Top 367 Les Mis Quotes & Sayings - Page 6

As his celebrity grew in stature, as he transformed from line cook to chef at Les Halles and further high-grade Manhattan restaurants to charismatic television star, I kept hoping - foolishly, perhaps - that Bourdain might return to his first writing love, to the books he wrote and published when his audience was smaller but still devoted.

Back when the concept of organ transplants qualified as science fiction, novelist Maurice Renard wrote a thriller called 'Les Mains d'Orlac.' Call it a bastard offspring of 'Frankenstein;' its plot revolved around the old theme of Science Giving Us Stuff We Shouldn't Have - in this particular case, restoring severed body parts.

My reading and drawing drew me away from the ordinary interests, and I lived a great deal in the world of imagination, feeding upon any book that fell into my hands. When I had got hold of a really thick book like Hugo's 'Les Miserables,' I was happy and would go off into a corner to devour it.

My view is that musicals are love stories with great final scenes. It's just that simple. Musicals are also conflicts between two worlds. And by those criteria, 'The Color Purple' is actually exactly the kind of story that makes for a great musical. Yes, it's got hard stuff in it, but so does 'Les Miserables' and 'Phantom of the Opera.'

Usually if I want to just listen to something or sing along to something I'll put on some Gavin DeGraw or some Billy Joel. Occasionally, if I am feeling vocally in really great shape I will sing Jean Valjean's Soliloquy from LES MIZ or something.

I'm doing 'Les Miserables,' the movie. I've done a lot of musicals and a lot of movies, and I know there are not a lot of people in Hollywood who have been down those two paths so I've been like, 'Come on, let's do a movie/musical.'

There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, "Le jeu et les moi." It's impossible to translate, because it has a very nice sound. It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.

I tended to lean towards the guys who both sang and played, such as Ricky Skaggs, Vince Gill, Steve Wariner... And at the other end of the spectrum, I had Eric Clapton in a rock and blues sense, jazz guys such as Tal Farlow and Les Paul... Then Chet Atkins-type stuff.

A lot of my friends were a lot into theatre a lot earlier than I was. A lot of my friends were kids who were in The Broadway Kids and the kids auditioning for Gavroche in 'Les Miz.' I was never that kid. I was weaned on Michael Jackson. Not literally, because that would have been odd.

We brought the religious leaders and the secular development workers together in one room. We asked the religious leaders what are your reservations about development workers? And we asked the development workers, what are your reservations about religious leaders? It turns out that most of the problems are not really problems at all, but rather misunderstandings, misconceptions, and mis-communications.

I was very inspired by Les Blank's film 'Burden of Dreams.' I think what's unique about his film and the two I've made is that they're close examinations of filmmakers and how their own emotional experiences reflect in the material they're rendering, and vice versa - how that material sometimes colors their own lives.

From a small child to right now - I mean, when I was five years old, Red Norville, Tal Farlow, Charles Mingus, Les Paul, Mary Ford, people like that were coming over to my house. So I was around professional adult mature musicians who had had big careers.

All the coaches I've had have been important for me, whether it was Joel Muller at Metz, Rolland Courbis at Marseille, Manuel Pellegrini at Villarreal or Roger Lemerre with Les Bleus. All of them were important along the way, and each of them had faith in me and let me play.

There is, how­ever, a strong empir­i­cal rea­son why we should cul­ti­vate thoughts that can never be proved. It is that they are known to be use­ful. Man pos­i­tively needs gen­eral ideas & con­vic­tions that will give a mean­ing to his life & enable him to find a place for him­self in the uni­verse. He can stand the most incred­i­ble hard­ships when he is con­vinced that they make sense; he is crushed when on top of all his mis­for­tunes, he has to admit that he is tak­ing part in a ‘tale told by an idiot.’

There are very real differences between science fiction and realistic fiction, between horror and fantasy, between romance and mystery. Differences in writing them, in reading them, in criticizing them. Vive les différences! They're what gives each genre its singular flavor and savor, its particular interest for the reader - and the writer.

Adam and Eve entered the world naked and unashamed - naked and pure-minded. And no descendant of theirs has ever entered it otherwise. All have entered it naked, unashamed, and clean in mind. They entered it modest. They had to acquire immodesty in the soiled mind, there was no other way to get it. ... The convention mis-called "modesty" has no standard, and cannot have one, because it is opposed to nature and reason and is therefore an artificiality and subject to anyone's whim - anyone's diseased caprice.

Throughout my reading life, I've enjoyed many memorable meals-if only fictionally. The oysters at dinner near the beginning of Anna Karenina, the dinner Nana throws for her overflowing guests in Zola's Nana, the walk through Les Halles for breakfast in Baldwin's Giovanni's Room, and nearly every meal in Monique Truong's The Book of Salt.

After all, in both languages we were dealing in large measure not with English and French, but with Scots and Irish, Bretons and Normans ... There could be no more eloquent illustration of the colonial mind-set than a bunch of Celts and Vikings in a distant northern territory insulting each other as les Anglais and the French as if they were the descendants of the people who had subjected and ruined them.

The antagonism between nationalities will lose all its acuteness on the day when neither the iniquitous tendency to oppression and domination, nor the perpetual danger of the threatening preparations for war will exist. ("L'antagonisme entre les nationalités perdra toute son acuité le jour où n'existera plus la tendance inique à l'oppression et à la domination, ni le perpétuel danger des menaçants préparatifs de guerre. », Fr. ")

I was growing up at a time when music was growing and changing so fast. I had learned all the big band sounds of the 1940s, Glenn Miller, Tommy Dorsey. But then along came Chuck Berry, Les Paul, Fats Domino and I figured out how to make their music as well.

I did a lot of lying. I went through a big lying phase when I was in like third and fourth grade. I told all my friends I was in Les Misérables, and I was not. I also told them I was an Indian princess. Also not an Indian princess.

At a tender age, I commandeered half a quire of foolscap from my father's desk and sat down to write a book. ...I had observed onprinted fly leaves the words "By the author of, etc." ...So under the title of my prospective work I wrote: By the author of "Les Miserables," "The Woman in White," "Dombey and Son," "Tom Brown's Schooldays" and "Our Life in the Highlands," the last-named being an opus of good Queen Victoria. I had not read all these works but they existed on our bookshelves, and I hoped to produce something worthy of comparison.

It's quite simple: One sees clearly only with the heart. Anything essential is invisible to the eyes. [Fr., Il est tres simple: on ne voit bien qu'avec le coeur. L'essentiel est invisible pour les yeux.]

I used to go to Caerphilly with my brother Les, two years older than me, with my mother to see her sister, Gladys. When they wanted to talk we'd have to leave the room. She'd say to her husband Stan 'take them in the front room and play the piano.'

La mort, mon fils, est un bien pour tous les hommes; elle est la nuit de ce jour inquiet qu'on appelle la vie. Bernstein Death, my son, is a good for all; it is the night of this worrisome day that one calls life.

Children have neither past nor future; and that which seldom happens to us, they rejoice in the present. [Fr., Les enfants n'ont ni passe ni avenir; et, ce qui ne nous arrive guere, ils jouissent du present.]

Whereas Europeans generally pronounce my name the right way ('Ni-klows Wirt'), Americans invariably mangle it into 'Nick-les Worth'. This is to say that Europeans call me by name, but Americans call me by value.

De pronto no puedo decirte lo que yo te debo decir, hombre,perdóname; sabrás que aunque no escuches mis palabras no me eché a llorar ni a dormir y que contigo estoy sin verte desde hace tiempo y hasta el fin. I can't just suddenly tell you what I should be telling you, friend, forgive me; you know that although you don't hear my words, I wasn't asleep or in tears, that I am with you without seeing you for a good long time and until the end.

As a health scientist at Columbia University, Les Roberts, pointed out, sooner or later people are going to be looking at a child in a wheelchair suffering from polio and will say 'the Americans did that to him'. So they continue policies which have similar effects i.e. organising the Taliban. This will come back to them too.

The need for sociability induce man to be in touch with his fellow men. However, this need might not ("ne saurait", Fr.) find its full (or complete) satisfaction in the conventional (or superficial, - "conventionnel", Fr.) and deceitful world, in which (or where) everyone is mainly (or mostly) trying to assert oneself in front of others ("devant les autres", Fr.), to appear, and hoping to find in society ("mondaine", Fr.) relationships some advantages for his interest and vanity (or vainglory or conceit", Fr).

Usually, if I want to just listen to something or sing along to something, I'll put on some Gavin DeGraw or some Billy Joel. Occasionally, if I am feeling vocally in really great shape, I will sing Jean Valjean's soliloquy from 'Les Miz' or something.

My plat de resistance is potato salad with garlic and olive oil which we press from the olives from my trees in the grounds of my home near St Remy de Provence. I have four hectares and take the olives down to the local community press at Maussane les Alpilles. I don't produce big quantities; it is just for the family and friends.

Le toucher est le plus de mystificateur de tous les sens, a' la diffe rence de la vue, qui est le plus magique. Touch is the most demystifying of all senses, different from sight which is the most magical.

My idol is Emile Zola. He was a man of the left, so people expected of him a kind of 'Les Miserables,' in which the underdogs are always noble people. But he went out, and found a lot of ambitious, drunk, slothful and mean people out there. Zola simply could not - and was not interested in - telling a lie.

Infringing upon (or encroaching) the right of a single person, we overthrow (or turn upside down) the whole order on which rest legal agreements; for if we break (or transgress or violate) the undertakings enter unto ("les engagements contractés", Fr.), nothing assure that we will not break them, possibly ("éventuellement", Fr.) in another.

Le charme de la nouveaute , peu a' peu tombant comme un ve" t ement, laissait voir a' nu l'e ternelle monotonie de la passion, qui a toujours les me" mes formes et le me" me langage. The charm of novelty, falling little by little like a robe, revealed the eternal monotony of passion, which has always the same forms and the same language.

I fear that the impact of university censorship and university denial of due process will be to mis-educate a generation of students away from core values of civil liberties and constitutional safeguards. Students who have been led to believe by university administrators and faculty that censorship and denial of due process are acceptable norms will be more susceptible to accepting those norms in their post-university lives. That would be a tragedy for America.

My father would take me to auditions and put me in the room right in the corner because he was watching me; he couldn't get a babysitter. He'd be at the Nuyorican Poets Cafe in the LES until four in the morning, trying to tell his story and using his craft, but because he had a kid that didn't let him stop.

Rock 'n' roll guitar came from blues guitar. It was the blues guys who first turned the amp up and started whacking on the Stratocaster and a Les Paul. It wasn't the country guys and it wasn't the white guys; it was the Blues guys. That's where the real fire is in all of this rock and roll music.

I noticed affixed to a laboratory door the following words: "Les théories passent. Le Grenouille reste. [The theories pass. The frog remains.] &mdashJean Rostand, Carnets d'un biologiste." There is a risk that in the less severe discipline of criticism the result may turn out to be different; the theories will remain but the frog may disappear.

Do I believe the execution will work out? Les Moonves said yes to Survivor based partly upon my show Eco-Challenge. He liked my way of filming outdoors. It was the first use of helicopters on a documentary with the gyro-stabilized lenses. And a certain beauty of filming, allowing the drops to fall from a leaf into a puddle, allowing a spider to weave a web. Taking the breath to allow that to happen rather than showing scene after scene.

Here is how I work: when I think that a film needs to have a principal theme, I search for a melody. I have a very strange melodic gift: melodies come to me effortlessly. So I write melodies-thirty, forty, fifty-then I cast them off until I have just two or three. If only one is needed, I go see the director and ask him to decide. That happened one time with Jacques Demy for the duo of the twins [in Les demoiselles de Rochefort]: I went to his house in Noirmoutier to play 35 possible themes for him.

When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don't make it. So I tried to make it more refined. I tried to find images, allegorical images, that I could use to express things that I didn't want to say or didn't want to show or I was not able to find how to show.

I have simply taken some of the same questions and reposed them in new ways. But, you see, I must live. Right? I mean I can't stay the same for everyone to be consumed as the author of "Gender trouble". I have to continue to live and that means I have to "reposer les questions".

Why should an intellectual have to renounce the pleasures of life? I am not a hermit. I am a man of flesh and blood. In fact, if you look at my name in French, that schizophrenia, that aspiration to several lives is contained in my name. Lévy is also les vies - "the lives".

Vive les peuples, Vive la Republique! Vive la France!

There are bands that I am friends with, who will invite me up on stage. Like Les Savy Fav, who have had me on stage, and I have played on their record. There are a couple of bands like that. Yo La Tengo has invited me to play with them.

The nice thing about doing a pop opera - in the way that doing, say, 'Miss Saigon' or 'Les Miz' would be - is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of 'Why is this person bursting out into song?' because the whole thing is sung.

I remember listening to 'Low End Theory': I had been kicked out of high school. I was in GED school in the LES, and all I could do was listen to 'Low End Theory.' I was in a strange time in my life, and 'Low End Theory' kind of defined that time.

Il ne faut point donner d'esprit a' ses personnages; mais savoir les placer dans des circonstances qui leur en donnent. You should not give wit to your characters, but know instead how to put them in situations which will make them witty.

On tue un homme, on est un assassin. On tue des millions d'hommes, on est un conquérant. On les tue tous, on est un dieu. Kill a man, and you are an assassin. Kill millions of men and you are a conqueror. Kill everyone, and you are a god.

My mother was Welsh and I loved going to Wales every summer, where Uncle Les had a farm. My mother had seven brothers and a sister and they were all very close. There would always be food on the table and uncles coming in and out. My father's family were English and lived in London, and we didn't really see them.

FACT: The Priory of Sion - a European secret society founded in 1099 - is a real organization. In 1975 Paris's Bibliothque Nationale discovered parchments known as Les Dossiers Secrets, identifying numerous members of the Priory of Sion, including Sir Isaac Newton, Botticelli, Victor Hugo, and Leonardo da Vinci.

Le plus beau vêtement qui puisse habiller une femme, ce sont les bras de l'homme qu'elle aime. Mais, pour celles qui n'ont pas eu la chance de trouver ce bonheur, je suis là.

Definitely. More and more I understand that it's very fine not to know where you come from. There is line in a song by Georges Brassens [French singer-songwriter]: 'Les imbciles heureux qui sont ns quelquepart.' I will never be one of the happy stupid that were born somewhere. This way of life is excellent for the imagination. It develops your paranoia. You feel paranoid when you don't understand a country, and being paranoiac is excellent for fiction.

From time immemorial, soups and broths have been the worldwide medium for utilizing what we call the kitchen byproducts or as the French call them, the 'dessertes de la table' (leftovers), or 'les parties interieures de la bete', such as head, tail, lights, liver, knuckles and feet.

Since I hold no judgments against my characters, no matter how heinous they might seem, I present them as real people with their own moral centers. We might feel those moral centers are mis-calibrated, but they are there and are the rudders that propel them. This makes reading my work a visceral roller coaster, 'cause the reader must embark on the journey of the protagonist equipped only with his or her own moral center.

I don't feel guilty about the music I love. If you feel guilty about something you dig, then you should stop feeling guilty about it. One of my favorite albums to this day is the 10th anniversary ensemble cast of 'Les Miserables,' the ultimate cast recording, and it is still something I love listening to top to bottom.

Le mot 'psychologie'est un de ceux qu'aucun auteur d'aujourd'hui ne peut entendre prononcer a' son sujet sans baisser les yeux et rougir. The word 'psychology' is one that no author today can hear said about her work without lowering her eyes and blushing.

In life we only try to produce, to win, and enjoy the more we can; in science, to discoverand invent the more we can; in religion, to dominate (or rule over) on the greatest number of people we can; whereas the forming of the character, the further development (or in-dept analysis, "appronfondissement", Fr.) of the faculties of the intelligence ("les facultés de l'intelligence", Fr.), the refinement of the consciousness and of the heart, are considered incidental (or subordinate) things.