Top 1200 Learning Language Quotes & Sayings - Page 16

Explore popular Learning Language quotes.
Last updated on November 19, 2024.
The aim of human life is to know thyself. Think for yourself. Question authority. Think with your friends. Create, create new realities. Philosophy is a team sport. Philosophy is the ultimate, the ultimate aphrodisiac pleasure. Learning how to operate your brain, learning how to operate your mind, learning how to redesign chaos
Reading and writing and the preservation of language and its forms and the kind of eloquence and the kind of beauty which the language is capable of is terribly important to the human beings because this is connected to thought.
The best language is always found in books because it's considered. It's a high language. Sometimes, it is complex and difficult. It's empowering and offers a way to speak about yourself that you don't have if all you are doing is reading the newspaper and watching TV.
Language designed to impress builds a gulf. Language to express builds a bridge.
[Albert Camus] really did know Algeria. He was an exile from his country, but still living in its language. Solitaire et solidaire. It's not like those who are exiled to a country where the language is not theirs.
We're learning how important it is both to preserve sibling relationships if they work and repair them if they're broken. We're also learning a lot about nonliteral siblings - stepsiblings, half-siblings - and the surprising power they can have.
Poetry has never been the language of barriers, it's always been the language of bridges.
Good design, at least part of the time, includes the criterion of being direct in relation to the problem at hand - not obscure, trendy, or stylish. A new language, visual or verbal, must be couched in a language that is already understood.
There is certainly no one 'type' of writer who deliberately draws on Shakespeare. In fact, there's a strong argument that everyone writing in the English language is influenced by Shakespeare because, to a considerable degree, he shaped that language.
I once saw a small child go to an electric light switch as say, Mamma, can I open the light? She was using the age-old language of exploration, the language of art. — © Ezra Pound
I once saw a small child go to an electric light switch as say, Mamma, can I open the light? She was using the age-old language of exploration, the language of art.
To me an influencer must embody 2 critical skills, continuous learning and storytelling. Accenture enabled me to accelerate my learning about exponential technologies and how they were impacting businesses, the economy and the world.
The language of Doctor Johnson and Mrs Hester Lynch Thrale, and that of their adult contemporaries, was the stately language of the time, polished, stylish, unordinary, even in the intimate pages of their diaries, and the regime of instruction was severe and practical.
That's one of the ways language evolved, by some very obscure form becoming common usage. And I must say that I'm very intrigued by use of language and slang, and criminal underground terms.
So the language of musical harmony is an absolutely extraordinary one. It's a way of navigating one's emotional frameworks, but without the need to put things into words, and I think that, as with many other languages, it doesn't matter how much you know about a language.
[Barack] Obama has a grasp of language and the presentation of language, particularly in times of crisis. And he did this over the race issue. He did this early on in his administration, when the country was polarized. That was unprecedented.
The Universe is a grand book which cannot be read until one first learns to comprehend the language and become familiar with the characters in which it is composed. It is written in the language of mathematics.
The language of film is further and further away from the language of theater, and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.
Magic, then, is not a method, but a language; it is part and parcel of that greater phenomenon, ritual, which is the language of religion. Ritual is a symbolic transformation of experiences that no other medium can adequately express.
Everything that we inherit, the rain, the skies, the speech, and anybody who works in the English language in Ireland knows that there's the dead ghost of Gaelic in the language we use and listen to and that those things will reflect our Irish identity.
When you live in a country where your own language is considered foreign, you can feel a continuous sense of estrangement. You speak a secret, unknown language, lacking any correspondence to the environment. An absence that creates a distance within you.
To understand the Universe, you must understand the language in which it's written, the language of Mathematics. — © Galileo Galilei
To understand the Universe, you must understand the language in which it's written, the language of Mathematics.
We live in our language like blind men walking on the edge of an abyss. This language is laden with future catastrophes. The day will come when it will turn against those who speak it.
In a novel, language is your principal tool, you try to build pictures in the mind of the reader. When you write a screenplay, the language is just a transition, the final goal is a picture on the screen, it's the only thing the audience sees.
He who is learning and learning and doesn't apply what he knows is like the one who is plowing and plowing and doesn't seed.
Language is the primary way we communicate with each other, and we have really strong feelings about what words mean, and about good language and bad. Those things are really based on sort of an agglutination of half-remembered rules from high school or college, and our own personal views on language and the things we grew up saying, the things we grew up being told not to say.
I don't think any actor can be satisfied. I am still in the learning phase and hope I am always in the learning frame of mind in acting or in anything else that I do. That's what makes life interesting and worth living.
The important thing is to be able to understand anyone who has something useful to say. - There is a general moral here. Be very careful and very clear about what you say. But do not be dogmatic about your own language. Be prepared to express any careful thought in the language your audience will understand. And be prepared to learn from someone who talks a language with which you are not familiar.
Mathematical science shows what is. It is the language of unseen relations between things. But to use and apply that language, we must be able fully to appreciate, to feel, to seize the unseen, the unconscious.
What distinguishes the language of science from language as we ordinarily understand the word? ... What science strives for is an utmost acuteness and clarity of concepts as regards their mutual relation and their correspondence to sensory data.
Girls and boys respond to stress differently - not just in our species, but in every mammal scientists have studied. Stress enhances learning in males. The same stress impairs learning in females.
Because it's my first language, all the literature that I've read and all the things that I've been inspired by that have been written in Welsh have moved me beyond anything that I've experienced in any other language.
No instance exists of a person's writing two language perfectly. That will always appear to be his native language which was most familiar to him in his youth.
They (Americans) have their national game, baseball - which is cricket played with a strong American accent - and they have a national language, entirely their own, unlike any other language spoken on the earth.
When it comes to telling children stories, they don’t need simple language. They need beautiful language. — © Philip Pullman
When it comes to telling children stories, they don’t need simple language. They need beautiful language.
Unfortunately, we're using the same language to talk about the language we'retalking about.
I've done two remakes, 'Rowdy Rathore' and 'Son of Sardaar,' and I see nothing wrong with it. The originals were in a language that not everyone understands, so when you're making it in another language, you can reach a much wider audience. That's how I look at it.
In a learning organization, leaders are designers, stewards, and teachers. They are responsible for building organizations where people continually expand their capabilities to understand complexity, clarify vision, and improve shared mental models - that is, they are responsible for learning.
I'm learning in my own sort of quiet, out-of-the-spotlight kind of way. I certainly have my general point of view about the government, and the future of our children. I'm certainly learning all the time, I'm happy to be an onlooker for now.
You can't write about people out of textbooks, and you can't use jargon. You have to speak clearly and simply and purely in a language that a six-year-old child can understand; and yet have the meanings and the overtones of language, and the implications, that appeal to the highest intelligence.
My mother always spoke to me in English, so it's technically my maternal language, and it became a kind of private language - I was happy that I could speak in English to my mum and the majority of people wouldn't understand it.
The attitude of independence toward a constructed language which all national speakers must adopt is really a great advantage, because it tends to make man see himself as the master of language instead of its obedient servant.
Every time another tribe becomes extinct and their language dies, another way of life and another way of understanding the world disappears forever. Even if it has been painstakingly studied and recorded, a language without a people to speak - it means little. A language can only live if its people live, and if today's uncontacted tribes are to have a future, we must respect their right to choose their own way of life.
Rap and spoken word have reawakened the country to poetry in itself. Texting and Twitter encourage creative uses of casual language, in ways I have celebrated widely. But we've fallen behind on savoring the formal layer of our language.
I'm terrible at learning lines. I'm good at learning lines when I don't have to be word-perfect.
I don't love studying. I hate studying. I like learning. Learning is beautiful. — © Natalie Portman
I don't love studying. I hate studying. I like learning. Learning is beautiful.
There's a lot of work in machine learning systems that is not actually machine learning.
Children must master the language of things before they master the language of words.
I am not patriotic or nationalistic, but the French language is like a country where I take refuge when I have nowhere else to go. It consoles me for everything. For me, the language no longer belongs to the colonialists.
No one can create a noteworthy work without knowing the tenets of their own language and literature. Language is renewed but it never changes its essence, because the contracts that have come about over time for communication cannot be rescinded so easily.
We're still going to be learning in Heaven. We will still be developing and are not yet absolutely perfect. That's what the future is all about - to continue the learning process that we have begun here. We've all still got a lot to learn!
The language of literature is the language of all the world. It is necessary to divest ourselves at once of the notion of diversified vocal and grammatical speech which constitutes the various tongues of the Earth, and conceals the identity of image and logic in the minds of all men.
Each character requires different language, and these issues become inseparable. You have all these balls in the air: language, character, narrative. For me, the primary focus must be words, sentences, paragraphs.
For me, 'Shanghai' is beyond language. For me, it's good cinema. The language is incidental.
We all laugh and cough with the same language and will die with the same language as well!
Our English language really says if you're not a theist, the only alternative is to be an atheist. What I'm trying to do is develop a language that will enable us to talk about God beyond the, what I think, are sterile categories of theism and atheism.
I think my family and closest friends are learning about my need to withdraw, and I am learning how to restore and store my energy to both serve the community to the best of my ability and to serve my writer's heart.
In the long run, the replacement of the precise and disciplined language of science by the misleading language of litigation and advocacy may be one of the more important sources of damage to society incurred in the current debate over global warming.
What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion. What I'm finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written - out of and amid the dysfunction.
The language of art is a 'parabolic' language, with a special openness to the universal: the 'Way of Beauty' is a way capable of leading the mind and heart to the Lord, to elevate them to the heights of God.
Reality prior to my language exists as an unthinkable thought. . . . life precedes love, bodily matter precedes the body, and one day in its turn language shall have preceded possession of silence.
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