Top 646 Leaf Quotes & Sayings - Page 9

Bill Ward, when you hear his beats, he's not just playing a straight 4/4 beat; he's doing almost a hip-hop beat. There's a song called 'Sweet Leaf.' The drum beat that he's playing, he's trying to kind of swing and funkify it. Now, is he doing a great job of it? Maybe not. Maybe.

I work from home a lot. I think I get as much work done at the office as at home, and I'm used to working with people who don't work in the office. I don't really care where they are, even if they're on a banana leaf somewhere. If they deliver their work, I am completely fine. I don't need someone sitting at their desk to produce.

Have you ever noticed a tree standing naked against the sky, How beautiful it is? All its branches are outlined, and in its nakedness There is a poem, there is a song. Every leaf is gone and it is waiting for the spring. When the spring comes, it again fills the tree with The music of many leaves, Which in due season fall and are blown away. And this is the way of life.

All that happens in the world of Nature or Man, - every war; every peace; every hour of prosperity; every hour of adversity; every election; every death ; every life; every success and every failure, - all change, - all permanence, - the perished leaf; the unutterable glory of stars, - all things speak truth to the thoughtful spirit.

Icons are also beautiful, with their luminous colors and gold leaf. On first glance, the subjects can seem flat, their poses artificial. But the wonder of the icons has to do with the relationship which develops between the panel and the viewer. Looking at an icon brings me a feeling of serenity; it's like a form of prayer. So I suppose in this sense, the icon is unsurpassed.

I usually don't throw around the word 'fabulous,' but how else to describe buildings decorated with mirrored water dragons, serpents tiled in colored glass, and hundreds - no, thousands, no, tens of thousands - of gold-leaf Buddhas? Luang Prabang has more than 47,000 residents, but its Buddha population must be ten times that.

You wonder what I am doing? Well, so do I, in truth. Days seem to dawn, suns to shine, evenings to follow, and then I sleep. What I have done, what I am doing, what I am going to do, puzzle and bewilder me. Have you ever been a leaf and fallen from your tree in autumn and been really puzzled about it? That’s the feeling.

That knowledge humbles me, melts my bones, closes my ears, and makes my teeth rock loosely in their gums. And it also liberates me. I am a big bird winging over high mountains, down into serene valleys. I am ripples of waves on silver seas. I'm a spring leaf trembling in anticipation.

When I first became really interested in building furniture, I went to Toys-R-Us, and spent $200 on Transformers toys. By taking the toys apart and studying how they moved, I was able to figure out how to hide a table leaf, what type of contraption I'd need to slide it under the table. I'm a really visual learner.

All perfect things are saddening in effect. The autumn wood robed in its scarlet clothes, The matchless tinting on the royal rose Whose velvet leaf by no least flaw is flecked. Love's supreme moment, when the soul unchecked Soars high as heaven, and its best rapture knows, These hold a deeper pathos than our woes, Since they leave nothing better to expect.

It is the incongruous thing in my entire life, this isolation.. ... My work requires it - but I myself have no need or use for it - Perhaps once on a time I found isolation imperative - I think all chrysalides do - all embryos go for the underside of the leaf in the time of body-change preparing for the final reassertion -resurrection - the establishment of the entity. But now I've come up tot the outside of my casements.

(Ravic speaking of a butterfly caught in the Louvre) In the morning it would search for flowers and life and the light honey of blossoms and would not find them and later it would fall asleep on millennial marble, weakened by then, until the grip of the delicate, tenacious feet loosened and it fell, a thin leaf of premature autumn.

Remember that your tracks are one strand of the web woven endlessly in the hand of god. They're tied to those of the mouse in the field, the eagle on the mountain, the crab in its hold, the lizard beneath its rock. The leaf that falls to the ground a thousand miles away touches your life. The impress of your foot in the soil is felt through a thousand generations.

The leaf that spreads in the light is the only holiness there is. I haven't found holiness in the faiths of mortals, or in their music, not in their dreams: it's out in the open field, with the green rows looking at the sky. I don't know what it is, this holiness: but it's there, and it looks at the sky. Probably though this is some conditioning the Company installed to ensure I'd be a good botanist. Well, I grew up into a good one. Damned good.

Advocacy of leaf protein as a human food is based on the undisputed fact that forage crops (such as lucerne) give a greater yield of protein than other types of crops. Even with conventional food crops there is more protein in the leafy parts than in the seeds or tubs that are usually harvested.

If your blood is formed from eating the foods I teach [fruits and green-leaf vegetables] your soul will shout for joy and triumph over all misery of life. For the first time you will feel a vibration of vitality through your body (like a slight electric current) that shakes you delightfully.

Sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you're limiting yourself at first, but after a while you realize that having a quarter of an inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky.

November?s days are thirty: November?s earth is dirty, Those thirty days, from first to last; And the prettiest things on ground are the paths.... Few care for the mixture of earth and water, Twig, leaf, flint, thorn, Straw, feather, all that men scorn, Pounded up and sodden by flood, Condemned as mud.

When a caterpillar eats a leaf, then a thrush eats the caterpillar, or when a hawk eats the thrush only 5 to 20% of usable energy is transferred from one level to the next. ... Thus herbivores will account for a much smaller fraction of the biomass [than plants] and the carnivores for a still smaller fraction.

This was one of those perfect New England days in late summer where the spirit of autumn takes a first stealing flight, like a spy, through the ripening country-side, and, with feigned sympathy for those who droop with August heat, puts her cool cloak of bracing air about leaf and flower and human shoulders.

A warrior is a hunter. He calculates everything. That's control. Once his calculations are over, he acts. He lets go. That's abandon. A warrior is not a leaf at the mercy of the wind. No one can push him; no one can make him do thingsagainst himself or against his better judgment. A warrior is tuned to survive, and he survives in the best of all possible fashions.

My coming to faith did not start with a leap but rather a series of staggers from what seemed like one safe place to another. Like lily pads, round and green, these places summoned and then held me up while I grew. Each prepared me for the next leaf on which I would land, and in this way I moved across the swamp of doubt and fear.

Awareness is that state of mind which takes in everything-the crows flying across the sky, the flowers on the trees, the people sitting in front, the colors they are wearing - being extensively aware, which needs watching, observing, taking in the shape of the leaf, the shape of the trunk, the shape of the head of another, what he is doing.

It rasped her, though, to have stirring about in her this brutal monster! to hear twigs cracking and feel hooves planted down in the depths of that leaf-encumbered forest, the soul; never to be content quite, or quite secure, for at any moment the brute would be stirring, this hatred.

Did you know you get one happy day for every one you catch?... One happy day for every falling leaf you catch" -sam

I have no wit, no words, no tears; My heart within me like a stone Is numb'd too much for hopes or fears; Look right, look left, I dwell alone; I lift mine eyes, but dimm'd with grief No everlasting hills I see; My life is in the falling leaf: O Jesus, quicken me.

Is not disease the rule of existence? There is not a lily pad floating on the river but has been riddled by insects. Almost every shrub and tree has its gall, oftentimes esteemed its chief ornament and hardly to be distinguished from the fruit. If misery loves company, misery has company enough. Now, at midsummer, find me a perfect leaf or fruit.

Spent most of the summer looking for shade. Driving around. Shade. Please? Driving in malls. I'll park a mile away I don't care. I'm just looking for a tree branch, anything. Long weed. Big leaf, get the front corner panel under it. Oh precious shade, I have it - you don't!

Caught like a leaf in the wind Lookin' for a friend Where can you turn Whisper the words of a prayer and you'll find Him there Arms open wide, love in His eyes Jesus - He meets you where you are Jesus - He heals your secret scars All the love you're looking for is Jesus The friend of a wounded heart

The harsh truth is, most red-haired men look like blondes who've spoiled from lack of refrigeration. They look like brown-haired men who've been composted out behind the barn. Yet that same pigmentation that on a man can resemble leaf mold or junkyard rust, a woman wears like a tiara of rubies.

Do you know why the leaves change colour?... Before a tree sheds a leaf it pumps it full of all the poison it can't rid itself of otherwise. That red there--that's a man's skin blotching with burst veins after an assassin spikes his last meal with roto-weed. The poison spreading through him before he dies.

Angel and Muse approach from without; the Angel sheds light and the Muse gives form (Hesiod learned of them). Gold leaf or chiton-folds: the poet finds his models in his laurel coppice. But the Duende, on the other hand, must come to life in the nethermost recesses of the blood.

Every new party, every new bunch of people, and I start thinking that maybe this is my chance.That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again.

People will never understand the patience a photographer requires to make a great photograph, all they see is the end result. I can stand in front of a leaf with a dew drop, or a rain drop, and stay there for ages just waiting for the right moment. Sure, people think I'm crazy, but who cares? I see more than they do!

All our moments are last moments. We abide in the forever leaving of our own coming? We can put our hands together, palm to palm, settling here on the last leaf of our brief flight, and bow to the wonder of it.

The basic idea of Western science is that you don't have to take into account the falling of a leaf on some planet in another galaxy when you're trying to account for the motion of a billiard ball on a pool table on earth. Very small influences can be neglected. There's a convergence in the way things work, and arbitrarily small influences don't blow up to have arbitrarily large effects.

You can assume that the leaf you see let go of a branch and fall towards the ground has never been considered by any being but yourself. Catch it in your hand - or, even better, keep walking until one falls into your reach naturally - and it will have spent its whole time on the planet without ever touching the ground, only because of you.

Clothes are nothing more than a fig leaf. And the bodies beneath are just another layer of clothing, an outfit of flesh with an impractically thin leather exterior, in various shades of pink, yellow and brown. The souls alone are real. Seen in this way, there can never be any such thing as social unease or shyness or embarrassment. All you need do is greet your fellow soul.

Every instance since the beginning of time has been a coincidence: A leaf in a tree embodies the combined efforts of the earth, water, wind, stars, and sunshine. When you realize that everything has led to the present, to this moment, you see there's nothing to be afraid of, nothing to be burdened by. The present moment is the moment of arrival - and it took the entire universe to create it. All is as it should be.

I am no more lonely than a single mullein or dandelion in a pasture, or a bean leaf, or sorrel, or a horse-fly, or a bumblebee. I am no more lonely than the Mill Brook, or a weathercock, or the north star, or the south wind, or an April shower, or a January thaw, or the first spider in a new house.

Cell and tissue, shell and bone, leaf and flower, are so many portions of matter, and it is in obedience to the laws of physics that their particles have been moved, moulded and conformed. They are no exceptions to the rule that God always geometrizes. Their problems of form are in the first instance mathematical problems, their problems of growth are essentially physical problems, and the morphologist is, ipso facto, a student of physical science.

A man ought to live in this world like a lotus leaf, which grows in water but is never moistened by water; so a man ought to live in the world - his heart to God and his hands to work.

Did you ever, in that wonderland wilderness of adolesence [sic] ever, quite unexpectedly, see something, a dusk sky, a wild bird, a landscape, so exquisite terror touched you at the bone? And you are afraid, terribly afraid the smallest movement, a leaf, say, turning in the wind, will shatter all? That is, I think, the way love is, or should be: one lives in beautiful terror.

The spring is fresh and fearless And every leaf is new, The world is brimmed with moonlight, The lilac brimmed with dew. Here in the moving shadows I catch my breath and sing - My heart is fresh and fearless And over-brimmed with spring.

I can pass days Stretch'd in the shade of those old cedar trees, Watching the sunshine like a blessing fall,-- The breeze like music wandering o'er the boughs, Each tree a natural harp,--each different leaf A different note, blent in one vast thanksgiving.

Stories are like spiders, with all they long legs, and stories are like spiderwebs, which man gets himself all tangled up in but which look pretty when you see them under a leaf in the morning dew, and in the elegant way that they connect to one another, each to each.

I was reading The Mirror the other day and came across a letter from a reader who wrote, 'I was riding my bike to work when this red Ferrari pulled up next to me. Out of the window, Jeremy Clarkson shouted 'Get a car', and drove off.' What I actually said was, 'Get a car you hatchet faced, leaf-eating tw*t

The rich, sweet smell of the hayricks rose to his chamber window; the hundred perfumes of the little flower-garden beneath scented the air around; the deep-green meadows shone in the morning dew that glistened on every leaf as it trembled in the gentle air: and the birds sang as if every sparkling drop were a fountain of inspiration to them.

The universe is a vast system of exchange. Every artery of it is in motion, throbbing with reciprocity, from the planet to the rotting leaf. The vapor climbs the sunbeam, and comes back in blessings upon the exhausted herb. The exhalation of the plant is wafted to the ocean. And so goes on the beautiful commerce of nature. And all because of dissimilarity--because no one thing is sufficient in itself, but calls for the assistance of something else, and repays by a contribution in turn.

My grandmother lived in a universe filled with life. It was impossible for her to conceive of any creature - even the smallest insect, let alone a human being - as insignificant. In every leaf, flower, animal, and star she saw an expression of a compassionate universe, whose laws were not competition and survival of the fittest but cooperation, artistry and thrift. . . .

Labor is blossoming or dancing where The body is not bruised to pleasure soul, Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. O chestnut tree, great-rooted blossomer, Are you the leaf, the blossom or the bole? O body swayed to music, O brightening glance How can we know the dancer from the dance?

Where does a wise man hide a leaf? In the forest. But what does he do if there is no forest? He grows a forest to hide it in.

If you paint the leaf on a tree without using a model, your imagination will only supply you with a few leaves; but Nature offers you millions, all on the same tree. No two leaves are exactly the same. The artist who paints only what is in his mind must very soon repeat himself.

I feel like I'm a compassionate guy, but I also feel if somebody's grip on life or sanity is so tenuous that a joke in an advice column that usually is nothing but jokes pushes them over the edge, then if not me, it would have been a leaf blowing past them that did it, or something else. You almost have to feel that way, doing this.

This constant stream of qualia we feel in our stomachs. The big-leafed plant lifts its wings to greet the planet's chemistry, the sun arrives on rooftops like a gentle stranger, rain rushes us love to love, stop to stop, these veins of leaf, hand, storm and stream, as if in pursuit of us and what we are becoming.

The chief beauty about time is that you cannot waste it in advance. The next year, the next day, the next hour are lying ready for you, as perfect, as unspoiled, as if you had never wasted or misapplied a single moment in all your life. You can turn over a new leaf every hour if you choose.

I love seeing the videos of people who go and talk to these neo-Nazis because they're like, 'I'm just here to have a conversation and understand.' Having a conversation about it and talking about your emotions without judgement. You have to be able to be completely open, because they're not going to be, but you could turn a new leaf in their life.

My best times are midnight to six actually. I'll leaf through my notebooks and if something catches my eye and I feel like I want to transfer it from the notebook to the page, I do, and then comes this very strange process which is difficult to describe in that I'll write until I get stuck or I can't go any further or I'm boring myself or whatever and then I might go to another poem.

I pride myself on how little space I take up. I am going to shrink and shrink until I am a dry fall leaf, complete with a translucent spine and brittle veins, blowing away in a stiff wind, up, up, up into a crisp blue sky.

I hope martial artists are more interested in the root of martial arts and not the different decorative branches, flowers or leaves. It is futile to argue as to which leaf, which design of branches, or which attractive flower you like; when you understand the root, you understand all its blossoming.