Top 1200 Last Song Quotes & Sayings

I don't want to just go out and do song to song to song. I like to create things before the song actually kicks in, little things you do to excite the crowd.

I always ask any of the artists that open up if they know 'Family Tradition', since that's my last song in the set, and if they do, I normally ask them to come on out and take a verse and have fun. When that song is done, I am gone.

You know One Direction do a lot of up tempo songs, but when they did that Ed Sheeran song 'Little Things,' that was probably their biggest song off their last album, so it shows you that a ballad never goes out of fashion.

I sang my song called "In This Song." David Foster wrote the song for me. I thought that I should sing a ballad song.

When the last sea is sailed and last shallow charted, When the last field is reaped and the last harvest stored, When the last fire is out and the last guest departed Grant the last prayer that I pray, Be good to me, O Lord.

I don't ever try to make a song better than my last song. I just try to make it different from my last one.

'Reign' is probably the oldest one on the record. I wrote that when I was 19. 'The Dead They Don't Come Back,' which is the last song on the album, I wrote when I was 20, and 'Harlem River' I just wrote last year. It spans from 2007 to 2012.

He sang his last song. And the words of that have never been written down. But it was sweet and of great beauty, and those that heard it were changed utterly. Some say it was the song that moves the stars.

Hey. Pain can last a moment, it can last a day, it can last a week, it can last a long..long time, but it can't last forever and the only thing that can last forever is if you quit.

This song goes out to Robin Williams. It's called 'Last Hope'.

The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.

A Song of the good green grass! A song no more of the city streets; A song of farms - a song of the soil of fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk'd maize.

An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.

"My Trigger" is the best combination of song and track. "Heart Is Full" is maybe the best song we've done as a song, and that's why we try to play it in different ways, too, because I think for a lot of people the track was a bit distracting from the song.

The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.

You're not going to hit it every single time, and that's why, when I record an album, I do probably close to 50 songs. Each song I record has to get better. If it's not better than the last song that I made, it'll usually linger for a couple of months, and then it'll be put on the backburner, and then there'll be another song that I do, and then it often doesn't make it on the album.

I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.

I always try to make my next song better than the last.

I'm definitely a guitar player, but it's the last thing I listen to in a song, after the singer and the drums.

When I originally wrote "Jealousy," it was more like an exercise to try to write a girl-group kind of pop song. It was really contrary to most of the material I'd ever written. I didn't pay much attention to the song after I'd recorded it. I didn't really perform it at all the last 20 years. When it came time to make the new record, I decided to make peace with the song and have fun with it.

I'm the last of the song and dance men.

Sometimes a song just has to cater to whatever's goin' on. A well-written song is a song that stays true to the subject.

We're gonna play a little bit of a game here [Person of Interest movie]. Greg and I felt like we had responsibility when we wrapped up the pilot, to have a roadmap for where the show went. When we pitched the pilot, we knew what we wanted the last episode to be, the last image, I think we even know what the last song is.

I've literally been in sessions with producers, writing for other people, and they're like, 'We need a song for this artist, and we need it to sound like this song.' They're literally saying, 'Rip off this song that was no. 1 last week,' and that's just so uninspiring.

Every song you write you think is the last one you're going to manage. You put everything you've got into the song, and you've twisted it and pulled at it and dug in and found a way to complete it. To get another one is the trick.

I dont ever try to make a song better than my last song. I just try to make it different from my last one.

I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.

There's always a time when you think you've done your last song or you've written your last rap or, you know, people are not checking for you.

Songs remain. They last...A song can last long after the events and the people in it are dust and dreams and gone. That's the power of songs.

At last my love has come along. My lonely days are over and life is like a song.

I think the last thing you want to do as a writer, as a storyteller, is to create indifference. I don't necessarily go out of my way to provoke, but I would much rather have a song that triggers a whole myriad of reactions than a song that inspires a shrug of the shoulder.

I'd want it to be really special to both of us, but I'm a huge fan of 'At Last' as a wedding song. But what's also really cool is songs that no one else would have at their wedding, like an obscure Radiohead song.

I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.

I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.

All the carbon copies, the stuff that the industry puts together, it's not selling if you pay attention and look at the charts. The stuff that they put together, these hits that just go out, it doesn't sell. It doesn't have a core fan base of fans that dedicatedly watch their life. It's just a song, another song, another hit song, a one-hit wonder. It doesn't sell. It doesn't last.

If we were to use the success of 'Need You Now' as the barometer for every other song, then we'll probably be highly disappointed. That song will probably undoubtedly be the biggest song of our career. We can hopefully have success for 20 years, but we may not ever have the success of that one particular song again.

In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.

Music fills peoples with life. It doesn't have to be a 'happy song.' If you have that one song that relates to you, whether it's a sad song or a gangster song, whatever relates to you the most in that moment, it can literally get you through the day.

Every song that is a Hopsin song, I 100 percent made it. Nobody helped me. There was no producer to say, 'Hey, put the beat like this... ' It was all me. If the song was wack, then the song was wack. If it's dope, it is what it is.

Johnny [Depp] got this rock 'n' roll old soul to him. If I say a song, he goes, 'Oh yeah. I know that song.' A song he shouldn't know, a song that's not his generation at all. So he might as well have been there.

Playing a song changes a song. Every night a song becomes something else on stage.

I can't try to write a song - songs come out of me. I have to play the guitar and if I jam a song, boom! That's a song.

I don't have to say I'm going to make a song. A song is always there. I just have to open my mouth and a song comes out.

I finished your song, she said. Our last song. And I want to play it for you.

I always feel like every song is the last song.

But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.

When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.

Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.

I tend to think that every new song I make is better than the last one.

'Bruce Lee' is the fastest film in my career. But the quality is also very high. The last song was shot continuously for 24 hours. We worked like robots for that song, but the quality is outstanding.

You don't have to keep trying to sound like your last song. There's new things to do.

The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.

When I was growing up, you would put on a KISS record or a UFO or Aerosmith record and listen to it from the first song through the last song. It's been so long since a band has put out a record like that.

When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.

There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art.

'The Last Five Years' is this quintessential piece, and every song is an actor's song, and every song is incredibly difficult and incredibly powerful and incredibly amazing. It was one of those things in college where, like, you gauged how good you were by how well you were able to pull off a song from 'The Last Five Years.'

I think a song that's got something to say. I'm not much on gimmicks. I never have been because they don't last. But I like a song that tells a story and has some meat to it, you know, that means something.

My first song was Hula Hoop Song, in 1955. It was a novelty song. I had to find someway to reach out and it was with a novelty song. Now, all of my recording obligations have been taken care of. I made 14 albums for Warner Brothers. Five for United Artist before that.

Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.

I'm a panicked karaoke participant because I am always searching for a song in the moment. I don't have my go to song. I will be driving along and I will be like, "That should be my karaoke song!" and then I forget what song it is.