Top 1200 Line Quotes & Sayings

Explore popular Line quotes.
Last updated on November 21, 2024.
I think that one-liners are very important and sometimes you don't even know when you're making the movie that it's going to be a great line. I remember when we did 'The Terminator' and I came to the line "I'll be back" I had no idea that it was going to be an important line.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one.
There are many crooked lines and one straight line. Which is the line of truth? Why the straight line? Truth is always the shortest distance between two points. — © Sun Myung Moon
There are many crooked lines and one straight line. Which is the line of truth? Why the straight line? Truth is always the shortest distance between two points.
Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.
Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God
I've got a line called Head's Up that's street wear slash rock wear, rock and roll. Kind of a little blend of a line within a line that's very high fashion.
In every operation there is an above the line and a below the line. Above the line is what you do by the book. Below the line is how you do the job.
The two black lines on the armband means that they're the deceased's family. One line means they are either friends or acquaintances. One line of the arm, one line on the heart. The bastards who stood by my side with two lines, they'll be the hardest farewells I'll have to make in my life, and they're the luckiest fortune I've met in my lifetime.
For me there's always a line or two in a script, when you hit it you almost decide to do the whole movie off a line or two. You almost do it for the fun of getting to say a line or two like that. I don't have any specific plans, you know. I mean, if Seth Rogen calls with a great buddy pic, I'll be there.
If you write a good line, you write a good line, and the best line wins in television. It doesn't matter if you're the guy who gets the coffee or if you're the showrunner - best line wins. That's the beauty of television collaboration.
I've always tried to walk a line between being incisive and acerbic, but not mean. Sometimes I'm going to tip over the line a little bit, but that's usually a line I try not to cross.
A moment comes in war when the last line must be crossed. The line that separates what you hold dear from what total war demands. If he couldn't cross that line, the battle was over, and he was lost. His heart, the war. Her face, the battlefield. With a cry only he could hear, the hunter turned. And ran.
Courage is soldiers fighting on the front line, or people living on the bread line.
The picket line is the best place to train organizers. One day on the picket line is where a man makes his commitment. The longer on the picket line, the stronger the commitment. A lot of workers think they make their commitment by walking off the job when nobody sees them. But you get a guy to walk off the field when his boss is watching and, in front of the other guys, throw down his tools and march right to the picket line, that is the guy who makes our strike. The picket line is a beautiful thing because it makes a man more human.
There is a fine line I have to walk throughout the writing process in a novel. It is this line between drama and melodrama, and it is this line between evoking genuine emotional power and being manipulative.
We lie. That's what we do. You're selling me a line of bullshit and you want me to sell you a line of bullshit back so you can write a major line of bullshit and be paid for it.
I've always gone with Kafka's model of establishing the world from the first line, as in Kafka's famous line from Metamorphosis, "Gregor Samsa woke up from uneasy dreams to find himself transformed into a gigantic insect" (or beetle or cockroach, depending on the translation). I have to have that first line before I can go further.
It's a tough line, Japanese and western games. We wanted to blur that line. — © Hideaki Itsuno
It's a tough line, Japanese and western games. We wanted to blur that line.
The straight line has a property of self-similarity. Each piece of the straight line is the same as the whole line when used to a big or small extent.
I thought Clint Eastwood was cool in all the western movies, but I'm not gonna drive somewhere he's at and stand in line to see him. I told Missy, my wife, 'The only person I'd stand in line for is God Almighty. You made the universe? All right, I'll get in line!'
There is a fine line between sensuousness and vulgarity. I will not cross that line.
My favourite British line is the West Highland line. It was built across moorland where no one had succeeded in building a road. So everything in that area is there because of the railway line.
In my dreams and visions, I seemed to see a line, and on the other side of that line were green fields, and lovely flowers, and beautiful white ladies, who stretched out their arms to me over the line, but I couldn't reach them no-how. I always fell before I got to the line.
A song doesn't happen as a whole verse; it happens linearly, line by line, almost word by word, phrase by phrase. And if each phrase, each line, has a proper emotional feel and connects to the line before it and the line after it, the song will be doing what it should be doing.
Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God.
Well, I think baseball should be fun, but there's always a line. There's a fine line with everything. Where's the line between making it fun and making it disrespectful.
When you are in the line of your duty, it is like standing in front of a line of posts, and every post is in line. But step one step aside, and every post looks as though it were not quite in line. The farther you get away from that straight line, the more crooked the posts will appear. It is the straight and narrow path of duty that will lead you and me back to the presence of God.
As a writer, you're always trying to say the best thing. You're always thinking about what's the best thing to say, and what's the hardest way to say it, and what's the best line? Sometimes the best line is the simplest line. Sometimes the best line is the line that evokes more feeling than actual wordsmithing.
There is a line between sexualityand promiscuity, and the line is closer to celibacy than not.
Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
We like to be punks. We like to still be kind of edgy and if being edgy means you might teeter on that line of being inappropriate, I'm still willing to teeter on that line, even at my age. But some of them go over that line and you've gotta draw that line somewhere.
I think of shock as kind of an uptown form of surprise. Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me.
I still have no way to survive but to keep writing one line, one more line, one more line.
I start out with words, with the idea, the line. Then after I get a line or two, I try to find what melodic line those lines would be suited to. As soon as I find the form I can finish the song in my head.
There are a lot of things you do in a supernatural universe that can toe the line and cross the line.
I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.
Nagging questions remain: Where is the line between making the most of one's potential and reaching for the unattainable? Where is the line between education as a tool and education as a kind of magic? The line is blurred and that is why when education fails, disillusionment is so bitter.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue. If it does, I can feel a sense of momentum - the poem finds a reason for continuing.
I remember being a kid, and if you had to pee, well, you had to hold it until the commercial break. Then you rushed, and hopefully, if you're going to the kitchen for a snack, you'll be back before so you don't miss a line. If your sister sneezed or was talking over a line, there was no way of knowing what that line was or what the joke was.
People didn't know the difference between a blue line and a clothes line. — © Al Michaels
People didn't know the difference between a blue line and a clothes line.
I imagine a line, a white line, painted on the sand and on the ocean, from me to you.
A line has to have a certain number of syllables, and the next line has to be its mirror image.
The straight line is godless and immoral. The straight line is not a creative line, it is a duplicating line, an imitating line.
I started as a fourth-line fighter, went to being a third-line centre, then a second-line winger and a first-line centre. I've played every role there is, and the only thing that matters is helping the team win.
This is the line of life, this is the line of growth, and this is the line of well-being in India - to follow the track of religion.
When you get above the line, you're above the line. So my thing is I just want to make music where I am always above that line.
If you look at a shape like a straight line, what's remarkable is that if you look at a straight line from close by, from far away, it is the same; it is a straight line.
In books, you can just wallow in dialogue, and you can just wallow in written words. In screenplays, every line has to serve the purpose of the line that's implied before it and the line that's implied after it. Maybe five lines have to do the work of fifty lines.
The poverty line in the U.S., for example, has nothing to do with the poverty line in India. It is a relative poverty line. It is reset from time to time but it is related to U.S. median income, so if I set that to be the absolute poverty line everyone in India would essentially be poor.
I played on a line with Theo Fleury and German Titov, and I was actually center on their line.
What is line? It is life. A line must live at each point along its course in such a way that the artist's presence makes itself felt above that of the model... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul's style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.
I just hope that I continue to keep a line between my private life and who I play, even if they are closely intertwined, and so I'm careful. I don't even know where my line is, but I know I have a line.
The image people have of comedians staring defiantly over a stationary line of good taste is simply inaccurate. We don't approach this line, put our toes over it arrogantly and then scamper back to safety. The line doesn't exist.
There's always a fine line that divides hostility from neutrality, and I don't want to pass that line. — © Ed Dwight
There's always a fine line that divides hostility from neutrality, and I don't want to pass that line.
I'd love to have a shoe line, or a sunglasses line, or a purse line. Who am I kidding, I'd like to have an everything line!
It is possible to combine a story line and plot line in the same work. Usually the storylines comes first, serving as a background to the plot line, but not always.
I like the continuity of singing my lines together instead of going line by line.
In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful, white women with their arms stretched out to me over that line, but I can't seem to get there no how. I can't seem to get over that line.
Somebody once told me, ‘Manage the top line, and the bottom line will follow.’ What's the top line? It's things like, why are we doing this in the first place? What's our strategy? What are customers saying? How responsive are we? Do we have the best products and the best people? Those are the kind of questions you have to focus on.
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