Top 1200 Leopard Print Quotes & Sayings - Page 15

It's pointless to talk to Fed members about economics because they are academics who believe in money-printing. Some of them believe they didn't print enough, and so with these kinds of people, it is like running to the pope. What do you want to tell them?

Wearing a bold print gets harder as you get older. Its safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.

It always seems to me odd to call a place a wilderness when every wilderness area in the US bristles with rules and regulations as to how you can behave, what you're allowed to do, and is patrolled by armed rangers enforcing the small print. They're parks, of course, not wildernesses at all.

I sometimes lie, especially about personal things, because what does it matter? I am a kind of minute commodity. My name is no longer my own. I try to lie as much as I can when I’m interviewed. It’s reverse psychology. I figure if you lie, they’ll print the truth.

Without books the development of civilization would have been impossible. They are the engines of change, windows on the world, "Lighthouses" as the poet said "erected in the sea of time." They are companions, teachers, magicians, bankers of the treasures of the mind, Books are humanity in print.

You already feel unsure of yourself, and then you see your worst fears in print. It really knocked me - which is why, I think, I was working, working, working, because I was trying to run away from the fact that I thought I couldn't do it.

Good web text has a lot in common with good print text. It's plain, concise, concrete and 'transparent': even on a personal site the text shouldn't draw attention to itself, only to its subject.

One can derive the same fun from print-making as from making mud pies and great subtlety can be achieved through the use of transparent inks, half-tone screens and even accidental colour combinations, which is often where the art hides.

I try not to worry about rewriting books that worked well the first time. I'm too busy writing new books to worry about things that are already in print

I may juggle the composition, as the strength of a picture is in the composition. Or I may play with the light. But I never interfere with the subject. The subject has to fall into place on its own and, if I don't like it, I don't have to print it

These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.

When I say I don't do fur or leather, in my world it's a massive shock, but when it comes into the sporting arena, it goes without saying. It also influences what I do on the runway: I get really excited when I discover an environmentally-friendly print process that doesn't use water, and I'll try and mimic that in my ready-to-wear.

Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window.

I broadcast games. I think there is a huge difference between print journalism and broadcasting. I don't have to say, 'sources close to LeBron James,' five times a game. I can just put my name to it. I say what I believe. It doesn't mean it's right. It's what I believe.

If someone tells you something is off the record, I don't print it. If they don't tell me something is off the record, then it's fair game.

When I was young, my favorite picture book was 'Fletcher and Zenobia,' written by Edward Gorey and illustrated by Victoria Chess. It's long out of print now, but its mix of macabre humor and 1960s psychedelia made it a perfect children's book for the times.

Friendship should be a private pleasure, not a public boast. I loathe those braggarts who are forever trying to invest themselves with importance by calling important people by their first names in or out of print. Such first-naming for effect makes me cringe.

I try not to worry about rewriting books that worked well the first time. I'm too busy writing new books to worry about things that are already in print.

My dream scenario would be that you could go into a bookshop, examine copies of every book in print that they're able to offer, then for a fee have them produce in a minute or two a beautiful finished copy in a dust jacket that you would pay for and take home.

Protestant churches everywhere are gravitating toward union with the Roman Catholic Church. These religious movements are speeding the fulfillment of the prophecies of the resurrected Roman Empire. For 30 years I have been proclaiming this tremendous event over the air and in print.

The sensory ratios that are being reinforced by the new electronic technology are like the sensory ratios that were in place fifteen thousand years ago. . . . Print imposes a condition on human mind which is now lifting.

My most memorable design-related encounter was also one of my most life-changing. I met Joyce Rutter Kaye, 'Print''s editor-in-chief from 1998-2008. It was at 6 A.M. on a cross-country flight from New York to Vancouver for the 2003 National AIGA conference.

Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality. It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.

When I came to America, there were two kinds of women: women who looked serious and who didn't wear color and print, and women who looked girly and feminine and like second wives.

The moment of the print button for biology is nearing. Effectively, this could also mean that in a not-too-distant future, smart pharmacology will permit us to receive a continuous supply of antidepressants or neuroenhancers every time our dopamine level drops.

This first print run of the first edition of my first novel, 'When The Lion Feeds.' back in 1964, is so rare it can fetch several thousand pounds at auction. I always wanted to be an author, and I decided to write about what I knew.

The IRS spends God knows how much of your tax money on these toll-free information hotlines staffed by IRS employees, whose idea of a dynamite tax tip is that you should print neatly.

'The Danish Girl' was published in 2000. Then it, too, would disappear, as most books do. It fell out of print almost everywhere. I wrote other books and, as an editor, worked on dozens more. Yet always, Lili stayed with me.

I read everything, including the labels on canned food. I'm a hopeless print addict, a condition alleviated only by daily meditation which breaks the linear-Aristotelian trance. National Lampoon, Scientific American are what I read most obsessively.

My mother moves so fast I do not even see it coming. But she slaps my face hard enough to make my head snap backward. She leaves a print that stains me long after it’s faded. Just so you know: shame is five-fingered.

When 'Catch Me If You Can' was published back in 1980, I never dreamed that it would become a bestseller, much less a major motion picture and now a big Broadway musical. What's amazing about the book is that it has never gone out of print.

In my mind's eye, I visualize how a particular... sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.

I think it's sad that we live in a world where men can steal and distribute and publish photos of women without their permission all over the Internet and even in print and make a lot of money doing so, but half naked photos that I took of myself are deemed "obscene."

If you take a print magazine with a million person circulation, and a blog with a devout readership of 1 million, for the purpose of selling anything that can be sold online, the blog is infinitely more powerful, because it's only a click away.

An echo is a good way to describe the photogram, which is a visual echo of the real object. That's why I like to work with the photogram, because the contact with what is represented is actual. It's as if the border between the world and the print is osmotic.

I know it sounds strange to say, but the very technologies that have made traveling easier for most people - GPS, automated ticket machines, online schedules and ticketing, boarding passes you can print out at home - have actually made things harder for me.

No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.

Well, when I was a young writer the people we read were Hemingway, Fitzgerald, Sartre, Camus, Celine, Malraux. And to begin with, I was a bit of a copycat writer and very derivative and tried to write a novel using their voices, really.... I keep it out of print.

I have a computational quality to my mind, I suppose. When I was a kid, I was obsessed with video games. I reprogrammed games, and this eventually landed me a column in a magazine. That's how I got into print journalism: writing about video games.

I became a Christian within a fundamentalist church. I saw 'A Thief in the Night' on a 16 mm. print when I was in the eighth grade, and I got the whole scare speech from our pastors. 'Do you want to be left here, left behind, for the Tribulation? If not, then come forward.'

I'm no Buddhist monk, and I can't say I'm in love with renunciation in itself, or traveling an hour or more to print out an article I've written, or missing out on the N.B.A. Finals. But at some point, I decided that, for me at least, happiness arose out of all I didn't want or need, not all I did.

Before the Internet, we were in a different sort of dark age. We had to wait to hear news on TV at night or in print the next day. We had to go to record stores to find new music. Cocktail party debates couldn't be settled on the spot.

People want to download publications quickly and read them without cruft. Publications that started in print carry too much baggage and usually have awful apps. 'The Magazine' was designed from the start to be streamlined, natively digital, and respectful of readers' time and attention.

Education is what you get from reading the small print; experience is what you get from not reading it.

Every time we read to a child, we're sending a 'pleasure' message to the child's brain. You could even call it a commercial, conditioning the child to associate books and print with pleasure.

I bought my brother some gift-wrap for Christmas. I took it to the gift wrap department and told them to wrap it, but in a different print so he would know when to stop unwrapping.

When I was in Congress, I worked with Joe Kennedy to rename the Justice Department for Bobby, and when I retired, Teddy Kennedy sent me this Roy Lichtenstein print of his brother, inscribed: 'Bobby would have been proud of you.'

If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.

The assumption should be that we will not appear in print or the blogosphere. Having dinner should not be fodder for Facebook. And this is just as true for 'public personalities' as it is for the average person. After all, even people in the public eye have a right to a private life.

Wearing a bold print gets harder as you get older. It's safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.

The 'Womanthology' book got a lot of people jobs, inside and outside the industry, and I think stuff like that tends to be really effective. You have something in print that you can point an editor or a publisher to, and it makes a huge difference for a lot of people.

I'll say this: I want to become a distraction! And what I mean is by making big plays and doing good stuff on the field. Although nobody would print that, because that's not a story. Gotta keep bringing up the locker-room situation because he's gay.

Your neighbors will be envious of your 3D printer - and if they're not, just print new neighbors. Design them so they'll like to bring you pies, maybe, or want to do your yard work for you.

The next episode of 3D printing will involve printing entirely new kinds of materials. Eventually we will print complete products - circuits, motors, and batteries already included. At that point, all bets are off.

I am very averse to bringing myself forward in print, but as my account will only appear as an appendage to a former production, and as it will be confined to such topics as have connection with my authorship alone, I can hardly accuse myself of a personal intrusion.

I don't want any description of me to be accurate; I want it to be flattering. I don't think people who have to sing for their supper ever like to be described truthfully - not in print anyway. We need to sell tickets, so we need good reviews.

Roger Ebert was a very valiant soldier of cinema who passed away, and we miss him. It's over with serious discourse about cinema in the print media and on television. It has been replaced by celebrity news. So we are speaking in his spirit always.

The ability of the press to print their stories without the government trying to get them to betray their sources is as essential to a free press as the ink it is printed with. Otherwise, who will hold accountable those who hold power over us?

Kathy Dewar, my high-school English teacher, introduced me to journalism. From the moment I wrote my first article for the student paper, I convinced myself that having my name in print - writing in English, interviewing Americans - validated my presence here.

I like the way the stories of my relationships sound to music more than the way they look in print, in gossip columns or in me talking about them in interviews. I think it's a better way of telling the stories.