Top 387 Linear Quotes & Sayings - Page 7

There are certain things that I'll hear about and that I think will make a great book and I put it in a file. Sometimes it's a situation that interests me, and I don't even realize what I'm trying to say about it until I get closer to it. Sometimes the book after that I've written 125 pages of, and I can tell you what the book is after that. I just sort of have a linear progression, but more than anything, the topics land in your lap. I don't feel that I go out searching for them.

I was thinking about time, how on a movie set the shot is maintained in the same time no matter how many takes and hours pass. Reflectors and lights are added, footprints are smoothed away, so that there are no telltale clues as the day wears on. When the shot is finished and the plugs are pulled, time seems to leap forward in a matter of seconds. Perhaps making movies is a step toward being able to move backward and forward and in and out of linear time.

There is a huge set of consequences that start stacking up as you approach the end-game. And even in terms of the ending itself, it continues to break down to some very large decisions. So it's not like a ****c game ending where everything is linear and you make a choice between a few things - it really does layer in many, many different choices, up to the final moments, where it's going to be different for everyone who plays it.

The constancies and equivalences adumbrated work havoc with such settled topical blocks as myth and philosophy, natural reason and revelation, philosophy and religion, or the Orient with its cyclical time and Christianity with its linear history. And what is modem about the modem mind, one may ask, if Hegel, Comte, or Marx, in order to create an image of history that will support their ideological imperialism, still use the same techniques for distorting the reality of history as their Sumerian predecessors?

The reaction against your own thought in itself lends life to thought. How this reaction is born is hard to describe, because it identifies with the very rare intellectual tragedies. The tension, the degree and level of intensity of a thought proceeds from its internal antinomies, which in turn are derived from the unsolvable contradictions of a soul. Thought cannot solve the contradictions of the soul. As far as linear thinking is concerned, thoughts mirror themselves in other thoughts, instead of mirroring a destiny.

A tobacco industry has been a fairly linear and predictable industry. You know what's going to happen every year. You know from time to time you are going to have a tax increase, you are going to have regulatory restriction, but, as it applies to everybody, I think we are doing very well. But now it's much more technology-driven. Competitors other than our traditional competitors can come in, whether legitimate or fly-by-night ones, and you have to anticipate all those things. The whole organization has to gear up to this new reality and these new competitive rules around it.

As Alaska zipped through something obvious about linear equations, stoner/baller Hank Walsten said, "Wait, wait. I don't get it." "That's because you have eight functioning brain cells." "Studies show that Marijuana is better for your health than those cigarettes," Hank said. Alaska swallowed a mouthful of fries, took a drag on her cigarette, and blew a smoke at Hank. "I may die young," she said. "But at least I'll die smart. Now, back to tangents.

All that the posture of skepticism accomplishes is to freeze the ego in an ignorantist poverty that never stretches or diversifies its resources of imagination or understanding. Any uncultured cretin can close his eyes and try to reduce the issues down to linear simplisms and say, "I am doubting, I am proving my magisterial or sovereign control over my own mind." Doubt is a useful and significant test of one's critical powers, but by itself it bears little if any significant cultural charge of enlightenment or satori; indeed it is the very opposite kind of thing.

If it is possible to have a linear unit that depends on no other quantity, it would seem natural to prefer it. Moreover, a mensural unit taken from the earth itself offers another advantage, that of being perfectly analogous to all the real measurements that in ordinary usage are also made upon the earth, such as the distance between two places or the area of some tract, for example. It is far more natural in practice to refer geographical distances to a quadrant of a great circle than to the length of a pendulum.

While we bemoan the decline of literacy, computers discount words in favor of pictures and pictures in favor of video. While we fret about the decreasing cogency of public debate, computers dismiss linear argument and promote fast, shallow romps across the information landscape. While we worry about basic skills, we allow into the classroom software that will do a student's arithmetic or correct his spelling.

We all learn best in our own ways. Some people do better studying one subject at a time, while some do better studying three things at once. Some people do best studying in structured, linear way, while others do best jumping around, surrounding a subject rather than traversing it. Some people prefer to learn by manipulating models, and others by reading.

The place didn't look the same but it felt the same; sensations clutched and transformed me. I stood outside some concrete and plate-glass tower-block, picked a handful of eucalyptus leaves from a branch, crushed them in my hand, smelt, and tears came to my eyes. Sixty-seven-year-old Claudia, on a pavement awash with packaged American matrons, crying not in grief but in wonder that nothing is ever lost, that everything can be retrieved, that a lifetime is not linear but instant. That, inside the head, everything happens at once.

Modern anthropology ... opposes the utilitarian assumption that the primitive chants as he sows seed because he believes that otherwise it will not grow, the assumption that his economic goal is primary, and his other activities are instrumental to it. The planting and the cultivating are no less important than the finished product. Life is not conceived as a linear progression directed to, and justified by, the achievement of a series of goals; it is a cycle in which ends cannot be isolated, one which cannot be dissected into a series of ends and means.

Making this movie as a period piece about a period that was very recent in people's minds. I was in Taiwan [during the 1970s], so I hope I did all right. Otherwise, it could be the biggest embarrassment of my life. Also, the story is not linear, it's patchy, like a cubist painting, and there is always the possibility it will not hold together, it will fall apart. The tone is part satire, part serious drama, part tragedy, all mixed together, and it has to hit an emotional core. That's also very scary.

Objects obey quantum laws- they spread in possibility following the equation discovered by Erwin Schodinger- but the equation is not codified within the objects. Likewise, appropriate non-linear equations govern the dynamical response of bodies that have gone through the conditioning of quantum memory, although this memory is not recorded in them. Whereas classical memory is recorded in objects like a tape, quantum memory is truly the analog of what the ancients call Akashic memory, memory written in Akasha, Emptiness- nowhere.

We've lost half the summer sea ice in the Arctic. We've wiped out an enormous percentage of the world's coral reefs. We see huge changes in the planet's hydrology already, the cycles of drought and flood both amped up because warm air holds more water vapor than cold. These things are happening with a one-degree increase and going to two degrees won't be twice as bad, the increase in damage won't be linear, it most certainly will be exponential. So it was precisely the wrong moment to elect Trump.

Our federal income tax law defines the tax y to be paid in terms of the income x; it does so in a clumsy enough way by pasting several linear functions together, each valid in another interval or bracket of income. An archeologist who, five thousand years from now, shall unearth some of our income tax returns together with relics of engineering works and mathematical books, will probably date them a couple of centuries earlier, certainly before Galileo and Vieta.

I feel badly for them, not sorry, but badly, because I think they've been given poor breaks and difficult, not sufficient opportunity to be who they are and sort of put into that straitjacket with the tie, and all of the things that is really built like a straitjacket when you look at it, and tied up in a sort of a way where their purpose had to be slimmed down to just certain things, and function pared down to the linear, and it is very difficult for men.

I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.

I visited New York in '63, intending to move there, but I noticed that what I valued about jazz was being discarded. I ran into `out-to-lunch' free jazz, and the notion that groove was old-fashioned. All around the United States, I could see jazz becoming linear, a horn-player's world. It made me realize that we were not jazz musicians; we were territory musicians in love with all forms of African-American music. All of the musicians I loved were territory musicians, deeply into blues and gospel as well as jazz.

Raymond Hendler exhibited a group of abstract paintings that displayed rare high spirits. Using a great deal of fresh white, Hendler devised extremely simple symbols which he dispersed felicitously on his shining grounds. These bright, often linear hieroglyphs serve both as pictorial animators-they often flow in winding patterns or like fluent handwriting-and as references to the plentitude of the artist's existence. Gardens and sky and human joy are read in these exceedingly compressed forms.

People who think achieving success is a linear A-to-Z process, a straight shot to the top, simply aren't in touch with reality. There are very few bona fide overnight success stories. It just doesn't work that way. Success appears to happen overnight because we all see stories in newspapers and on TV about previously unknown people who have suddenly become famous. But consider a sequoia tree that has been growing for several hundred years. Just because a television crew one day decides to do a story about that tree doesn't mean it didn't exist before.

When you step outside of school and have to teach yourself about life, you develop a different relationship to information. I've never been a purely linear thinker. You can see it in my rhymes. My mind is always jumping around, restless, making connections, mixing and matching ideas, rather than marching in a straight line. That's why I'm always stressing focus. My thoughts chase each other from room to room in my head if I let them, so sometimes I have to slow myself down.

What visual information does is it creates priorities. You cannot know with certainty what lies behind something else. There are very few transparent materials in the natural world or the built environment. And so we deal with things superficially, and we deal with what's in front of us, not what's behind our head that we can't see, or to the left or the right. Visualists are often linear and timeline-oriented, whereas the natural condition and the natural way of problem-solving throughout evolution is to be multitasking.

For a smart material to be able to send out a more complex signal it needs to be nonlinear. If you hit a tuning fork twice as hard it will ring twice as loud but still at the same frequency. That's a linear response. If you hit a person twice as hard they're unlikely just to shout twice as loud. That property lets you learn more about the person than the tuning fork.

My focus is to push the medium to be what it truly can be. Something well beyond 360-video, which is where a lot of the initial money has gone…but, of course, it’s not real VR if you don’t have agency. So what I’ve been looking for for 25 years is that undiscovered country between gameplay and linear narrative and the emotional engagement of a cinematic narrative. And that takes a huge combination of interesting technological enablements, as well as an understanding of how to bring a multidisciplinary team on a process that is upside-down the traditional process.

A human life has seasons much as the earth has seasons, each time with its own particular beauty and power. And gift. By focusing on springtime and summer, we have turned the natural process of life into a process of loss rather than a process of celebration and appreciation. Life is neither linear nor stagnant. It is movement from mystery to mystery. Just as a year includes autumn and winter, life includes death, not as an opposite but as an integral part of the way life is made.