Top 1200 Line-Up Quotes & Sayings

I don't like using fourths and fifths. Instead, I'll come up with a harmony line made up of major and minor thirds above the melody, then I'll drop it down an octave so that the melody is on top and the harmony line is major and minor sixths below it.

I think the higher you can bat in your Shield team, if you're doing well there the better off you're going to be for batting anywhere in the Test line-up or any of the line-ups.

I grew up without a lot of money and my parents grew up with far less money. And that's kept me in line. Really in line.

Chorus Line' opened things up a bit. Any show that's successful does that. But 'Chorus Line' was about dancers.

I started as a fourth-line fighter, went to being a third-line centre, then a second-line winger and a first-line centre. I've played every role there is, and the only thing that matters is helping the team win.

I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.

I don't ever cross the line. I step right up to it. I put my toes on the line, but I don't ever cross that line. There are some barriers you just don't cross - you don't talk about religion; you don't talk about race. Those are lines I will never cross.

Jimmy Connors likes the ball to come at him in a straight line, so that he can hit it back in another straight line. When it comes to him in a curve, he uses up half of his energy straightening it up again.

In every operation there is an above the line and a below the line. Above the line is what you do by the book. Below the line is how you do the job.

When people say "How do you write a book, how does it all happen?" I say, you line things up, and you line them up as actually as you possibly can, but sooner or later the book has got momentum and it's moving along under that momentum. It's like a sculpture, if you're working with the grain of the wood, the wood will start defining what shape it's going to become.

I think you look at a lot of sports, it starts with the guys up front. Your defensive line and offensive line in football and your big man in basketball, different stuff like that.

Honest to God, for me, I've never been a guy to stack projects. A lot of these other guys, they like to do this and then line up what they're doing next and line up what they're doing next. I just can't do it.

There's intense personal gratification in finding a mountain and becoming inspired by the aesthetics of an unclimbed line on that mountain, especially if that line has been tried by a lot of people who couldn't do it, and you get to set yourself up against the history of it.

As a writer, you're always trying to say the best thing. You're always thinking about what's the best thing to say, and what's the hardest way to say it, and what's the best line? Sometimes the best line is the simplest line. Sometimes the best line is the line that evokes more feeling than actual wordsmithing.

One of the high points in my career came from a time I had with Tim Conway on a film when I had him fall down with laughter. I had this scene with him where I was this mechanic down fixing his car. I can't remember what my line was as written, but they were okay with me doing a made-up line. So Tim asks me what's wrong with his car, and I look up and say, "Well, looks like you got a squirrel caught up in there."

In elementary school, in case of fire you have to line up quietly in a single file line from smallest to tallest. What is the logic? Do tall people burn slower?

When you're a regular gal, you look in the rearview mirror, and in the bright daylight you see that line around your mouth, but when you're an actress and you see that line up on the big screen, it's, like, seven feet long.

I've always tried to walk a line between being incisive and acerbic, but not mean. Sometimes I'm going to tip over the line a little bit, but that's usually a line I try not to cross.

I didn't want a day job anymore, so I somehow made the jewelry line work. Now that I look back on it, it was, like, the dumbest idea ever. Everyone and their mother has a jewelry line, so in retrospect, maybe not the smartest fallback plan. But it ended up working out great!

I've always gone with Kafka's model of establishing the world from the first line, as in Kafka's famous line from Metamorphosis, "Gregor Samsa woke up from uneasy dreams to find himself transformed into a gigantic insect" (or beetle or cockroach, depending on the translation). I have to have that first line before I can go further.

I'm not really a line type of guy. I mean, pick-up lines work for some guys. You gotta really sell that thing hard. I did try one pick-up line, and it failed miserably. I thought it was really funny, but the girl didn't find it very funny.

The world is not checking in with us to see what skills we've picked up, what idea we've concocted, what dreams we carry in our hearts. When a job opens, whether it's in the chorus line or on the assembly line, it goes to the person standing there. It goes to the eager beaver the boss sees when he looks up from his work: the pint-sized kid standing at the basketball court on the playground waiting for one of the older boys to head home. "Hey, kid, wanna play?"

When the boys and girls would line up separately in kindergarten, I'd find myself longing to be in the other line.

Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God

You could take up the line that some of the gnostics took up - a line which I often thought was a very plausible one - that as a matter of fact this world that we know was made by the devil at a moment when God was not looking. There is a good deal to be said for that, and I am not concerned to refute it.

I deliberate over the lyrics; I really do. I'll come up with one line in a day, and then it might be a couple of days before I come up with the rhyming line. It's never been easy for me.

Take the time to line up the Energy first, and action becomes inconsequential. If you don't take the time to line up the Energy, if you don't find the feeling place of what you're looking for, not enough action in the world will make any difference.

Film-making is a business and at the bottom line people who don't make fiscally responsible decisions end up going into another line of work.

I'd stand in line for Confession with old people and little kids, and as the line moved up, I knew when I got into the box that I would lie! Again!

Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.

When I hear my teacher say, 'Line up with your partner,' I run to line up and grab my partner and I tell him to walk faster so we could dance faster. I love to dance.

I'd stand in line for Confession with old people and little kids, and as the line moved up and it was getting closer to my turn, I knew that when I got into the box I would lie! Again!

A song doesn't happen as a whole verse; it happens linearly, line by line, almost word by word, phrase by phrase. And if each phrase, each line, has a proper emotional feel and connects to the line before it and the line after it, the song will be doing what it should be doing.

I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.

When I'm constructing a poem, I'm trying to write one good line after another. One solid line after another. You know a lot of the lines - some hold up better as lines than others. But I'm not thinking of just writing a paragraph and then chopping it up.

Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.

This is the line of life, this is the line of growth, and this is the line of well-being in India - to follow the track of religion.

I always find it really flattering when people are going to line up and wait in line for hours to tell you how cool you are and to take a picture with you. I always have time for that. It makes you feel good.

I mean, sometimes... a comedian becomes an actor, and they just don't deliver, because the bottom line of comedy is to be funny, and the bottom line of acting is to be truthful, and they get that mixed up sometimes, or don't even notice that that's the thing.

Do you know that if you take the books in an average school library and stretched out all those words into a single line, the line would go all the way around the world? Actually, I made that up, but doesn't it sound like it should be true?

When you are in the line of your duty, it is like standing in front of a line of posts, and every post is in line. But step one step aside, and every post looks as though it were not quite in line. The farther you get away from that straight line, the more crooked the posts will appear. It is the straight and narrow path of duty that will lead you and me back to the presence of God.

In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful, white women with their arms stretched out to me over that line, but I can't seem to get there no how. I can't seem to get over that line.

There is a fine line I have to walk throughout the writing process in a novel. It is this line between drama and melodrama, and it is this line between evoking genuine emotional power and being manipulative.

I'll sing over some chords, searching, what does [the music] conjure up, where's the melody taking you? I deliberate over the lyrics, I really do. I'll come up with one line in a day, and then it might be a couple of days before I come up with the rhyming line. It's never been easy for me.

I'd love to have a shoe line, or a sunglasses line, or a purse line. Who am I kidding, I'd like to have an everything line!

Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God.

In my dreams and visions, I seemed to see a line, and on the other side of that line were green fields, and lovely flowers, and beautiful white ladies, who stretched out their arms to me over the line, but I couldn't reach them no-how. I always fell before I got to the line.

My favourite British line is the West Highland line. It was built across moorland where no one had succeeded in building a road. So everything in that area is there because of the railway line.

Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one.

Filmmaking is a business and at the bottom line people who don't make fiscally responsible decisions end up going into another line of work.

It is possible to combine a story line and plot line in the same work. Usually the storylines comes first, serving as a background to the plot line, but not always.

I had one line. My two larger scenes had gone fine, and then on that day I screwed up that line over and over and over again. And every time I screwed it up, they can't use the whole thing because they're only using the one shot [in Blue Jasmin]. That was my last day.

There's a line you have when you're racing, and you can ride up to that line. If you push beyond it, you might crash. But first is first, second is forgotten. That's what we say.

The world needs someone to look up to-like you. A national leader remarked, "There comes a time when we must take a stand-when we draw a line in the dust and say, 'Beyond this line, we do not go.'"

The straight line has a property of self-similarity. Each piece of the straight line is the same as the whole line when used to a big or small extent.

I've got a line called Head's Up that's street wear slash rock wear, rock and roll. Kind of a little blend of a line within a line that's very high fashion.

The straight line is godless and immoral. The straight line is not a creative line, it is a duplicating line, an imitating line.

The poverty line in the U.S., for example, has nothing to do with the poverty line in India. It is a relative poverty line. It is reset from time to time but it is related to U.S. median income, so if I set that to be the absolute poverty line everyone in India would essentially be poor.

Anytime you're dealing with moral issues, in a government position, you're dealing with some sticky stuff because everybody's morality is different. So you may be a Christian and say "my morality is based on the Bible." But if it doesn't line up with the way they think it should line up, now you got a problem with them. And then you can say, "I'm more in line with the Bible," but you don't care about the Bible, so they are like 'why are you imposing these difficult rules on me? I don't even believe in that.' So you just have an interesting and sticky situation.

If you want to relate me to the newer cats, let's go. Let's go line for line and bar for bar. If it's all about spitting and metaphors and MCing and lyrics and entendres, I will eat 99 percent of you dudes up.