Top 1200 Let Me Go Quotes & Sayings - Page 6

I can't explain exactly why it lives within me for so long and passionately. But race matters to me; racial equality matters to me, as does gender. There is something about these kinds of social injustices that go to the deep of me.

It used to be, when somebody asked me to go for a walk, I bristled. Now I can't tell you how much I love to go on a stroll up the street.

It was a natural thing for me to go become a musician, and then to start writing music. I don't even really remember making a decision to go into music, it was just there for me, always. If I weren't making a living at it, I'd still be writing music.

It's the bounce in go-go that inspires me.

You don't face Nolan Ryan without your rest. He's the only guy I go against that makes me go to bed before midnight.

I am going to sit here in the river. If you go home to sleep, I will sleep in front of your house. And if you go away, I will follow you - until you tell me to go away. Then I'll leave. But I have to love you for the rest of my life.

I always could go into restaurants in Chicago, and nobody would throw anything at me. There are people there who might not like me, but I think they respect me.

Growing up from Nirvana to all the bands I was listening to at the teenage time, those were my best friends, more than my real friends. Those were the people that sang me to sleep or gave me the confidence I needed to go to first period. When we're all so insecure with weird stuff, when we're having weird feelings toward girls or guys, or whatever. It's the insecurity of life that we all go through. So music helped me.

My parents didn't give me any scope to feel sorry for myself. They were just like 'go play with your brother, go climb a tree, go fall off your motorbike, do whatever you want. Don't come crying to us when you get scratched. You've got prosthetic legs - that's very nice.

I've always accepted applause as making me feel worthwhile. I hope I die being applauded. Just put a chaise longue under me and let me go.

If I go to the National Gallery and I look at one of the great paintings that excite me there, it's not so much the painting that excites me as that the painting unlocks all kinds of valves of sensation within me which return me to life more violently.

Don't tell me to leave-you leave. If Obama, if Clinton, if Mittens Romney, if Rick Santorum, if Neutered Gingrich, if Herman '999 666' Cain, if Michelle Bachmann, if Sarah Palin, if Harry Reid-if any of these people want to tell me to leave because I don't believe their BS, come over and we can talk. You want to go man-to-man with me? We could go at it. Don't send one of your flunkies.

With a song, it only takes a couple of minutes to go back to the beginning and try it again to see if it works. The novel freaks me out because, what if you get into the eighth chapter and think, 'Let's go to the top and see if this works again? It's going to take me three weeks.' I'm in awe of that.

If someone has offended you, insulted you, or disappointed you, let it go! If you are remembering all the ways you have been hurt or forgotten, let it go! Ask yourself, what good does it do for me to hold on to this?

My parents didn't give me any scope to feel sorry for myself. They were just like 'go play with your brother, go climb a tree, go fall off your motorbike, do whatever you want. Don't come crying to us when you get scratched. You've got prosthetic legs - that's very nice.'

Sometimes I wake up at night and go, 'Oh, damn! Here we go again! What were they thinking? They gave me this role; don't they know I'm faking it?

I look at a pilot and go, "I see the landscape. I see the characters. I see the direction and the potential of the story." And I also go, "That didn't work. I could change that. Maybe that works. I don't know. We'll see." For me, I look at it, as an actor, as what can I improve upon? So, to have it out there and judged solely on its own merit is really a unique experience for me.

It never occurred to me that I wouldn't go to college and have a career - as well as a family - of my own. Both my parents, but especially my mother, encouraged me and led me to believe that it was possible.

Can't go on singing the same theme, 'cause baby, can't you see, we've got everything going on? Every time you go away, you take a piece of me with you.

When you go to auditions, pretend you already have the job and you're just presenting - almost like you're at the table read. Don't go in with an air of, 'Please like me,' or, 'Please hire me.' You're like, 'Here's my take on it. Take it or leave it. I've got a lot of other things to do today.'

I have a house where I go, When there's too many people, I have a house where I go Where no one can be; I have a house where I go, Where nobody ever says "no" Where no one says anything - so There is no one but me.

When I go outside of L.A., no matter where it is, really anywhere I go, people will be stopping me or taking pictures or whatever it is. And it's great. It's amazing. I'm just lucky.

When I'm doing stand-up, it's just me depending on me. I know how to go out there and make people laugh. I've been doing it since I was a teenager. I trust my instincts. I just go out and talk. A lot of the time I let the material come from the top of my head.

I've done so many unpredictable things and so profoundly. Even the people who want to go against me, are afraid to go against me. They've been wrong so many times. A lot of them are just being mum right now. They must feel I can still do things.

What I would hate to go through is what happened in the mid-90s playing in front of a half-empty theatre, which prompted me to say 'never again' when it came to Waterford. To go through that again in any of the places I call home would destroy me.

What we've witnessed in the past 25 or 30 years is just incredible. We've birthed 30,000 or 40,000 restaurants. I used to go to Europe every year to get experience [and ideas]. I don't go to Europe anymore. I go to Oregon, I go to Washington, I go to Louisiana, I go to Little Rock, I go to Austin, I travel New York City. I don't go to Europe anymore.

When I go to auditions, I try to always make sure I go in prepared. I always think to myself, 'I'm here to provide them with a service. They need me, and if they decide to hire me for this service, I'm going to give them the best they've ever paid for and if they don't, they're dumb.' That's on them.

But, Lord Crist! whan that it remembreth me Upon my yowthe, and on my jolitee, It tickleth me aboute myn herte roote. Unto this day it dooth myn herte boote That I have had my world as in my tyme. But age, alias! that al wole envenyme, Hath me biraft my beautee and my pith. Lat go, farewel! the devel go therwith! The flour is goon, ther is namoore to telle; The bren, as I best kan, now most I selle.

My hand is very tired but I want to go on writing. I keep resting and thinking. All day I have been two people - the me imprisoned in yesterday and the me out here on the mound; and now there is a third me trying to get in - the me in what is going to happen next.

I want to just go to places where writers don't usually go, where people like me don't usually show up, and say, 'Here are some poems. Do they speak to you? What do you hear in them?'

In Majorca, I can be myself. I go to the supermarket and the cinema, and I am just Rafa. Everyone knows me, and it is no big deal. I can go all day - no photographs.

I took all the courses you would need to be able to go to law school. But my experience in college with football made me want to go into coaching.

I think any actor can relate to the feeling of 'Just tag me in, coach, give me a chance.' Athletes go through the same thing. To be quite honest, most people in any job or career probably go though that, when you want a chance to prove what you can do, or somebody is taking away a chance at something you can do.

I would never go travelling on my own. Some people like to go backpacking alone, but there's no way I would do that, even if you paid me - I just don't see the point. If I discover something beautiful, for me it's very important to be able to share it with someone and not just see it for myself.

I talk to people who are musicians, and they go, Oh this is hell. And I go, Are you kidding me? You never put tar paper on a roof, did ya?

I've done so much different stuff, people kinda go, 'Do you live in Islington?' 'Did you used to go to so and so school?' And when I say I'm an actor, they don't believe me!

I'm not going to go to a producer that's going to take me in a studio and charge me my whole budget and give me a fake head nod. I'm just trying to make good music. I appreciate everybody that's supporting me.

Nothing would make me happier if people got curious enough to actually go online to and start looking and researching the Apollo 1 fire... That would be amazing to me if people would actually go through the trouble to figure that stuff out.

Marcus Trescothick. No question. I hate bowling to him. I pitch it up, he drives me through the covers. I bowl back of a length, he runs me down to third-man. I go short, and he lifts me over the keeper or pulls me for four.

I don't go for holidays or celebrate my success because I know nothing is permanent. I don't let it get to me - like I am India's top director with too many hits. If that happens, I might lose the connect with my audience. The day I go wrong, they will run away from me. I want to be like an assistant director all my life.

I met Kanye. I'm starstruck, man, but I stayed away from that guy. I didn't want him to go on a rant, go off on me. He did it at his wedding.

Every time I go on to the court, people expect me to get a medal. It is tough, and I can't win always, but I still have to go out there and give my best.

I've done made a deal with the devil. He said he's going to give me an air-conditioned place when I go down there, if I go there, so I won't put all the fires out.

Def Jam just made deals with me. They wouldn't let me go because they didn't really have that much street cred. So they kept me around.

You can hate me. You can go out there and say anything you want about me, But you will love me later because I told you the truth.

I can go to my premiere at the Chinese Theatre, and everyone will know me, and everyone will cater to me. And then I'll go to an audition and get rejected left, right and centre. They don't watch my videos, and they don't really know who I am. It is like starting from scratch when it comes to traditional Hollywood.

Kids that are allegedly better students are in an elitist class in first and second grade and then they go to their high schools, they go to their universities and the normal dumb shits like me are down at the bottom. These people go to elitist schools and they replicate their elitist thoughts in the corporations.

Chicago made me. They can treat me however they want to treat me anywhere else in the country. When I go back home, they treat me like I'm a star.

When I am gone, my love, do not look for me in the places we used to go to together. Look for me in the places we always planned to go to together.

Take me somewhere I can grow Give me something let me go Tell me something I don't know

Me: "If you want me to be a teenager, don't send me to Support Group. Buy me a fake ID so I can go to clubs, drink vodka, and take pot." Mom: "You don't take pot, for starters." Me: "See, that's the kind of thing I'd know if you got me a fake ID.

A light has dawned for me: I need companions, living ones, not dead companions and corpses which I carry with me wherever I wish. But I need living companions who follow me because they want to follow themselves- and who want to go where I want to go.

For me, Picasso was the ultimate man. He taught me that photography is all about how you approach an image: what you do and what you don't do. He inspired me to go beyond what you think is in front of you.

Most songs I write are spur-of-the-moment-type things. I have to be spontaneous. If not, songwriting can bore me. There is no pre-design or idea of what I am going to do when I go into the studio. It's all like that for me. I could go in and write two or three songs in an eight-hour session. You can't over-think songs. You just can't.

'Just Can't Let You Go' is a song about passion. It's when you have such a strong passion and love for someone or something that your heart just can't let it go. Whether it's a special boy, girl, or that feeling you get when performing on stage or playing a sport. For me, my passion is music. I just can't let it go!

Me is what them call illegitimate, that mean say me is a criminal, bomba rassclaat! That's why me go write a song called 'Illegitimate Children.' It took me years to find out I was one.

For me, if somebody tells me to go away, that is an opportunity for me to give them a better life. And that's an opportunity for me to know and realize where not to be. It's an opportunity for me to see what could be better than being with that person I love.

I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.

I had no desire to go to Iraq. I never wanted to go to Mosul. I'm not a war correspondent. No part of me thrives on the adrenaline or anything like that.

Do you want a list of what my dogs taught me? Patience, perspective, joy, loyalty, the simplicity and presence of their joy. That's a really great daily reminder, bad stuff happens, difficult stuff happens and you take them out onto the beach and you go "OK, now I see". You tell them the current political situation in the world and they go "should we go for a walk?" And you go, right, that's the correct answer.