Top 1200 Lines Of Communication Quotes & Sayings - Page 4

We try to keep a good line of communication open with our children. It's not always about trying to just teach them every moment, but it's about listening to them and trying to understand them and gain that sense of communication so when they need to talk to someone, they know that we're there.

A true sonnet goes eight lines and then takes a turn for better or worse and goes six or eight lines more.

I stayed away from drugs, I never smoked a pipe. When I wanna get high, I smoke the mic. I never did white lines, I only write lines, and I ain't sniffin' nothing but the vapors from hype rhymes.

Technology is a compulsive and addictive way to live. Verbal communication cannot be lost because of a lack of skill. The ability to listen and learn is key to mastering the art of communication. If you don't use your verbal skills and networking, it will disappear rapidly. Use technology wisely.

We have made, and still are making, enormous advances on material lines. It is necessary that we commensurately advance on moral lines. Civilization, as it progresses, requires a higher conscience, a keener sense of justice, a warmer brotherhood, a wider, loftier, truer public spirit.

Writing has nothing to do with communication between person and person, only with communication between different parts of a person's mind.

The big change, the really radical change in communication, was in the late 19th century. The shift from sailing ships to telegraph is astronomical. Everything since then has been small increments, including the internet. So you don't have to wait for a letter to get to England in six weeks, you have almost instant communication. That was an enormous shift.

'iCarly' was one of my first major jobs, actually. I went into that audition and completely failed at it. I completely bombed... I forgot my lines. When I forget my lines, I kind of get angry. They had me do it again; I remembered them, and I booked it.

When you act for a living, you are lucky enough to get to say things you really want to say. You get lines that you look forward to, lines that jump out like a jack-in-the-box; you're thinking: 'Wait till you hear this.'

The American teacher stands on the front lines of poverty and inequity that our fellow Americans refuse to acknowledge, on the front lines of the real social condition of our nation–not the advertised one–and we stand together. When we look over our shoulders, there’s no one there backing us up. The rest of the army is off pretending there is no fight to be had here, no excuses to be made, no hardships to decry, no supply lines to worry about, that things in American society are just hunky-dory outside of the fact that the teachers just don’t care enough

I don't know why my lines that were cut from the film didn't make it onto the DVD. I have offered to go into the editing room with Christopher and work shoulder to shoulder with him to fit all my lines in. I think he thinks I'm kidding. I'm only trying to help.

There are people who've told me cinema is a visual medium and you don't need to say so much. When I write the script, all these lines of what the characters are thinking are written. Once the film is shot and the lines are dubbed, I tone it down in postproduction if I feel it gets heavy.

The deepest level of communication is not communication, but communion. It is wordless. It is beyond words, and it is beyond speech, and it is beyond concept. Not that we discover a new unity. We discover an older unity. My dear Brothers [and Sisters], we are already one. But we imagine that we are not. And what we have to recover is our original unity. What we have to be is what we are.

The secret of many of my deformations - which many people do not understand - is that there is an interaction, an intereffect between the lines in a painting: one line attracts the other and at the point of maximum attraction the lines curve in toward the attracting point and form is altered.

I find it difficult to work if I don't know the lines, you know, and not just knowing - they're second nature to me. Then, whatever happens in the performance when you're actually doing it, you're not going to go off. You're going to retain all of that. So I like to have my lines.

It's so funny when people who are not used to making movies get into it. You just can't believe how insufferably boring it is. Waiting around and doing these lines over and over and finally having to go in and loop the lines and dub them.

Once working people discover that, collectively, we have more power than we do as individual silos, then we become an incredibly powerful force. But I think that there are powers that be that are invested in us remaining divided along racial lines, along economic lines.

In an age when other fantastically speedy, widespread media are triumphing, and running the risk of flattening all communication onto a single, homogenous surface, the function of literature is communication between things that are different simply because they are different, not blunting but even sharpening the differences between them, following the true bent of written language.

In one sense, Facebook is very focused as an address book, as efficient communication. It's like e-mail or like IM or something like that. And we do those things, too, but we do so much more. We try to focus on the whole world and all the things that people are interested in, rather than just people to people, or one to one communication.

In the information-communication civilization of the 21st Century, creativity and mental excellence will become the ethical norm. The world will be too dynamic, complex, and diversified, too cross-linked by the global immediacies of modern (quantum) communication, for stability of thought or dependability of behaviour to be successful.

It is possible that, through horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become a work of art, as strong as it is true.

The more you use soul communication, the higher level of communication you receive. The more you offer service, the higher your frequency is and the higher level of teaching you receive. Release the wisdom.

My performances in auditions were so inept that I hardly got any jobs in film or TV. I just could not learn the lines and the thought of doing theatre terrified me. What if I forgot my lines in the middle of a scene with an entire audience watching?

Understanding child development takes the emphasis away from the child's character--looking at the child as good or bad. The emphasis is put on behavior as communication. Discipline is thus seen as problem-solving. The child is helped to learn a more acceptable manner of communication.

One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room.

Graphic design was largely about communication in an artistic or creative manner, much like writing is used to convey ideas. Many designers completely miss that aspect of the "art." Some are completely satisfied with just making things pretty, without taking the communication element into consideration.

You get used to the exact amount of space between lines. You write a word and then you write an alternate word over it. You want enough room so you can read it, so the lines can't be too close.

If you're supposed to be doing something, the spirits will come and help you. They have helped me out with lines I shouldn't have known, chords I shouldn't have known. Every once in a while I get lines from somewhere, and I think, I better write this down.

Throughout history, fairly arbitrary lines drawn on maps have determined who prospers and who needs, who eats and who starves, who attacks and who is attacked, who lives long and who dies young. Oh, we have been slaves to those lines for so long.

Human communication, 'as the saying goes, is a clash of symbols' it covers a multitude of signs. But it is more than media and messages, information and persuasion; it also meets a deeper need and serves a higher purpose. Whether clear or garbled, tumultuous or silent, deliberate or fatally inadvertent, communication is the ground of meeting and the foundation of community. It is, in short, the essential human connection.

Rightness expresses of actions, what straightness does of lines; and there can no more be two kinds of right action than there can be two kinds of straight lines.

'Indiana Jones' was me growing up. I could quote lines from 'Tango and Cash' as much as I could quote lines from 'The Searchers'.

I used to believe in em (lines). I don't anymore. They in our heads. Lines between black and white ain't there neither. Some folks just made those up, long time ago. And that go for the white trash and the so-ciety ladies too.

Playing somebody who's obsessed. Playing somebody who is transgressing, and who is really crossing moral lines and ethical lines. That's always interesting.

I just had a throwaway part, really, if you think about it. I'm not a natural actor, you know? I'm a comedian, through and through. And I really love my lines. Those are the lines I want to do.

I have a lot of interest in interior rhyming; not just rhyming at the end of the lines, but playing around with rhymes within the lines, playing with where the syllabic emphases in the sentences are, lining those up at strange moments in the line of the song. I’m not sure if that comes across or not.

Technology is a compulsive and addictive way to live. Verbal communication cannot be lost because of a lack of skill. The ability to listen and learn is key to mastering the art of communication. If you dont use your verbal skills and networking, it will disappear rapidly. Use technology wisely.

The official name of the project is 'Jewish Museum' but I have named it 'Between the Lines' because for me it is about two lines of thinking, organization and relationship. One is a straight line, but broken into many fragments, the other is a tortuous line, but continuing indefinitely.

Growing up in D.C. there are so many different types of educational and professional levels. They call D.C. 'Chocolate City' but just because we're all chocolate doesn't mean we're all the same. In D.C., everyone co-exists harmoniously but the lines are still drawn. And people don't really step over those lines.

I think in modern communication studies, we put a lot of emphasis on our relationships and our family relationships. Our relationships with our parents, and our siblings. I felt that there was this gap in content about communication with people who are super close to you in your peer group.

No relationships are perfect. When they develop, there are things that have happened before in your life that you maybe don't discuss. And there are always fault lines within every relationship. I believe it doesn't take too much pressure to be placed on those fault lines for them to start cracking apart.

The old lessons (work, self-discipline, sacrifice, teamwork, fighting to achieve) aren't being taught by many people other than football coaches these days. The football coach has a captive audience and can teach these lessons because the communication lines between himself and his players are more wide open than between kids and parents. We better teach these lessons or else the country's future population will be made up of a majority of crooks, drug addicts, or people on relief.

There are still forces in America that want to divide us along racial lines, religious lines, sex, class. But we've come too far; we've made too much progress to stop or to pull back. We must go forward. And I believe we will get there.

In the olden days, I believe Mozart also improvised on piano, but somehow in the last 200 years, the whole training of Western classical music - they don't read between the lines, they just read the lines.

I'm terrible at learning lines. I'm good at learning lines when I don't have to be word-perfect.

Before Gutenberg, there was this really very strong oral storytelling culture where being able to relay stories from person to person was sufficient. And then, with the introduction of printing and mass communication, suddenly somebody had a lot of authority invested in the idea of a single canonical expression of a document or a piece of communication.

So for whatever reason those short lines just felt right to me, in my physical self. They were right for the movement of the poems. Some poems in the book have longer lines.

Dreaming is not merely an act of communication (or coded communication, if you like); it is also an aesthetic activity, a game of the imagination, a game that is a value in itself. Our dreams prove that to imagine--to dream about things that have not happened--is among mankind's deepest needs. Herein lies the danger. If dreams were not beautiful, they would be quickly forgotten.

As soon as I start to write I'm very aware, I'm trying to be aware that a reader just might well pick up this poem, a stranger. So when I'm writing - and I think that this is important for all writers - I'm trying to be a writer and a reader back and forth. I write two lines or three lines. I will immediately stop and turn into a reader instead of a writer, and I'll read those lines as if I had never seen them before and as if I had never written them.

Most of the time when there's a communication problem, it's because the message being received is not the message you want. It's not that they don't know what they need to do, how we need to act as a team, whatever. If you don't like the message, then you go say there's a communication problem.

Concrete you can mold, you can press it into - after all, you haven't any straight lines in your body. Why should we have straight lines in our architecture? You'd be surprised when you go into a room that has no straight line - how marvelous it is that you can feel the walls talking back to you, as it were.

Acting is probably the greatest therapy in the world. You can get a lot stuff out of you on the set so you don't have to take it home with you at night. It's the stuff between the lines, the empty space between those lines which is interesting.

Communications are making this one world. Back in the day, 400-500 years ago, nobody knew what anyone else was doing. It's on the 6 O'Clock news now. Now we can say, Oh, that's the way they live. Oh, they do that!! Opportunities, the chance to bring about change, it's all based on communication. Communication and jet planes.

When I went to auditions, if I didn't know the lines, I wasn't getting the job. If I knew my lines, if I knew what I was supposed to be doing, I got the job. And it was always like that - if I'm working hard, I get the result that I'm looking for.

I never don't know my lines. I never take the audition pages into the room. I end up relying on them or looking at them too much, and it makes me feel unprepared, so I always learn my lines without fail.

With communication technology in general, there's a kind of certain critical mass of people. Once you get to 15% of the world's entire population using one communication technology, that's a big deal. It's beyond the theoretical at this point. The people who think it's a fad have probably not been paying that much attention.

Communication. It's important to be completely open and fearless when it comes to communication. Good, bad, happy, sad. Talk it out, hug, see a shrink, text each other, hurl marshmallows. Whatever it takes to ensure a deep understanding of each other's feelings. Cancer is not a solo mission.

Theater is a physical activity as much as anything. It's harder for me to learn the lines than it was 30 years ago. At the same time, I'll never quit working in the theater - until I can't memorize two lines back to back.

Ted Cruz, Rand Paul, Mike Lee, and others who raced to the microphones at the slightest hint of Obama overstepping the lines were damn quiet as Trump wildly colored outside the lines of any rational version of executive power.

Often the lines that define the traditional European arrangement of fiction, non-fiction, history, etc. are not useful. These lines can distort the world we, people who look like me, live in - and by the world, I mean our personal experience of it.