big inspiration -- through him I discovered Woody Guthrie, Dylan, Jimmy Rogers. Then I ran into Jerry Jeff Walker there in Dallas back when he was just a folk singer. Those are my earliest influences.

Larry David called me and said, "You can never watch The West Wing again. Either the show is going to be great without you and you're going to be miserable, or the show is going to be less than great without you and you're going to be miserable." So I had them send a tape of the first episode that I didn't do. I put it in the VCR and I don't think I got 15 seconds in before I leapt up and slammed it off! It felt like I was watching somebody make out with my girlfriend. I've never seen a West Wing episode in seasons five, six or seven.

I realize that the memories I cherish most are not the first night successes, but of simple, everyday things: walking through our garden in the country after rain; sitting outside a cafe in Provence, drinking the vin de pays; staying at a little hotel in an English market town with Larry, in the early days after our marriage, when he was serving in the Fleet Air Arm, and I was touring Scotland, so that we had to make long treks to spend weekends together.

And there's a period where everyone's buying those and it's really bad because no one is Larry David or Ricky Gervais. And then they don't work and networks stop wanting to buy them, but because they wanted to buy them before the producer wanted to make them, the producers are still hanging on to wanting to make them.

Larry and I, and a bunch of our colleagues, were sitting on great stories that needed to get out to an audience in one way, shape or form. We've both produced comics in the past, and audio dramas seemed like a similarly interesting option, the other side of the coin. As we've continued with the project, the format has become a vital way for us to tell our stories.

There was a Yale even before Larry [Kramer] and I got there, and there were three designations of students: "white shoe," "brown shoe," and "black shoe." "White shoe" people were kind of the ur-preppies from high-class backgrounds. "Brown shoe" people were kind of the high school student-council presidents who were snatched up and brushed up a little bit to be sent out into the world. "Black shoe" people were beyond the pale. They were chemistry majors and things like that.

I get a message from Stephen Falk saying, "Hey, if I wrote a part for you in You're The Worst, would you do it?" I was like, "Yes!" And then, of course, later I found out it's going to be me playing myself sort of Larry Sanders-style where I'm the total opposite of what people would expect me to be. I was just like, "Okay, what the hell." But it's really funny to portray me as somebody who is pretending to be a stoner just to succeed.

'I Want To Hold Your Hand' is a great classic by Paul McCartney and John Lennon, I sure love that song. I did like the classic version, a rock-oriented song, then someone heard me do it with the Grant Green approach - Grant Green and Larry Young did it, with a bossa nova beat on the funky side.

I am more into the old school guy than I am with the new school guys. I came in young and I had to pay my dues to be considered a vet. To be able to play for over 10 years at wide receiver, that's why I like looking at the older guys like Larry Fitzgerald, Teddy Ginn Jr., Brian Hartline. That's what I'm about.

Check it out. I got a new name tag today." He unclipped it and held it out toward me. I looked at it. "A. GUY." He grinned. "Someone actually asked me what the A stood for," he said, his hand brushing mine as he took the tag back, sliding it into his pocket. "I said Larry.

Famous people are deceptive. Deep down, they're just regular people. Like Larry King. We've been friends for forty years. He's one of the few guys I know who's really famous. One minute he's talking to the president on his cell phone, and then the next minute he's saying to me, Do you think we ought to give the waiter another dollar?

Famous people are deceptive. Deep down, they're just regular people. Like Larry King. We've been friends for forty years. He's one of the few guys I know who's really famous. One minute he's talking to the president on his cell phone, and then the next minute he's saying to me, 'Do you think we ought to give the waiter another dollar?'

Recently, there has been a profound change in how we think about corporate leadership. The 1990s was the era of celebrity leaders: we focused on Jack Welch, and not GE, on Bill Gates, and not Microsoft, on Steve Jobs, and not Apple, on Larry Ellison and not Oracle. But, on reflection, the records of most high-profile leaders have not withstood closer scrutiny. In almost all cases, it turns out that the success of organizations is due to the collective efforts of many, and not to the genius of a single, all-powerful individual at the top.

When Hillary's getting knocked around by the folks on the Hill is Bill going to go Larry King to knock her enemies around? Will he be going off to foreign countries on his own little diplomatic missions? I had assumed he'd remain a step in the background as he has through through most of this decade. But that doesn't seem to be the case. If the constitution allowed it, I'd happily have Clinton back. I'd happily have Hillary in his place. But I don't want them both.

It happened to be, from '73 to '78, the five years that, our most glorious years for bass players. We had Larry Graham, with his own band, Stanley Clarke with his own band. We have Bootsy doing his thing. We had Jaco Pastorius. They were all leading their own bands.

I found him perhaps the least terrifying man I've ever met in the theater—because at first glance I could see through him and he could see through me, and he knew that I knew that he knew. Look, love, I've been bullied all my life by bigger experts than Larry Olivier, I can assure you, and he's just got to get in line.

It was okay for Wayne Gretzky's dad, for instance, to give him a hockey stick, or Joe Montana's dad to give him a football, or Larry Bird's dad to give him a basketball, but it wasn't okay for Gloria Connors to give her son a tennis racquet.

I do understand that when someone gives you a [expletive] load of money, you take that money. Someone like Larry Ellison wants to invest into his event and make it the biggest possible, and he gets stopped by the ATP. If you're a start-up, what would make you want to navigate through that and to go through that firing line? How can you step into tennis with any confidence? It's the stupidest thing I've ever heard of.

At first I didn?t give a damn to go down in history. I wanted to win. But the more I won, the more I thought about leaving something behind. Yes, it's as important as hell to me. I want to leave something that people will remember me by. Of course, a lot of boxers want to do that. But it's not easy. Take Larry Holmes, he was the big man after Muhammad Ali, he wanted to emulate him, but for some reason the public didn?t take him like they did to Ali. I think people won?t fully understand what I contributed to the sport for years.

Paul Otremba’s remarkable first book, The Currency, is an intriguing foray into lyric epistemology that tries to come to ter ms with the implacable, paradox-ridden nature of knowledge and experience. These are deeply felt, deeply meditated poems guided by a sensibility highly attenuated to the physical world. In their openness to friendship and love and in their fearless directness, they remind me of the work of Larry Levis and Jon Anderson. Like Levis and Anderson, Otremba promises to be an influential and important voice for his generation.

I did ask Larry David, "How did I get so lucky? How am I here Seinfeld?" He just said, 'Well, when you say your name over and over it just has a really strong rhythm: "Marisa Tomei. Marisa Tomei."

[Larry Laurenzano] gave me a junior high school saxophone to take to high school, because I was always taking one of our school horns home to practice and I couldn't afford to buy one. He gave my friend, Tyrone, a tuba and he gave me a junior high saxophone for each of us to use at Performing Arts High School with. My audition piece was selections from Rocky. We were not sophisticated. But we had some spirit about it. We enjoyed it, and it was a way out.

I actually met Larson [Paine] on Larchmont in Los Angeles. He was eating and he stopped me because I was massaging my larynx. I was doing a show and trying to loosen up my throat. He had sort of this southern vibe about eating alone and talking to people. And it was funny because I had just having eaten with Larry O'Keefe and Nell Benjamin.

CNN? Oh, that's that network with Larry King, who, like the Son of Sam, is a native of Brooklyn. Used to be owned by Ted Turner, who, like the Cincinnati Strangler, is a native of Cincinnati. Now part of Time Warner, founded by the Warner Brothers, the oldest of whom, Harry Warner, like many Auschwitz guards, was a native of Poland.

I think probably one of the coolest things was when I went to play basketball at Rucker Park in Harlem. First of all, who would think that Larry the Cable Guy would go to Harlem to play basketball? And I was received like a rock star. It was amazing! There were people everywhere. There were guys walking by yelling, 'Git 'r done!'

I got messed up between my fight with Ken Norton and my fight with Larry Holmes; I got messed up with alcohol. I needed at least a year more experience, with three or four more fights before I fought Holmes. But I couldn't get any fights. Don King had all the contenders, and unless I signed myself over to him, I couldn't get a fight.

You know, when one's in love,' I said, 'and things go all wrong, one's terribly unhappy and one thinks one won't ever get over it. But you'll be astounded to learn what the sea will do.' What do you mean?' she smiled. Well, love isn't a good sailor and it languishes on a sea voyage. You'll be surprised when you have the Atlantic between you and Larry to find how slight the pang is that before you sailed seemed intolerable.

Why keep in touch with them? That's what I want to know,' asked Larry despairingly. 'What satisfaction does it give you? They're all either fossilized or mental.' 'Indeed, they're not mental,' said Mother indignantly. 'Nonsense, Mother... Look at Aunt Bertha, keeping flocks of imaginary cats... and there's Great-Uncle Patrick, who wanders about nude and tells complete strangers how he killed whales with a penknife...They're all bats.

For me, when you are talking about perfect songs, you're talking about Gershwin, 'Someone To Watch Over Me.' Or Larry Hart and Richard Rodgers. Or some of the great Cole Porter songs, whether it's 'Night and Day' or some of the comedy songs. Or Irving Berlin, of course.

George Foreman is easier and has the bigger name and have you noticed that Foreman never calls me out or ever mentions my name? He is afraid of me like most fighters are and most people want to forget about Larry Holmes, like he never ever existed.

I think probably one of the coolest things was when I went to play basketball at Rucker Park in Harlem. First of all, who would think that Larry the Cable Guy would go to Harlem to play basketball? And I was received like a rock star. It was amazing! There were people everywhere. There were guys walking by yelling, Git r done!

Now a 'funnyman' can get a laugh before opening his mouth - looking funny. Lou Costello was one of your great funnymen. Harry Langdon, Larry Semon; they were all funnymen - they looked funny. W.C. Fields was never a comedian. Slim Summerville was a comedian, yet looked funny. Now if you have both attributes, you are in good shape.

Every generation has their own great players. Who's to say that anyone's better than Cheryl Miller or Nancy Lieberman? Whose anyone to say Michael Jordan is better than Oscar Robertson or Magic Johnson or Larry Bird? Every generation has its great player. There's never going to be one player that's so above and beyond anyone else.

Back in the day however, careers were strictly built on competitions, just like surfing, though surfing is changing too so you can free surf and still get paid. So I think that rivalry was really because of the fans and the media who built it up, but it did bring something exciting about the sport, just like in any sport, whether it's Larry Bird or Magic Johnson, I think it just made skating that much more exciting.

If you try to make interesting films, you're going to be disappointed most of the time. I choose just not to look at it that way. I don't look at American History X as a failure, or Fight Club as a failure, or 25th Hour as a failure, or Larry Flynt as a failure, or any of the movies that I care about that I've made that were not immediately successful. I'll stand with those movies any day over 90 percent of the movies that came out at the same time that made a hundred million dollars

I'd been on everybody else's show and there was always a preinterview. Somebody would come with a tape recorder and you'd talk for three or four hours, and they'd take it back and it would be transcribed, and it would be given to the writers, those many writers you see on all those shows, Larry King, Letterman, Leno, etc. And then they choose the answers that will be most evocative on their show.

Three has always been tougher than Two. Think of any of your famous threesomes. The Three Stooges? Look at the anger there. My bet is that before Curly was born, Moe and Larry could play together for hours without even a single poke in the eye. Huey, Dewey, and Louie? Donald Duck never had a moment's peace. The Good, the Bad, and the Ugly? I rest my case.

You know, I've always told him (Larry Brown) I wanted the relationship that Michael Jackson... Michael Jordan, I'm sorry. ... I wanted the same relationship with him like Phil Jackson and Michael Jordan had.

To this culture warrior, gay marriage is not a vital issue. I don't believe the republic will collapse if Larry marries Brendan. However, it is clear that most Americans want heterosexual marriage to maintain its special place in American society. And as long as gays are not penalized in the civil arena, I think the folks should make the call at the ballot box. Traditional marriage is widely seen as a social stabilizer, and I believe that is true.

I remember," she said. "Lawrence Malley. He was an expert in security systems." "Aka Lightfinger Larry." Dan grinned. "He was also wanted in five states." "Great," Amy groaned. "I sent you to a tutorial with a crook." "It got us in here, didn't it?" "I guess I'm grateful to him, then," Amy said doubtfully. "Don't be," Dan said. "The first lock I opened was on your diary. Don't worry, I read two pages and fell asleep.

I got out my jar of ointment. I knew animators who had special containers for the ointment. Crockery, hand-blown glass, mystical symbols carved into the sides. I used an old Mason jar that had once held Grandma Blake's green beans. Larry fished out a peanut butter jar with the label still on it. Extra-crunchy. Yum-Yum.

Had I had another year, I think I would've beaten [ Harry Carpenter] - and Larry Holmes even said that himself; that if I'd had another year to get ready I'd have beaten him. Me and he are good friends today though, and that fight was a great moment for me. I lost, but then I had to move on and get on with my life.

The Larry Sanders Show ?hanged my life. I am so thankful that - I mean, go figure. Most people are lucky to get one good series, but I got two ground-breakers. I just knew when I read that "Hey Now" script that something was afoot. Those were seven of the greatest years of my life. I learned so much, and it affirmed everything I thought comedy was. It was really a tremendous experience.

I remember every player-every single one-who wore the Tennessee orange, a shade that our rivals hate, a bold, aggravating color that you can usually find on a roadside crew, "or in a correctional institution," as my friend Wendy Larry jokes. But to us the color is a flag of pride, because it identifies us as Lady Vols and therefore as women of an unmistakable type. Fighters. I remember how many of them fought for a better life for themselves. I just met them halfway.

I did a few movies, but the word 'star'... I cannot compare to a star like Clint Eastwood. I used to call Clint 'Larry Dickman' when he would come to my show; then, he started using the name when he would go under cover in a 'Dirty Harry' movie. That's why he's a movie star... he's so creative.

I had an unorthodox high-school experience; I shifted around to different schools. When I got to college and met Larry Sacharow, who ran the theatre department [at Fordham University in NYC], he was the first person to say ‘I believe in you.’ At that point, I just needed someone to say ‘I see you, I get you, let’s go.’ It’s an amazing thing to borrow someone else’s confidence in you; it can change your life.