Top 333 Les Miz Quotes & Sayings - Page 4

Franchement, quand je survole certains pays européens (les éoliennes) ne donne pas envie. (Frankly, when I fly over some European countries, their turbines don't fill me with envy.)

It is astonishing that Monod's Les Adieux are not better known. This courageous French Reformed pastor was both passionate in his care for people and singular in his devotion to God.

My first trip abroad was to do a TV version of 'Les Miserables' in France with Anthony Perkins. There I was at 12 acting with the guy from 'Psycho.' My parents were teachers, and it was hard for them to relate to that world.

I've heard everyone do 'Bring Him Home' from 'Les Miserables.' When Colm Wilkinson did it, I truly never thought I would hear anyone as good, never mind better.

My first trip abroad was to do a TV version of "Les Miserables" in France with Anthony Perkins. There I was at 12 acting with the guy from Psycho (1960). My parents were teachers, and it was hard for them to relate to that world.

Couture has a power that ready-to-wear can never have; the attention of les petites mains as they sew; all that love and belief goes into the cloth. That's what you feel when you wear it.

Alas! we see that the small have always suffered for the follies of the great. [Fr., Helas! on voit que de tout temps Les Petits ont pati des sottises des grands.]

I love Les Beaux Peeps. Everyone in that band works together really well. I used to go out to see bands a lot; now it seems there just aren't any I like.

We had a show called NXT, and Daniel Bryan was my rookie, and I was his pro. And the object was for the pros teach the rookies what it's like to be a WWE Superstar. As soon as that hit the Internet, the Internet thought it was absurd: 'How dare WWE put Daniel Bryan as Miz's rookie? Daniel Bryan should be the pro.'

Men blush less for their crimes than for their weaknesses and vanity. [Fr., Les hommes rougissent moins de leur crimes que de leurs faiblesses et de leur vanite.]

Milan Kundera was my literature professor. He's a Francophile, so he made us read French novels like 'Les Liaisons Dangereuses,' which I made a version of many years later as 'Valmont.'

I always wanted to play Marius in 'Les Miserables,' I actually got offered the role but I had to commit to do it for six months, and as that meant I wouldn't have been able to tour with McFly I turned it down.

The Les Paul was more challenging because of the weight of it, but the tone was there that the Fender will never have and vice versa. So you have to make a decision as to what you're going to have as your main instrument. After seeing Hendrix, I thought, 'I'll stick with the 'Strat.'

While other guitars may have more twang or an esoteric atmosphere, the Les Paul is like a T-Rex thampling everything in it's path .. it can be subtle if you want it to be, but it works best if you have an 'armadillo in your trousers' and you want to articulate that

I always use my Les Paul. I have a Hamer as well. I use a Tele and an Esquire - once in a while, I will use a Strat, and I never use any pedals... except for in my car.

When fans think WWE, I don't want them to think Hulk Hogan or The Rock or Stone Cold Steve Austin or John Cena. I want them to think of The Miz. I want to be on every show. When we need a guy to do Conan or Jimmy Kimmel, I want them to call me. I wanna be on the cover of all the video games. I want it all.

Since 2002, there has been a wave of attacks against Jewish 'persons or property' in France, a great many of them committed by young men living outside Paris, in the vast ghettos called les banlieues.

I love The Miz. His approach to his job is second to none; it's extremely important to him that he prepares on a daily basis. I travel with him and from the moment he gets up to the moment he goes to bed it's all WWE, all sports entertainment. He keeps his body in shape and he is a true champion in the ring and out. He's a great representative of the company and I'm learning a lot from him, not only on TV but outside as well.

I just wanted to see every single musical I could. The very first one I saw was 'Beauty and the Beast,' the only one I could get tickets for, and then 'Les Miserables' and then 'Chicago.

I listened to John Denver and Simon & Garfunkel. Edith Piaf was a huge favourite. Then I discovered musicals - I loved 'Les Miserables' - and, at about 14, I started listening to David Gray.

I designed a guitar for Ibanez and then they started manufacturing it - it's called the Jem - it's 26 years old and I still play it. As a kid I liked Les Pauls and Strats, but they had limitations for the kind of playing I wanted to do.

For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day', I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.

I started off when I was seven years old doing musicals. I was in 'Les Miserables' and 'The Sound of Music,' and my mum's an actress. My parents divorced when I was young, and when she couldn't find a babysitter, I was in the wings, sleeping.

I've had two owners - Jim Dolan and Les Alexander in Houston. Both were terrific. They wanted to win badly and gave you the resources to win.

I trained myself. Long ago, `Boy' [Arthur] Capel introduced me to 'Bludgeon the Poor!' (Assommons les pauvres!) which, rejecting resignation, informed my moral outlook for life.

Il y a dans les hommes plus de choses a' admirer que de choses a' me priser. There are more things to admire in people than to despise.

Les trois quarts de nos exercices intellectuels ne sont plus que broderies sur le vide. Three quarters of our intellectual performances are no more than decorations over a void.

I'il n'est pas en notre pouvoir de changer la nature des choses. Il faut les ?tudier telles qu'elles sont.

In terms of specific cinematic influences, certainly I'd recommend 'Juan de los Muertos,' and I also really love this French zombie movie - 'Les Revenants' - where the dead reanimate for no apparent reason.

I can't stand tribute bands. It's nice, bless 'em, but it's not right. They can't capture the right spirit. You never see a tribute comedian, a tribute Les Dawson.

If I'm in the country, my big idea is to do nothing. It means talking, it means cooking with the leftovers in the fridge - l'art d'accommoder les restes - it means gardening.

I don't really play overseas stuff. I'm a bit of a dinosaur in that way. You gonna improve on a Les Paul or Fender Stratocaster? Those are perfect designs, and there is nothing to add really.

Naturally, as a little boy, I did lots of naughty things. With Les, the son of the farm manager, I was always climbing on high roofs, then tumbling off, or building dangerous networks of tunnels in the hay bales.

I had dreamed my life for nearly fifty years (I am about to be fifty-nine). But, you see, there are two tones in Les Mats: the echo of this condemnation and a mitigation of that severity.

The qualities we have do not make us so ridiculous as those which we affect to have. [Fr., On n'est jamais si ridicule par les qualites que l'on a que par celles que l'on affecte d'avoir.]

I'm sort of standing on T-Bone Walker's shoulders, Les Paul's shoulders, Lightnin' Hopkins' shoulders, Muddy Waters' shoulders, you know? And if I've inspired other people, I'm pleased. That pleases me greatly.

I went to a performing arts school. I went to an audition for a musical, 'Les Miserables,' in the West End, and I got in, and my parents were like, 'Oh, you can sing?' So I kind of started singing properly when I was, like, seven.

Le silence est la plus grande perse cution: jamais les saints ne se sont tus. Silence is the greatest of all persecutions: no saint was ever silent.

La solitude re tablit aussi bien les harmonies du corps que celles de l'a" me. Solitude restores the harmonies of the body no less than those of the soul.

The last thing the theatre owners wanted was for people who spent $200 to see 'Les Miserables' to come out again and see the real miserable children of America, right there on the sidewalk.

Je sais la douleur est la noblesse unique O u' ne mordront jamais la terre et les enfers. I know that pain is the one nobility upon which Hell itself cannot encroach.

It's sad when you see most of your friends in the business gone, like Tommy Cooper, Frankie Howard, Eric Morecambe, Roy Castle, Les Dawson. They were very dear to me. You no longer have the chance to bump into them at a celebrity do.

I just wanted to see every single musical I could. The very first one I saw was 'Beauty and the Beast,' the only one I could get tickets for, and then 'Les Miserables' and then 'Chicago.'

When I was playing Marius in the inaugural production of 'Les Mis,' I contracted glandular fever which developed into a post-viral depression. I was 23 and I couldn't see any light at the end of the tunnel.

My go to karaoke song is 'Stars' from 'Les Mis', which is Javert's song. And it's super strange, and every time it comes on people are really weirded out, but that's what I do.

Whatever we conceive well we express clearly, and words flow with ease. [Fr., Ce que l'on concoit bien s'enonce clairement, Et les mots pour le dire arrivent aisement.]

My first Gibson was a '91 Les Paul Custom tobacco burst. I still have it - it's still amazing-sounding - but it took me a long time of saving up to get that guy!

My uncle Les Dolliver was a partner with the Nasser brothers, who owned a string of theaters in San Francisco, and also supplied motion picture projectors and seats for theaters. So I was always around theater people.

This sounds geeky, but when I run, I like to listen to musicals like 'Les Miserables.' The soundtracks are 75 minutes or longer, and I keep going until the story ends, so it feels like a good workout.

I started off when I was seven years old doing musicals. I was in ‘Les Miserables’ and ‘The Sound of Music,’ and my mum’s an actress. My parents divorced when I was young, and when she couldn’t find a babysitter, I was in the wings, sleeping.

This sounds geeky, but when I run, I like to listen to musicals like Les Miserables. The soundtracks are 75 minutes or longer, and I keep going until the story ends, so it feels like a good workout.

I was always that kid. When I got ice cream, I put it in my eye. When I got my license, I got pulled over so many times for playing 'Les Mis' too loud.

Rivers are roads that move and carry us whither we wish to go. [Fr., Les rivieres sont des chemins qui marchant et qui portent ou l'on veut aller.]

Never can a room look comfortable without books ... Books ought to be scattered all over the house, even in the passages, in the bedroom, les livres du chevet, everywhere.

There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in.

Gerry Schoenfeld told me 'Les Parents Terribles' was not going to sell, even though we had Kathleen Turner and Jude Law in the cast. So we called it 'Indiscretions.'

My first reaction when I watched Les Miserables was, 'Wow, my hair looks good!' They put half a wig in, and I was always kinda worried it was gonna make my head look twice as big!

You could do a 'Les Mis'-type musical about Hamilton, but it would have to be 12 hours long, because the amount of words on the bars when you're writing a typical song - that's maybe got 10 words per line.

Ah! si l'on o" tait les chime' res aux hommes, quel plaisir leur resterait? Oh! If man were robbed of his fantasies, what pleasure would be left him?

If you had of told me age 10 that in 19 years time I would be on a stage in Salford performing with Les Dennis in a sitcom I had written, I would have believed you.