Top 326 Listeners Quotes & Sayings - Page 4

Entrepreneurs need to listen. They don't need to be good listeners (although it can only help) but they need to know when to listen.

Americans' distrust of the conspicuously intellectual - a habit we learned, I suppose, on the frontier, but which remains a feature of the national character - has the virtue of puncturing the pretentious and exposing the fake, but it may also have impaired American listeners' patience for music that is especially complex or austere.

Very few of us have our special listening room where we close off the rest of the world and only hear the music. As musicians or as listeners, we're generally interacting with music wherever we are, whether we're on a train or on the street.

A lot of shows take place here and people of Dubai are very good listeners too. Definitely a lot of talent comes here and a lot happens here which is very encouraging for artists.

My absolute favorite song I've ever written is "This Is Where We Came In." It's a nudge at younger listeners, cause at one time you could go into a cinema halfway through a film and then stay through and pick up where you left off.

Getting 10,000 listeners for a free podcast novel is a lot easier than selling 10,000 hardcover novels at $25 a pop.

If Death Grips isn't the fourth horseman of a hip-hop apocalypse, its music at least tests the genre's threshold of extremity: The trio's abrasive, jittery style teeters on the edge of palatability, and plays toward a morbid curiosity to which many listeners won't succumb.

If you think about 'The Pill' by Loretta, that was totally blacklisted back then. But she revolutionized and liberated a generation of women - country listeners and beyond - that were sort of in that box and were able to break out of it.

Women have for centuries been recognized as talented listeners, nurturers, motivators, excellent communicators. These very qualities that we once were told were unbusinesslike are precisely the qualities that business needs most to tap human potential.

Listeners can expect to feel very relaxed during the listening experience of 'Beyond Waves.' The songs are very lyrical and extremely intimate, so I feel like you're going to need to be in a quiet room when you hear them, at least the first time.

Scandal often does as much harm to the listeners as to those who devise it, even if it were to do no other harm than disturb the mind, as it does, and give rise to temptations to speak or write about it to others.

Country music was a part of my life. Now it isn't. We had a good relationship, really, but we wanted each other at arm's length. The people in Nashville didn't want to be responsible for my looks or my actions. But they sure did like the listeners I brought.

The best musicians are not the best players, they're the best listeners.

What makes 'American Pie' so unusual is that it isn't a relic from the counterculture but a talisman, which, like a sacred river, keeps bringing joy to listeners everywhere. When 'American Pie' suddenly is played on a jukebox or radio, it's almost impossible not to sing along.

Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things; the listeners, we must remember, needed poetry chiefly as the re-creation of tired hours.

No, I don't know how to get young people to start listening to jazz again. But I do know this: Any symphony orchestra that thinks it can appeal to under-30 listeners by suggesting that they 'should' like Schubert and Stravinsky has already lost the battle.

The greatest tales, well told, awaken the fears and longings of the listeners. Each man hears a different story. Each is touched by it according to his inner self. The words go to the ear, but the true message travels straight to the spirit.

Country fans and country listeners deserve to have something better... a song that really has something to say, something that makes you feel something.

The reality is that a consumer culture which chucks out its iPhones for a new version every nine months is completely unsustainable, because Earth has already reached the tipping point. 'The General Strike' attempts to personalize these issues and encourage listeners to look for a new model.

When will talkers refrain from evil speaking: when listeners refrain from evil-hearing.

People have become less discriminating listeners, which is tragic, really. There's a lot of emperor's new clothes out there, whether they're female or male solo acts. That bothers me. It's hard to break through, and it's like climbing Mount Everest if you actually do.

I did an audiobook for 'Rough Crossings,' which I thought was one of the best books I had published. But it was an absolute embarrassment to read it. All these horrible mucked-up bits of syntax, over-the-top adjectives. I found myself editing it while reading. Alert listeners will notice the difference.

I really hope that with my album, because I have a bit more of a mainstream crossover following, I really hope that I can introduce some new listeners to this world of instrumental music.

I divorce myself from listeners who aren't tolerant of humor. I did notice universally that, especially when it comes to weight, people look in the mirror and get the angle just right, tell themselves it's all right, and then they go out.

If I were to name my favorite pastime, I'd have to say talking about myself. I love it and I think most other people do too. We need, people like us, more listeners and less talkers.

As I was saying, half a democracy is showing up and people have got not only to agree with this agenda, some of these third parties listeners, they've got to show up.

Great readers, great listeners, and all have great work ethics. ... They work hard at what they do and they're devout to their reading and listening.

For listeners, the song 'Kehne ko jashn-e-baharaa hai' looks a very easy number. In fact, it was a challenge to sing the song as I had to really suppress my voice and make it appear like a casual track.

There was a time when content could be manipulated with money, but today we have surpassed that. Now, only good content will create ripples and strike a chord because the artistes are connecting directly with their listeners through social media.

President Obama was asked not long ago to reflect on any mistakes he might have made. He said, well, 'I haven't communicated enough.' He said his job is to 'tell a story to the American people' - as if that's the whole problem here? He needs to talk more, and we need to be better listeners?

I hit 'record' whenever I'm going through a really hard time. I don't listen to it for a couple of days, so I have some perspective. If it's too personal to share, and I feel like would alienate the listeners, then I usually don't share that stuff.

I love opera so much. I would never go back to doing it, but I love to listen - I'm grateful for it. I studied diction, breathing control, phrasing, why the song means something. You want to bring that across to your listeners.

Whatever the raw material, the material itself is unimportant until it's catalyzed by emotional fervor. So in the ideal exchange between me and my listeners, they wouldn't 'figure out' my music. They would feel their pulse racing and the hair standing up on the backs of their necks.

More negatives write than call. It's a cheap shot for me to go on the air with the critical letters or E-mail I get because the reaction of the listeners is always an instantaneous expression of sympathy for me and contempt for the poor critic.

Even non-commercial media rely on transferring cost to users through licence fees, donations from listeners, viewers, or readers, or grants from companies and foundations that have wrestled their funds from the public in some form of earlier commercial activity.

The great jazz radio stations have a duty to continue evolving their format just as audiences ask the musicians to evolve. How do you do that with a form of music that has 100 years of recorded history? How do you also keep it contemporary so you don't isolate your listeners? These are major questions.

A gap in tone is opening up between podcasts and broadcast radio. The people who produce the former know their listeners have given them permission to go deep into their subject. The people who do the latter live in fear they've already gone too far.

As humans, we have the tendency to call on God only when we think that we're in dire straits as opposed to cultivating a real relationship with Him every day. And that's what my music tries to convey to all the listeners - try to cultivate it every day.

As far as using electronics in my music, I have to do that as honestly as possible. Also, I have a broad range of listeners from a classical music base, as well as people, like me, who listen to a lot of different music. So I'm mindful of letting my sitar playing remain at the center of what I do.

Nothing made me happier than to hear from literally hundreds of listeners who would tell me how much the commentaries revealed about a subject they otherwise had never cared much for.

My approach to music is very deep. I do not compromise with anybody or anything else in the world. I do not care. I want to really go beyond this materialistic world...not for the sake of enjoyment, entertainment, no. A musician must lift up the souls of the listeners, and take them towards Space.

I found the hedge-fund guys I met all to be very, very concentrated listeners - watchful and articulate and quick to defend, if needed. They all seemed to have this contained sitting posture. The legs, if they weren't crossed at right angles, tended to be close over the knee, their hands put together.

The reality is that a consumer culture which chucks out its iPhones for a new version every nine months is completely unsustainable, because Earth has already reached the tipping point. The General Strike attempts to personalize these issues and encourage listeners to look for a new model.

If we play to first time Blink 182 listeners, it's good they are listening to us and not the Backstreet Boys. Old Fans or new fans, it's all the same to us.

Hitler frequently demonstrated diffidence and unease in dealings with individuals which contrasted diametrically with his self-confident mastery in exploiting the emotions of his listeners in the theatrical setting of a major speech.

I probably have more female friends than any man I've ever met. What I like about them is that almost always they're generally mentally tougher, and they're better listeners, and they're more capable of surviving things.

Personally, I love the cookie monster grunts. I like how they alienate listeners. We sound the way we sound. We're individuals. We don't all like the same music. Everybody contributes their own influences, style, and history.

I treat everybody equal, and so I want to be sure that my listeners and my followers do the same if they're gonna represent me. And if I'm gonna represent them, then I also want to do it in a good way.

Preaching is compelling to young secular adults ... - not if preachers use video clips from their favorite movies and dress informally and sound sophisticated, - but if the preachers understand their hearts and culture so well that listeners feel the force of the sermon's reasoning, even if in the end they don't agree with it.

There are many benefits to this process of listening. The first is that good listeners are created as people feel listened to. Listening is a reciprocal process - we become more attentive to others if they have attended to us.

I feel like I walk a very fine line between wanting someone to be open and vulnerable and honest with me and the listeners, but not wanting anyone to ever feel like I'm exploiting them.

Listeners are kind of ambushed... if a poem just happens to be said when they're listening to the radio. The listener doesn't have time to deploy what I call their 'poetry deflector shields' that were installed in high school - there's little time to resist the poem.

Super casual music listeners. That's most of the people in the world. And you have to understand, that's why Top 40 radio exists. It's not there for people who seek out music and who love music.

People aren't very good listeners, by nature. Part of being a good communicator is recognizing and understanding that and trying to make the complex simple. I try to capture a concept, an idea or a moment in a few words. If they remember it, job done.

Good listeners have a huge advantage. For one, when they engage in conversation, they make people 'feel' heard. They 'feel' that someone really understands their wants, needs and desires. And for good reason; a good listener does care to understand.

I will keep playing as long as my body lets me, and as long as I'm wanted by my listeners. Because music is the only thing that keeps me going.

I'm a workaholic. My listeners, I think, they know me as a workaholic already. But, you know, work is my love.

I don't subscribe to the view that only puja numbers recorded during the '60s-'90s are enjoyed by the present-day listeners. Definitely the songs of that period are very popular even now, but the songs recorded afterwards are equally lapped up by the audience.

The best leaders are very often the best listeners. They have an open mind. They are not interested in having their own way but in finding the best way.

Most songs have bridges in them, to distract listeners from the main verses of a song so they don't get bored. My songs don't have a lot of bridges because lyric poetry never had them.