Top 1200 Learning How To Write Quotes & Sayings - Page 3

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Last updated on November 24, 2024.
If you write, one of the questions you're always trying to answer is, Where do you get your ideas? And, if you write, you know how pointless a question this is and how difficult it is to answer.
Learning how to have 'healthy' attachments sounds easy, but in fact, for someone like me who had damaged early relationships, it's like learning to be fluent in Chinese.
Learning about crime in great detail forces us to ask ourselves how it happened, how the victims and perpetrators got to that point, how the law works, how the police force functions.
I bought a guitar when I was twenty. But I didn't write a song until I was 25 or 26. I never learned to play others songs. I learned to play my own songs while I was learning how to make them better.
I learned that you can't write a book in the margins of your life. I'd forgotten how much uninterrupted time it takes to write chapters, and how you have to push everything else aside and really focus.
STYLE IS NOT HOW YOU WRITE IT IS HOW YOUDO NOT WRITE LIKE ANYONE ELSE — © Charles Ghigna
STYLE IS NOT HOW YOU WRITE IT IS HOW YOUDO NOT WRITE LIKE ANYONE ELSE
In terms of the economics, yes obviously the rise of e-books and how people choose to read books has a big effect on the economics of the game. But whether people are buying them on paper or downloading them there's still some poor wretch in a room who is trying to write a poem, write a story, write a novel. And so my job doesn't change. It's just how people receive it and economic conditions on the ground change, but that doesn't affect what I write.
When you realize my best selling books are 'Owl Moon,' the 'How Do Dinosaur' books, and 'Devil's Arithmetic,' how can the public make sense of that! I have fans who think I only write picture books or only write SF and fantasy. I have fanatics of my poetry and are stunned to find out I write prose, too!
The last thing reporters and editors want to be told is what to do and how to write. They don't want to be some politically correct, Orwellian, kind of like "you're telling me how to write about...?"
Oh how swiftly the glory of the world passes away! If only the lives of these men had been as admirable as their learning, their study and reading would have been to good purpose! But how many in this world care little for the service of God, and perish in their vain learning. Because they choose to be great rather than humble, they perish in their own conceit.
Maybe learning how to be out in the big world isn't the epic journey everyone thinks it is. Maybe that's actually the easy part. The hard part is what's right in front of you. The hard part is learning how to hold the title to your very existence, to own not only property, but also your life.
I should like to think how we write as theologians would reflect our confidence in the One who makes that writing possible. That is one of the reasons, moreover, that the scriptures remain paradigmatic for how we are to write.
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
I think we create our own reality by the thoughts we have. Recovery for me has been learning how to choose my thoughts, learning how to listen to my thinking and not choose the negativity. I don't have fights with people in supermarkets anymore. I honestly thought for years that my rage was who I was, that people who didn't think the way I thought were lying to themselves.
We're learning how important it is both to preserve sibling relationships if they work and repair them if they're broken. We're also learning a lot about nonliteral siblings - stepsiblings, half-siblings - and the surprising power they can have.
Gardening is learning, learning, learning. That's the fun of them. You're always learning.
Learning to ask is like flexing a muscle. The more you do it, the easier it becomes. I started by learning how to ask for the small things in my life, and eventually I could make the Big Daunting Asks.
One of my relatives had been asking me on how he could break into AI. For him to learn AI - deep-learning, technically - a lot of facts exist on the Internet, but it is difficult for someone to go and read the right combination of research papers and find blog posts and YouTube videos and figure out themselves on how to learn deep-learning.
So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
I am not an evangelist. I am not a preacher. I am a musician. That is what I know how to do. I know how to write songs. I know how to write things that relate to my heart. I feel that I talk about God in every song, in everything I do - all of it! I really do not know how to respond. I do not relate to that.
There are so many things in human living that we should regard not as traumatic learning but as incomplete learning, unfinished learning.
I think young people are the most creative and the coolest - people that we should be learning from. Even when I'm at a party, I'm analyzing it and thinking about it in the context of how I would write about it. That side of me never switches off.
If you commit yourself to the art of poetry, you commit yourself to the task of learning how to see, using words as elements of sight and their sounds as prisms. And to see means to see something worth all the agony of learning how to see.
Learning to live with ambiguity is learning to live with how life really is, full of complexities and strange surprises.
Now, we are still learning how to approach girls, you know, learning what to say, etc., because the practice we've had was with our other girl, the cello. If you noticed, it has the shape of a female.
Girls playing sports is not about winning gold medals. It's about self-esteem, learning to compete and learning how hard you have to work in order to achieve your goals.
I don't have an audience in mind when I write. I'm writing mainly for myself. After a long devotion to playwriting I have a good inner ear. I know pretty well how a thing is going to sound on the stage, and how it will play. I write to satisfy this inner ear and its perceptions. That's the audience I write for.
I'm learning to play by the rules. I sort of hate to think of it that way, but that's how it is. I'm really learning to function out there and in such a way that I don't need to drink.
I know exactly what I want to write. I do not write until I do. Usually I write it all down only once. And that goes relatively quickly, since it really depends only on how fast I type.
The thing about writing is not to talk, but to do it; no matter how bad or even mediocre it is, the process and production is the thing, not the sitting and theorizing about how one should write ideally, or how well one could write if one really wanted to or had the time.
If you want to be a writer, I have two pieces of advice. One is to be a reader. I think that's one of the most important parts of learning to write. The other piece of advice is 'Just do it!' Don't think about it, don't agonize, sit down and write.
My English, I'm still learning. I'm still learning how to use my words. People want to hear what I have to say in the correct way, so I think every time it's going to be a little bit better.
When I started thinking seriously about learning the rules of narrative, I thought, 'You've learned the rules of dancing from the ballet; what's the matter with learning the laws of theater from the people who know how to do it?'
No matter how much you know, how well read you are, how traveled or cultured, you should never stop learning.
I've been writing as long as I've been able to form words. I never wrote with an idea of publishing anything until I began working on '[To Kill a] Mockingbird'. I think that what went before may have been a rather subconscious form of learning how to write, of training myself.
I'm not like a champion of profanity. I write what I hear, and the characters that I write, that's how they talk. That's how I talk a lot of the time. So I'm not trying to advance a social cause.
I write about outsiders. I write about people who are outside and don't know quite how to get in because it's how I've always felt.
You can't learn to write that way - by writing directly for the screen. Wait until you're 30. But in the meantime write 200 short stories. You've got to learn how to write!
I spent 11 years at 'The Daily Show,' and I learned everything there about how to write funny, how to write funny on topic.
Being a successful couple was learning what you were willing to compromise on, and what you weren't; learning when to stand your ground, and when to give it up; what was truly important enough to fight over, and what was just you being pissy. You learned each other's hot buttons, the places that hurt, or angered, when you pressed them. Love makes you learn where all the pitfalls are, and how to avoid them, or how to set them off.
Many writers can't make a living. So to be able to teach how to write is valuable to them. But I don't really know about its value to the student. I don't mean it's useless. But I wouldn't have wanted anyone to teach me how to write.
To me an influencer must embody 2 critical skills, continuous learning and storytelling. Accenture enabled me to accelerate my learning about exponential technologies and how they were impacting businesses, the economy and the world.
How can I look back and not speak of the stupid learning about birth? Of the stupid learning that people make love, and how it seemed the reason for all things, the intimacy of my wondering, the illumination that to an adolescent was the cause for life around me, the reason why the unhappy people I knew did not kill themselves?
Education is learning to grow, learning what to grow toward, learning what is good and bad, learning what is desirable and undesirable, learning what to choose and what not to choose.
If a Chinese student does not know Chinese learning, it's like a person without a surname, a horse without a bridle, a boat without a helm. The more Western learning he possesses, the more hateful of China he will become. Even if he becomes a capable man of vast learning, how can he be of any use to the state?
I think the seed was planted when I was a teenager, and it took me until I got out of Juilliard. At Juilliard I was just learning to be a composer, but I was also learning how to manipulate computers.
In 'Chappie,' you see this sort of young robot that's learning through maybe 'deep learning' how to see the world really, look out into the world, and learn step by step. What's so interesting is that with 'Chappie,' you're getting to see how human behavior reacts to artificial intelligence, and I don't think it's always going to be positive.
I put a lot of pressure on myself to figure out what to say and, lately, I've started trying to work through things in my head. Before, I wouldn't trust my instincts or what I wanted to say and I really struggled with what I wanted to say. I guess it's just the classic case of writer's block and learning how to work through that. I'm slowly learning how.
Pop songs are not as graceful as they used to be. Performers today haven’t gone through the regimen of learning how to write. And of course, everyone wants to own copyrights. Rap culture is interesting and different and has purpose, but it has a non-romantic view of life and of social feelings. There may be a void in that.
There is first the problem of acquiring content, which is learning. There is another problem of acquiring learning skills, which is not merely learning, but learning to learn, not velocity, but acceleration. Learning to learn is one of the great inventions of living things. It is tremendously important. It makes evolution, biological as well as social, go faster. And it involves the development of the individual.
I am learning how to be alone without being lonely; I am learning how to be lonely without losing my mind. — © Paul Baribeau
I am learning how to be alone without being lonely; I am learning how to be lonely without losing my mind.
Touring has been a new part of my life in a lot of ways. We've just been touring massively since the record came out and before. Learning how to write while all that is going on is a new thing.
You're always learning as an actor... anything you do is a learning experience. It's the same whether you're doing film or TV, you have to do the part to the best of your ability, no matter how big or small the role. It's as simple as that, really. But every bit of work you do is a learning experience - which is the same, I guess, for people in whatever job they do. But with acting, it's also fun to be able to explore different characters and emotions.
I write to explore something that fascinates me, and I write the way I do because it is the only way I know how to write.
The learning curve, and the things that you have to adapt to on a daily basis in the UFC, is pretty crazy. It's a huge burden for anybody to have: not just the fighting itself but learning how to deal with the other responsibilities.
Reading is an exercise for learning how to write and vice versa. I have read myself into being a Christian, but I have also written myself into being a Christian.
The easiest way to separate yourself from the unformed blobby mass of "aspiring" writers is to a) actually write and b) actually finish. That's how easy it is to clamber up the ladder to the second echelon. Write. And finish what you write. That's how you break away from the pack and leave the rest of the sickly herd for the hungry wolves of shame and self-doubt. And for all I know, actual wolves.
I don't project no image. I just act like myself. I write about how I feel, the emotional stage I'm in at the time. So I write from the heart. I never write from my mind. My brain, I mean.
I think my family and closest friends are learning about my need to withdraw, and I am learning how to restore and store my energy to both serve the community to the best of my ability and to serve my writer's heart.
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