Top 1200 Letters To The Editor Quotes & Sayings - Page 4

Never throw up on an editor.

Everyone needs an editor.

[Henry Miller] was such a scribomaniac that even when he lived in the same house as Lawrence Durrell they often exchanged letters. For most of his life, Henry wrote literally dozens of letters a day to people he could have easily engaged in conversation - and did. The writing process, in short, was essential. As it is to all real writers, writing was life and breath to him. He put out words as a tree puts out leaves.

In the long run, the quality of your work is all that matters. That is your only resumé. Be professional. Make sure your editor or publisher can always reach you. Do what's asked of you if your conscience can bear it. But know that, five years from now, as fans or prospective employers are looking over your published pages, no one will care that this story sucks because the publisher moved the deadline up or because the editor made you work an android cow into the story. All they will care about is what they see in front of them, and they will hold you responsible for it, no one else.

I really think kids should understand that music is like learning the alphabet. You put small letters together to make words, and then you use these words to create a story, but with music. And they really need to know how to mix and match those letters and how to come up with something that is really interesting, or speak in metaphors as poets do to show us something maybe we didn't think about.

It was also her nature that caused her letters to avoid emotional pitfalls and confine themselves to relating the events of her daily life in the utilitarian style of a ship's log. In reality they were distracted letters, intended to keep the coals alive without putting her hand in the fire, while Florentino Ariza burned himself alive in every line.

I have a great editor and I enjoy, in a masochistic way, being ruthless about my own performance. How do I know, but I think I'm quite good at saying, "That's no good. That's no good. That's it. That's it. That's good." And I'm with the editor who goes, "No, I think you're wrong. That's not your best." There's an initial point in the editing, if you're directing yourself, especially in my case, where you go, "Ouch, ouch, ouch, I can't watch this." And then, there's a point where you become hard-nosed and just take your neurosis away and go, "What's working? That's okay. That's okay. We can lose that, and lose that." You get objective about it.

The Germans, in the age of Tacitus, were unacquainted with the use of letters; and the use of letters is the principal circumstance that distinguishes a civilised people from a herd of savages incapable of knowledge or reflection. Without that artificial help, the human memory soon dissipates or corrupts the ideas intrusted to her charge; and the nobler faculties of the mind, no longer supplied with models or with materials, gradually forget their powers; the judgment becomes feeble and lethargic, the imagination languid or irregular.

Not too many people know who the editor is.

I leave my editor to put the periods and commas in.

My only claim to fame, if I have one, is that I'm an editor.

Typing is an essential skill, but it can be painful. Some children just don't know where the letters are. Typing a three-page story, when they have to spend minutes hunting for every letter, can take forever. Yet we tend to assume that children can type, partly because quite a lot of us know where quite a lot of the letters are, so we assume that children do, too.

You've got to be an editor in order to be a good composer.

When we were children, letters were like fun toys. We played with them through our building blocks. We colored them in books. We danced and sang along with TV puppets while learning C was for “cookie.” Soon, letters turned into words. Words turned into sentences. Sentences turned into thoughts. And along the way, we stopped playing with them and stopped marveling at A through Z.

A very good editor is almost a collaborator.

I had many, many, many death threats. I couldn't open letters for a long time, because they all had to be opened by either the FBI or somebody. I couldn't open letters. I had to be escorted. In fact, just recently I went to a funeral, Calvin Wardlaw, who was the detective -- the policeman -- with me for two years, passed away just recently. He and I got to be bosom buddies really, but that was the hardest part. I wasn't able to enjoy -- you know.

There was a part of me that always wanted to be an editor.

An editor is the uncrowned king of an educated democracy.

[Margot Hentoff] was an editor there for a time as well as a writer.

I think FDR was very dashing and charming and debonair, and probably reminded her of her father. A great bon-vivant. He loved to party. He loved to sing. He loved to have fun. And he wrote beautiful letters, just as her father did, which - alas and alack - Eleanor Roosevelt destroyed. But she refers to his beautiful letters. And she was charmed by him.

My aspiration was always to be a fashion editor.

Anyone who edits their own copy has a fool for an editor.

In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.

Never forget that you must die; that death will come sooner than you expect... God has written the letters of death upon your hands. In the inside of your hands you will see the letters M.M. It means 'Memento Mori' - remember you must die.

I had a fan who had a fictional relationship with me. She wrote letters to me and then wrote return letters to herself (from me). In her mind, we were married and had two children. Her parents finally uncovered this delusional life she was living and she got help.

I think that Hick was in love with Eleanor, and Eleanor was in love with Hick. I think it's very important to look at the letters that are in my book, because unlike some of the recent published letters, I have both the personal and the political. And their relationship is about ardor. It's about fun. And it's also about politics.

A good novel editor is invisible.

Procrustes was an editor.

I knew Pluto was popular among elementary schoolkids, but I had no idea they would mobilize into a 'Save Pluto' campaign. I now have a drawer full of hate letters from hundreds of elementary schoolchildren (with supportive cover letters from their science teachers) pleading with me to reverse my stance on Pluto. The file includes a photograph of the entire third grade of a school posing on their front steps and holding up a banner proclaiming, 'Dr. Tyson - Pluto is a Planet!'

I started out working as a script editor and storyliner.

Listen and learn: you need fourteen characters, minimum. Use random letters, not words. Here’s a tip: think of a sentence, and use the first letter in each of those words. Mix it up between upper and lower case. Then pick two numbers that mean something to you – not dates – and stick them somewhere between the letters. Put a punctuation mark at the beginning of the password and then a symbol, like a dollar sign, at the end.

As an editor, I have to be tactful, of course.

I tend to overwrite; I need a good editor.

"I think we'll have a good potato crop this year," a newspaper editor told his housekeeper one morning. "No such thing," asserted the housekeeper. "I think the crop will be poor." Ignoring her remark, the editor caused to be inserted in the evening paper his estimate of the crop situation. That night when he returned home he found the housekeeper waiting for him with a sheepish grin on her face and a copy of the paper in her hand. "I was wrong," she said apologetically. "It says right here in the paper that the crop will be excellent this fall."

Everybody needs an editor.

My daughter writes and is the editor of her school magazine.

An editor is like a painter. There is a magic in that.

I think it's important to visit people in prison. And if you know anyone in prison, I would encourage you very much to visit them. They're a good audience! I always get good letters from prisoners. I don't usually answer them because I have a lot going on in my life, but I get some really good ones, I get some really good letters from prison.

My dad was an editor and a writer, and that's actually what I aspired to be.

It took me a moment. I blinked, and suddenly it swam into focus and I had to frown very hard to keep myself from giggling out loud like the schoolgirl Deb had accused me of being. Because he had arranged the arms and legs in letters, and the letters spelled out a single small word: BOO. The three torsos were carefully arranged below the BOO in a quarter-circle, making a cute little Halloween smile. What a scamp.

LOVE LETTERS TO YOURSELF This is taken from a love letter (a gentle reminder) I wrote to myself recently. Live in your joy today. Be authentic. Love yourself. First. Love others from your own abundance. Life Changes. Circumstances change. Sometimes you try to fit your old way of being into new circumstances rather than becoming new yourself. Embrace transformation as an opportunity. And keep on writing love letters to yourself.

My wife is my in-home editor and reads everything I write.

We took a right at the fork, heading farther north. The charred houses continued. To the right, a large sign nailed to an old telephone post shouted DANGER in huge red letters. Underneath in crisp black letters was written: IM-1: Infectious Magic Area Do Not Enter Authorized Personnel Only A second smaller sign under the first one, written on a piece of plastic with permanent marker, read: Keep out, stupid. “We aren’t going to keep out, are we?” Ascanio asked. “No.” “Awesome.

The creation of all those symbols and logotypes which are an ever more striking feature of the world in which we live calls for a new and fresh approach to lettering in the part of the designer. In these logotypes the combination of letters can be more or less obvious; but only deliberately contrived encounters of elements and confrontations of values can lead beyond the letters to new forms of expression.

A lot of the letters that are coming in - a lot of them are queries or comments - are one sentence long... These are from Twitter. And if you look at the nature of those one sentence letters, most of the time it's something that came to somebody's mind - somebody walking down the street had a thought and sent it out. If they thought about it for two minutes they would not have sent it.

I mean, I get letters in the mail because I had a heart defect when I was one, I had surgeries and stuff. And so you get these letters in the mail that just, they are crazy, they are just like, yes, well our son is dealing with the same thing and we saw you on TV and I mean it is such a cool thing to inspire and kind of give hope.

I used to get letters from guys in prison. Anymore now I don't even open them. They'd ask me to please sign a couple of cards for their children. Then I see them on eBay two weeks later. Or the people that write and say, "You is one of my favorite cartoonists. I would like a drawing, please." I guess they encourage inmates to write letters to celebrities. It's like a way to make money by selling autographs or something. Give me a break.

I'm totally against the idea of a celebrity editor.

Andrea Schulz became my editor in 2009.

Strangely enough, for many many years I didn't talk about my childhood and then when I did I got a ton of mail - literally within a year I got a couple of thousand letters from people who'd had a worse childhood, a similar childhood, a less-bad childhood, and the question that was most often posed to me in those letters was: how did you get past the trauma of being raised by a violent alcoholic?

An editor has to be selfless, and yet has also to be strong-minded.

Many people believe letters the most personal and revealing form of communication. In them, we expect to find the charmer at his nap, slumped, open-mouthed, profoundly himself without thought for appearances. Yet, this is not quite true. Letters are above all useful as a means of expressing the ideal self; and no other method of communication is quite so good for this purpose. In conversation, those uneasy eyes upon you, those lips ready with an emendation before you have begun to speak, are a powerful deterrent to unreality, even to hope.

At the time, liberals didn't understand that they had First Amendment rights. So, I was doing cartoons in this narrative cartoon form about subject surrounding that and as I was turned down by editor after editor at each publishing house, I began to notice on their desks this new newspaper called The Village Voice, which I then went and picked up and thought, well my god, these editors that were turning me down all, whom tell me how much they like my stuff, but they don't know how to market it because nobody knows who I am. If I got into this paper, they would know who I am.

I was spoiled by theater, where there is no editor.

The job of an editor is to ensure a consistent voice.

I will be gone from here and sing my songs/ In the forest wilderness where the wild beasts are,/ And carve in letters on the little trees/ The story of my love, and as the trees/ Will grow letters too will grow, to cry/ In a louder voice the story of my love.

One of the proud joys of the man of letters - if that man of letters is an artist - is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world's memory.

As CEO, my main job is editor-in-chief.

Movies are an editor's medium.

You have to live and breathe Scotland if you're 'Scotsman' editor.