Top 1200 Lead Guitar Quotes & Sayings - Page 8

He who can lead you to believe an absurdity can lead you to commit an atrocity.

I play the guitar. I taught myself how to play the guitar, which was a bad decision... because I didn't know how to play it, so I was a shitty teacher. I would never have went to me.

I bought a Hofner guitar and amplifier for 32 guineas, then spent ages trying to make a bottleneck. At that point, I was meant to be developing my father's ice-cream cafe into a global concern, but I spent all my time in the stockroom playing slide guitar.

Brexit is the other face of the refugee crisis - tensions that lead to stasis, external risks that lead to asymmetric shocks.

I'm not too picky about guitars. I love to collect them, mostly oddballs, but I'm not married to any brand or model. Whatever guitar has the best character for the song is the one I want to use, because if you've got a style, you're going to sound like yourself no matter what guitar you play.

The reason I wanted to play guitar was because I saw Buddy Holly and then our own homegrown Shadows on TV in 1957 or '58. I wanted to learn to play guitar so I could do what they did and be in a band.

I actually don't like saying 'lead character,' which is an interesting thing. If you say there's a lead, then there has to be someone to follow.

I used to watch my father play the guitar and sing when I was a little boy. By the time I was 11, I knew what I wanted to do. My father really couldn't afford to spend $12 for a guitar for me, but he did. It was like an ordinary family spending $500 for a kid's gift.

You are working up to Mr. Fantastic Fiction levels of Zombie Expert, which is like playing Guitar Hero on some level that actually melts the guitar controller, burning your fingers with searing hot plastic till you scream in pain. Only with words. And zombies.

The guitar shouldn't be a main instrument, it should be a texture. It shouldn't be important whether it's there or not. If it's important to you whether a guitar is there or not, you're weird.

One of the reasons I took up the guitar was I didn't want to speak to anybody. I really felt uncomfortable speaking to people, so I took the guitar up so I could hide behind it. I'm not comfortable explaining things, because my brain doesn't work that way.

Music has always been in my family, but it was mainly keyboards. I learned to play classical piano, but when I first heard the amazing bass guitar of James Jamerson, who played on all the big Motown hits of the '60s and '70s, I knew bass guitar was my instrument.

We found ourselves believing or allowing ourselves to believe what our industries told us, which is lead helps to guard your health was one of the ads that appeared in the 1920s. Lead takes place in modern games, lead is part of our everyday life, all these ads and propaganda that came out of the very time when physicians and public health workers and reports were appearing of children around the country who were literally at that point dying and going into convulsions because lead was poisoning them.

I did take guitar lessons as a teenager, though, and I started to teach myself how to play everything I could play on the guitar on piano, so I had a really weird, non-traditional route to proficiency. I think it probably helped me come at things from a new angle.

However you feel about Dimebag, this is one of the most influential metal guitar players of the '90s. I was just talking to someone that I am hiring to bring on the tour who said that, when he was at the funeral, that Eddie Van Halen came and put his striped guitar in the coffin. That's a pretty big deal.

I'm on this eternal quest to get the best guitar sound in the world, but my vision of what is 'the best' changes every time I go into the studio. Sometimes my goal is to make my guitar jump out, and sometimes I want it to lay back.

For an electric guitarist to solo effectively on an acoustic guitar you need to develop tricks to avoid the expectation of sustain that comes from playing electrics. Try cascades, for example. Drop arpeggios over open strings, and let the open strings sing as you pick with your fingers. It's kind of a country style of playing, but it works very well in-between heavily strummed parts and fingered lead lines.

I write songs on guitar and that's about how good of a guitar player I am. I can write songs on it.

I never wanted to play guitar when I was younger. I wanted to be a drummer because everybody plays guitar, and I didn't want to do what everybody else wanted to do.

The weeping of the guitar begins. The goblets of dawn are smashed. The weeping of the guitar begins. Useless to silence it. Impossible to silence it. It weeps monotonously as water weeps as the wind weeps over snowfields. Impossible to silence it. It weeps for distant things. Hot southern sands yearning for white camellias. Weeps arrow without target evening without morning and the first dead bird on the branch. Oh, guitar! Heart mortally wounded by five swords.

I walk down the street and people don't go, 'My God, there he is.' I lead as normal a life as you can lead in New York City.

Flint is to the lead issue what Three Mile Island was to nuclear power. People are stepping back and thinking, 'There still is lead in my home?'

I only took about five guitar lessons in my life from an actual teacher. I learned fast that that wasn't for me. I didn't have the attention span to learn that way. So I learned the basics from my dad, then just from playing on stage, and watching other guitar players.

I tried to connect my singing voice to my guitar an' my guitar to my singing voice. Like the two was talking to one another.

I feel like I'm just learning how to play the guitar. I mean, really learning to play the guitar.

I wanted to hear the songs in the way that I had written them, which was, in a way, very basic. So all I wanted to have was drums and another guitar pretty much playing what I wrote on guitar, and I was just going to sing.

You can lead a horse to water, but a pencil must be lead.

I've learned not to let it be the end of the world if a boy doesn't like you. I used to put so much effort into boys. I started playing guitar because I wanted to impress this boy. Then, I ended up in love with guitar and I didn't care about the boy anymore.

I'm very much of that old-school mentality of believing that if it works with an acoustic guitar and a vocal, then it should work within any format - and especially when most of my live work is just guitar and vocals, so it really does have to work with only that.

I know that our country is strongest when we lead the world, when we lead strong alliances. And that's the way Eisenhower and Reagan and Kennedy and others did it.

I grew up not really listening to guitar players. Especially when I was studying music, I was just interested in piano players and arrangers and composers; I came to playing in a band from the perspective of someone who never expected to play guitar in a band.

I had the opportunity to do a movie with Roger Daltrey of The Who. In the movie, I played a guitar student. Since I had to learn how to play somewhat for the movie, I was introduced to the guitar.

They said, 'You have a blue guitar, / You do not play things as they are.' / The man replied, 'Things as they are / Are changed upon the blue guitar.'

My own style on the guitar grew out of my experience with the lute. I suppose some people might say I play each like the other. And of course I know a lot of guitar fans who wish I would stop playing the lute and vice versa.

I have a lot of guitar heroes I guess, some of them are female and some of them are male. Robert Fripp is one of them, and Marc Ribot, that's another guitar hero.

I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.

Learn to lead in a nourishing manner. Learn to lead without being possessive. Learn to be helpful without taking the credit. Learn to lead without coercion.

Basically, I try to let the song dictate what guitar I use. If it's a really loud, crazy song, I'll pull out the cheapest, oldest guitar I own, one that feeds back easily. But most of the time, I just use whatever's around.

Career success means making enough money to lead the kind of life you would like to lead as a practicing Buddhist.

From when I young, a lot of the things I grappled with, with instruments, was how large they were. When someone places a large guitar in your lap, it's hard - I'd learned how to play a guitar when I was a kid, but I never really felt like I was in control.

I started playing guitar when I was eight. Well, I started piano and really liked it but never practiced, but it taught me how to read music, and then my mom signed me up for guitar lessons, and I connected to that way more.

I've never been a big soloist; I just put in what needs to be there. I'm more of a rhythm player who plays lead - or tries to play lead.

Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you're playing an instrument that is really hard.

I'm not capable of wielding the guitar like Jimmy Page, one of my all-time favorite guitarists. My skill set is more based on the grinding, sort of human heartbeat - almost playing the guitar more like a drum.

I can embarrass myself very easily on guitar. It's funny because people say to me I can play anything; I'm God on the guitar. But I could make a big list of everything I can't play... I'm grateful that people don't notice that.

I feel like I'm just learning how to play the guitar. I mean, really learning to play the guitar

I'm playing a D-28 Martin that I've had about 20 years or so. I've got a '51 Martin and I thought I shouldn't be taking this on the road. So I went down to Gruhn Guitars in Nashville and kind of traded around and ended up with this one. This guitar sounded pretty good as new guitar.

I've always thought that the act of playing the guitar was the act of trying to make a point of playing the guitar.

What I discovered is I don't like to repeat lead characters because one of the most pleasurable things in a book to me is learning about the lead.

I don't lead you and you must not lead me too, but we have each other, go forward together as brothers and sisters.

If you're stuck at piano and you're not a lead guitarist or a lead vocalist, you're kind of at a nine-foot plank then and you should do something about it.

Jeff Beck is my idol .. sometimes he finds notes that I just do not have on my guitar. Frank Zappa's another one .. I loved Frank Zappa ... I do think Van Halen reinvented the guitar ... he's an excellent musician, a shrewd guitarist and as a person he's wonderful.

Companies are not lead by a single person; they're lead by a group of individuals collectively making good decisions on behalf of the company.

I feel like guitar explains a lot. You can just listen to a guitar without any lyrics over it; you can just feel what kind of track it is. If it's pain... you can feel it. It sets the mood.

I've never had any illusions about being a lead actor in films, because lead actors have to be of a certain kind.

I'm not good enough to be playin' much acoustic guitar onstage. Man, you gotta get so right; I mean, the tones, the feel, the sound. Plus, acoustic blues guitar is just that much harder on the fingers.

Sitting around home I mostly play acoustic. I've got seven or eight guitars of various sorts, including a baritone. Sometimes at home, because a guitar is just lying around, that's the guitar I pick up rather than actually choosing something. I try to plan ahead for my laziness by leaving interesting things scattered about. If I leave a baritone guitar lying around, that's the one I'll pick up, and I'll start writing baritoney things.

'Dhol' has me in the second lead. But I wish to upgrade to playing lead roles and want to be in the league of respected actresses of the industry.

Oftentimes, whenever I do interviews with guitar magazines and we discuss my influences, I mention people like Steve Morse, Alex Lifeson, Al Di Meola - but John Scofield's name never comes up. And that's funny because he's so amazing; he's the epitome of a really cool guitar player.

Chris Paul, president of the NBA Players Association, can lead an entire league but can't lead his team when it really counts.