Top 1200 Lights Quotes & Sayings - Page 16

I've enjoyed it, I have seen it once at the premiere in London and it was very nice to be invited there. But I do want to see it again now. I want to sit and watch it as a fan rather than being there at the premiere with all the lights and such.

I was brought up in a very open, rural countryside in the middle of nowhere. There were no cell phones. If your lights went out, you were lit by candlelight for a good four days before they can get to you. And so, my imagination was crazy.

We got to play Madison Square Garden before. I mean, that was like a dream. There is something about the lights and the huge arenas that is really special, but nothing can quite compare to those intimate shows where it's sold out, and it's a thousand people.

I loved 'Friday Night Lights' because it was totally committed to every facet of its storytelling. Incredible actors, story lines that weren't easy or predictable. It made me laugh, and it broke my heart over and over again.

Can anything harm us, mother, after the night-lights are lit?" Nothing, precious," she said; "they are the eyes a mother leaves behind her to guard her children.

I don't work off lights and angles; I work off emotions. A mood that I create.

I had been in the gym training for many, many years, but I definitely stepped it up when it was time to get into shape to play 'Lights'. I began trying to live the life of a boxer, and that means everything that you would expect.

Christmas is not in tinsel and lights and outward show. The secret lies in an inner glow. It's lighting a fire inside the heart. Good will and joy a vital part. It's higher thought and a greater plan. It's glorious dream in the soul of man.

As a child, I felt that Hallowe'en was a time when creatures of the night suddenly came to life - we would turn off all the lights in the house and let flickering candlelight conjure up scary shadows and create the effect of imaginary figures lurking in dark corners.

I act because I have to, because I need to find out whether I can do it or not - that's what drives me and excites me and lights me up.

From the time you open the newspapers to the time the lights go off at night, it's all lies. We lie the most to the people closest to us. For fear of hurting them, breaking their heart, or worrying them.

The signs are increasing. The lights in the sky will appear red, blue, green, rapidly. Someone is coming from very far and wants to meet the people of earth. Meetings have already taken place, but those who have really seen have been silent.

I want to die while you love me, While yet you hold me fair, While laughter lies upon my lips, And lights are in my hair.

Everyone is slowly catching on to this one - and I know everyone says this - but we need to make a little more effort with the environment. Everyone says they turn off their lights, but do they really?

I've always loved the rush you get from watching a really scary movie, but I never watch them alone. It's fun to turn out the lights and scream and clutch someone's hand and spill the popcorn all over the place and hide under each other.

It's a stage with four lights clamped to it with walls made out of plywood. And then my name's in the center. It's the type of thing that can be made over and over again. It's not like a Michelangelo sculpture.

Be a bringer of the Light. For your light can do more than illuminate your own path, you can be the light which truly lights the world.

It's very, very technical, what we do in film. While all of the lights are there and all of the crew members and directors are staring right at you, you have to be honest. It's a very difficult, but technical medium.

I would paint a portrait which would bring the tears, had I canvas for it, and the scene should be -- solitude, and the figures -- solitude -- and the lights and shades, each a solitude.

If Tao Lin had been born to Gary Shteyngart's parents and spent his early twenties slaving for pageviews at NewYorker.com, he would have written something like this, the Bright Lights, Big City of the click-here-now generation.

Even today when I rehearse, I give it everything that I've got. If I'm in a performance and the lights go out, I glow in the dark. When you're working before an audience, you have to make them feel like they can touch you. That's the dancer within, reaching out.

The real reason why people are going with digital is that it's extraordinarily mobile, and it's cheaper, and it has a great image, and you just can't beat it at night. It's pulling in variations of colors; it's pulling in lights from 40 miles away - a candle would be seen.

In Denver, I was a homebody, and that's a life I'd chosen with great happiness. I wanted that break from the arc lights and focus on building a lovely home, have some fun, look after my kids and do things that I had missed out on while pursuing my dream.

We are but phantoms ... and the phantoms of phantoms, desires like cloud-shadows and wills of straw that eddy in the wind; the days pass, use and wont carry us through as a train carries the shadow of its lights.

I moved to New York last year and I love it. It's a huge change and I've always wanted to spend time there. It's like a more intense London, and everything's up a few notches. The lights are brighter, the pace is faster and the food's better.

Food is the only snobbery allowed. Imagine pulling up in your expensive car alongside somebody at the lights with a cheap car and saying, 'Is that all you've got?' But people do it with food.

It's very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.

Sympathy wanting, all is wanting; its personal magnetism is the conductor of the sacred spark that lights our atoms, puts us m human communion, and gives us to company, conversation, and ourselves.

All of us collect fortunes when we are children. A fortune of colors, of lights, and darkness, of movement, of tensions. Some of us have the fantastic chance to go back to his fortune when grown up.

Obviously there are times with acting when exactly what is required is just going through the motions, and when doing nothing is the best thing. But at other times, you have to make that leap beyond the immediate environment of people putting up lights on the set.

The tiny flame that lights up the human heart is like a blazing torch that comes down from heaven to light up the paths of mankind. For in one soul are contained the hopes and feelings of all Mankind.

I loved the idea of playing quarterback on Friday Night Lights in high school, that whole experience. I wanted to be a Division I quarterback, that became my goal growing up, other than being a professional hockey player.

If one would cancel all traffic rules and switch off all traffic lights, watching city traffic on TV would be also awfully interesting!

I grew up in a haunting postindustrial landscape where prehistoric ferns grew among tens of railway tracks surmounted by brilliant arc lights where birds nested and sang in the dead of night, because for them, it was day.

Let us leave our old friend in one of those moments of unmixed happiness which, if we seek them, there are ever some, to cheer our transitory existence here. There are dark shadows on the earth, but its lights are stronger in the contrast.

With film, there's a consistency to it, but what I like about the TV shows that I've been fortunate to do, like 'Friday Night Lights' and 'True Blood,' is that it feels like you're doing a film.

I believe that the only thing that will dispel the darkness is for the light to come on. And the lights are coming on. Here, there. People are eating more vegetables, living green, taking in and saving animals. All of that is the light coming on.

I met Sade! I performed 'Blue Lights' at one of Drake's shows in London, and I met her backstage. She told me her son is a big fan. That was a moment when I was like, 'Wow.'

When someone tells me they've never been to a race, I tell them that the first one they should go to is Bristol, Tennesee. The shape of the track, the energy, and excitement under the lights is similar to what you might get at a stick-and-ball game in college football or the NFL.

I could never have a threesome. This is not a threesome body. This is a turn off the lights body, leave your shirt on body - this is a tell nobody.

Glorious the northern lights astream; Glorious the song, when God's the theme; Glorious the thunder's roar: Glorious hosanna from the den; Glorious the catholic amen; Glorious the martyr's gore.

There wasn't any Republicans in Washington's day. No Republicans, no Boll Weevil, no income tax, no cover charge, no disarmament conference, no luncheon clubs, no stop lights, no static, no head winds. My Lord, living in those days, who wouldn't be great?

So that's the challenge for me and that has always been the challenge - finding that melody, that riff, that thing that just lights me up and makes me feel like it's Christmas.

Buttons ... check. Dials ... check. Switches ... check. Little colored lights ... check.

It's alright, just wait and see, your string of lights is still bright to me. Who you are is not where you've been. You're still an innocent. It's okay life is a tough crowd, 32 is still growing up now.

Basketball isn't just about the bright lights, packed arenas and highlight reels. Basketball is a way of life. Basketball is a relationship between you and the ball, you and your teammates. If you love the game, nobody can take that from you.

I'm drawn to scenes in movies where you just see characters turning off lights in a room or putting the groceries away; it's like, 'I understand that.' We all have to get ready for bed, and we all do it in a different way, and yet it's all strangely familiar and strangely human.

Invitation to Dance- It’s a Dance. And sometimes they turn the lights off in this ballroom. But we’ll dance anyway, you and I. Even in the Dark. Especially in the Dark. May I have the pleasure?

Objects of every sort are materials for the new art: paint, food, chairs, electric and neon lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists.

I love Coldplay. The lights, and the sound quality They really play their instruments. Sometimes, during the show, they'll make a mistake and stop. I think they do it intentionally just to show you they're really playing it live.

I'm of the old-fashioned opinion that shame can be used for all sorts of good in society. An example of this is smoking: When someone lights up around a crowd, people now usually say something. So I don't understand why it's not OK to apply the same logic to other behaviors.

I would stare into the bright lights and imagine I could do anything. Be anything. And I would tell myself it would be me up there one day.

We wanted to incorporate lights and the like to really accentuate the music. We play mostly small venues, so we don't use it overboard by any means. The most important thing is the music. I think we do a good job of letting that show.

As a cosmion incarnating the cells of a new body, New Lights will function as transitional vessels through which transforming energy can renew the divine image in the world, moving postmoderns from one state of embodiment to another.

You cannot see the Milky Way in New York City any more ... We risk the loss of our sensual perception. And if you lose those, naturally, you try to compensate by other stimulations, by very loud noises, or by bright lights or drugs.

What's a bigger mystery box than a movie theater? You go to the theater, you're just so excited to see anything - the moment the lights go down is often the best part.

If you're setting up lights and tripods, and you've got three assistants running around, people will want to get you out as fast as they can. But if you go the opposite way, if you make the camera the least important thing in the room, then it's different.

A single Dallas Cowboys football game uses up as much electricity as the entire nation of Liberia in those same three hours - one reason the globe, if looked at from a certain height, is a cluster of lights surrounded by enormous patches of dark.

For me, inspiration isn't a sort of spark which lights the fire of the story. It's more like a thread, one of many, which you can tease out of a story once it's written, if you feel so inclined.

I've never felt really creative or intuitive using software. I like paper and pens and paint. I need to angle real lights on my artwork and work with my hands and build props. Computers just take all that fun out of it [animation drawing].