Top 1200 Letters To The Editor Quotes & Sayings - Page 2

I get a lot of letters - a lot of letters saying, who knew that you were funny?

The love of letters is the forlorn hope of the man of letters. His ruling passion is the love of fame.

I just so desperately wanted to be published in New Yorker, and I'd so desperately try to get something in it. But I'd always get nice letters back telling me that Mr. Shawn [William Shawn, the New Yorker's editor from 1952 to 1987] just didn't like this or didn't like that about what I submitted.

The loss of letters in today's world is one of the great losses we are experiencing, though we shan't know the full extent of it for another twenty or thirty years when we'll wish we had those letters never written.

You know, people always think if you start out as a film editor, you shoot less footage. Actually, just the opposite is true. I tend to grab as much coverage as I can because as a former editor I know how important it is to have those few frames.

The Greeks according to official history used letters for hundreds, for tens, and ones.It was extremely complicated. If you talk about Archimedes, you should use Greek letters.

I was interested in creating things that I could be proud of and so, you know, I was interested in being an editor of a magazine, things that I could be proud of, and so, you know, I was interested in being an editor of a magazine, but in order to be an editor of a magazine I had to become a publisher as well. I had to pay the bills. I had to worry about the printing and the paper manufacturing and the distribution of that magazine.

Miracles are a retelling in small letters of the very same story which is written across the whole world in letters too large for some of us to see.

My first two books, 'Letters to a Young Brother' and 'Letters to a Young Sister,' were... distributed pretty widely. Judges in juvenile justice facilities started citing the book as required reading.

The first thing that editor does is they take out a red pen, or nowadays you go online, and they start striking things. Basically eliminating things, the biggest task of an editor is to simplify, simplify, simplify and that usually means omitting things.

As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting that, I'm just aware in the back of my head what an editor might want. And also, the problems editors run into when trying to edit performances - it helps me head that off at the pass a little.

Asking the government to fix our economy is like asking an editor to fix a movie, but in this case, the editor's not even of one mind.

Melissa Biggs Bradley spent a decade as Travel Editor of 'Town & Country,' and later served as the founding editor of 'Town & Country Travel.' She then launched Indagare Souk, an online marketplace of global treasures.

You can give the greatest performance possible, but if you don't have a director who's pointing the camera in the right direction and an editor who's editing it properly, it doesn't matter what you do. The director and the editor are the most important people. Not the actors. Sometimes the writer is important. But if you don't have a good director, you can't have a good production.

My first two books, Letters to a Young Brother and Letters to a Young Sister, were... distributed pretty widely. Judges in juvenile justice facilities started citing the book as required reading.

Letters are like wine; if they are sound they ripen with keeping. A man should lay down letters as he does a cellar of wine.

Jim Rich is many different things but he has a great combination of a kind of old school tabloid reporter and editor's sense for what's a great story, but he's also incredibly passionate about social justice. I think Shaun King called him the most woke editor in American, if that's a compliment.

1968 in Paris renewed my options. There was suddenly a desire of inventing new things, and I while I was working as an editor, the assistant editor thought I had a gift, and when he shot his own film, he hired me as his assistant camera, and I trained myself to do the light for him.

In the English language, it all comes down to this: Twenty-six letters, when combined correctly, can create magic. Twenty -six letters form the foundation of a free, informed society.

Usually, an author writes a manuscript that is handed in to the editor. The editor will then work with an art director to find just the right illustrator for the job, and off they go. Many times, the illustrator and author never meet.

There are similarities between being an editor and a tailor. Tailors have a vast supply of fabrics, buttons and thread at their disposal and put it together to make a whole. That's what an editor does - looks at society at a given time and pulls together the interesting aspects into a single issue each month.

I stayed at 'Cosmo' well beyond my internship, moving up the ranks over some 15 years to become books editor, then brand director, then editor-at-large - editing everything from an excerpt of Gore Vidal's memoir to writing some of those juicy cover lines myself.

You can use any editor you want, but remember that vi vi vi is the text editor of the beast.

I think one of the best jobs in the universe must be being the editor of 'The New Yorker', but there are a number of magazines that I'd be excited to be the editor of. They would be 'Wired', 'The New Yorker' and probably, 'Vogue'.

It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision.

'Where'd You Go, Bernadette' is an epistolary novel - one told in letters. I had no idea how much fun it would be, puzzling together the plot with letters and documents.

When I was in elementary school, I used to write letters to myself. I'd write letters and go 'Dear Kristen-at-16-years-old, happy birthday. I hope you're doing something.'

I like writing letters and receiving letters. It's a shame that we've lost the art of letter-writing and saving correspondence. I mourn that.

I get some letters from girls that if their mothers knew what they were writing me in these letters, they'd get their butts whipped.

I receive about 10,000 letters a year from readers, and in the first year after a book is published, perhaps 5,000 letters will deal specifically with that piece of work.

Gone are the days of letters and I miss them. My fans used to wish me via letters and I loved reading them.

[Lockyer]... sometimes forgets he is only the editor and not the author of Nature. [Lockyer was the first editor of Nature.]

Most people are much better at saying things in letters than in conversation, and some people can write artistic, inventive letters, but when they try a poem or story or novel they become pretentious.

It will be written on my tombstone in very large letters, 'Here lies Hikaru Sulu,' and in very tiny letters, 'aka George Takei.' I don't protest the inevitable.

You know when a company wants to use letters in their phone number, but often they'll use too many letters? "Call 1-800-I-Really-Enjoy-Brand-New-Carpeting." Too many letters, man, must I dial them all? "Hello? Hold on, man, I'm only on 'Enjoy.' How did you know I was calling? You're good, I can see why they hired you!"

People no longer write letters. Lacking the leisure, and, for the most part, the ability, they dictate dispatches, and scribble messages. When you are in the humor, you should take a peep at some of the letters written by people who lived long ago.

When I first went up to see my editor, I was with my agent, and my editor said, 'Well, what have you been doing all these years?' And my agent said, 'He's been in recovery. From his childhood.'

Another thing I like to say to my students is this: "How many Corinthians read Paul's letters?" The answer is none. They couldn't have cared less! There aren't even any Corinthians left, but Paul's letters persist. Paul was not a professional writer. He was called to something, and he sent his letters. That's a good way to look at it. That you might be making something that nobody cares about, but you have to do it. It's not that people should care, but that you should care.

I entreat students of letters and other scholars to obey their masters in things good, to imitate them, and diligently apply themselves to letters for the sake of God's honour and their own salvation and that of other men.

It was the sheer force of the letters themselves which brought forth the meaning, since the only link between the Sephirot of non-verbal Wisdom and verbal Intelligence was through the letters of the alphabet.

I get thousands of letters, and they give me a feeling of how each book is perceived. Often I think I have written about a certain theme, but by reading the letters or reviews, I realise that everybody sees the book differently.

I never wanted to write. I just wrote letters home from a kibbutz in Israel to reassure my parents that I was still alive and well fed and having a great time. They thought these letters were brilliant and sent them to a newspaper. So I became a writer by accident.

The shapes of letters do not derive their beauty from any sensual or sentimental reminiscences. No one can say that the O’s roundness appeals to us only because it is like that of an apple or of a girl’s breast or of the full moon. Letters are things, not pictures of things.

My own disposition is to trust the reader. Of course, there's a line between trusting the reader and expecting her to read your mind. That's where a friend or an editor comes in. A great editor will tell you straight when you've drifted into the latter territory.

I always thought the editor should cut the film and so I'll come in and look at the movie. Just because that's the only way I can really see the ideas of the editor, it's really working together. Yes it's a hierarchy, yes I'm the boss, but I like to see and to think about the idea, and it's about us asking, 'do we have to say that?' and, 'how do we make it there?' So it's advising the editor, it's very give and take, it's very free, but in the end, it's wonderful once you get through the first couple of cuts.

A specific editor in a specific place likes the book, and you're in. A different editor on a different day goes, 'Oh, this isn't for me', or doesn't even look at it, and that's it.

I have more information than anybody's ever had about this case. I have 7,000 letters from Aileen Wuornos and all the letters between her and her girlfriend.

In a Man's Letters you know, Madam, his soul lies naked, his letters are only the mirrour of his breast.

When you get arrested it's in big letters. When you get acquitted it's in small letters.

Newspapers have been likened to steamships that move very slowly, in terms of their direction. And when a reporter is sent out on a story, if that reporter has his or her own personal standards and is given a certain amount of time, they're going to probably do as good a story yesterday or tomorrow as they did the day before yesterday when there was a different editor there. But an editor provides vision. An editor decides what's going to be on page one, what gets rewarded, who's given more time, who's given what beats. They set a direction.

I worked as an assistant editor, actually, for a few years. That was right when I was just starting to get out at night and do a lot of stand-up, improv, and sketch work in New York. It really is invaluable. I think it pounded into me an awareness of what an editor wants and needs, in terms of clarity of a moment, where and when to start and stop a line.

It's interesting to me that really one of the first things she [Eleanor Roosevelt]did as First Lady was to collect her father's letters and publish a book called The Letters of My Father, essentially, hunting big game, The Letters of Elliott Roosevelt. And it really was an act of redemption, really one of her first acts of redemption as she entered the White House. She was going to redeem her father's honor. And publishing his letters, reconnecting with her childhood really fortified her to go on into the difficult White House years.

It's great to create a story and then to submit it to your editor and see what her reaction is to it. It's great to have your editor tell what her suggestions and ideas for the story are. It's great to explain to your editor why her ideas and suggestions are bizarre and to ask her why is she trying to ruin my story.

After Ann Godoff, who was editor-in-chief at Random House, left and went to Viking, I got to know Viking and the people there, and liked them very much. I also found a wonderful editor there, Wendy Wolf. It's a very congenial press.

The letters that say 'I'm getting the messages you're sending me through the television screen' are not great. But those are few and far between, thank God. I get wonderful letters, and people send me artwork.

I don't have an editor on Twitter. I have an editor in the paper, and so I tend to be less precise in 140 characters and sometimes I leave people confused as to my meaning. And then I make the mistake of engaging and trying to explain it, which just leads you down a rabbit hole.

I sent The World Well Lost to one editor who rejected it on sight, and then wrote a letter to every other editor in the field warning them against the story, and urging them to reject it on sight without reading it.

I don't know if my mum and President Kennedy ever dated, but they were friends and there are some letters from him that she kept - sweet and innocent letters saying, 'Saw you in the play the other night and you were fantastic.'

The difference between helping and selling is just two letters. But those two letters are critically important to the success of business today.

Just like Lara Jean in my book 'To All the Boys I've Loved Before,' I used to write letters to boys I was in love with - letters full of emotion and longing and also recrimination - but they were for my eyes only.