Top 1200 Learning By Doing Quotes & Sayings - Page 20

If actors could actually make a living doing theater, that would be my first choice. Sitcoms are the closest thing to being onstage in front of an audience. If I had to choose, it would be theater and doing the occasional movie once in a while, and spending time doing nothing.

You see, growing in grace doesn't mean doing more or greater things for God. True growth comes in doing the same things over and over, with more heart assurance that we're doing everything for Him.

As Gloria Steinem said about Ginger Rogers: She was doing everything Fred Astaire was doing, just doing it backwards in high heels. Well, Southern women are doing and enduring what other women have to do and endure, but (at least until recently) they had to do it in heels and hats and white gloves and makeup and a sweet smile, with maybe a glass of bourbon and a cigarette to get them through the magnolia part of being a steel magnolia.

To make a living from doing something I love is fantastic. As long as people want to listen to me, I'll keep doing it. In fact, to tell you the truth, even if no one did want to listen to me, I'd still be doing it!

What I learned from comparisons and jealousies is that they point to where you haven't filled your cup or owned your gifts. They point to where you are not yet 100% you. We know that when you are fully engaged in doing what you're doing and your heart and creative spirit are involved, you couldn't care less what anybody else is doing.

Love of learning will never let you down. You can have a quest for money, you can have a quest for power, you can have a quest for fame and they are sometimes gratifying and sometimes self-destructive. The love of learning is always gratifying and never self-destructive. The more educated, the more cultivated a society becomes, better off is everybody.

Comedy is more difficult. You can look at scenes when you're doing a drama like, ?Maybe it works,? but in comedy, when you're doing it, either it works or it doesn't. You have to keep doing it until it does, and the requirement is more.

When I was a boy, I would read those postcards and know exactly why my father was doing what he was doing: he was taking a stab at greatness, that is, if greatness is simply another word for doing something different from what you were already doing--or maybe greatness is the thing we want to have so that other people will want to have us, or maybe greatness is merely the grail for our unhappy, striving selves, the thing we think we need but don't and can't get anyway.

I don't have a problem with dives out of the ring, but there are a lot of these guys who don't have anything to fall back on, and they're not making any money doing it. A lot of these guys go out there, and they're gonna break their necks at 23 years old doing things they shouldn't be doing.

I find myself getting associated with a lot of younger people in the game. I still enjoy playing with them, and I think they still enjoy playing with me. As long as I can stay competitive and have fun doing what I'm doing, I guess I'll keep doing it.

Buying, possessing, accumulating--this is not worldliness. But doing this in the love of it, with no love of God paramount--doing it so that thoughts of eternity and God are an intrusion--doing it so that one's spirit is secularized in the process; this is worldliness.

But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.

The joy of doing 'Sandman' was doing a comic and telling people, 'No, it has an end,' at a time when nobody thought you could actually get to the end and stop doing a comic that people were still buying just because you'd finished.

I can't deal with actors! I can't deal with myself. We're neurotic and miserable ... I love doing what I'm doing, but while I'm doing it, I'm miserable.

Marilyn Monroe, Jayne Mansfield and I were so different from each other. I was doing very young movies, and Marilyn, who was ahead of me, was doing a lot of homogenized movies that weren't quite as wild as the ones I was doing. Jayne was more of a character of herself.

Either we're a team or we aren't. Either you trust me or you don't." Hale took a step toward her. "What's it going to be, Kat?" It is an occupational hazard that anyone who has spent her life learning how to lie eventually becomes bad at telling the truth; in that moment Kat didn't have a clue what to say. I carn't do this with out you sounded trite. What they were doing was to big for a simple please. Hale I-" You know what? Never mind. Either way, I'm in Kat." He seemed utterly resloved as he slipped on his sunglasses. "I'm all in

Writing a novel - unlike operating a piece of heavy machinery, say, or cooking a chicken - is not a skill that can be taught. There is no standard way of doing it, just as there is no means of telling, while you're doing it, whether you're doing it well or badly. And merely because you've done it well once doesn't mean you can do it well again.

We absolutely must leave room for doubt or there is no progress and there is no learning. There is no learning without having to pose a question. And a question requires doubt. People search for certainty. But there is no certainty. People are terrified — how can you live and not know? It is not odd at all. You only think you know, as a matter of fact. And most of your actions are based on incomplete knowledge and you really don’t know what it is all about, or what the purpose of the world is, or know a great deal of other things. It is possible to live and not know.

It was hard to become an astronaut. Not anywhere near as much physical training as people imagine, but a lot of mental training, a lot of learning. You have to learn everything there is to know about the Space Shuttle and everything you are going to be doing, and everything you need to know if something goes wrong, and then once you have learned it all, you have to practice, practice, practice, practice, practice, practice, practice until everything is second nature, so it's a very, very difficult training, and it takes years.

I think the most important work that is going on has to do with the search for very general and abstract features of what is sometimes called universal grammar: general properties of language that reflect a kind of biological necessity rather than logical necessity; that is, properties of language that are not logically necessary for such a system but which are essential invariant properties of human language and are known without learning. We know these properties but we don't learn them. We simply use our knowledge of these properties as the basis for learning.

Forget being the best of anything. That's the fruit of the action, and you do the work -they say- for the doing, not the fruit. You can never really know how it's gonna turn out in the world but you know if you enjoy doing it. And ideas start flowing and you start getting, you know, excited about stuff. Then you're having a great time in the doing and that's what it's all about. If you don't enjoy the doing, then do something else.

At 21, you can live life with reckless abandon, as reckless as your abandon is. Then, at 30, there's something there are the supposed to be's. You're like, "I'm supposed to be doing this. I'm supposed to be doing that." You start measuring your life by what you think you're supposed to be doing. Having recently turned 40, it's like, "What the hell?! Why am I worried about what I'm supposed to be doing? What do I want to do?" You become fine with wherever the road takes you.

Presently it appears that people are mainly concerned with being well rested. Those capable of uninterrupted sleep are much admired. Unconsciousness is in great demand. This is the day of the milligram. The rigors of learning how to do long division have been a traditional part of childhood, just like learning to smoke. In fact, as far as I am concerned, the two go hand in hand. Any child who cannot do long division by himself does not deserve to smoke.

For me, one of the highlights of being in the private equity world is that you need to learn a lot and very quickly about different businesses. So it's always a continuing learning experience where you can apply what you know, of course, by way of judgment and by way of numerical analysis. You're always investing in new businesses, which is a learning experience in itself. I think that is a wonderful thing and I think it makes for intellectual challenge and for continued personal growth. That, for me, is the highlight of this job.

I started doing more theatre because I love that and I ended up doing television. I ended up doing it.

Pearl Harbor? Michael Bay doing a movie about the single most devastating, most holy day in United States military history? Why, that's like the Three Stooges doing a Holocaust movie. Or Barney doing 'Hamlet'.

Every time I do a talk show or something, I'll be like, 'I'm doing 'Chandelier,' right?' and they're like, 'No, you're doing a skit and three dances.' It's different every time. I never really know what I'm doing until the day before.

A restlessness has seized hold of many of us, a sense that we should be doing something else, no matter what we are doing, or doing at least two things at once, or going to check some other medium. It's an anxiety about keeping up, about not being left out or getting behind.

The filmmakers that I studied and appreciated growing up are the ones that are able to dictate their vision clearly to each department, and they know the language of how to communicate with each department well enough, so that their vision is clearly transferred to the screen. So I like to spend time on sets learning from all of the departments and seeing how they approach their jobs. It's not just filmmakers, you know? There's so many mediums involved. I love learning about all of the mediums.

We all sorely complain of the shortness of time, and yet have much more than we know what to do with. Our lives are either spent in doing nothing at all, or in doing nothing to the purpose, or in doing nothing that we ought to do. We are always complaining that our days are few, and acting as though there would be no end of them.

I'm quite severely dyslexic so I struggle with acting in certain ways. I always have to put in triple the amount of effort, which would always frustrate me a lot. I suppose that some people can just look at a script once and know it. That's not me. I really have to spend a bit of time with the lines. But it's my job and I've got better and better at it. If you're learning a lot, things start going quicker. Doing the lines with repetition and you just get it in your head somehow.

People say it takes a village to raise a child. People ask me how my daughter is doing. She’s only doing good if your daughter’s doing good. We’re all one family.

Every day, I'm learning new things about myself. Every day, I'm learning new things about life.

I think that I'm doing my job, and it's nice to be recognized, but I also know that a lot of the people who are happy with me now are not going to be happy with me in four to eight years and that I'm just going to keep doing what I'm doing.

Everybody asks me, 'So, what are you doing now?' Why must I be doing something? All my life I've been doing something. All my life I've been doing. For now, I'm being -- being quiet, being grateful.

In a medical sense I'm a prophet. But I'm not unique. I mean there are many prophets in many different vocations. I happen to be one of them, without sounding too egotistical I am a pioneer. I am doing pioneering stuff in neurosurgery. There is stuff that I'm doing that no-one else is doing.

I believe that coaches and athletes should realize that the athletic department field, court or diamond can be made an extension of the classroom, a place where you and your teammates are learning more than just how to prepare to win. The field, the court, and the diamond should be places where athletes are constantly learning about the game in which they participate, about their coaches and teammates, and perhaps most importantly, about themselves.

You think me foolish to call instruction a torment, but if you had been as much used as myself to hear poor little children first learning their letters and then learning to spell, if you had ever seen how stupid they can be for a whole morning together, and how tired my poor mother is at the end of it, as I am in the habit of seeing almost every day of my life at home, you would allow that to torment and to instruct might sometimes be used as synonymous words.

We dream of having a clean house - but who dreams of actually doing the cleaning? We don't have to dream about doing the work, because doing the work is always within our grasp; the dream, in this sense, is to attain the goal without the work.

I've lost perspective on what I'm doing. I think it's good for me to take a break and reassess why I'm doing it and how I'm doing it. And I think this is probably a good way to learn about that. I need a break from myself as much as I imagine the audience does.

I can't deal with actors! I can't deal with myself. We're neurotic and miserable... I love doing what I'm doing, but while I'm doing it, I'm miserable.

I was doing the wrong thing, at the time I thought I was doing the right thing. It's like if you're dealing with somebody who is high on drugs, they can look back at it and say, "Wow, I was destroying myself." But during the period, they think they're doing the right thing. You just have to let the smoke clear so you can see the whole picture.

I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voice-overs.

Part of why I wanted to produce was because I wanted the opportunity to work on projects I want to see. As a writer and as a director, I'm very specific about the kinds of things that I want to do. The opportunity that producing has given me is that by working with different writers and trying to get their movies made, or developing their script, or making their movies, every time I'm doing it, I'm learning and then bringing something to my own work. I like to think that there's a little bit of back and forth that goes on.

There's that talent thing where I can score goals, and there's also that want and ambition to keep doing it and doing it and doing it. I've seen a lot of players do it for a year and then they rest on their laurels, but I've been very driven throughout my career. Without being the most talented, I think I've tried to make the most of it.

In the space shuttle program, where we had males and females, I can tell you that nobody was doing that [sex] because there's absolutely no privacy. The only privacy would have been in the air lock, but everybody would know what you were doing. You're not out there doing a spacewalk. There's no reason to be in there.

Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.

The question is gonna be, what is the pope doing? For whom is the pope doing it, if the pope is doing it for anybody? But that's gonna be what it boils down to: What is the pope doing here? Why? And I'll tell you this. The more establishment figures - and the pope qualifies as an institutional leader, and therefore the pope would qualify in many people's eyes as an establishment figure, particularly this pope, who has not hidden his ideological alignment, much less his political alignment.

I think it's great in any job to be doing well and doing it the best that you can, so that's pretty great. But I wouldn't call myself a celebrity in any way. I'm just doing my job.

Words are but wind; and learning is nothing but words; ergo, learning is nothing but wind.

Learning the craft as an actor in Los Angeles is a very hard thing to do, in my opinion. We all come from a certain world and when you start learning the craft, you need material to read/study that you can relate to. We do not have too many Latino writers on the West Coast that I was able to relate to (or at least, I didn't know at the time). I came from the streets, so the most published authors had no relation to my world. As soon as I picked up Pinero & Guirgis, it was all over. It was my world, just in a different location. They cracked me open inside and out.

Look at the weaknesses of others with compassion, not accusation. It's not what they're not doing or should be doing that's the issue. The issue is your own chosen response to the situation and what you should be doing. If you start to think the problem is "out there," stop yourself. That thought is the problem.

Today, if the CEO thinks it's a good idea, it's done everywhere; if the CEO thinks it's a bad idea, it's done nowhere. We ought to be more agnostic and open to learning things that we didn't expect - and the only way to do that is to try things and be open-minded about how well they are working. And third, evidence-based management involves reading and learning - just like doctors do - and to do so not just in school but afterward, as well.

If there's more that you can do, then do it. If there's not more that you can do, then be content with what you're doing. But if there is despair, the despair can only be that you can do more. Because when you're doing as much as you can do, you will not feel despair. Because despair is the gap between what you could be doing and what you are doing.

A lot of the things I was doing on YouTube nobody was doing at the time, and now everybody is doing them, and I think making movies - I know a few Youtubers have done it, and hopefully this movie does well and more YouTubers want to take a risk and make movies, and I'm excited about it.

Every year since we got started, I think that it's going to get harder to top it, but with all the support, somehow things keep getting better. That must mean we are doing something right, so we're just going to try to keep doing what we're doing.

Acting is not about showing what you're feeling. It's about doing something. It's about what you're doing for the other person. Anything other than 'doing' is not grounded in the truth.

At Diversion, we want to do genres that people are not doing - or, if we're doing genres that people are doing, to do them in a fresh way.

Nature without learning is like a blind man; learning without Nature, like a maimed one; practice without both, incomplete. As in agriculture a good soil is first sought for, then a skilful husbandman, and then good seed; in the same way nature corresponds to the soil, the teacher to the husbandman, precepts and instruction to the seed.

I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voiceovers.