Top 847 Lip Gloss Quotes & Sayings - Page 14

There are things about organized religion which I resent. Christ is revered as the Prince of Peace, but more blood has been shed in his name than any other figure in history. You show me one step forward in the name of religion, and I'll show you a hundred retrogressions…I'm for decency—period. I'm for anything and everything that bodes love and consideration for my fellow man. But when lip service to some mysterious deity permits bestiality on Wednesday and absolution on Sunday—count me out.

Bliss can only come through gratitude, only through enlarging your heart with gratitude. Bliss is the reward of gratitude - the gratitude which is not just wordly or just spoken lip service, but is from the heart - the gratitude of the heart.

I was watching Ashlee Simpson on Jay's show last night... She was really singing, and I was saying, 'Bring back the lip synch'... And it struck me that Ashlee Simpson is a lot like George Bush - because she wouldn't even really be in the big leagues if it wasn't for family connections, and she's in way over her head. And she doesn't know what to do. And she blamed her band.

What are you doing in there, waxing your mustache?” Iggy yelled, pounding on the bathroom door. I yanked the door open and pushed him backward hard, making him stagger. “I don’t have a mustache, you idiot!” Iggy giggled and put his arms up to protect himself in case I punched him. “And you know what?” I added. “You don’t have one either. Well, maybe in a couple years. You can always hope.” I left him in the hallway, anxiously fingering his upper lip.

Crumb,” he said. “What?” A slight grin appeared on his face and then he reached out, without the napkin, and before I knew what he was doing, he smoothed his thumb over my bottom lip. Every single muscle in my body locked up and became painfully tense. My eyes widened and the air caught in my throat. The touch was slight, barely anything, but I felt it in several parts of my body. “Got it.” His grin spread.

Clothes, when abstracted from the flow of present time and their transmogrifying function on the human body, and seen as forms in themselves, are strange tubes and excrescences worthy of being classed with such facial decorations as the ring through the nose or the lip-stretching disk. But how enchanting they become when seen togetherwith the qualities they bestow on their wearer! What happens then is no less than the infusion, into some tangled lines on a piece of paper, of the meaning of a great word.

The only way that you can keep moving forward, finding other ways of expressing things about this increasingly complicated world that we live in, is by listening and observing not only to life around you but to the other people who are in the room. It's not about a sort of, you know, a sense that you have to be democratic about these things, it's a question of creativity that the process of making theatre is a collaborative process, and it is not in, it is not a question of, you know, I have no interest in paying lip service to it, for me it's absolutely fundamental.

Yeah and she's my kinda crazy The little games she plays Lord they'll never get old She's too cute to get on my last nerve The way she throws her little fits Pokin' out her lip and bitin' mine when we kiss There ain't a fight that she can't win That's my baby And she's my kinda crazy

The pulp hero, though he may be a renegade, is a guy who doesn't feel. Anything. Ever. And for the adolescent male - pummeled by emotions left and right, whether arising from sexuality or resulting from his necessary encounters with authority - this hero is a blessing, a relief and a release. The world he lives in, where feelings are totally under control, looks to the adolescent boy like heaven! This hero's lack of feeling - like Star Trek's Spock - is what allows him to be a genius, or allows him to shoot the bad guys and/or aliens, without a quiver to his lip.

I like a tranquil, even-keeled, self-controlled God. A God who doesn't fly off the handle at the least provocation. A God who lives one step above the fray. A God who has that British stiff upper lip even when disaster is looming. When I read my Bible, though, I keep running into a different God, and I'm not pleased. This God says he "hates" sin. Well, he usually yells it. Read the prophets. It's just one harangue after another, all in loud decibels. And when the shouting is over, then comes the pouting. ... When all else fails, he throws himself in front of the car.

You're a poem?' I repeated. She chewed her lower lip. 'If you want. I am a poem, or I am a pattern, or a race of people whose whose world was swallowed by the sea.' 'Isn't it hard to be three things at the same time?' 'What's your name?' 'Enn.' 'So you are Enn,' she said. 'And you are a male. And you are a biped. Is it hard to be three things at the same time?

Did the priest you mentioned tell you about them? Or did he send you out to blunder along on your own?They're an odd lot. Half of them are soldiers, or priests in disgui- Ah.Is your priest with them?" "No!" He snapped. Ping. He jumped. He'd forgotten the bell. "I mean, I don't know". Ping. "There is no particular priest."Ping. He bit his lip and fell silent.

If we're doing this for ten hours, I'm going to need a little incentive to stay motivated." Patch hooked his elbow around my neck and dragged me into a kiss. "Every time you strip my sword, I owe you a kiss. How's that sound?" I bit my lip to keep from giggling. "That sounds really dirty." Patch waggled his eyebrows. "Look whose mind just rolled into the gutter. Two kisses per strip. Any objections?" I pulled on an innocent face. "None whatsoever.

The most dangerous type of atheism is not theoretical atheism, but practical atheism -that's the most dangerous type. And the world, even the church, is filled up with people who pay lip service to God and not life service. And there is always a danger that we will make it appear externally that we believe in God when internally we don't. We say with our mouths that we believe in him, but we live with our lives like he never existed. That is the ever-present danger confronting religion. That's a dangerous type of atheism.

I am dead against art's being self-expression. I see an inherent failure in any story which fails to detach itself from the author-detach itself in the sense that a well-blown soap-bubble detaches itself from the bowl of the blower's pipe and spherically takes off into the air as a new, whole, pure, iridescent world. Whereas the ill-blown bubble, as children know, timidly adheres to the bowl's lip, then either bursts or sinks flatly back again.

The Scripture saith, The fool hath said in his heart, there is no God; it is not said, The fool hath thought in his heart; so as he rather saith it, by rote to himself, as that he would have, than that he can thoroughly believe it, or be persuaded of it....It appeareth in nothing more, that atheism is rather in the lip, than in the heart of man.

Next to fat babies, midgets are my favorite things to hold. I love them so much, and I want to help them to do adult things like drive cars, Jet-Ski, and lip-synch. I’m in awe of their little limbs, their large craniums, and their medicine-ball asses. I love the little baby steps they take while shifting their weight from side to side, and the fact that when you knock one over accidentally, he flails like a turtle on its back that can’t get up right away.

The word is a thing of mystery, so volatile that it vanishes almost on the lip, yet so powerful that it decides fates and determines the meaning of existence. A frail structure shaped by fleeting sound, it yet contains the eternal: truth. Words come from within, rising as sounds fashioned by the organs of a man's body, as expressions of his heart and spirit. He utters them, yet he does not create them, for they already existed independently of him. One word is related to another; together they form the great unity of language, that empire of truth-forms in which a man lives.

I cut off your hand. I have been living with your grief and your rage and your pain ever since. I don't think-I don't think I had felt anything for a long time before that, but those emotions at least were familiar to me. Love I am not familiar with. I didn't recognize that feeling until I thought I had lost you in Ephrata. And when I thought I was losing you a second time, I realized I would give up anything to keep you-my lip service to other gods, but my pride, too, and my rage at all gods, everything for you.

Yes, I laugh at all mankind, and the imposition that they dare to practice when they talk of hearts. I laugh at human passions and human cares, vice and virtue, religion and impiety; they are all the result of petty localities, and artificial situation. One physical want, one severe and abrupt lesson from the colorless and shriveled lip of necessity, is worth all the logic of the empty wretches who have presumed to prate it, from Zeno down to Burgersdicius. It silences in a second all the feeble sophistry of conventional life, and ascetical passion.

I've got the Rosebud lip balm. I was gonna say my phone but that's not a beauty product. I try to bring my mascara everywhere because I'm a blonde and you know blondes have really light eyelashes, you always wanna put more and more on til they look like spiders, that's just what I do. And that's about it. Those are the two things that I keep. Sometimes if I have a big enough purse I'll bring my perfume or something. Right now I really like Beaute, it's by Johan B. and it's really nice, so I like that.

I study her,” Patch said. “I figure out what she’s thinking and feeling. She’s not going to come right out and tell me, which is why I have to pay attention. Does she turn her body toward mine? Does she hold my eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?” Laughter rose in the room. I dropped my hands to my lap. “She’s game,” said Patch, bumping my leg again. Of all things, I blushed.

Wow,” Kylie muttered, and grinned. “Yeah, wow.” Della leaned in closer. “I think Perry just grew a pair.” Kylie bit down on her lip to keep from laughing. “If this was a movie, there would be some music playing in the background.” “I could sing,” Della chuckled. “And ruin it,” Kylie teased back. “I’ve heard you singing in the shower.” Both grinning, they looked back at the kissing couple.

[Riley] slapped his hands to his face and then dropped them as if in surrender. 'I always say the wrong thing around you. Look, can we start over?' Over?" Yes. Over. Wipe the board clean.' But I would have to go back to hating you and not trusting you' I said Oh, well don't do that.' He paused and chewed his lip. 'Does that mean you like and trust me now?' " - Riley and Trella

...I don't understand this gap you see between us, but can't you meet me somewhere in the middle?" "The middle of what?" "I don't know, the middle of tomorrow and forever, the middle of life and death, the middle of normal and paranormal. Where we've always been." I bit my lip, nodding against his forehead. "There's a place for us there, right?" "Always." He put his lips to mine, sealing our own little spot in the world. Together.

Still another danger is represented by those who, paying lip service to democracy and the common welfare, in their insatiable greed for money and the power which money gives, do not hesitate surreptitiously to evade the laws designed to safeguard the public from monopolistic extortion. American fascists of this stamp were clandestinely aligned with their German counterparts before the war, and are even now preparing to resume where they left off, after "the present unpleasantness" ceases.

Its so hard to talk when you want to kill yourself. That's above and beyond everything else, and it's not a mental complaint-it's a physical thing, like it's physically hard to open your mouth and make the words come out. They don't come out smooth and in conjunction with your brain the way normal people's words do; they come out in chunks as if from a crushed-ice dispenser; you stumble on them as they gather behind your lower lip. So you just keep quiet.

Alice doesn't seem to mind because she's laughing too, and biting her lip, all doe-eyed, and tossing her freshly washed hair, and Norton tosses his lovely, glossy hair back, and she tosses her hair in return, and he tosses his, and she tosses hers, and it;s like some mating ritual on a wildlife program.

Man represses the irrational passions of destructiveness, hate, envy, revenge; he worships power, money, the sovereign state, the nation; while he pays lip service to the teachings of the great spiritual leaders of the human race, those of Buddha, the prophets, Socrates, Jesus, Mohammed-he has transformed these teachings into a jungle of superstition and idol-worship. How can mankind save itself from destroying itself by this discrepancy between intellectual-technical overmaturity and emotional backwardness?

Jack was mid-jump when I burst into my room. I snatched his ankle,flipping him horizontal.He crashed down hard to my bed and rolled off onto the floor. And laughed. "Let's do that again! But this time I'll jump even higher." "No! No,you won't! What are you going here?" He sat up on the floor and shrugged. "I was bored." "I don't care! I'm not your babysitter!" His blue eyes twinkled.Honestly, whose eyes actually twinkle? Then his face crumpled,his lower lip jutting out.He blinked his ridiculously long eyelashes at me. "I thought we were friends." "Oh,knock it off.

He stuck the pencil over his ear, looking unconvinced. "Mmm. What position would you be the most comfortable for you?" I couldn't say aloud the answers that popped into my head at that question, but the flush that spread across my face like wildfire gave me away. He caught his lower lip in his teeth, and I was sure it was to contain a laugh. Most comfortable position? What about with my head stuck under a pillow?

I went into Hollywood and met Mike Aarons and went to Grantray-Lawrence Animation to work on the, by today's standards, extremely cheap and crude Marvel superheroes cartoons which basically consisted of taking stacks of the comic book art, taking parts of the art, pasting it down, extending it down into drawings and occasionally a new piece of art to bridge the comic book panels and limited animation and lip movement.

She stood in his kitchen, watching him toy with the ring in his lip. It wasn't quite that he was biting it, but sucking it into his mouth. He did that when he was concentrating. It isn't sexy. He's not sexy. But he was, and she was staring at him like a fool. "wow" she whispered (.....)"Wow, huh?" His voice was low, husky. His chair creaked as he stood. His footsteps seemed strangely loud as he closed the couple yards between them. Then he was beside her. "I can work with wow

I love the sound of words, the feel of them, the flow of them. I love the challenge of finding just that perfect combination of words to describe a curl of the lip, a tilt of the chin, a change in the atmosphere. Done well, novel-writing can combine lyricism with practicality in a way that makes one think of grand tapestries, both functional and beautiful. Fifty years from now, I imagine I’ll still be questing after just that right combination of words.

When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.

You've always asked me to wait, as if we had time in abundance. But time is too precious, Perry. We've wasted years, when we could have been with each other. Don't you understand how much even one day of loving each other is worth? Some people are separated by distances they can never cross. All they can do is dream about each other for a lifetime, never having what they want most. How foolish, how wasteful to have love within your reach and not take it!" She clamped her teeth on her trembling bottom lip to steady herself

He let Shane drop back down in his chair, and walked out, back stiff. Furious. Shane sat with his hands clutching at the armrests. He exchanged a stunned look with Eve, and they both stood up at once. "No," Shane said. "I did it. Let me fix it." He went off after Michael. Eve chewed her lip and said, "Well, we're either going to see half the house destroyed, or their bromance is going to go all the way.

When I think of Britain, I don't think of these lofty ideals which once held sway like the stoic upper lip. I think of girls on a Saturday night outside kebab shops stabbing each other with stiletto heels or guys smashing glasses into someone's face. I think of shows like Big Brother which celebrate people's discomfort and anguish or kids committing these terrifying happy slapping acts of brutality to each other at the drop of a hat.

I’m not fascinated by people who smile all the time. What I find interesting is the way people look when they are lost in thought, when their face becomes angry or serious, when they bite their lip, the way they glance, the way they look down when they walk, when they are alone and smoking a cigarette, when they smirk, the way they half smile, the way they try and hold back tears, the way when their face says they want to say something but can’t, the way they look at someone they want or love… I love the way people look when they do these things. It’s… beautiful.

The sneer is gone from Casey's lip, his teeth are clenched in hate; He pounds with cruel violence his bat upon the plate. And now the pitcher holds the ball, and now he lets it go, And now the air is shattered by the force of Casey's blow. Oh, somewhere in this favored land the sun is shining bright; The band is playing somewhere, and somewhere hearts are light, And somewhere men are laughing, and somewhere children shout; But there is no joy in Mudville, mighty Casey has struck out.

Though I be shut in darkness, and become insentient dust blown idly here and there, I count oblivion a scant price to pay for having once had held against my lip life's brimming cup of hydromel and rue--for having once known woman's holy love and a child's kiss, and for a little space been boon companion to the Day and Night, Fed on the odors of the summer dawn, and folded in the beauty of the stars. Dear Lord, though I be changed to senseless clay, and serve the potter as he turns his wheel, I thank Thee for the gracious gift of tears!

Granny bit her lip. She was never quite certain about children, thinking of them-when she thought about them at all-as coming somewhere between animals and people. She understood babies. You put milk in one end and kept the other as clean as possible. Adults were even easier, because they did the feeding and cleaning themselves. But in between was a world of experience that she had never really inquired about. As far as she was aware, you just tried to stop them catching anything fatal and hoped that it would all turn out all right.

If I tell you my character has grey hair, you will not see her. If I tell you she has a tiny scar at the upper left corner of her lip from which protrudes one grey whisker—you will make up the rest of her face with absolute clarity. If I tell you my character is waiting in a car, you won’t be ‘caught,’ but if I tell you he pushes his fingers down in the crack of the car seat where the ancient leather has pulled away from the seat frame, and pulls up a small coin purse with a faded note in it—you will be mine.

Then Drew shuffles into the dining hall. I drop my toast, and my mouth drifts open. Calling him “bruised” would be an understatement. His face is swollen and purple. He has a split lip and a cut running through his eyebrow. He keeps his eyes down on the way to his table, not even lifting them to look at me. I glance across the room at Four. He wears the satisfied smile I wish I had on.

Bill Clinton gives the appearance of taking stands-for some sort of tax cut, some sort of welfare reform, some sort of balanced budget-but these are ploys, mirages: they exist only to undermine positions taken by the Republicans. He doesn't fight for anything substantive-except of course, re-election. ...He has fallen into the dangerous habit of lip synching the presidency: he gives the appearance of leadership, but not the substance.

Beetee is still messing round the tree, doing I don't know what. At one point he snaps off a sliver of bark, joins us, and throws it against the force field. It bounces back and lands on the ground, glowing. In a few moments it returns to its original color. "Well, that explains a lot," says Beetee. I look at Peeta and can't help biting my lip to keep from laughing since it explains absolutely nothing to anyone but Beetee.

Sincerity is the same in a corner alone, as it is before the face of the world. It knows not how to wear two vizards, one for an appearance before men, and another for a short snatch in a corner; but it must have God, and be with him in the duty of prayer. It is not lip-labour that it doth regard, for it is the heart that God looks at, and that which sincerity looks at, and that which prayer comes from, if it be that prayer which is accompanied with sincerity.

He came over in long pur­pose­ful strides, sat at the edge of her bed, and in a ten­der, pos­ses­sive ges­ture wiped the lip­stick off her lips. “What is that?” he asked. “All the other girls wear it,” Ta­tiana said, quickly wip­ing her mouth, breath­less at the sight of him. “In­clud­ing Dasha.” “Well, I don’t want you to have any­thing on your lovely face,” he said, stroking her cheeks. “God knows, you don’t need it.

Kylie bit down on her lip. Burnett took a step forward. He squared his shoulders, empathy filling his eyes. He took a deep, apparent heartfelt breath and looked at Kylie. She nodded at him as if giving him the lead. He looked back at Holiday and, in a deep voice, said, "Kylie has something to tell you." Kylie's mouth fell open and right then she knew it was official. Men sucked at verbal communication especially where anything emotional was concerned.

Heat radiated off Henry's face. Salty snot ran down his upper lip. A majestic fart propelled him to the top of Section 12, just at the springing of the stadium's curve. He slapped the sign as if high-fiving a teammate. It gave back a game shudder. He was crusing now, darkness be damned, stripping off his sweatshirt and his long underwear top without breaking stride.

I wish more fantasy, especially the dominant fantasy that draws heavily on British and Christian lore, would wrestle with its own ethnospecific nature and what that means when the story is set somewhere where more than one belief system is in operation. If all you do is pay lip service to it, you can get the kind of thing where the writer has thrown one Hindu god into a Christianist fantasy (rendering said god by default a demon or otherwise inferior to the dominant religious system of the story, which is such an insult), and the hero is able to vanquish it by chanting a spell in church Latin.

Hurry not a woman's favor; neither forcer her hastily to surrender to thee. For she goeth into love as she goeth into the waters at the seashore; first a hand and then a lip goeth she in by littles. She diveth not, she leapeth not from the pier; but by gentle shocks and cries of protest she entereth slowly; yet when the waters of love encompass her, then she is supported. She swimmeth in her joy; she floateth on the tide of happiness.

The America of Obama's dreams is not the one of self-reliance and entrepreneurship to which he paid phony lip service at the beginning of his speech. It is an America in which the government, rather than the private sector, creates wealth and leads ignorant, helpless people by the nose from cradle to grave, from preschool to the academy, with the caveat that if they succeed too much, they will make themselves enemies of the state and targets for punitive action. Obama's new American dreams is an American nightmare.

There’s faith that knows itself as faith, Proyas, and there’s faith that confuses itself for knowledge. The first embraces uncertainty, acknowledges the mysteriousness of the God. It begets compassion and tolerance. Who can entirely condemn when they’re not entirely certain they’re in the right? But the second, Proyas, the second embraces certainty and only pays lip service to the God’s mystery. It begets intolerance, hatred, violence.

We shall not attempt to give the reader an idea of that tetrahedron nose-that horse-shoe mouth-that small left eye over-shadowed by a red bushy brow, while the right eye disappeared entirely under an enormous wart-of those straggling teeth with breaches here and there like the battlements of a fortress-of that horny lip, over which one of those teeth projected like the tusk of an elephant-of that forked chin-and, above all, of the expression diffused over the whole-that mixture of malice, astonishment, and melancholy. Let the reader, if he can, figure to himself this combination.

Young love-making--that gossamer web! Even the points it clings to--the things whence its subtle interlacings are swung--are scarcely perceptible: momentary touches of finger-tips, meetings of rays from blue and dark orbs, unfinished phrases, lightest changes of cheek and lip, faintest tremors. The web itself is made of spontaneous beliefs and indefinable joys, yearnings of one life towards another, visions of completeness, indefinite trust.

The Road To Serfdom was written during WWII, and basically it's an anti-Nazi, anti-communist thing, but also it's an anti-Conservative and anti-Labor-party thing aimed at the British. He was an Austrian, writing in Britain. And I feel like now, I guess, everybody pays lip service to libertarian - and, indeed, many conservative - ideas, and yet they keep moving forward with an increasingly bureaucratic state. It shows itself in all sorts of little ways.

Startled, he loosed his grasp and she pulled free. He clutched her arm, but she spun around and pressed her mouth to his. His lips were rough, chapped. She felt the sting of fangs against her bottom lip. He made a sharp sound in the back of his throat and closed his eyes. Mouth opening under hers. The smell of him- of cold, damp stone- made her head swim. One kiss slid into another and it was perfect, was exactly right, was real.

It was part of war; men died, more would die, that was past, and what mattered now was the business in hand; those who lived would get on with it. Whatever sorrow was felt, there was no point in talking or brooding about it, much less in making, for form's sake, a parade of it. Better and healthier to forget it, and look to tomorrow.The celebrated British stiff upper lip, the resolve to conceal emotion which is not only embarrassing and useless, but harmful, is just plain commons sense

Piper bit her lip. The last thing she wanted to do was check Katopris for more terrifying images. 'I've tried,'she said.'The dagger doesn't always show what I want to see. In fact,it hardly ever does' 'Please,'Percy said.'Try again.' He pleaded with those sea-green eyes, like a cute baby seal that needed help.Piper wondered how Annabeth ever won an argument with this guy. 'Fine,'she sighed,and drew her dagger